Lives of the Poets
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Antiquarian & Modern
Blackwell’s Rare Books Blackwell’S rare books ANTIQUARIAN & MODERN Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Staying Optimistic: the Trials and Tribulations of Leibnizian Optimism
Strickland, Lloyd 2019 Staying Optimistic: The Trials and Tribulations of Leibnizian Optimism. Journal of Modern Philosophy, 1(1): 3, pp. 1–21. DOI: https://doi.org/10.32881/jomp.3 RESEARCH Staying Optimistic: The Trials and Tribulations of Leibnizian Optimism Lloyd Strickland Manchester Metropolitan University, GB [email protected] The oft-told story of Leibniz’s doctrine of the best world, or optimism, is that it enjoyed a great deal of popularity in the eighteenth century until the massive earthquake that struck Lisbon on 1 November 1755 destroyed its support. Despite its long history, this story is nothing more than a commentators’ fiction that has become accepted wisdom not through sheer weight of evidence but through sheer frequency of repetition. In this paper we shall examine the reception of Leibniz’s doctrine of the best world in the eighteenth century in order to get a clearer understanding of what its fate really was. As we shall see, while Leibniz’s doctrine did win a good number of adherents in the 1720s and 1730s, especially in Germany, support for it had largely dried up by the mid-1740s; moreover, while opponents of Leibniz’s doctrine were few and far between in the 1710s and 1720s, they became increasing vocal in the 1730s and afterwards, between them producing an array of objections that served to make Leibnizian optimism both philosophically and theologically toxic years before the Lisbon earthquake struck. Keywords: Leibniz; Optimism; Best world; Lisbon earthquake; Evil; Wolff The oft-told story of Leibniz’s doctrine of the best world, or optimism, is that it enjoyed a great deal of popularity in the eighteenth century until the massive earthquake that struck Lisbon on 1 November 1755 destroyed its support. -
Poetry As Correspondence in Early Modern England
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Unfolding Verse: Poetry As Correspondence In Early Modern England Dianne Marie Mitchell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Mitchell, Dianne Marie, "Unfolding Verse: Poetry As Correspondence In Early Modern England" (2017). Publicly Accessible Penn Dissertations. 2477. https://repository.upenn.edu/edissertations/2477 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2477 For more information, please contact [email protected]. Unfolding Verse: Poetry As Correspondence In Early Modern England Abstract This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making lyric verse more accessible to a reading public than ever before, writers and correspondents created poetic objects designed to reach individual postal recipients. Drawing on extensive archival research, “Unfolding Verse” examines versions of popular poems by John Donne, Ben Jonson, Mary Wroth, and others which look little like “literature.” Rather, these verses bear salutations, addresses, folds, wax seals, and other signs of transmission through the informal postal networks of early modern England. Neither verse letters nor “epistles,” the textual artifacts I call “letter-poems” proclaim their participation in a widespread social -
Rising from the Ruins
Rising from the Ruins Rising from the Ruins: Roman Antiquities in Neoclassic Literature By Bruce C. Swaffield Rising from the Ruins: Roman Antiquities in Neoclassic Literature, by Bruce C. Swaffield This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Bruce C. Swaffield All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-1400-8, ISBN (13): 978-1-4438-1400-3 This entire work is dedicated to my wife, Jeannine, and our two children, BethAnn and Brendon. Each one of them sacrificed much through the years so that I could pursue my passion for writing and learning, especially about the ruins of Rome. In addition, I would like to thank my three grandchildren—Ellie, Lexi and Dom—for showing me the true spirit of life. TABLE OF CONTENTS Foreword .................................................................................................... ix John Paul Russo Preface...................................................................................................... xiii Acknowledgements ................................................................................... xv Chapter One................................................................................................ -
Samuel Johnson's Pragmatism and Imagination
Samuel Johnson’s Pragmatism and Imagination Samuel Johnson’s Pragmatism and Imagination By Stefka Ritchie Samuel Johnson’s Pragmatism and Imagination By Stefka Ritchie This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Stefka Ritchie All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-1603-2 ISBN (13): 978-1-5275-1603-8 A sketch of Samuel Johnson, after Joshua Reynold (circa 1769) By Svetlan Stefanov (2009) (http://www.phot4oart.com) CONTENTS List of Illustrations ................................................................................... viii Abstract ...................................................................................................... ix Preface ........................................................................................................ xi Acknowledgements .................................................................................. xiv Chronology: Samuel Johnson (1709-1784) ............................................... xv Abbreviations ......................................................................................... xviii Chapter One ................................................................................................ -
The Way to Otranto: Gothic Elements
THE WAY TO OTRANTO: GOTHIC ELEMENTS IN EIGHTEENTH-CENTURY ENGLISH POETRY, 1717-1762 Vahe Saraoorian A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1970 ii ABSTRACT Although full-length studies have been written about the Gothic novel, no one has undertaken a similar study of poetry, which, if it may not be called "Gothic," surely contains Gothic elements. By examining Gothic elements in eighteenth-century poetry, we can trace through it the background to Horace Walpole's The Castle of Otranto, the first Gothic novel. The evolutionary aspect of the term "Gothic" itself in eighteenth-century criticism was pronounced, yet its various meanings were often related. To the early graveyard poets it was generally associated with the barbarous and uncouth, but to Walpole, writing in the second half of the century, the Gothic was also a source of inspiration and enlightenment. Nevertheless, the Gothic was most frequently associated with the supernatural. Gothic elements were used in the work of the leading eighteenth-century poets. Though an age not often thought remark able for its poetic expression, it was an age which clearly exploited the taste for Gothicism, Alexander Pope, Thomas Parnell, Edward Young, Robert Blair, Thomas and Joseph Warton, William Collins, Thomas Gray, and James Macpherson, the nine poets studied, all expressed notes of Gothicism in their poetry. Each poet con tributed to the rising taste for Gothicism. Alexander Pope, whose influence on Walpole was considerable, was the first poet of significance in the eighteenth century to write a "Gothic" poem. -
Tragedy (1908)
'e*^ *. .io'' <^ 'V ••IT..' aO- V ''^^^"^• r,' <^^ •*«. « e • OV a •» o ^ "^ €l)e €ppe^ of €nsli$t^ literature EDITED BY WILLIAM ALLAN NEILSON TRAGEDY BY ASHLEY H. THORNDIKE TRAGEDY BY ASHLEY H. THORNDIKE PROFESSOR OF ENGLISH IN COLUMBIA UNIVEBSITT AUTHOR OF "THE INFLUENCE OF BEAUMONT " AND FLETCHER ON SHAKSPERE BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY (Cbe laiter^iUe pttssy CambcitigE 1908 -^^ fwo Oopies rtwiiv.^.i IViAY 2 1908 JLAS» A / COPYRIGHT I90S BY ASHLEY H. THORNDIKE ALL RIGHTS RESERVED Published May iqoS bo' PREFACE ^ This book attempts to trace the course of English tragedy from its beginnings to the middle of the nineteenth cen- -j tury, and to indicate the part which it has played in the ^ history both of the theatre and of literature. All tragedies of the sixteenth century are noticed, because of their his- torical interest and their close relationship to Shakespeare, but after 1600 only representative plays have been con- sidered. The aim of this series has been kept in view, and the discussion, whether of individual plays or of dramatic conditions, has been determined by their importance in the study of a literary type. Tragedy in the eighteenth and nineteenth centuries has attracted very little critical atten- tion, and in those fields the book is something of a pioneer. The Elizabethan drama, on the contrary, has been the subject of a vast amount of antiquarian, biographical, and literary research, without which such a treatment as I have attempted would be almost impossible. In order, however, to keep the main purpose in view, it has been necessary to omit nearly all notice of the processes of research or the debates of criticism, and to give only what seem to me the results. -
Pope and Slavery
Proceedings of the British Academy, 91,27753 Pope and Slavery HOWARD ERSKINE-HILL I am certainly desirous to run from my Country, if you’ll run from yours, and study Popery and Slavery abroad a while, to reconcile ourselves to the Church & State we may find at home on our return. (Pope to the Earl of Marchmont, 22 June 1740 Correspondence, IV. 250) 1 IN 1790 THE POET Alexander Radishchev, called ‘The First Russian Radical’, printed his Journey from St. Petersburg to Moscow, criticising the condition of the serfs under Catherine the Great, and dedicating it without permission to his friend, the poet A. M. Kutuzov. Kutuzov, alarmed with reason at this dedication, recounts how on an earlier occasion he had remonstrated with Radishchev, quoting to him in English Pope’s translation of Homer’s lfiad,Bk. I, the lines of Calchas to Achilles on the perils of telling unwelcome truths to kings: For I must speak what Wisdom would conceal, And Truths invidious [to] the Great reveal. Bold is the task! when Subjects grown too wise Instruct a Monarch where his Error lies; For tho’ we deem the short-liv’d fury past Be sure, the Mighty will revenge at last. (I. 101-6)’ 0 The British Academy 1998. ‘In my reference to Radishchev I am indebted to Professor Monica Partridge and to Professor A. G. Cross. The lines quoted from Pope’s Iliad translation by A. M. Kutuzov are I. 101-6; T. E. VIII. 92. The allusion is briefly discussed in David Marshal Lang, The First Russian Radical 1749-1802 (London, 1959), pp. -
University Microfilms, Inc., Ann Arbor, Michigan the SATIRES of EDWARD YOUNG
THE SATIRES OF EDWARD YOUNG Item Type text; Dissertation-Reproduction (electronic) Authors Crowell, Richard Bruce, 1930- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 20:59:59 Link to Item http://hdl.handle.net/10150/284864 This dissertation has been — microfilmed exactly as received 67-12,195 CROWELL, Richard Bruce, 1930- THE SATIRES OF EDWARD YOUNG. University of Arizona, Ph.D„ 1967 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan THE SATIRES OF EDWARD YOUNG by Richard Bruce Crowell A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 7 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Richard Bruce Crowell entitled The Satires of Edward Young be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy Dissertation Direclor Date After inspection of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:* C- -X , (*y 4Cf *This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination. The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
The View from the Bridge
KEDGE ANCHOR Issue 54 THE VIEWFROMTHE BRIDGE By Bill White, Chairman, The 1805 Club Members will appreciate that there is "Britons never never shall be not much to report. Most, if not all, slaves". events both here and in the To clear up the confusion, it will United States and elsewhere have be helpful to look at how the song and been cancelled, so it is a matter of its music came to be written and how ‘holding the fort’ until relief (or a it was subsequently modi�ied into the vaccine) arrives. But there are one or form used today. two matters to mention... In 1730s, the 65-page text of Firstly, due to some fraudulent Alfred, a Masque (or masquerade) by activity by some other organisations James Thomson (1700-1748) and registered as charities, the Charity David Mallet (?1705-1765), was set to Commission has tightened up on its music by Thomas Arne (1710-1778). procedures and it has become more bureaucratic It was described as a “patriotic masque”. The �irst and, as a result, dealing with the Commission has production of the masque was performed for become more complex. We have therefore Prince Frederick at the Prince of Wales’ residence appointed Nicholas Ridge as Treasurer, a at Cliveden in 1740 and opened on Drury Lane the member who is a Chartered Accountant, to handle following year. Rule, Britannia constitutes the six- matters involving the Commission. He will work stanza �inale to the masque on pages 64 and 65. with Lindy Mackie, who will continue as Club The text can be read (but not copied) at Accountant and bookkeeper. -
James Thomson - Poems
Classic Poetry Series James Thomson - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Thomson(11 September 1700 – 27 August 1748) James Thomson was a Scottish poet and playwright, known for his masterpiece The Seasons and the lyrics of Rule, Britannia!. <b>Scotland, 1700-1725</b> James Thomson was born in Ednam in Roxburghshire around 11 September 1700 and baptised on 15 September. The fourth of nine children of Thomas Thomson and Beatrix Thomson (née Trotter). Beatrix Thomson was born in Fogo, Berwickshire and was a distant relation of the house of Hume. Thomas Thomson was the Presbyterian minister of Ednam until eight weeks after Thomson’s birth, when he was admitted as minister of Southdean, where Thomson spent most of his early years. Thomson may have attended the parish school of Southdean before going to the grammar school in Jedburgh in 1712. He failed to distinguish himself there. Shiels, his earliest biographer, writes: 'far from appearing to possess a sprightly genius, [Thomson] was considered by his schoolmaster, and those which directed his education, as being really without a common share of parts'. He was, however, encouraged to write poetry by Robert Riccaltoun (1691–1769), a farmer, poet and Presbyterian minister; and Sir William Bennet (d. 1729), a whig laird who was a patron of Allan Ramsay. While some early poems by Thomson survive, he burned most of them on New Year’s Day each year. Thomson entered the College of Edinburgh in autumn 1715, destined for the Presbyterian ministry. At Edinburgh he studied metaphysics, Logic, Ethics, Greek, Latin and Natural Philosophy. -
Eighteenth- Century Poetry (2001)
A COMPANION TO EIGHTEENTH- C ENTURY POETRY EDITED BY CHRISTINE GERRARD CCEC_PR.inddEC_PR.indd iiiiii 66/9/2006/9/2006 22:37:34:37:34 PPMM A Companion to Eighteenth-Century Poetry CCEC_PR.inddEC_PR.indd i 66/9/2006/9/2006 22:37:34:37:34 PPMM Blackwell Companions to Literature and Culture 1. A Companion to Romanticism Edited by Duncan Wu 2. A Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 3. A Companion to Shakespeare Edited by David Scott Kastan 4. A Companion to the Gothic Edited by David Punter 5. A Feminist Companion to Shakespeare Edited by Dympna Callaghan 6. A Companion to Chaucer Edited by Peter Brown 7. A Companion to Literature from Milton to Blake Edited by David Womersley 8. A Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 9. A Companion to Milton Edited by Thomas N. Corns 10. A Companion to Twentieth-Century Poetry Edited by Neil Roberts 11. A Companion to Anglo-Saxon Literature and Culture Edited by Phillip Pulsiano and Elaine Treharne 12. A Companion to Restoration Drama Edited by Susan J. Owen 13. A Companion to Early Modern Women’s Writing Edited by Anita Pacheco 14. A Companion to Renaissance Drama Edited by Arthur F. Kinney 15. A Companion to Victorian Poetry Edited by Richard Cronin, Alison Chapman, and Antony H. Harrison 16. A Companion to the Victorian Novel Edited by Patrick Brantlinger and William B. Thesing 17–2 0. A Companion to Shakespeare’s Works: Volumes I–IV Edited by Richard Dutton and Jean E.