Read It Here

Total Page:16

File Type:pdf, Size:1020Kb

Read It Here Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D. AMT's Counterclaims And Affirmative Defenses Are Not Time Barred As Such Claims Have Been Defensively Asserted To Defeat Plaintiffs' Claims. 19 E. Plaintiffs Lack Standing To Challenge SLMI' s License To AMT SLMI Has The Capacity To License The Spider-Man Copyrights To AMT; AMT Should Not Be Precluded From Challenging Plaintiffs' Alleged Ownership In The Copyrights 21 F. AMT Should Not Be Precluded From Challenging The Validity Of Disney's And/OrDeadline.com Marvel's Alleged Copyrights In Spider-Man 22 IV. CONCLUSION 24 Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 3 of 30 Table of Authorities Page(s) Cases Abadin et al. v. Marvel Entertainment, Inc. et al., 09-Civ-0715, 2010 U.S. Dist. LEXIS 32069 (S.D.N.Y. Mar. 31, 2010) passim Alexander Binzel Corp. v. Nu-Tecsys Corp., No. 91 C. 2092, 1991 U.S. Dist. LEXIS 13538 (N.D. Ill. Sept. 30, 1991) 14 Allen et al. v. McCurry, 449 U.S. 90 (1980) 14 Anspach v. City of Phila., 380 Fed. Appx. 180 (3d Cir. 2010) 15 Apparel Bus. Sys., LLC v. Tom James Co., Civ. No. 06-1092, 2008 U.S. Dist. LEXIS 26313 (E.D. Pa. Mar. 31, 2008) 17, 23 Arco Polymers, Inc. v. Studiengesellschaft Kohle mbH, No. 78-Civ-2917, 555 F. Supp. 547 (E.D. Pa. 1982) 15 Ashcroft v. Iqbal, 556 U.S. 662 (2009) 7 Awanderlust Travel, Inc. v. Kochevar, 21 P.3d 876 (Colo. App. 2001) 21 Bell Atlantic Corp. v. Twombley, 550 U.S. 544 (2007) 7 Bieg v. Hovnanian Enters., Inc., 157 F. Supp. 2d 475 (E.D. Pa. 2001) 23 Emad Elkadrawy v. The VanguardDeadline.com Group, Inc., 584 F.3d 169 (3d Cir 2009) 8 Estate of Hogarth v. Edgar Rice Burroughs, Inc., 342 F.3d 149 (2d Cir. 2003) 20 Humphreys v. Budget Rent A Car System Inc., No. 10-CV-1302, 2013 U.S. Dist. LEXIS 30377 (E.D. Pa. Mar. 4, 2013) 12 Luckenbach Steamship Co., Inc. v. United States, 312 F.2d 545 (2d Cir. 1963) 9, 11, 19 Marvel Characters, Inc. v. Kirby, 726 F.3d 119 (2d Cir. 2013) 22 Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 4 of 30 Nat '1 Railroad Passenger Corp. v. Pa. Public Utility Commission et al., 288 F.3d 519 (3d Cir. 2002) 17, 18 O'Leary v. Liberty Mutual Ins. Co., 923 F.2d 1062 (3d Cir. 1991) 15 O'Leary v. Liberty Mutual Ins. Co., 923 F.3d F.2d 1062, 1065 (3d Cir. 1991) 8 Picture Patents, LLC v. Aeropostale, Inc., 788 F. Supp. 2d 127 (S.D.N.Y. 2011) 10, 11 Picture Patents, LLC v. Terra Holdings, LLC, No. 07-Cvi-5465 (HBP), 2008 U.S. Dist. LEXIS 98030 (S.D.N.Y. Dec. 3, 2008) 11 Pritchett v. Pound, 473 F.3d 217 (5th Cir. 2006) 20 In re Prosser, No. 12-2864, 2013 U.S. App. LEXIS 15853 (3d Cir. Aug. 1, 2013) 16, 17 Roche v. Sparkle City Realty, Civ. No. 08-2518, 2009 U.S. Dist. LEXIS 51555 (E.D. Pa. June 15, 2009) 8 Rumford Chem. Works v. Hygienic Chem. Co., 148 F. 862 (3d Cir. 1906) 13 Semtek Int I Inc. v. Lockheed Martin Corp., 531 U.S. 497 (2001) 8 SEPTA v. AECOM USA, Inc., No. 10-CV-117, 2010 U.S. Dist. LEXIS 130313 (E.D. Pa. Dec. 9, 2010) 7 Smith v. Bayer Corp., 131 S.Ct. 2368 (2011)Deadline.com 13 Smith v. Cowden (In re Cowden), 337 B.R. 512 (W.D. Pa. Bank. 2006) 11 Souders v. Bank of Am., 1:CV-12-1074, 2012 U.S. Dist. LEXIS 186082 (M.D. Pa. Dec. 6, 2012) 21 Stan Lee Media Inc., et al. v. Stan Lee, et al., No. 2:07-cv-00225, 2012 U.S. Dist. LEXIS 134307 (C.D. Cal. Aug. 23, 2012) 8 Stan Lee Media, Inc. v. The Walt Disney Company, No. 12-cv-2663, 2013 U.S. Dist. LEXIS 129393 (D. Col. Sept. 5, 2013) 8 Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 5 of 30 Stan Lee v. Marvel Enterprises, Inc. et al., 765 F. Supp.2d 440 (S.D.N.Y. 2011) 8 Stone v. Hank Williams, Jr. et al., 970 F.2d 1043 (2d Cir. 1992) 10 Taggart v. Chase Bank USA, NA. et al., 375 Fed. Appx. 266 (3d Cir. 2010) 8 Taylor v. Sturgell, 553 U.S. 880 (2008) 12, 15 TruePosition, Inc. v. LM Ericsson Tel. Co., Civ. No. 11-4574, 2013 U.S. Dist. LEXIS 145898 (E.D. Pa Oct. 9, 2013) 7 United States v. Western Pacific Railroad Co. et al., 352 U.S. 59 (1956) 9, 20 Warren Gen. Hosp. v. Amgen Inc., 643 F.3d 77 (3d Cir. 2011) 6 William A. Graham Co. v. Haughey et al., 568 F.3d 425 (3d Cir. 2009) 10 Statutes 17 U.S.C. § 507(b) 20 Colo. Rev. Stat. § 7-114-105 (2013) 21 Other Authorities AMT's Broadway: Now and Forever 20 Fed. R. Civ. P. 12(f) Deadline.com 7 Melville B. Nimmer, David Nimmer, Nimmer on Copyright (2013) 18, 23 iv Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 6 of 30 Defendant and Counterclaim-Plaintiff Entertainment Theatre Group d/b/a American Music Theatre ("AMT") and Defendants James D. Martin, Frederick W. Steudler, Jr. and Dwight H. Brubaker (collectively, along with AMT, the "AMT Defendants"), by and through their undersigned attorneys, hereby submit this Opposition in Response to Plaintiffs and Counterclaim-Defendants Disney Enterprises, Inc.'s ("Disney's") and Marvel Characters, Inc.'s ("Marvel's") Motion to Dismiss Amended Counterclaims and Intervenor Complaint and to Strike Amended Affirmative Defenses ("Motion"). For the reasons discussed in more detail below, AMT Defendants respectfully request that the Court DENY the Motion in its entirety. I. INTRODUCTION Plaintiffs are correct—this is a straightforward case. Motion at 1. AMT, a small theatre company in Lancaster, Pennsylvania—acting on appropriate advice of counsel and pursuant to valid licenses—put on a production of a highly original, transformative show called Broadway: Now and Forever that included, among other things, various performances of songs appearing in past and present Broadway musicals. Upon learning of AMT's production, Disney and Marvel (and other Plaintiffs in this action) felt it necessary to flex their muscles and force AMT to stop its small town production, asserting that the same infringed upon, inter alia, such parties' alleged copyrights. When AMT, again on advice of counsel, continued to produce this show despite Plaintiffs' baseless threats,Deadline.com Plaintiffs grew angry and, in September of 2013, filed suit against AMT in this district alleging, inter alia, causes of action for copyright infringement, including infringement of certain works relating to Spider-Man.' Upon learning of this suit and the fact that Disney and Marvel had asserted copyrights in Spider-Man against AMT, SLMI approached AMT and advised that SLMI was the actual owner 1 While Plaintiffs assert in their Motion that they own intellectual property from Spider-Man Turn Off the Dark, there is some question as to whether this is the case and discovery will illuminate this issue. It should be noted upfront, however, that Plaintiffs did not assert any copyrights in Spider-Man Turn Off the Dark against the AMT Defendants. See generally Complaint (D.E. 1). 1 Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 7 of 30 of any and all copyrights in Spider-Man pursuant to a 1998 Agreement entered into between its predecessor and Stan Lee. Accordingly, SLMI, with an eye towards collecting assets owed to it and disposing of its property, offered to grant to AMT, in exchange for a royalty, a nunc pro tunc retroactive license 2 covering AMT's use of Spider-Man in Broadway: Now and Forever, as well as certain other exclusive rights.
Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • Cullen Bunn Edgar Salazar Nolan
    FANTOMEX JEAN GREY IRMA CUCKOO CELESTE CUCKOO PHOEBE CUCKOO DISCOVERING THAT THE TERRIGEN CLOUD CIRCLING THE EARTH WAS ON THE VERGE OF DISSIPATING INTO THE ATMOSPHERE, RENDERING EARTH UNINHABITABLE FOR MUTANTS, THE X-MEN DECIDED TO TAKE DECISIVE ACTION AGAINST THE INHUMANS. LED BY EMMA FROST, THE X-MEN STRATEGICALLY NEUTRALIZED INHUMAN THREATS, PREVENTING THEM FROM INTERFERING IN THEIR PLAN TO DESTROY THE CLOUD. FOR JEAN GREY, THIS MEANT PSYCHICALLY IMPRISONING PERHAPS THE MOST DANGEROUS INHUMAN OF ALL: KARNAK! CULLEN EDGAR ED TADEO w/ NOLAN BUNN SALAZAR EDGAR SALAZAR WOODARD WRITER PENCILER INKERS COLOR ARTIST VC’s JOE CARAMAGNA KEN LASHLEY & NOLAN WOODARD LETTERER COVER ARTISTS CHRIS ROBINSON DANIEL KETCHUM MARK PANICCIA ASSISTANT EDITOR EDITOR X-MEN GROUP EDITOR AXEL ALONSO JOE QUESADA DAN BUCKLEY ALAN FINE EDITOR IN CHIEF CHIEF CREATIVE OFFICER PUBLISHER EXECUTIVE PRODUCER X-MEN CREATED BY STAN LEE & JACK KIRBY UNCANNY X-MEN No. 16, February 2017. Published Monthly except in January, March, June, and September by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2016 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S.
    [Show full text]
  • Marvel Universe 3.75" Action Figure Checklist
    Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School)
    [Show full text]
  • INSTRUCTION BOOKLET PLEASE CAREFULLY READ the Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY
    MECH SEGA of America, Inc. 350 Rhode Island Street, Suite 400, San Francisco, CA 94103 Captain America: The First Avenger, the Movie: © 2011 MVL Film Finance LLC. Marvel, Captain America, all related character names and their distinctive likenesses: TM & © 2010 Marvel Entertainment, LLC and its subsidiaries. All rights reserved. SEGA is registered in the U.S. Patent and Trademark Office. SEGA and the SEGA logo are either registered trademarks or trademarks of SEGA Corporation. © SEGA. All rights reserved. Wii and the Wii logo are trademarks of Nintendo. © 2006 Nintendo. PRINTED IN THE U.S.A. INSTRUCTION BOOKLET PLEASE CAREFULLY READ THE Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY. THIS MANUAL CONTAINS IMPORTANT The Official Seal is your assurance that this product is licensed or manufactured by HEALTH AND SAFETY INFORMATION. Nintendo. Always look for this seal when buying video game systems, accessories, games and related products. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES. WARNING – Seizures Trademarks are property of their respective owners. Wii is a trademark of Licensed by Nintendo Nintendo. © 2006 Nintendo. • Some people (about 1 in 4000) may have seizures or blackouts triggered by light flashes or patterns, and this may occur while they are watching TV or playing video games, even if they have never had a seizure before. • Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition should consult a doctor before playing a video game. • Parents should watch their children play video games.
    [Show full text]
  • A Chilling Look Back at Jeph Loeb and Tim Sale's
    Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch .
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc.
    [Show full text]
  • The Executioner's Face Is Always Well-Hidden: the Role of Counsel And
    digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 1996 The Executioner’s Face is Always Well-Hidden: The Role of Counsel and the Courts in Determining Who Dies Michael L. Perlin New York Law School, [email protected] Follow this and additional works at: https://digitalcommons.nyls.edu/fac_articles_chapters Part of the Jurisprudence Commons, and the Law and Psychology Commons Recommended Citation New York Law School Law Review, Vol. 41, Issue 1 (1996), pp. 201-236 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. "THE EXECUTIONER'S FACE IS ALWAYS WELL-HIDDEN'": THE ROLE OF COUNSEL AND THE COURTS IN DETERMINING WHO DIES MICHAEL L. PERLIN* I. INTRODUCTION The common wisdom is that death penalty cases play out on a landscape that pits the forces of retribution and punishment against the forces of abolition and rehabilitation. Supporters, or so the simplified version goes, applaud the death penalty for insuring that the perpetrators of the most wanton and vilest murders receive the ultimate penalty. Opponents, again oversimplifying, argue both that the penalty is immoral (that the state does not have the moral authority to take the life of another, no matter how depraved the crime) and inherently inequitable (that for a combination of racial, class, and political biases, it is impossible to create a system in which only the truly worst-of-the-worst capital defendants are subject to a death sentence). Arguments, both pro and con, vacillate between high-end theory and street anecdote.
    [Show full text]
  • Marvel Magic Race Human (0 CP): Good Old Homo Sapiens. Much The
    Marvel Magic Race Human (0 CP): Good old homo sapiens. Much the same as they are on pretty much everywhere. Individually they are rather insignificant physically and are generally nothing too impressive mentally or magically either, but earth and humanity play many pivotal roles on both the universal and multiversal scale, often ending up center stage – or right in the eye of the storm. And just because most of them are nothing impressive doesn’t mean that none of them are, as some humans are incredibly formidable even amongst the powerful beings of this world. Demon (200 CP): Demon isn’t a term meant to describe one uniform group of beings. Rather, it encompasses an incredibly diverse range of magical beings. Your appearance is largely up to you, allowing you to appear as anything from living flame to a classical demon with horns and bat wings to basically human or even something more bizarre such as a multi-headed snake. The only restriction is your base size must be between that of a squirrel and an average car. Your nature means that you’re likely to be at least several times stronger than a human as well as having natural talent with magic and more personal power to call on than humans. If you wish, you may instead choose to be the offspring of a demon and a human, with your natural form appearing to be a human but possessing the ability to take on more demoniac features when calling on your power or feeling anger. God (400): Perhaps the decadent gods of Olympus, the fierce warrior deities of Asgard, or perhaps completely alien gods worshipped by beings on other worlds.
    [Show full text]
  • Fantastic Four Compendium
    MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc.
    [Show full text]
  • Copyrighted Material
    1 Superhuman Ethics Class Never let it be said that superheroes don’t take ethics seriously! After his fellow Avengers engaged in some questionable activities during an inter- stellar conflict in the “Galactic Storm” storyline, Captain America initiated a “Superhuman Ethics” class; later, the young heroes-in-training at Avengers Academy took the same class as part of their regular curriculum (taught by perennial screw-up Hank Pym).1 Even though the situations faced by superheroes may seem extraordi- nary, often involving aliens, wizards, or time travelers, most of them ­actually boil down to the same issues each of us face on a regular basis: the right ways to manage our interactions with other people given the various ways we can affect them in good ways and bad. We may not have super-strength or fire energy bolts from our eyes, but we can still use our very human abilities and the tools at our disposal to help or hurt people (including our- selves). Even if we’re of a mind to help people—like the heroes we are— questions nonetheless arise regarding when to offer help, how to do it when we decide to, and who to help if we have to make choices or set priorities. We also have to consider that the help we offer may come at a cost, not just to ourselves but possibly to other people, which also deserves consideration. Compared to the complexities of moral decision-making, all of the flying, punching, and mind-reading might seem like the easier part of a hero’s day! But these ethical dilemmas are the types of problems that we in the real world face all theCOPYRIGHTED time in our ordinary lives, and MATERIAL in the comics they lend an important sense of humanity to even the most super of heroes.
    [Show full text]
  • Cullen Bunn · Matteo Lolli · Federico Blee
    RATED RATED 0 0 2 1 1 $3.99 2 US T+ 7 59606 09118 8 BONUS DIGITAL EDITION – DETAILS INSIDE! CULLEN BUNN BUNN CULLEN · MATTEO LOLLI · FEDERICO BLEE The space pirate NEBULA – granddaughter of Thanos and rival of Gamora, former Guardian of the Galaxy – is building an armada of the dead. Stealing a leaf from Gamora’s newly villainous playbook (see the events of INFINITY WARS), Nebula kidnapped a dwarf and forced him to lead her to an ancient horn that can call forth the NAGLFAR, an armada manned by soulless corpses of gods who have been reborn in new bodies. With it, she will bring about RAGNAROK, and so claim Gamora’s title of the Deadliest Woman in the Galaxy. Thor’s sister Angela has gathered a team to retake the horn and stop Nebula – or so it seems. For the true mastermind behind the ASGARDIANS OF THE GALAXY is another wayward god…one whose schemes may prove even deadlier than their enemy’s. KID LOKI is back. And he wants the Naglfar Armada for himself. Writer ANGELA CULLEN BUNN The firstborn child of Odin and Freyja, Angela was Artist kidnapped and believed slain by the Queen of Angels, MATTEO LOLLI but a handmaiden rescued her. When Heven was reopened to the other Realms years later, Angela’s Color Artist heritage was revealed. Branded a traitor by both FEDERICO BLEE Asgard and Heven, she now lives by her own code: Nothing for nothing—everything has its price. Letterer VC’s CORY PETIT VALKYRIE Brunnhilde served Asgard for centuries as the leader Cover Artists of the Valkyrior, warrior goddesses who usher the DALE KEOWN worthy fallen to Valhalla.
    [Show full text]
  • Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
    From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging.
    [Show full text]