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MOST CHAMPIONSHIP TITLES T O Following are the records for championships achieved in all of the five major events constituting U R I N the U.S. championships since 1881. (Active players are in bold.) N F A O M E MOST TOTAL TITLES, ALL EVENTS N T MEN Name No. Years (first to last title) 1. Bill Tilden 16 1913-29 F G A 2. Richard Sears 13 1881-87 R C O I L T3. Bob Bryan 8 2003-12 U I T N T3. John McEnroe 8 1979-89 Y D & T3. Neale Fraser 8 1957-60 S T3. Billy Talbert 8 1942-48 T3. George M. Lott Jr. 8 1928-34 T8. Jack Kramer 7 1940-47 T8. Vincent Richards 7 1918-26 T8. Bill Larned 7 1901-11 A E C V T T8. Holcombe Ward 7 1899-1906 E I N V T I T S I OPEN ERA E & T1. Bob Bryan 8 2003-12 S T1. John McEnroe 8 1979-89 T3. Todd Woodbridge 6 1990-2003 T3. Jimmy Connors 6 1974-83 T5. Roger Federer 5 2004-08 T5. Max Mirnyi 5 1998-2013 H I T5. Pete Sampras 5 1990-2002 S T T5. Marty Riessen 5 1969-80 O R Y C H A P M A P S I T O N S R S E T C A O T I R S D T I S C S & R P E L C A O Y R E D R Bill Tilden John McEnroe S * All Open Era records include only titles won in 1968 and beyond 169 WOMEN Name No. -
A Hollywood Ending
THE MAGAZINE OF FARMINGDALE STATE COLLEGE FSCNOW2021 A HOLLYWOOD ENDING William Fichtner first auditioned at Farmingdale. Now he’s one of the silver screen’s leading character actors. Murray Pasternack’s Justice Is Served Gift Unwrapped A new Criminal Justice Studies Center Murray Pasternack’s $500K scholarship takes an innovative approach in fund helps give students the resources examining issues of law and the courts. they need to succeed. ISSUE 04 ISSUE A LETTER FROM President Nader This is our fourth edition of FSCNow. When we first decided to create an annual campus magazine, I had no idea how it would be received. The response has been overwhelmingly positive. FSCNow is a source of pride for our alumni, faculty, and staff. It’s proven an ideal way to celebrate our achievements and outline the College’s road ahead. Last year it served as a vehicle to recognize members of our campus community who did so much to assist local hospitals and community organizations in their efforts to combat COVID in its early days. When I arrived at Farmingdale, I pledged to be the College’s storyteller in chief. This issue includes stories, both serious and amusing, that underscore Farmingdale’s mission and success. There are over a dozen interesting stories that help us appreciate some of the people who help make Farmingdale a special place. Some spotlight our faculty; others feature notable alumni. As you would expect, many articles are focused on our students. Students are at the heart of all we do, and it shows. The College continues to thrive, even in a challenging environment. -
US Open Doubles Champion Leaderboard Doubles Champion Leaders Among Players/Teams from the Open Era
US Open Doubles Champion Leaderboard Doubles Champion Leaders among players/teams from the Open Era Leaderboard: Titles per player (9) US OPEN DOUBLES TITLES Martina Navratilova (USA) 1977 1978 1980 1983 1984 1986 1987 1989 1990 (6) US OPEN DOUBLES TITLES Mike Bryan (USA) 2005 2008 2010 2012 2014 2018 | * Tied for most all-time among men Darlene Hard (USA) 1969 (1958 1959 1960 1961 1962) * Richard Sears (USA) 1882 1883 1884 1885 1886 1887 * Holcombe Ward (USA) 1899 1900 1901 1904 1905 1906 (5) US OPEN DOUBLES TITLES Bob Bryan (USA) 2005 2008 2010 2012 2014 Margaret Court (AUS) 1968 1970 1973 1975 (1963) Gigi Fernández (USA) 1988 1990 1992 1995 1996) Billie Jean King (USA) 1974 1978 1980 (1964 1967) Pam Shriver (USA) 1983 1984 1986 1987 1991 (4) US OPEN DOUBLES TITLES Maria Bueno (BRA) 1968 (1960 1962 1966) Rosemary Casals (USA) 1971 1974 1982 (1967) Robert Lutz (USA) 1968 1974 1978 1980 John McEnroe (USA) 1979 1981 1983 1989 Stan Smith (USA) 1968 1974 1978 1980 Natalia Zvereva (BLR) 1991 1992 1995 1996 (3) US OPEN DOUBLES TITLES Peter Fleming (USA) 1979 1981 1983 Martina Hingis (SUI) 1998 2015 2017 John Newcombe (AUS) 1971 1973 (1967) Jana Novotná (CZE) 1994 1997 1998 Leander Paes (IND) 2006 2009 2013 Virginia Ruano Pascual (ESP) 2002 2003 2004 Lisa Raymond (USA) 2001 2005 2011 Fred Stolle (AUS) 1969 (1965 1966) Paola Suárez (ARG) 2002 2003 2004 Betty Stöve (NED) 1972 1977 1979 Todd Woodbridge (AUS) 1995 1996 2003 Mark Woodforde (AUS) 1989 1995 1996 (2) US OPEN DOUBLES TITLES Judy Tegart Dalton (AUS) 1970 1971 Nathalie Dechy (FRA) 2006 -
Read It Here
Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Onny Parun (NZL) Gentlemen's Doubles
Onny Parun (NZL) Gentlemen's Doubles Code->Event From To Participations Matches Won/Lost Walkovers W/L Total 1966 1981 12 20 8 / 12 0 / 1 QD->Qualif. Men's Doubles 1966 1979 2 2 0 / 2 0 / 0 MD->Gentlemen's Doubles 1968 1981 10 18 8 / 10 0 / 1 Year Opponent's Name Seed Rnd Result Score 1966 Onny Parun (NZL) partnered with Kevin Woolcott (NZL) QD Zeljko Franulovic (YUG) and Mincek (YUG) 1 L 9/11 6/4 4/6 3/6 1968 Onny Parun (NZL) partnered with Jean-Baptiste Chanfreau (FRA) MD Ken Rosewall (AUS) and Fred Stolle (AUS) 2 1 L 4/6 6/8 1/6 1969 Onny Parun (NZL) partnered with Brian Fairlie (NZL) MD Syd Ball (AUS) and Bob Giltinan (AUS) 1 W 6/2 6/4 6/2 MD John Cooper (AUS) and Barry Phillips-Moore (AUS) 2 W 3/6 6/4 7/5 6/1 MD Bob Lutz (USA) and Stan Smith (USA) 4 3 L 6/8 9/11 6/3 18/20 1970 Onny Parun (NZL) partnered with Brian Fairlie (NZL) MD Mel Baleson (RSA) and Tony Fawcett (ZIM) 1 W 6/3 6/4 6/2 MD Lance Lumsden (JAM) and Richard Russell (JAM) 2 W 11/9 6/4 4/6 6/3 MD John Newcombe (AUS) and Tony Roche (AUS) 1 3 L 2/6 2/6 2/6 1971 Onny Parun (NZL) partnered with Nikki Spear (YUG) MD Stan Smith (USA) and Erik van Dillen (USA) 1 L 4/6 4/6 2/6 1972 Onny Parun (NZL) partnered with Bernard Mignot (BEL) MD Jorgen Ulrich (DEN) and Torben Ulrich (DEN) 1 W 6/2 3/6 4/6 9/8 11/9 MD Jan Kodes (TCH) and Jan Kukal (TCH) 2 L 9/8 5/7 2/6 4/6 1974 Onny Parun (NZL) partnered with Dick Crealy (AUS) MD Arthur Ashe Jr. -
Final Appendices
Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
N E W S F R O M T E L E V I S I O N
M A Y 2 0 0 5 N E W S F R O M I N V E S T O R R E L A T I O N S N E W S F R O M T E L E V I S I O N A B C 2 0 0 5 / 2 0 0 6 S E A S O N P R I M E T I M E F A L L S C H E D U L E TIME SERIES PRODUCTION COMPANY 8:00pm Wife Swap* (thru January) RDF Media / Diplomatic 9:00pm Monday Night Football (thru January) Various MON ( T H E F O L L O W I N G W I L L P R E M I E R E A F T E R M O N D A Y N I G H T F O O T B A L L ) 8:00pm The Bachelor* Telepictures / Next Productions 9:00pm Emily’s Reasons Why Not Sony Pictures Entertainment / Pariah 9:30pm Jake in Progress* Brad Grey Television Productions / 20th Century Fox Television 10:00pm What About Brian Touchstone Television / Bad Robot 8:00pm According to Jim* Touchstone Television / Brad Grey 8:30pm Rodney* Touchstone Television TUE 9:00pm Commander-in-Chief Touchstone Television / Battle Plan Productions 10:00pm Boston Legal* 20th Century Fox Television / David E. Kelley Productions 8:00pm George Lopez* Warner Bros. Television / Mohawk Productions / Fortis Films 8:30pm Freddie Warner Bros. Television / Mohawk Productions / The Firm WED 9:00pm Lost* Touchstone Television / Bad Robot 10:00pm Invasion Warner Bros. -
TOP GUN (1986) and the Emergence of the Post-Cinematic by MICHAEL LOREN SIEGEL
5.4 Ride into the Danger Zone: TOP GUN (1986) and the Emergence of the Post-Cinematic BY MICHAEL LOREN SIEGEL Introduction The work of British-born filmmaker Tony Scott has undergone a major critical revision in the last few years. While Scott’s tragic suicide in 2012 certainly drew renewed vigor to this reassessment, it was well underway long before his death. Already by the mid-2000s, Scott’s brash, unapologetically superficial, and yet undeniably visionary films had been appropriated by auteurists and film theorists alike to support a wide range of arguments.[1] Regardless of what we may think of the idea of using auteurism and theory to “rescue” directors who were for decades considered little more than action hacks—an especially meaningful question in the digital age, given the extent to which auteur theory’s acceptance has increased in direct proportion to the growth of online, theoretically informed film criticism—it would be difficult to deny the visual, aural, narrative, thematic, and energetic consistency of Scott’s films, from his first effort, The Hunger (1983), all the way through to his last, Unstoppable (2011). The extreme scale and artistic ambition of his films, the intensity of their aesthetic and affective engagement with Ride into the Danger Zone the present (a present defined, as they constantly remind us, by machines, mass media, masculinity, and militarization), and, indeed, the consistency of their audiovisual design and affect (their bristling, painterly flatness, the exaggerated sense of perpetual transformation and becoming that is conveyed by their soundtracks and montage, the hyperbolic and damaged masculinity of their protagonists)—all of this would have eventually provoked the kind of critical reassessment we are seeing today, even without the new mythos produced around Scott upon his death. -
Top Gun Anthem
ABC0000011158 Air Cadet March Book Top Gun _. ,,'._L__L_/ Top Gun Anthem "Top Gun" was a popular movie produced by Paramount Pictures in 1986. The movie was based on the Fighter Weapons School, established by the United States Navy March 3, 1969. The school has been nicknamed "Top Gun" as only the top 1% of Navy pilots attend the school to fine tune and hone their skills in aerial combat situations. The school is located in Miramar, California otherwise known as "Fightertown, USA". The aircraft flown in the movie include the F14 fighter. The music for the soundtrack was provided by several artists with the "Top Gun Anthem" being performed by Harold Faltermeyer and Steve Stevens. Page 58-1 . .- ABC0000011159 Air Cadet March Book Top Gun The Theme From 'TOP GUN' Bb CONDUCTOR QUICKor SLOW MARCH ° Page 58-2 o o ABC0000011160 Air Cadet March Book Top Gun Top Gun 2 Page 58-3 " ABC0000011161 Air Cadet March Book Top Gun , i _I. 1 . ; i t J i i : , i _, _j I Ft.) "_" ,_t, j j jj . i i J (_ I J - J I f : j I t JJ Jj i,_-_ ........ i _ _' _ _ _ _ _ i i 1 -t -it ._I' o f_ i - ,.... "ii ./ _ i i_ If mid i __ d I_t • i if i._ I II if I __ !I II Top Gun 3 o Page 58-4 t t i 1 ABC0000011162 Air Cadet March Book Top Gun THE THEME FROM nu_ 'TOP GUN' Oboe Part A Q.