Old-Growth Platycladus Orientalis As a Resource for Reproductive Capacity and Genetic Diversity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
A Letter to Dharma Protectors and Friends in 2017 Holding Lectures and Dharma and Support Fo Guang Ancestral Temple Learning Requires Self-Motivation
Merit Times 安詳是處事第一法, 急躁易壞事; Chicago 佛光世紀 恬淡是養心第一法, 佛光山芝加哥禪淨中心 NO.211 貪欲易染心。 Internatioanl Buddhist Progress Society at Chicago 9S043 Route 53 Naperville, IL 60565 Tel : (630)910-1243 星雲大師╱Venerable Master Hsing Yun Fax:(630)910-1244 E-mail: [email protected] www.ibpschicago.org A Letter to Dharma Protectors and Friends in 2017 holding lectures and Dharma and support Fo Guang Ancestral Temple Learning requires self-motivation. Both services, royalties issued - Dajue Temple; support the Three Acts the Buddhist concept of “self-awareness” from publications, as well as of Goodness Schools Program, the and the Confucian “self-learning” are the income from the Water Drop Cloud and Water Mobile Library, the most noble educational principles. Based on Teahouses and Venerable Venerable Master Hsing Yun Public this spirit, we applied for the establishment Master’s One-Stroke Education Trust Fund, as well of academic institutes in Mainland China. Calligraphy for its as media and literary awards; Currently, Fo Guang Shan has four construction. value lay involvement in the government-endorsed educational programs: Now the development of Buddhism; the Yixing Yunhu Academy, Yangzhou infrastructure of organize “Glory Belongs to Cultural Academy, Nanjing Jinling Academy, the Triple Gem is the Buddha” basketball teams; and Beijing Guangzhong Academy. These completed. Within develop a system for temple programs focus on the dual-cultivation of the first fifty years of its assessment; proactively promote merits and wisdom, and equal emphasis founding, Fo Guang Shan and develop the Merit Times; and on theory and practice. Venerable Master has accomplished not only propagate the Dharma in lectures believes that “Buddhism is indispensable to its construction, but also through music and songs. -
Nameless Art in the Mao Era
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2017 Nameless Art in the Mao Era Tianchu Gao College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Asian Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Gao, Tianchu, "Nameless Art in the Mao Era" (2017). Undergraduate Honors Theses. Paper 1091. https://scholarworks.wm.edu/honorstheses/1091 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Nameless Art in the Mao Era A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Department of Art and Art History from The College of William and Mary by Tianchu (Jane) Gao 高天楚 Accepted for ___________________________________ (Honors, Non-Honors) ________________________________________ Xin Wu, Director ________________________________________ Sibel Zandi-Sayek ________________________________________ Charles Palermo ________________________________________ Michael Gibbs Hill Williamsburg, VA May 2, 2017 ABSTRACT This research project focuses on the first generation of No Name (wuming 無名), an underground art group in the Cultural Revolution which secretly practiced art countering the official Socialist Realism because of its non-realist visual language and art-for-art’s-sake philosophy. These artists took advantage of their worker status to learn and practice art legitimately in the Mass Art System of the time. They developed their particular style and vision of art from their amateur art training, forbidden visual and textual sources in the underground cultural sphere, and official theoretical debates on art. -
Buddhist Print Culture in Early Republican China Gregory Adam Scott Submitted in Partial Fulfillment Of
Conversion by the Book: Buddhist Print Culture in Early Republican China Gregory Adam Scott Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Gregory Adam Scott All Rights Reserved This work may be used under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. For more information about that license, see http://creativecommons.org/licenses/by-nc-nd/3.0/. For other uses, please contact the author. ABSTRACT Conversion by the Book: Buddhist Print Culture in Early Republican China 經典佛化: 民國初期佛教出版文化 Gregory Adam Scott 史瑞戈 In this dissertation I argue that print culture acted as a catalyst for change among Buddhists in modern China. Through examining major publication institutions, publishing projects, and their managers and contributors from the late nineteenth century to the 1920s, I show that the expansion of the scope and variety of printed works, as well as new the social structures surrounding publishing, substantially impacted the activity of Chinese Buddhists. In doing so I hope to contribute to ongoing discussions of the ‘revival’ of Chinese Buddhism in the modern period, and demonstrate that publishing, propelled by new print technologies and new forms of social organization, was a key field of interaction and communication for religious actors during this era, one that helped make possible the introduction and adoption of new forms of religious thought and practice. 本論文的論點是出版文化在近代中國佛教人物之中,扮演了變化觸媒的角色. 通過研究從十 九世紀末到二十世紀二十年代的主要的出版機構, 種類, 及其主辦人物與提供貢獻者, 論文 說明佛教印刷的多元化 以及範圍的大量擴展, 再加上跟出版有關的社會結構, 對中國佛教 人物的活動都發生了顯著的影響. 此研究顯示在被新印刷技術與新形式的社會結構的推進 下的出版事業, 為該時代的宗教人物展開一種新的相互連結與構通的場域, 因而使新的宗教 思想與實踐的引入成為可能. 此論文試圖對現行關於近代中國佛教的所謂'復興'的討論提出 貢獻. Table of Contents List of Figures and Tables iii Acknowledgements v Abbreviations and Conventions ix Works Cited by Abbreviation x Maps of Principle Locations xi Introduction Print Culture and Religion in Modern China 1. -
Gongan Collections I 公案集公案集 Gongangongan Collectionscollections I I Juhn Y
7-1 COLLECTED WORKS OF KOREAN BUDDHISM 7-1 GONGAN COLLECTIONS I COLLECTIONS GONGAN 公案集公案集 GONGANGONGAN COLLECTIONSCOLLECTIONS I I JUHN Y. AHN JUHN Y. (EDITOR) JOHN JORGENSEN COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I Collected Works of Korean Buddhism, Vol. 7-1 Gongan Collections I Edited by John Jorgensen Translated by Juhn Y. Ahn Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-10-2 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I EDITED BY JOHN JORGENSEN TRANSLATED AND ANNOTATED BY JUHN Y. AHN i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. -
A Letter to Dharma Protectors and Friends in 2018
《 》學報 ‧ 藝文│第十三期 A Letter to Dharma Protectors and Friends in 2018 Dear Dharma Protectors and Friends: Auspicious greetings! Spring flowers, autumn moon, winter goes, and spring arrives once again. As the seasons follow their order of time, we welcome 2018. Venerable Master Hsing Yun gives his blessings and encouragement to all through his spring couplet, “A Family of Loyalty and Honor.” Loyalty and honor are most important in life. We must remain loyal and righteous towards people. We must stay loyal in our relationships, responsibilities, friendships, and towards our leaders. We must show sensibility towards human relationships, remain righteous towards the world, have benevolence for society, and sense our connection with the whole universe. It is essential to understand, be grateful for, realize, and keep as family legacy the spirits of loyalty and honor. We are thankful to all our devotees, Dharma friends, and the general public for your loyalty and honor in supporting Fo Guang Shan’s propagation of Humanistic Buddhism. I would like to report to you all on what we have accomplished this past year through the collaboration of both monastics and laity. Firstly, good news: the Complete Works of Venerable Master Hsing Yun has been published! On May 16, the last day of Fo Guang Shan’s 50th anniversary, we launched the Complete Works at FGS Sutra Repository. The Complete Works, an embodiment of Venerable Master’s lifelong principles and actualization of Humanistic Buddhism, is an encyclopedia of Humanistic 142 A Letter to Dharma Protectors and Friends in 2018 The Complete Works of Venerable Master Hsing Yun, 365 volumes in total. -
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Hsuan-Li Wang All rights reserved ABSTRACT Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Taking Gushan 鼓山 Monastery in Fujian Province as a reference point, this dissertation investigates the formation of the Gushan Chan lineage in Fujian area and its later diffusion process to Taiwan. From the perspective of religion diffusion studies, this dissertation investigates the three stages of this process: 1. the displacement of Caodong 曹洞 Chan center to Fujian in the seventeenth century; 2. Chinese migration bringing Buddhism to Taiwan in the Qing dynasty (1644-1911) and 3. the expansion diffusion activities of the institutions and masters affiliated with this lineage in Taiwan during the Japanese rule (1895-1945), and the new developments of humanistic Buddhism (renjian fojiao 人間佛教) after 1949. In this spreading process of the Gushan Chan lineage, Taiwanese Buddhism has emerged as the bridge between Chinese and Japanese Buddhism because of its unique historical experiences. It is in the expansion diffusion activities of the Gushan Chan lineage in Taiwan that Taiwanese Buddhism has gradually attained autonomy during the Japanese rule, leading to post-war new developments in contemporary humanistic Buddhism. Table of Contents List of Chart, Maps and Tables iii Acknowledgements iv Chapter 1 Introduction 1 1. Research Motives and Goals 2 2. -
Inhabiting Literary Beijing on the Eve of the Manchu Conquest
THE UNIVERSITY OF CHICAGO CITY ON EDGE: INHABITING LITERARY BEIJING ON THE EVE OF THE MANCHU CONQUEST A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY NAIXI FENG CHICAGO, ILLINOIS DECEMBER 2019 TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS .............................................................................................................v ABSTRACT ................................................................................................................................. viii 1 A SKETCH OF THE NORTHERN CAPITAL...................................................................1 1.1 The Book ........................................................................................................................4 1.2 The Methodology .........................................................................................................25 1.3 The Structure ................................................................................................................36 2 THE HAUNTED FRONTIER: COMMEMORATING DEATH IN THE ACCOUNTS OF THE STRANGE .................39 2.1 The Nunnery in Honor of the ImperiaL Sister ..............................................................41 2.2 Ant Mounds, a Speaking SkulL, and the Southern ImperiaL Park ................................50 -
Ewa Pobłocka JAPANESE DIARIES (3) CHINA, 25-29 NOVEMBER
Ewa Pobłocka JAPANESE DIARIES (3) CHINA, 25-29 NOVEMBER When I visited China for the first time, this past May, it took me less than twenty minutes to decide - never again! Despite the fact that exotic China had always been my dream destination. Yet, once more I have confirmed my conviction that one’s impressions from a given place depend on the people one meets there. So I am not going to say a word about my unfriendly interpreter from the previous visit – I prefer to recall the recent visit, which was truly enjoyable! However, before I could set my foot on the Chinese soil again, I had to pass a test in self-sufficiency in Tokyo. I decided to go to the airport with my entire luggage completely unaided, on my own. To leave my Tokyo flat in good order I had to switch off the heating system, empty the rubbish bin, close windows… so I left later than planned. To make matters worse, no taxi in sight – and when I finally got one, it took the driver twice as much time as usual to deliver me to the station. I rushed to catch the Keisei line train to the airport. The service on that line was fantastic, as usual. The ticket collector was bowing to every passenger who was getting on or off the train… I kept checking my airline e- ticket in order to get my flight time and terminal number right. So I got off the train, full of self-confidence, and headed towards the Departures, passing several security points. -
Temples Et Monastères De Mongolie-Intérieure
Temples et monastères de Mongolie-Intérieure Isabelle Charleux VERSION AUTEUR Ouvrage publié par le Comité des Travaux Historiques et Scientifiques & Institut National d’Histoire de l’Art, 2006, Paris, et accompagné d’un CD rom. Résumé : Au début du XXe siècle, plus de mille monastères bouddhiques de rite tibétain s’élevaient en Mongolie méridionale – actuelle Mongolie-Intérieure, l’une des cinq « régions autonomes » de Chine. Un siècle plus tard on en compte moins de deux cents. Si l’on ne peut que déplorer les destructions massives, les monastères épargnés constituent une partie appréciable d’un vaste ensemble architectural élaboré depuis la fin du XVIe siècle. Ce patrimoine architectural, d’une immense richesse, mérite d’être étudié aussi bien en tant qu’héritage culturel d’un peuple de pasteurs nomades qu’en raison de son poids dans l’histoire de l’architecture bouddhique d’Extrême-Orient. Placée entre deux puissants voisins, le Tibet et la Chine, la Mongolie est riche d’une histoire forgée sur le mythe d’ancêtres prestigieux, nourrie par une pratique sensible des religions et du bouddhisme en particulier, une histoire qui s’appuie sur des structures sociales écartelées entre nomadisme et sédentarisation. Ce passé se lit à travers les vestiges des monastères, dont l’éclectisme témoigne du brassage des influences et de la subtile adaptation de modèles pan-asiatiques aux besoins de communautés locales. Temples et monastères de Mongolie-Intérieure étudie, dans le cadre historique complexe de la Mongolie méridionale, les caractéristiques principales du patrimoine bouddhique mongol, tant du point de vue de ses enjeux spirituels, économiques ou stratégiques, que de celui des conceptions architecturales et des techniques de construction elles-mêmes. -
Chronicle of Wu Zhengyi
Accepted Manuscript Chronicle of Wu Zhengyi Lv Chun, Dr. PII: S2468-2659(16)30166-4 DOI: 10.1016/j.pld.2016.11.008 Reference: PLD 47 To appear in: Plant Diversity Received Date: 14 November 2016 Accepted Date: 14 November 2016 Please cite this article as: Chun, L., Chronicle of Wu Zhengyi, Plant Diversity (2017), doi: 10.1016/ j.pld.2016.11.008. This is a PDF file of an unedited manuscript that has been accepted for publication. As a service to our customers we are providing this early version of the manuscript. The manuscript will undergo copyediting, typesetting, and review of the resulting proof before it is published in its final form. Please note that during the production process errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. ACCEPTED MANUSCRIPT Chronicle of Wu Zhengyi (Originally published in appendix one of The Autobiography of Wu Zhengyi ) 1916 I was born in Jiujiang, Jiangxi province on June 12 th of the lunar calendar. My first name “Zhengyi” was given by my grandfather, while I later styled myself “Bai Jian 1” and used the pseudonym “Bai Jian 2”. With the ancestral home of the Wu family in She county, Anhui province, I lived in Yangzhou with a registered hometown in Yizheng, Jiangsu province. 1917 Upon my “One-Year-Old Catch”, we moved back to Yangzhou in December because my grandfather Wu Junsun 1860-1917 died during his journey to assume an official position in Xunyang, Jiangxi province. 1922-24 From the age of four to six, my mother taught me how to read. -
201601-Article5.Pdf
Volume 11, No. 1 88 Performing Locality and Identity: Rickshaw Driver, Narratives, and Tourism Lijun ZHANG Guangxi Museum of Nationalities, Nanning, PRC Email: [email protected] Abstract: The paper examines the fusion of narratives, time, space, and personal identity through ethnographic study of rickshaw driver’s performance in the context of “Hutong tour” as a form of urban tourism in Beijing, a cosmopolitan capital city with a long history and rich traditional (both vernacular and high) culture. While tour companies in Beijing are making efforts to market vernacular culture in the modernized ancient city, the study subject rickshaw driver Zhang constructs his own knowledge structure of vernacular culture in the daily practice of urban tourism. Zhang also constructs his own sense of locality and identity in the process of performing personally constructed vernacular culture and national past connecting to the tangible landscape and “scenic spots” in Beijing. Key words: Performance, Rickshaw Driver, Vernacular Culture, Locality, identity The paper is belonged to the project of BNU, The Daily Life Research of Urban Status Groups (SKZZB2015032) supported by the Fundamental Research Funds for the Central Universities, PRC. Cambridge Journal of China Studies 89 In the center of the modernized ancient city Beijing, there is a piece of cultural conservation land which is tourists' must-go place to experience the history of the capital city as a significant part of the national past and the so-called authentic old Beijing culture as a representative sector of the local present1 . In this are allies the grant Imperial Place, the beautiful man-made lake Shichahai(什刹海), the well-known vernacular architecture quadrangles (siheyuan 四合院), the narrow alleys between the quadrangles referred to as hutong (胡同) in vernacular language, and many other tourist attractions.