Swift, Mary Barber, and the Counterfeit Letters Wendy Stewart
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Front Matter
Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information the cambridge companion to women’s writing in britain, 1660–1789 Women writers played a central role in the literature and culture of eighteenth- century Britain. Featuring essays on female writers and genres by leading scho- lars in the field, this Companion introduces readers to the range, significance, and complexity of women’s writing across multiple genres in Britain between 1660 and 1789. Divided into two parts, the Companion first discusses women’s participation in print culture, featuring essays on topics such as women and popular culture, women as professional writers, women as readers and writers, and place and publication. Additionally, Part I explores the ways that women writers crossed generic boundaries. The second part contains chapters on many of the key genres in which women wrote, including poetry, drama, fiction (early and later), history, the ballad, periodicals, and travel writing. The Companion also provides an introduction surveying the state of the field, an integrated chronology, and a guide to further reading. catherine ingrassia is Professor of English at Virginia Commonwealth University in Richmond, Virginia. She is the author of Authorship, Commerce, and Gender in Eighteenth-Century England: A Culture of Paper Credit (Cambridge, 1998); editor of a critical edition of Eliza Haywood’s Anti- Pamela and Henry Fielding’s Shamela (2004); and co-editor of A Companion to the Eighteenth-Century Novel and Culture (2005) and the anthology British Women Poets of the Long Eighteenth Century (2009). -
Poetry As Correspondence in Early Modern England
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Unfolding Verse: Poetry As Correspondence In Early Modern England Dianne Marie Mitchell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Mitchell, Dianne Marie, "Unfolding Verse: Poetry As Correspondence In Early Modern England" (2017). Publicly Accessible Penn Dissertations. 2477. https://repository.upenn.edu/edissertations/2477 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2477 For more information, please contact [email protected]. Unfolding Verse: Poetry As Correspondence In Early Modern England Abstract This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making lyric verse more accessible to a reading public than ever before, writers and correspondents created poetic objects designed to reach individual postal recipients. Drawing on extensive archival research, “Unfolding Verse” examines versions of popular poems by John Donne, Ben Jonson, Mary Wroth, and others which look little like “literature.” Rather, these verses bear salutations, addresses, folds, wax seals, and other signs of transmission through the informal postal networks of early modern England. Neither verse letters nor “epistles,” the textual artifacts I call “letter-poems” proclaim their participation in a widespread social -
The Gentleman's Magazine; Or Speakers’ Corner 105
Siegener Periodicum zur Internationalen Empirischen______ Literaturwissenschaft Herausgegeben von Reinhold Viehoff (Halle/Saale) Gebhard Rusch (Siegen) Rien T. Segers (Groningen) Jg. 19 (2000), Heft 1 Peter Lang Europäischer Verlag der Wissenschaften SPIEL Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPIEL: Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft Jg. 19 (2000), Heft 1 Peter Lang Frankfurt am Main • Berlin • Bern • Bruxelles • New York • Oxford • Wien Die Deutsche Bibliothek - CIP-Einheitsaufnahme Siegener Periodicum zur internationalen empirischen Literatur wissenschaft (SPIEL) Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien : Lang ISSN 2199-80780722-7833 Erscheint jährl. zweimal JG. 1, H. 1 (1982) - [Erscheint: Oktober 1982] NE: SPIEL ISSNISSN 2199-80780722-7833 © Peter Lang GmbH Europäischer Verlag der Wissenschaften Frankfurt am Main 2001 Alle Rechte Vorbehalten. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPECIAL ISSUE / SONDERHEFT SPIEL 19 (2000), H. 1 Historical Readers and Historical Reading Historische Leser und historisches Lesen ed. by / hrsg. von Margaret Beetham (Manchester) & -
Alphabetical Index of Articles Published in Swift Studies (1986-2020)
Alphabetical Index of Articles Published in Swift Studies (1986-2020) Alderson, Simon J., ‘Swift and the Pun’, Swift Studies, 1996, 47–57 Apke, Bernd, ‘When Nature Took Sides: Richard Janthur’s Expressionist Illustrations of Gulliver’s Voyage to the Country of the Houyhnhnms’, Swift Studies, 2013, 115– 27 Arnold, Bruce, ‘“A Protestant Purchaser”: Bartholomew Van Homrigh, Merchant Adventurer’, Swift Studies, 2000, 42–50 ———, ‘“Those Who Seek to Obtain My Estate”: Swift on Love and Envy’, Swift Studies, 1996, 25–45 Arnott, Les G., ‘A Letter to the Editor of The Independent: Modest Proposal’, Swift Studies, 2006, 125 Baines, Paul, ‘Swift’s Last Speech and Dying Words of Ebenezor Elliston: Reading the Ephemeral Text’, Swift Studies, 2013, 78–95 Baltes, Sabine, ‘Diversion, Dollars, and the Dean: Jonathan Swift and Popular Culture’, Swift Studies, 2004, 110–20 ———, ‘Father Time: The Emblematic and Iconographic Context of “The Epistle Dedicatory to His Royal Highness Prince Posterity” in Swift’s Tale’, Swift Studies, 2005, 41–50 ———, ‘“The Grandson of That Ass Quin”: Swift and Chief Justice Whitshed’, Swift Studies, 2008, 126–46 Bernard, Stephen J., ‘Jonathan Swift and A Key, Being Observations and Explanatory Notes, upon the Travels of Lemuel Gulliver, with a New Edition of A Key’, Swift Studies, 2012, 87–119 Blanchard, W. Scott, ‘Swift’s Tale, the Renaissance Anatomy, and Humanist Invective’, Swift Studies, 2001, 83–97 Bony, Alain, ‘Mutiny on the Adventure: A Possible Source of Gulliver’s Travels’, Swift Studies, 2004, 72–85 Boucé, Paul-Gabriel, ‘The Rape of Gulliver Reconsidered’, Swift Studies, 1996, 98–114 Boyle, Frank T., ‘Ehrenpreis’s Swift and the Date of the Sentiments of a Church-of-England Man’, Swift Studies, 1991, 30–37 Brown, M. -
Pope and Slavery
Proceedings of the British Academy, 91,27753 Pope and Slavery HOWARD ERSKINE-HILL I am certainly desirous to run from my Country, if you’ll run from yours, and study Popery and Slavery abroad a while, to reconcile ourselves to the Church & State we may find at home on our return. (Pope to the Earl of Marchmont, 22 June 1740 Correspondence, IV. 250) 1 IN 1790 THE POET Alexander Radishchev, called ‘The First Russian Radical’, printed his Journey from St. Petersburg to Moscow, criticising the condition of the serfs under Catherine the Great, and dedicating it without permission to his friend, the poet A. M. Kutuzov. Kutuzov, alarmed with reason at this dedication, recounts how on an earlier occasion he had remonstrated with Radishchev, quoting to him in English Pope’s translation of Homer’s lfiad,Bk. I, the lines of Calchas to Achilles on the perils of telling unwelcome truths to kings: For I must speak what Wisdom would conceal, And Truths invidious [to] the Great reveal. Bold is the task! when Subjects grown too wise Instruct a Monarch where his Error lies; For tho’ we deem the short-liv’d fury past Be sure, the Mighty will revenge at last. (I. 101-6)’ 0 The British Academy 1998. ‘In my reference to Radishchev I am indebted to Professor Monica Partridge and to Professor A. G. Cross. The lines quoted from Pope’s Iliad translation by A. M. Kutuzov are I. 101-6; T. E. VIII. 92. The allusion is briefly discussed in David Marshal Lang, The First Russian Radical 1749-1802 (London, 1959), pp. -
University Microfilms, Inc., Ann Arbor, Michigan the SATIRES of EDWARD YOUNG
THE SATIRES OF EDWARD YOUNG Item Type text; Dissertation-Reproduction (electronic) Authors Crowell, Richard Bruce, 1930- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 20:59:59 Link to Item http://hdl.handle.net/10150/284864 This dissertation has been — microfilmed exactly as received 67-12,195 CROWELL, Richard Bruce, 1930- THE SATIRES OF EDWARD YOUNG. University of Arizona, Ph.D„ 1967 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan THE SATIRES OF EDWARD YOUNG by Richard Bruce Crowell A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 7 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Richard Bruce Crowell entitled The Satires of Edward Young be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy Dissertation Direclor Date After inspection of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:* C- -X , (*y 4Cf *This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination. The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
Eighteenth- Century Poetry (2001)
A COMPANION TO EIGHTEENTH- C ENTURY POETRY EDITED BY CHRISTINE GERRARD CCEC_PR.inddEC_PR.indd iiiiii 66/9/2006/9/2006 22:37:34:37:34 PPMM A Companion to Eighteenth-Century Poetry CCEC_PR.inddEC_PR.indd i 66/9/2006/9/2006 22:37:34:37:34 PPMM Blackwell Companions to Literature and Culture 1. A Companion to Romanticism Edited by Duncan Wu 2. A Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 3. A Companion to Shakespeare Edited by David Scott Kastan 4. A Companion to the Gothic Edited by David Punter 5. A Feminist Companion to Shakespeare Edited by Dympna Callaghan 6. A Companion to Chaucer Edited by Peter Brown 7. A Companion to Literature from Milton to Blake Edited by David Womersley 8. A Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 9. A Companion to Milton Edited by Thomas N. Corns 10. A Companion to Twentieth-Century Poetry Edited by Neil Roberts 11. A Companion to Anglo-Saxon Literature and Culture Edited by Phillip Pulsiano and Elaine Treharne 12. A Companion to Restoration Drama Edited by Susan J. Owen 13. A Companion to Early Modern Women’s Writing Edited by Anita Pacheco 14. A Companion to Renaissance Drama Edited by Arthur F. Kinney 15. A Companion to Victorian Poetry Edited by Richard Cronin, Alison Chapman, and Antony H. Harrison 16. A Companion to the Victorian Novel Edited by Patrick Brantlinger and William B. Thesing 17–2 0. A Companion to Shakespeare’s Works: Volumes I–IV Edited by Richard Dutton and Jean E. -
Addison and the Birth of Eighteenth-Century Aesthetics Author(S): William H
Addison and the Birth of Eighteenth-Century Aesthetics Author(s): William H. Youngren Source: Modern Philology, Vol. 79, No. 3 (Feb., 1982), pp. 267-283 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/437151 Accessed: 17-09-2016 22:53 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/437151?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Modern Philology This content downloaded from 154.59.124.102 on Sat, 17 Sep 2016 22:53:03 UTC All use subject to http://about.jstor.org/terms Addison and the Birth of Eighteenth-Century Aesthetics William H. Youngren In an essay of several years ago' I tried to show that there is more continuity than has usually been thought between the criticism of poetry written in England during the late sixteenth and early seventeenth centuries and that written in the latter half of the seventeenth century. -
Lives of the Poets
Lives of the Poets Samuel Johnson Lives of the Poets Table of Contents Lives of the Poets.......................................................................................................................................................1 Samuel Johnson..............................................................................................................................................1 INTRODUCTION.........................................................................................................................................1 KING..............................................................................................................................................................2 HALIFAX......................................................................................................................................................4 PARNELL......................................................................................................................................................5 GARTH..........................................................................................................................................................7 ROWE............................................................................................................................................................9 GAY.............................................................................................................................................................13 TICKELL.....................................................................................................................................................17 -
The History of British Women's Writing, 1690–1750
The History of British Women’s Writing, 1690–1750 The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesize the work of several generations of feminist scholars, and to advance new directions for the study of women’s writing. Volume editors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding field of study. It is envisaged that this series will be a key resource for specialist and non-specialist scholars and students alike. Titles include: Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500–1610 Volume Two Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690–1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750–1830 Volume Five Forthcoming titles: Elizabeth Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700–1500 Volume One Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610–1690 Volume Three History of British Women’s Writing Series Standing Order ISBN 978–0–230–20079–1 hardback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. -
(2014), No. 6 It's a Girl!: a Winchester Poetic
It’s a Girl!: A Winchester Poetic Manuscript of c. 1719 In 1821 the Rev. Peter Hall gave a small red octavo notebook containing miscellaneous hand-written poems to Winchester College Fellows’ Library. The date of the manuscript seems to be around 1719. He must at least have flicked through it, as the short preface he wrote on one of the blank pages at the front notes that the writer ‘was of the circle of William Somerville’, signs some of the poems with an elaborate ‘FC’, and ‘appears to refer to himself on p. 6 as ‘yr Parson’. A man in holy orders, he concludes, called F. Cross, and possibly part of the household of Lady Anne Coventry, whose name also appears on one of the pages. I now know, however, that it is the property of a woman, called Mrs. Frances Cross. She entered a Prize Oenigma competition in the Ladies Diary, an endearing publication, mainly consisting of mathematical conundrums, founded by John Tipper in 1702 with the express design of proving that women were as mentally agile as men. By 1720 the editorship had been taken over by Henry Beighton, the renowned surveyor who produced the first proper map of Warwickshire, and illustrated the second edition of William Dugdale’s Antiquities of Warwickshire1 but who also found time to write to Frances Cross, care of Lady Anne Coventry in Marlborough Street, thanking her for the ‘excellency’ of her entry. ‘Madam!’ he writes, ‘Had the Prize in ye: Lady’s Diary been allotted to the Best (or First) answer, your Title had been indisputable’. -
Classification of the Major Blank Verse Poems of the Eighteenth Century
THE RICE INSTITUTE CLASSIFICATION OF THE MAJOR'BLANK VERSE POEMS OF THE EIGHTEENTH CENTURY by Henry Malcolm Delaune A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Texas June, 1951 To Sister Mary Helen Antoinette Barker Lanigan Grace Allen Boehner TABLE OF CONTENTS Introduction i I A Critical Examination of the Use of Non-Drama- tic Blank Verse in Certain Didactic and Des¬ criptive Poems* ...1 II An Evaluation of the Principal Treatises on Di¬ dactic Poetry 17 III Two Treatises on Descriptive Poetry: Some Blank Verse Poems in this Genre .32 IV The Eighteenth-Century Story of Two Literary Genres 53 V The Classification of Twelve Ma.ior Blank Verse Poems. .65 Conclusion 76 INTRODUCTION Twelve major blank verse poems of the eighteenth century have been selected for this study as representative of a school of poetry which has been difficult to name. What is remark¬ able and confounding is that such a school has been named often, differently, and never erroneously. When the philoso¬ phical, the moral, the religious, the reflective, the descrip¬ tive, and the didactic take principal parts in a poem, it is truly difficult to find an all-encompassing adjective which might serve to classify that poem; therefore, one critic might call a poem "philosophical" and another might call the same poem "reflective," both equally correct and equally unsatis¬ fying names. Thus it has been with the poems under considera¬ tion, often classified and so in need of more accurate classifi cation. In the words of R.