DOCSLIB.ORG

Front Matter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information the cambridge companion to women’s writing in britain, 1660–1789 Women writers played a central role in the literature and culture of eighteenth- century Britain. Featuring essays on female writers and genres by leading scho- lars in the field, this Companion introduces readers to the range, significance, and complexity of women’s writing across multiple genres in Britain between 1660 and 1789. Divided into two parts, the Companion first discusses women’s participation in print culture, featuring essays on topics such as women and popular culture, women as professional writers, women as readers and writers, and place and publication. Additionally, Part I explores the ways that women writers crossed generic boundaries. The second part contains chapters on many of the key genres in which women wrote, including poetry, drama, fiction (early and later), history, the ballad, periodicals, and travel writing. The Companion also provides an introduction surveying the state of the field, an integrated chronology, and a guide to further reading. catherine ingrassia is Professor of English at Virginia Commonwealth University in Richmond, Virginia. She is the author of Authorship, Commerce, and Gender in Eighteenth-Century England: A Culture of Paper Credit (Cambridge, 1998); editor of a critical edition of Eliza Haywood’s Anti- Pamela and Henry Fielding’s Shamela (2004); and co-editor of A Companion to the Eighteenth-Century Novel and Culture (2005) and the anthology British Women Poets of the Long Eighteenth Century (2009). A complete list of books in the series is at the back of the book. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information THE CAMBRIDGE COMPANION TO WOMEN’S WRITING IN BRITAIN, 1660–1789 edited by CATHERINE INGRASSIA © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9781107600980 © Cambridge University Press 2015 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2015 Printed in the United Kingdom by Clays St Ives, plc A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to women’s writing in Britain, 1660–1789 / edited by Catherine Ingrassia. pages cm. – (Cambridge companions to literature) Includes bibliographical references and index. isbn 978-1-107-60098-0 (paperback) 1. English literature – Women authors – History and criticism. 2. English literature – 18th century – History and criticism. 3. English literature – Early modern, 1500 – 1700 – History and criticism. I. Ingrassia, Catherine, editor. pr448.w65c36 2015 820.9′928709033 – dc23 2015008278 isbn 978-1-107-01316-2 Hardback isbn 978-1-107-60098-0 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information CONTENTS Notes on contributors vii Chronology xi Introduction 1 catherine ingrassia part i women in print culture 1 Women as readers and writers 21 mark towsey 2 The professional female writer 37 betty a. schellenberg 3 Place and publication 55 sarah prescott 4 Women and popular culture 70 paula r. backscheider 5 Genre crossings 86 kathryn r. king part ii genres, modes, and forms 6 Poetry 103 david e. shuttleton 7 Drama 118 felicity nussbaum v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information contents 8 History 135 rivka swenson 9 Satire 147 melinda rabb 10 Early fiction 164 nicola parsons 11 Later fiction 180 katherine binhammer 12 Travel writing 196 harriet guest 13 Ballads 210 ruth perry 14 Periodical writing 226 mary waters Guide to further reading 242 Index 254 vi © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information NOTES ON CONTRIBUTORS paula r. backscheider, Philpott-Stevens Eminent Scholar at Auburn University, is a former president of the American Society for Eighteenth-Century Studies and the author of several books, including Daniel Defoe: His Life, winner of the British Council Prize; Spectacular Politics; and Eighteenth-Century Women Poets and Their Poetry, winner of the MLA James Russell Lowell Prize. She has published articles in PMLA, Theatre Journal, ELH, and many other journals. Her most recent book is Elizabeth Singer Rowe and the Development of the English Novel. katherine binhammer is a Professor in the Department of English and Film Studies at the University of Alberta, Canada. She has published The Seduction Narrative in Britain, 1747–1800 (Cambridge, 2009), edited Women and Literary History (2003), and written numerous articles on gender and sexuality in the eighteenth century. Recently, her research has explored the economics of loss in the late eighteenth-century novel; articles from this work appear in Studies in the Novel and Eighteenth-Century Fiction. harriet guest is Professor Emerita from the Centre for Eighteenth Century Studies and Professor in the Department of English and Related Literature at the University of York, UK. Her books include Small Change: Women, Learning, Patriotism, 1750–1810 (2000) and Empire, Barbarism, and Civilization: Captain Cook, William Hodges, and the Return to the Pacific (Cambridge, 2007). kathryn r. king is Professor Emerita of Literature at the University of Montevallo at the University of Montevallo. She is author of Jane Barker, Exile: A Literary Career (2000) and A Political Biography of Eliza Haywood (2012), and coeditor (with Alexander Pettit) of Haywood’s The Female Spectator (2002). She has published numerous articles on English women writers and continues to pursue Haywood biographical leads for a project that will focus on mortality, late careers, and literary legacies. vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information notes on contributors felicity nussbaum is Professor of English at the University of California, Los Angeles. She is author of Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater (2010); The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century (Cambridge, 2003); Torrid Zones: Maternity, Sexuality and Empire in Eighteenth-Century English Narrative (1995); and The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England (1989). She has been awarded numerous academic honors, including a Guggenheim Fellowship, an Andrew Mellon Fellowship at the Huntington Library, and an NEH Fellowship. She has also held a Marta Sutton Weeks Fellowship at the Stanford Humanities Center and has been a Rockefeller Humanist-in-Residence Fellow at the Institute for Research on Women, Rutgers University. nicola parsons is a Senior Lecturer in Eighteenth-Century Literature at the University of Sydney. Her first book, Reading Gossip in Early Eighteenth-Century England (2009), centers on the development of the novel in the early century and, focusing on texts by Delarivier Manley, Daniel Defoe, Richard Steele, and Jane Barker, argues that gossip modeled an interpretative strategy that shaped readers’ participation in both literary culture and public debates. She has published essays on Manley, Barker, Defoe, and Queen Anne’s correspondence and also coedited Reading Historical Fiction: The Revenant and Remembered Past (2013) with Kate Mitchell. Her new project, funded by the Australian Research Council, centers on connections between poetry and the novel in early eighteenth-century novels by women. ruth
Recommended publications
  • FELLERS-DISSERTATION-2013.Pdf (819.7Kb)

    FELLERS-DISSERTATION-2013.Pdf (819.7Kb)

    A STUDY IN CONTRASTS: MARY COLLIER AND MARY LEAPOR’S DIVERSE CONTRIBUTIONS TO EIGHTEENTH-CENTURY BRITISH LABORING-CLASS WOMEN’S POETRY _________________ A Dissertation Presented to The Faculty of the Department of English University of Houston _________________ In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy _________________ By Kathy G. Fellers August, 2013 A STUDY IN CONTRASTS: MARY COLLIER AND MARY LEAPOR’S DIVERSE CONTRIBUTIONS TO EIGHTEENTH-CENTURY BRITISH LABORING-CLASS WOMEN’S POETRY _________________ An Abstract of a Dissertation Presented to The Faculty of the Department of English University of Houston _________________ In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy _________________ By Kathy G. Fellers August, 2013 ABSTRACT Mary Collier and Mary Leapor (two of the first laboring-class female authors) share many characteristics, least of which is their desire to be writers and to depict and comment on gender and class dynamics more accurately than had been done before. This artistic focus on “the gap between the ideal and the real” (Messenger 172-174) is partly rooted in the mode of satire where writers create irony by contrasting more realistic images or situations with idealized ones (often implicitly). Part of satire’s purpose is amusement, but equally important is its social critique. Hence, Collier and Leapor are very much writers of their age, yet while they both reflect the writing impulses of the eighteenth-century, they draw from a mixture of different writing traditions. Moreover, their differing economic, creative, and educational circumstances make for significant differences in their writing, despite their common laboring-class backgrounds.
  • The Life of the Female Mind: Hester Mulso Chapone and the Gendered Rhetoric of Experience

    The Life of the Female Mind: Hester Mulso Chapone and the Gendered Rhetoric of Experience

    The Life of the Female Mind: Hester Mulso Chapone and the Gendered Rhetoric of Experience Bethany Mannon Abstract: This article studies the writings of Hester Mulso Chapone (1727-1801) a prolific member of the late-eighteenth century Bluestocking circle. Working within genres traditionally available to women, most notably the conversational rhetoric of letters, Chapone advocates for an expanded social role and rhetorical education for young women. These letters later circulated publicly as Letters on Filial Obedience (1751) and Letters on the Improvement of the Mind (1773). Chapone’s participation in a tradition of feminist writing deserves attention be- cause of her success foregrounding personal experience as a source of authority and deploying personal writing to persuade, inform, and confront prevailing power structures. Keywords: Conversational Rhetoric, Feminist Rhetoric, Life Writing, Bluestockings Hester Mulso Chapone (1727-1801) wrote prolifically in the eighteenth century and, together with the writers Elizabeth Montagu, Catharine Macaulay, Charlotte Lennox, Elizabeth Carter, Sarah Scott, Hannah More, and Frances Burney, influenced British intellectual culture. A member of this Bluestocking generation, Chapone was known during her life for her essays, letters, conver- sation, poetry, and advice on the education of young women. She maintained a reputation as an intellectual moralist into the nineteenth century, as her writings continued to be widely printed and read. Chapone worked within the genres of letters and conduct books—traditionally accessible to women—but expanded those genres to confront eighteenth-century notions of virtue and education. Her Letters on Filial Obedience (1751) and Letters on the Improvement of the Mind (1773) foreground her youth and femininity; she performs a Peitho Journal: Vol.
  • R.Kirschbaum, Thesis, 2012.Pdf

    R.Kirschbaum, Thesis, 2012.Pdf

    Introduction: Female friendship, community and retreat Friendship still has been design‘d, The Support of Human-kind; The safe Delight, the useful Bliss, The next World‘s Happiness, and this. Give then, O indulgent Fate! Give a Friend in that Retreat (Tho‘ withdrawn from all the rest) Still a Clue, to reach my Breast. Let a Friend be still convey‘d Thro‘ those Windings, and that Shade! Where, may I remain secure, Waste, in humble Joys and pure, A Life, that can no Envy yield; Want of Affluence my Shield.1 Anne Finch’s “The Petition for an Absolute Retreat” is one of a number of verses by early modern women which engage with the poetic traditions of friendship and the pastoral.2 Finch employed the imagery and language of the pastoral to shape a convivial but protected space of retreat. The key to achieving the sanctity of such a space is virtuous friendship, which Finch implies is both enabled by and enabling of pastoral retirement. Finch’s retreat is not an absolute retirement; she calls for “a Friend in that Retreat / (Tho’ withdrawn from all the rest)” to share in the “humble Joys and pure” of the pastoral. Friendship is “design’d [as] the Support of Human-kind”, a divine gift to ease the burden of human reason and passion. The cause of “the next World’s Happiness, and this”, 1 Anne Finch, “The Petition for an Absolute Retreat” in Miscellany Poems, on Several Occasions, printed for J.B. and sold by Benj. Tooke at the Middle-Temple-Gate, William Taylor in Pater-Noster-Row, and James Round (London, 1713), pp.
  • The Gentleman's Magazine; Or Speakers’ Corner 105

    The Gentleman's Magazine; Or Speakers’ Corner 105

    Siegener Periodicum zur Internationalen Empirischen______ Literaturwissenschaft Herausgegeben von Reinhold Viehoff (Halle/Saale) Gebhard Rusch (Siegen) Rien T. Segers (Groningen) Jg. 19 (2000), Heft 1 Peter Lang Europäischer Verlag der Wissenschaften SPIEL Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPIEL: Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft Jg. 19 (2000), Heft 1 Peter Lang Frankfurt am Main • Berlin • Bern • Bruxelles • New York • Oxford • Wien Die Deutsche Bibliothek - CIP-Einheitsaufnahme Siegener Periodicum zur internationalen empirischen Literatur­ wissenschaft (SPIEL) Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien : Lang ISSN 2199-80780722-7833 Erscheint jährl. zweimal JG. 1, H. 1 (1982) - [Erscheint: Oktober 1982] NE: SPIEL ISSNISSN 2199-80780722-7833 © Peter Lang GmbH Europäischer Verlag der Wissenschaften Frankfurt am Main 2001 Alle Rechte Vorbehalten. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPECIAL ISSUE / SONDERHEFT SPIEL 19 (2000), H. 1 Historical Readers and Historical Reading Historische Leser und historisches Lesen ed. by / hrsg. von Margaret Beetham (Manchester) &
  • Translation, Reputation, and Authorship in Eighteenth-Century Britain

    Translation, Reputation, and Authorship in Eighteenth-Century Britain

    Translation, Reputation, and Authorship in Eighteenth-Century Britain by Catherine Fleming A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Catherine Fleming 2018 Translation, Reputation, and Authorship in Eighteenth-Century Britain Catherine Fleming Doctor of Philosophy Department of English University of Toronto 2018 Abstract This thesis explores the reputation-building strategies which shaped eighteenth-century translation practices by examining authors of both translations and original works whose lives and writing span the long eighteenth century. Recent studies in translation have often focused on the way in which adaptation shapes the reception of a foreign work, questioning the assumptions and cultural influences which become visible in the process of transformation. My research adds a new dimension to the emerging scholarship on translation by examining how foreign texts empower their English translators, offering opportunities for authors to establish themselves within a literary community. Translation, adaptation, and revision allow writers to set up advantageous comparisons to other authors, times, and literary milieux and to create a product which benefits from the cachet of foreignness and the authority implied by a pre-existing audience, successful reception history, and the standing of the original author. I argue that John Dryden, Alexander Pope, Eliza Haywood, and Elizabeth Carter integrate this legitimizing process into their conscious attempts at self-fashioning as they work with existing texts to demonstrate creative and compositional skills, establish kinship to canonical authors, and both ii construct and insert themselves within a literary canon, exercising a unique form of control over their contemporary reputation.
  • Rulers of Opinion Women at the Royal Institution of Great Britain, 1799

    Rulers of Opinion Women at the Royal Institution of Great Britain, 1799

    Rulers of Opinion Women at the Royal Institution of Great Britain, 1799-1812 Harriet Olivia Lloyd UCL Submitted for the Degree of Doctor of Philosophy in History of Science 2018 1 I, Harriet Olivia Lloyd, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This thesis examines the role of women at the Royal Institution of Great Britain in its first decade and contributes to the field by writing more women into the history of science. Using the method of prosopography, 844 women have been identified as subscribers to the Royal Institution from its founding on 7 March 1799, until 10 April 1812, the date of the last lecture given by the chemist Humphry Davy (1778- 1829). Evidence suggests that around half of Davy’s audience at the Royal Institution were women from the upper and middle classes. This female audience was gathered by the Royal Institution’s distinguished patronesses, who included Mary Mee, Viscountess Palmerston (1752-1805) and the chemist Elizabeth Anne, Lady Hippisley (1762/3-1843). A further original contribution of this thesis is to explain why women subscribed to the Royal Institution from the audience perspective. First, Linda Colley’s concept of the “service élite” is used to explain why an institution that aimed to apply science to the “common purposes of life” appealed to fashionable women like the distinguished patronesses. These women were “rulers of opinion,” women who could influence their peers and transform the image of a degenerate ruling class to that of an élite that served the nation.
  • The Bluestocking Salons of Eighteenth-Century Britain

    The Bluestocking Salons of Eighteenth-Century Britain

    The Daily Star, Dhaka, Saturday 29 September 2018 https://www.thedailystar.net/literature/news/the-bluestocking-salons-eighteenth-century-britain- 1640020 12:00 AM, September 29, 2018 / LAST MODIFIED: 12:00 AM, September 29, 2018 The Bluestocking Salons of Eighteenth-Century Britain Md. Mahmudul Hasan I enjoyed reading my teacher and mentor Fakrul Alam's “The Literary Club of 18th-Century London” (Daily Star, 20 August 2018). Referring to our age-old practice of having literary addas (chatting circles) and London's “The Club” better known as “Literary Club” which Samuel Johnson (1709-84) and Joshua Reynolds (1723-92) founded in 1764, he pointed to a comparable literary tradition of Bengal and Britain. It is believed that Johnson was inspired by Francis Bacon's precept that “reading makes a full man, conversation a ready man, and writing an exact man” and used to devote “most attention to how to communicate useful and pleasurable knowledge successfully.” So mainly because of Johnson's witticisms, sense of humour and the entertaining conversations of the Club, it received wide coverage in the national and international media of the time. Johnson's and Reynolds' Club attracted other great writers such as Adam Smith (1723-90), Oliver Goldsmith (1728-74), Edward Gibbon (1737-94) and James Boswell (1740-95). However, the fact remains that it was an all-male circle of interlocutors. The title of Professor Alam's essay stirred in me an anticipation that it would touch on the eighteenth-century bluestocking circles which were perhaps equally vibrant. It did not do so, to which I drew his attention.
  • Alphabetical Index of Articles Published in Swift Studies (1986-2020)

    Alphabetical Index of Articles Published in Swift Studies (1986-2020)

    Alphabetical Index of Articles Published in Swift Studies (1986-2020) Alderson, Simon J., ‘Swift and the Pun’, Swift Studies, 1996, 47–57 Apke, Bernd, ‘When Nature Took Sides: Richard Janthur’s Expressionist Illustrations of Gulliver’s Voyage to the Country of the Houyhnhnms’, Swift Studies, 2013, 115– 27 Arnold, Bruce, ‘“A Protestant Purchaser”: Bartholomew Van Homrigh, Merchant Adventurer’, Swift Studies, 2000, 42–50 ———, ‘“Those Who Seek to Obtain My Estate”: Swift on Love and Envy’, Swift Studies, 1996, 25–45 Arnott, Les G., ‘A Letter to the Editor of The Independent: Modest Proposal’, Swift Studies, 2006, 125 Baines, Paul, ‘Swift’s Last Speech and Dying Words of Ebenezor Elliston: Reading the Ephemeral Text’, Swift Studies, 2013, 78–95 Baltes, Sabine, ‘Diversion, Dollars, and the Dean: Jonathan Swift and Popular Culture’, Swift Studies, 2004, 110–20 ———, ‘Father Time: The Emblematic and Iconographic Context of “The Epistle Dedicatory to His Royal Highness Prince Posterity” in Swift’s Tale’, Swift Studies, 2005, 41–50 ———, ‘“The Grandson of That Ass Quin”: Swift and Chief Justice Whitshed’, Swift Studies, 2008, 126–46 Bernard, Stephen J., ‘Jonathan Swift and A Key, Being Observations and Explanatory Notes, upon the Travels of Lemuel Gulliver, with a New Edition of A Key’, Swift Studies, 2012, 87–119 Blanchard, W. Scott, ‘Swift’s Tale, the Renaissance Anatomy, and Humanist Invective’, Swift Studies, 2001, 83–97 Bony, Alain, ‘Mutiny on the Adventure: A Possible Source of Gulliver’s Travels’, Swift Studies, 2004, 72–85 Boucé, Paul-Gabriel, ‘The Rape of Gulliver Reconsidered’, Swift Studies, 1996, 98–114 Boyle, Frank T., ‘Ehrenpreis’s Swift and the Date of the Sentiments of a Church-of-England Man’, Swift Studies, 1991, 30–37 Brown, M.
  • Women, Morality and Advice Literature, Parts 1 to 3

    Women, Morality and Advice Literature, Parts 1 to 3

    Women, Morality and Advice Literature, Parts 1 to 3 WOMEN, MORALITY AND ADVICE LITERATURE Manuscripts and Rare Printed Works of Hannah More (1745-1833) and her circle from the Clark Library, Los Angeles Part 1: Manuscripts, First Editions and Rare Printed Works of Hannah More Part 2: Gift Books, Memoirs, Pamphlets and the Cheap Repository Tracts Part 3: Writings by The Eminent Blue Stockings Contents listing PUBLISHER'S NOTE Hannah More's Public Voice in Georgian Britain by Patricia Demers Hannah More, Revolutionary Reformer by Anne K. Mellor CONTENTS OF REELS - PART 1 DETAILED LISTING - PART 1 CONTENTS OF REELS - PART 2 DETAILED LISTING - PART 2 CONTENTS OF REELS - PART 3 CHEAP REPOSITORY TRACTS LISTING Women, Morality and Advice Literature, Parts 1 to 3 Publisher's Note Women, Morality and Advice Literature focuses on the life and works of Hannah More (1745-1833), one of the best selling and most influential women authors of her time, in England. Through her writings, philanthropy, political activities, and personal relationships More set out to lead a moral revolution of the nation’s manners and principles. Writing in different literary genres and styles her printed works span a period of some five decades. Plays, poetry and prose written in different styles, were aimed at all levels of society – from the aristocracy to the lower-class reader. This major collection of books and autograph letters by Hannah More is held in the Special Collections of the William Andrews Clark Memorial Library, at the University of California Los Angeles. In recent years, with the benefit of the Ahmanson Foundation, the library has been collecting materials from the later eighteenth century to the early 1800s, and is now recognised by scholars as one of the great centres in the world for seventeenth and eighteenth century studies.
  • Tennyson's Poems

    Tennyson's Poems

    Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
  • 1 Chapter 12 'THINKING MINDS of BOTH SEXES': Patriotism, British Bluestockings and the Wars Against Revolutionary America An

    1 Chapter 12 'THINKING MINDS of BOTH SEXES': Patriotism, British Bluestockings and the Wars Against Revolutionary America An

    1 Chapter 12 ‘THINKING MINDS OF BOTH SEXES’: Patriotism, British Bluestockings and the Wars against Revolutionary America and France, 1775-1802 Emma V. Macleod ‘Without intending it, I have slid into politics’, wrote the poet Anna Seward at the end of a long letter to a regular correspondent, Colonel Dowdeswell of Shrewsbury, in November 1797. ‘In a period so momentous,’ she explained, ‘their attraction, to thinking minds of both sexes, is resistless.’1 This quotation might suggest that Seward had forgotten herself temporarily to make a brief aside which touched on some political question. In fact, her whole letter had been devoted to discussing the war against revolutionary France—her enjoyment of a concert in Birmingham given to celebrate Admiral Duncan’s victory at Camperdown the previous month; the civility of the eighty French prisoners of war exiled in her home town of Lichfield in Staffordshire for the past ten months; the prisoners’ inhospitable reception by most of the other residents of Lichfield and their recent removal to Liverpool jail; her musing on the sufferings of British prisoners of war in France; the miseries and evils of war in general; and the prejudice and corruption of the Pitt administration in its refusal to seek peace with France sooner. The ‘slide’ into 2 politics that she mentions therefore represents no momentary lapse, but rather a natural shift from describing her experience, as a genteel woman, of the British homefront during the war against revolutionary France—through appropriately feminine expressions of anxiety about British prisoners and the horrors of war—to clearly political judgement regarding the errors of government policy.
  • The Business of Literature in Eighteenth-Century Britain" (1999)

    The Business of Literature in Eighteenth-Century Britain" (1999)

    University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 1999 Misogynous Economies: The Business of Literature in Eighteenth- Century Britain Laura C. Mandell Miami University of Ohio Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Mandell, Laura C., "Misogynous Economies: The Business of Literature in Eighteenth-Century Britain" (1999). Literature in English, British Isles. 64. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/64 Misogynous Economies Misogynous Economies The Business of Literature in Eighteenth-Century Britain Laura Mandell THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1999 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 03 02 01 00 99 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Mandell, Laura.