125 Tricks with Cards Or Sleight of Hand Introductory Ttie State Library of Victoria "ALMA CONJUIUM® COLLECTION”

Total Page:16

File Type:pdf, Size:1020Kb

125 Tricks with Cards Or Sleight of Hand Introductory Ttie State Library of Victoria W !LL ALMA M.I.M.C. aO N D O N ) 125 Tricks With Cards Or Sleight of Hand Introductory Ttie State Library of Victoria "ALMA CONJUIUM® COLLECTION” Out of all types of sleight-of-hand fingers when a sleight is about to and other kinds of tricks, few are so be performed. You w ill have to imi­ attractive to the average amateur as tate the ventriloquist and his “speak­ those performed w ith the assistance of ing dummy” whom he holds on his a deck of cards. In nearly every group knees. The audience watches w ith rapt can be found at least one individual interest the movements of the dummy, who can do one or more cards tricks, which is just what the ventroloquist but the person who has at his finger­ wants, for then . they won’t see the tips the ability to preseat in the cor­ corners of his own mcuth moving rect manner a fairly continuous num­ while the words apparently are com­ ber is still rare. ing out his "stooge’s’’ lips. Therefore the person who has the The beginner can rest assured of patience to master some of the bet­ one thing and that is that the tricks in ter tricks to the point where they can this book are those used by some of be presented with confidence and suc­ the foremost masters. The experts cess really is unique. These tricks are who worked out the correct presenta­ not learned to the point of perfection tion of the tricks contained in this at one or two trials. Naturally, there book all were recognized as among are some who can learn to understand the real masters. The tricks are sound a trick with a few readings of the and when properly presented w ill ren­ Instructions, but there Is something der the effects desired. else that also must be studied—the There are many tricks which do not correct movement of the fingers. The require any equipment and it frankly tricks must be performed deftly and was the intention of fhe publishers to with as smooth a flow of motion as include as many of this type as possible. The action must not be jerky possible. Most of the equipment re­ and incoherent or the entire effect quired w ith some of the more elaborate is spoiled and usually the secret of the tricks can easily be obtained. Much trick given away. of it can be made by the performer, if Palming, passing and forcing are he is genuinely interested in the pos­ perhaps the backbone of the card trick sibilities. In fact, most of the masters sequences. These Instructions should who appeared for years on the stage be studied to the point where they can and in private manufactured their own be performed with hardly any more equipment. Frankly, most of the equip­ difficulty than it is to raise a fork to ment on the market is copied from pro­ one’s lips. ducts which those masters devised. The history of card tricks goes back Whether the reader wants to enter to the middle ages and for years It into the consideration of these more was regarded as genuine magic to be intricate possibilities is entirely up to able to perform some of the stranger himself. The book abounds with nu­ sleights, as are offered in this book. merous tricks and sleights which can However, the secrets are so simple that be mastered within a short period of once understood they are very seldom time and the publishers confidently fo rg o tto n . predict that once the easier tricks have Of course, there Is more to card been mastered the desire to perform tricks than the mere presentation of the harder ones will be hard to the motions. You must develop a con­ suppress. tinuous line of patter, as the stage per­ There are some who contend that formers term It, to keep up the Inter­ card tricks really started shortly af­ est of the audience and also to direct ter playing cards were introduced in­ the attention of the audience from your to Europe and were worked out by the 2 125 TRICKS WITH CARDS OR SLEIGHT OP HAND world’s first cheats in card games. As and studying that sometimes covered soon as the craze for cards became many years. Por instance, the trick in general there were those who worked which a card is torn up by the aud­ out a few of the simpler ways whereby ience and then made to reappear whole, cards could be switched to the benefit in a frame on the stage, w ith the excep­ of either one or more individuals in tion of a single piece of the supposedly those games where wagers and stakes torn card missing, actually took years were being sought after. Naturally, the number of these early cheats was to work out. But when it was perfect­ small and until their nefarious scheme ed the old master knew when he said was suspected they had gained consid­ he could do the trick that it would be erable riches, according to these his­ done smoothly and that the amaze­ torians. However, it was not long be­ ment of the audience at seeing the fore their schemes were uncovered and torn corner reappear and furthermore became, to a certain extent, the know­ to have one of the audience fit in the ledge of so many that it was imprac­ piece he retained when the card was tical to use them at gaming tables. To ripped to shreds would be almost un- beat this situation the cheats merely believeable. Still, this trick can be concentrated on finding new methods worked out if the special equipment is at palming cards, switching cards, obtained. stacking the decks, etc., etc., usually Of great value also is the ability of managing to keep just a little bit the amateur to appear exceedingly ahead of their pursuers. While the natural during the presentation of nature of card tricks is fairly well what tricks he may have mastered. understood the method of doing them .There should be little in his action to is still more or less a general mystery. indicate that he considers himself a This is why so many respectable per­ finished magician. The magician usual­ sons are annually lured into games by ly accomplishes his feats to the accom­ professional gamblers who understand paniment of vast flourishes, excessive card tricks and against whom the un­ fanfare, etc., by which he impresses his suspecting victim has no chance of audience of the great difficulty and competing. The annual toll runs into strain coincident with presentation of many hundreds of thousands and the his tricks. The amateur who can per­ professional gambler always'will find form a sequence of card tricks in a victims because so few persons under­ fashion that makes it appear that it stand what can be done with a pack requires almost no effort makes his of cards/ a fertile mind and deft fingers. audience wonder the most. The patter Of course, the great majority of card can be casual and easy, just as though tricks that have been handed down it were part of the ordinary conversa­ through generation after generation tio n . W hen the audience sees the cards are based on the great opportunity for do strange tricks with almost no effort entertainment which they offer. Cards they become so impressed that there can be made to rise frurn the table, is always the demand for more and flutter through the air, change their also attempts to imitate, which natur­ Identities while in full view of every­ ally always come to failure and which one—in fact so many things can be greatly increase the respect for the done that suggest strongly of black p e rform e r. magic that the conscientious performer The special equipment, of course, can make peoples’ hair literally stand does not fit in with the plans ,of the on end. person desiring to present card tricks Equipment and accessories became as a casual interlude in what may be the result of a desire for variety in a card party or a house party. Equip­ programs and entertainments by the ment always suggests careful prepara­ old masters. Once these masters had tion and naturally the performer must perfected all known tricks and sleights be careful to make his appearance, they immediately sought more. The patter, etc., appear in line with the new ones were the result of efforts nature of his special equipment. 125 Tricks with Cards Or Sleight of Hand To bo •» successful artist, it is essen­ that the two packets will be in the po­ tial that this, the pass, be mastered sition depicted in the second illustra* to the point where absolutely no tion. Fingers of the left hand are now chance of failure exists. The deck is extended, causing the upper portion o f held as in the first illustration, with the deck to be drawn away, at the same time raising (with the right the little finger of the left hand insert­ hand) (he lower edge of the under deck ed over the card to be brought to the until the edges of the packets just clear top. Now cover the deck with the right each other. Here refer to the third il­ har.d. Grasp the lower portion of the lustration. When the packets are at deck lengthwise between the second this position by the mere act of clos­ ing the left hand they will be brought together as at first except that they have changed places and the desired card will now be on the top.
Recommended publications
  • FEBRUARY 2002 by SUBSCRIPTION ONLY the Independent Club for Slot-Car Enthusiasts © NSCC 2002 Contents Milton Keynes - Gateway to Paradise? Swapmeets
    No.239 FEBRUARY 2002 BY SUBSCRIPTION ONLY The independent club for slot-car enthusiasts © NSCC 2002 Contents Milton Keynes - gateway to paradise? Swapmeets...............................3 y the time this issue drops onto your doormat the first swapmeet Membership Update....................4 Bof the year will either be imminent or just past. The Milton Diary Dates..................................5 Keynes event is the most successful of the club meetings by a long Factory Focus................................7 way but I often wonder why this is so. Competition Results.....................9 It is held in a drab, dark and cold building in one of the least Members Moments....................10 prepossessing towns in England; it is virtually impossible to obtain Book Review...............................12 Westcountry Rambles................14 any refreshments and the place is so crowded that I am amazed Bits And Pieces...........................15 anybody ever gets near enough to a stall to purchase anything! I am, Letters........................................17 by no means, knocking the organisation of the event - Nigel News Update..............................22 Copcutt runs it superbly - but I don’t understand why other Wheelspin...................................24 swapmeets attract significantly fewer members. Roger’s book...............................27 Bishop’s Stortford, for example, is equally well organised; Brian Gina The Leaner........................31 Walters always puts on some good demonstrations; the venue Ebay And The NSCC................35 contains a bar which serves excellent food; the auction is one of the SlotStox......................................37 highspots of the year and the location is much nearer for the Mole..........................................38 majority of the membership. Similarly with Evesham, my favourite, A Rant........................................39 Members Ads.............................41 Steve Pitts runs an extremely entertaining event.
    [Show full text]
  • The Magic Collection of David Baldwin
    Public Auction #043 The Magic Collection of David Baldwin Including Apparatus, Books, Ephemera, Posters, Automatons and Mystery Clocks Auction Saturday, October 29, 2016 v 10:00 am Exhibition October 26-28 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 The Magic Collection of David M. Baldwin An Introduction he magic collection of David M. Baldwin (1928 – 2014) Tis a significant one, reaching back to the glorified era of nineteenth century parlor and stage magic that sees its greatest physical achievements embodied in the instruments of mystery we offer here: clocks, automata, and fine conjuring apparatus. It crosses into that treasured phase of the twentieth century when the influence magic held over Western popular culture reached its zenith, and continues on to the present age, where modern practitioners and craftsmen commemorate and reinvigorate old A thoughtful and kind gentleman, he never spoke unkindly about ideas in new forms. anyone. He was modest, generous, and known by many for his philanthropy in supporting the visual and performing arts, medicine, The bedrock of the collection is composed of material the education, and, of course, magic. Among his contributions to other sources of provenance of which will be well known to any conjuring organizations, he was a major benefactor to The Magic Circle, collector or historian of the art: the show, personal artifacts and and was awarded an Honorary Life Member of the Inner Magic Circle. props gathered and used by Maurice F. Raymond (“The Great Raymond”); the library and collection of Walter B.
    [Show full text]
  • Word for Word Parola Per Parola Mot Pour Mot
    wort für wort palabra por palabra word for word parola per parola mot pour mot 1 word for word wort für wort palabra por palabra mot pour mot parola per parola 2015/2016 2 table of contents foreword word for word / wort für wort Columbia University School of the Arts & Deutsches Literaturinstitut Leipzig 6 word for word / palabra por palabra Columbia University School of the Arts & New York University MFA in Creative Writing in Spanish 83 word for word / parola per parola Columbia University School of the Arts & Scuola Holden 154 word for word / mot pour mot Columbia University School of the Arts & Université Paris 8 169 participating institutions 320 acknowledgements 4 foreword Word for Word is an exchange program that was conceived in 2011 by Professor Binnie Kirshenbaum, Chair of the Writing Program of Columbia University’s School of the Arts, in the belief that that when writers engage in the art of literary transla- tion and collaborate on translations of each other’s work, the experience will broad- en and enrich their linguistic imaginations. Since 2011, the Writing Program conducted travel-based exchanges in partnership with the Deutsches Literaturinstitut Leipzig in Leipzig, Germany; the Scuola Holden in Turin, Italy; the Institut Ramon Llull and Universitat Pompeu Fabra–IDEC in Barcelona, Catalonia (Spain); the Columbia Global Center | Middle East in Amman, Jordan; Gallaudet University in Washington, D.C.; and the University of the Arts Helsinki in Helsinki, Finland. Starting in 2016, the Word for Word program expanded to include a collaborative translation workshop running parallel to the exchanges, in which Writing Program students, over the course of one semester, translate work by their partners at some of these same institutions – the Deutsches Literaturinstitut Leipzig and Scuola Holden–as well as some new ones: Université Paris 8 in Paris, France; New York University’s Creative Writing in Spanish MFA Program; and the Instituto Vera Cruz in São Paulo, Brazil.
    [Show full text]
  • |||FREE||| the Complete Lenormand Oracle Handbook
    THE COMPLETE LENORMAND ORACLE HANDBOOK: READING THE LANGUAGE AND SYMBOLS OF THE CARDS FREE DOWNLOAD Caitlin Matthews | 416 pages | 09 Oct 2014 | Inner Traditions Bear and Company | 9781620553251 | English | Rochester, United States The Complete Lenormand Oracle Handbook : Reading the Language and Symbols of the Cards Take a spread like the ten-card Celtic Cross. In addition to her comprehensive practical introduction to the Lenormand oracle, Matthews delves deeply into the history of cartomancy to reveal the mythic blueprint that underlies this simple deck, the key to which lies not in their imagery but in their connection to playing cards. The images and their keywords are eloquent in much more direct ways. Trivia About The Complete Leno Cancel Submit. As a young woman in late s London, I dedicated myself to learning tarot and became a collector of tarot decks. They were cheap and unesoteric. Taking the Portrait. Divination by lot is not to be despised, if it has the sanction of antiquity, as in the case of those lots which, according to tradition, sprang out of the earth. It is wise, wonderfully structured, and written in a voice that makes one feel as though the author is sitting at your side, offering inspired advice and support. Yet it is still unclear who truly was the creator or Petit Lenormand. Here you can see that each card, regardless of deck, has a number to distinguish it, rather than a written title. Other Editions 3. Thank you. An oracle can only show so much, of course, and Lenormand is oriented toward prediction.
    [Show full text]
  • Magic Camp – Mind Reading & Other Cool Tricks Parent Notes
    Magic Camp – Mind Reading & Other Cool Tricks Parent Notes Bringing out the STAR in kids! Abra-Kid-Abra 314-961-6912 www.abrakid.com Abra-Kid-Abra © 2016 Magic 1 Thanks for having your child participate in our Magic Camp. These notes are provided to help you assist you child in mastering the tricks. The notes are based on our 30 hour camp. If your program is less hours, not all this material will be covered, so some of it will be extra. If you have questions on anything, please let us know. 314-961-6912 [email protected] Good luck! Abra-Kid-Abra © 2016 Magic 2 Nines Trick Effect: To a cute story, magician shows a card with the word “nine” written, but with the “i” not dotted. She places the card face down on the table, & writes a dot on another piece of paper. She rubs the dot and it disappears. When she turns over the “nine” card, the “i” is now dotted! Props: Nine card, a pen or pencil, and a piece of paper. Secret: The word “nine” reads the same upside down or right side up, as it is written in cursive. When “nine” is right side up, the “i” is dotted. But when it is upside down, it isn’t—the dot is below the word and covered up by the thumb, which holds the card. As for the dot disappearing, you pretend to draw a dot on the paper but really don’t. Preparation: Have each student put a light pencil dot on the back of the card near the top edge of the card where the dot is.
    [Show full text]
  • The Old and the New Magic
    E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U.
    [Show full text]
  • The Penguin Book of Card Games
    PENGUIN BOOKS The Penguin Book of Card Games A former language-teacher and technical journalist, David Parlett began freelancing in 1975 as a games inventor and author of books on games, a field in which he has built up an impressive international reputation. He is an accredited consultant on gaming terminology to the Oxford English Dictionary and regularly advises on the staging of card games in films and television productions. His many books include The Oxford History of Board Games, The Oxford History of Card Games, The Penguin Book of Word Games, The Penguin Book of Card Games and the The Penguin Book of Patience. His board game Hare and Tortoise has been in print since 1974, was the first ever winner of the prestigious German Game of the Year Award in 1979, and has recently appeared in a new edition. His website at http://www.davpar.com is a rich source of information about games and other interests. David Parlett is a native of south London, where he still resides with his wife Barbara. The Penguin Book of Card Games David Parlett PENGUIN BOOKS PENGUIN BOOKS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia) Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia
    [Show full text]
  • Harvard- Educated Magician and Puzzle Maker on Magic As Storytelling
    Co.CREATE Co.EXIST Co.DESIGN Co.LABS SUBSCRIBE CREATE DAILY Co.CREATE “NOW YOU SEE ME” HARVARD- CREATIVITY \ CULTURE \ COMMERCE EDUCATED MAGICIAN AND PUZZLE EDITOR: MAKER ON MAGIC AS TERESSA IEZZI STORYTELLING TWO THOUSAND AND 06 / 06 THIRTEEN BY: SUSAN KARLIN Now You See Me’s magic consultant, David Kwong, reveals how helping the cast master real sleight-of-hand moves helped authenticate the film’s EDITOR'S PICKS characters and enhance its storytelling. 40 99 In an age of CGI, why bother with a magic consultant? The early moments of Now You See Me answer this question--when the movie audience becomes the foil in a real magic trick. After a few seconds WORK MODE: of spirited card deck cuts and shuffles, an illusionist played by Jesse FROM BEETHOVEN TO WOODY ALLEN— THE DAILY RITUALS OF THE WORLD’S Eisenberg shuffles the card faces to the audience and tells us to pick one. MOST CREATIVE PEOPLE AND WHAT YOU We do and--there’s a collective gasp--that’s the card that flashes in lights CAN LEARN FROM THEM on the skyscraper behind him. How the hell? “There’s an authenticity that people can detect with actual sleight-of- hand,” says David Kwong, a 32-year-old Harvard-educated magician and puzzler who designs and advises on illusions for film and TV, and writes crossword puzzles for The New York Times. “Both of those moments are really important in establishing the skills and technical abilities of the characters. We open the film that way, so when things get more exaggerated later, the audience has been grounded in the reality of that first authentic
    [Show full text]
  • Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
    Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad
    [Show full text]
  • The Underground Sessions Page 36
    MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From
    [Show full text]
  • A Cultural History of Tarot
    A Cultural History of Tarot ii A CULTURAL HISTORY OF TAROT Helen Farley is Lecturer in Studies in Religion and Esotericism at the University of Queensland. She is editor of the international journal Khthónios: A Journal for the Study of Religion and has written widely on a variety of topics and subjects, including ritual, divination, esotericism and magic. CONTENTS iii A Cultural History of Tarot From Entertainment to Esotericism HELEN FARLEY Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Helen Farley, 2009 The right of Helen Farley to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 978 1 84885 053 8 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Printed and bound in Great Britain by CPI Antony Rowe, Chippenham from camera-ready copy edited and supplied by the author CONTENTS v Contents
    [Show full text]
  • The Expert at the Card Table
    The Expert at the Card Table Main Contents Professional S. W. Erdnase's Secrets S.W. Erdnase's The Expert at the Card Table Technical Terms The ExpertThe Classic at Treatise the on Card CardManipulation Table Legerdemain The original text and illustrations of this book are in the public domain Card Tricks This .html edition is © 2000 José Antonio González This .html edition may be freely copied and distributed with the sole condition that the distribution be restricted to magicians This version isEnter hosted at eBook www.heartsandnines.com [1 Contents Previous | Next PREFACE INTRODUCTION PROFESSIONAL SECRETS ● Hold-Outs ● Prepared Cards ● Confederacy ● Two Methods of Shuffling ● Primary Accomplishments ● Possibilities of the "Blind" ● Uniformity of Action ● Deportment ● Display of Ability ● Greatest Single Accomplisment ● Effect of Suspicion ● Acquiring the Art ● Importance of Detail TECHNICAL TERMS ERDNASE SYSTEM OF BLIND SHUFFLES POSITION FOR SHUFFLE BLIND SHUFFLES ● To Retain Top Stock ● To Retain Top Stock and Shuffle Whole Deck ● To Retain the Bottom Stock and Shuffle Whole Deck ERDNASE SYSTEM OF BLIND RIFFLES AND CUTS BLIND RIFFLES ● To Retain the Top Stock ● To Retain the Bottom Stock Contents BLIND CUTS ● To Retain Bottom Stock--Top Losing One Card ● To Retain the Complete Stock ● To Retain the Top Stock ● To Retain the Bottom Stock ● To Retain Bottom Stock. Riffle 2 and Cut 4 FANCY BLIND CUTS ● To Retain the Complete Stock-1 ● To Retain the Complete Stock-2 FANCY TRUE CUT--ONE-HANDED TO INDICATE THE LOCATION FOR THE CUT ● This
    [Show full text]