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Front Matter Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information the cambridge companion to women’s writing in britain, 1660–1789 Women writers played a central role in the literature and culture of eighteenth- century Britain. Featuring essays on female writers and genres by leading scho- lars in the field, this Companion introduces readers to the range, significance, and complexity of women’s writing across multiple genres in Britain between 1660 and 1789. Divided into two parts, the Companion first discusses women’s participation in print culture, featuring essays on topics such as women and popular culture, women as professional writers, women as readers and writers, and place and publication. Additionally, Part I explores the ways that women writers crossed generic boundaries. The second part contains chapters on many of the key genres in which women wrote, including poetry, drama, fiction (early and later), history, the ballad, periodicals, and travel writing. The Companion also provides an introduction surveying the state of the field, an integrated chronology, and a guide to further reading. catherine ingrassia is Professor of English at Virginia Commonwealth University in Richmond, Virginia. She is the author of Authorship, Commerce, and Gender in Eighteenth-Century England: A Culture of Paper Credit (Cambridge, 1998); editor of a critical edition of Eliza Haywood’s Anti- Pamela and Henry Fielding’s Shamela (2004); and co-editor of A Companion to the Eighteenth-Century Novel and Culture (2005) and the anthology British Women Poets of the Long Eighteenth Century (2009). A complete list of books in the series is at the back of the book. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information THE CAMBRIDGE COMPANION TO WOMEN’S WRITING IN BRITAIN, 1660–1789 edited by CATHERINE INGRASSIA © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9781107600980 © Cambridge University Press 2015 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2015 Printed in the United Kingdom by Clays St Ives, plc A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to women’s writing in Britain, 1660–1789 / edited by Catherine Ingrassia. pages cm. – (Cambridge companions to literature) Includes bibliographical references and index. isbn 978-1-107-60098-0 (paperback) 1. English literature – Women authors – History and criticism. 2. English literature – 18th century – History and criticism. 3. English literature – Early modern, 1500 – 1700 – History and criticism. I. Ingrassia, Catherine, editor. pr448.w65c36 2015 820.9′928709033 – dc23 2015008278 isbn 978-1-107-01316-2 Hardback isbn 978-1-107-60098-0 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information CONTENTS Notes on contributors vii Chronology xi Introduction 1 catherine ingrassia part i women in print culture 1 Women as readers and writers 21 mark towsey 2 The professional female writer 37 betty a. schellenberg 3 Place and publication 55 sarah prescott 4 Women and popular culture 70 paula r. backscheider 5 Genre crossings 86 kathryn r. king part ii genres, modes, and forms 6 Poetry 103 david e. shuttleton 7 Drama 118 felicity nussbaum v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information contents 8 History 135 rivka swenson 9 Satire 147 melinda rabb 10 Early fiction 164 nicola parsons 11 Later fiction 180 katherine binhammer 12 Travel writing 196 harriet guest 13 Ballads 210 ruth perry 14 Periodical writing 226 mary waters Guide to further reading 242 Index 254 vi © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information NOTES ON CONTRIBUTORS paula r. backscheider, Philpott-Stevens Eminent Scholar at Auburn University, is a former president of the American Society for Eighteenth-Century Studies and the author of several books, including Daniel Defoe: His Life, winner of the British Council Prize; Spectacular Politics; and Eighteenth-Century Women Poets and Their Poetry, winner of the MLA James Russell Lowell Prize. She has published articles in PMLA, Theatre Journal, ELH, and many other journals. Her most recent book is Elizabeth Singer Rowe and the Development of the English Novel. katherine binhammer is a Professor in the Department of English and Film Studies at the University of Alberta, Canada. She has published The Seduction Narrative in Britain, 1747–1800 (Cambridge, 2009), edited Women and Literary History (2003), and written numerous articles on gender and sexuality in the eighteenth century. Recently, her research has explored the economics of loss in the late eighteenth-century novel; articles from this work appear in Studies in the Novel and Eighteenth-Century Fiction. harriet guest is Professor Emerita from the Centre for Eighteenth Century Studies and Professor in the Department of English and Related Literature at the University of York, UK. Her books include Small Change: Women, Learning, Patriotism, 1750–1810 (2000) and Empire, Barbarism, and Civilization: Captain Cook, William Hodges, and the Return to the Pacific (Cambridge, 2007). kathryn r. king is Professor Emerita of Literature at the University of Montevallo at the University of Montevallo. She is author of Jane Barker, Exile: A Literary Career (2000) and A Political Biography of Eliza Haywood (2012), and coeditor (with Alexander Pettit) of Haywood’s The Female Spectator (2002). She has published numerous articles on English women writers and continues to pursue Haywood biographical leads for a project that will focus on mortality, late careers, and literary legacies. vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information notes on contributors felicity nussbaum is Professor of English at the University of California, Los Angeles. She is author of Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater (2010); The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century (Cambridge, 2003); Torrid Zones: Maternity, Sexuality and Empire in Eighteenth-Century English Narrative (1995); and The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England (1989). She has been awarded numerous academic honors, including a Guggenheim Fellowship, an Andrew Mellon Fellowship at the Huntington Library, and an NEH Fellowship. She has also held a Marta Sutton Weeks Fellowship at the Stanford Humanities Center and has been a Rockefeller Humanist-in-Residence Fellow at the Institute for Research on Women, Rutgers University. nicola parsons is a Senior Lecturer in Eighteenth-Century Literature at the University of Sydney. Her first book, Reading Gossip in Early Eighteenth-Century England (2009), centers on the development of the novel in the early century and, focusing on texts by Delarivier Manley, Daniel Defoe, Richard Steele, and Jane Barker, argues that gossip modeled an interpretative strategy that shaped readers’ participation in both literary culture and public debates. She has published essays on Manley, Barker, Defoe, and Queen Anne’s correspondence and also coedited Reading Historical Fiction: The Revenant and Remembered Past (2013) with Kate Mitchell. Her new project, funded by the Australian Research Council, centers on connections between poetry and the novel in early eighteenth-century novels by women. ruth
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