Variational Text Linguistics: Revisiting Register in English
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Sign Language Typology Series
SIGN LANGUAGE TYPOLOGY SERIES The Sign Language Typology Series is dedicated to the comparative study of sign languages around the world. Individual or collective works that systematically explore typological variation across sign languages are the focus of this series, with particular emphasis on undocumented, underdescribed and endangered sign languages. The scope of the series primarily includes cross-linguistic studies of grammatical domains across a larger or smaller sample of sign languages, but also encompasses the study of individual sign languages from a typological perspective and comparison between signed and spoken languages in terms of language modality, as well as theoretical and methodological contributions to sign language typology. Interrogative and Negative Constructions in Sign Languages Edited by Ulrike Zeshan Sign Language Typology Series No. 1 / Interrogative and negative constructions in sign languages / Ulrike Zeshan (ed.) / Nijmegen: Ishara Press 2006. ISBN-10: 90-8656-001-6 ISBN-13: 978-90-8656-001-1 © Ishara Press Stichting DEF Wundtlaan 1 6525XD Nijmegen The Netherlands Fax: +31-24-3521213 email: [email protected] http://ishara.def-intl.org Cover design: Sibaji Panda Printed in the Netherlands First published 2006 Catalogue copy of this book available at Depot van Nederlandse Publicaties, Koninklijke Bibliotheek, Den Haag (www.kb.nl/depot) To the deaf pioneers in developing countries who have inspired all my work Contents Preface........................................................................................................10 -
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Biology 3596B – Genomics and Beyond – Winter 2021
Department of Biology BIOLOGY 3596B – GENOMICS AND BEYOND – WINTER 2021 Welcome to Bio 3596! My goal is to help you learn and be successful! Please, read and keep this course outline handy, because it is an official document that contains important course information. 1. General Course Information ...................................................................................................................................... 2 1.1. Course Information ............................................................................................................................ 2 Course description .............................................................................................................................................................. 2 List of Prerequisites ............................................................................................................................................................ 2 Mode of delivery ................................................................................................................................................................ 2 Technical requirements: ..................................................................................................................................................... 2 1.2. Online Participation and Engagement: contribution to community learning ....................................... 3 1.3. Key Sessional Dates ........................................................................................................................... -
Mitgliedschaft Des Landkreises Cloppenburg in Gesellschaften, Körperschaften, Verbänden Und Vereinen
Kreisrecht Mitgliedschaft des Landkreises Cloppenburg in Gesellschaften, Körperschaften, Verbänden und Vereinen Lfd. Nr. Bezeichnung Amt 1 Arbeitsgemeinschaft der Jugendämter der Länder Nieder- 50 sachsen und Bremen (AGJÄ) 2 Arbeitsgemeinschaft Peripherer Regionen Deutschlands WI (APER) 3 Bezirksverband Oldenburg 10 4 Bundesarbeitsgemeinschaft der LEADER-Aktionsgruppen WI (BAG-LEADER) 5 Bundesverband für Wohnen und Stadtentwicklung e.V. 10 (vhw) 6 Caritas Verein Altenoythe 50 7 c-Port Hafenbesitz GmbH 20 8 Deutscher Verein für öffentliche und private Fürsorge e.V. 50 9 Deutsches Institut für Jugendhilfe und Familienrecht e.V. 51 (DIJuF) 10 Deutsches Institut für Lebensmitteltechnik 10 11 Deutsche Vereinigung für Wasserwirtschaft, Abwasser und 70 Abfall e.V. (DWA) 12 Ems-Weser-Elbe Versorgungs- und Entsorgungsverband 20 13 Energienetzwerk Nordwest (ENNW) 40 14 Fachverband der Kämmerer in Niedersachsen e.V. 20 15 FHWT Vechta-Diepholz-Oldenburg, Private Fachhochschule WI für Wirtschaft und Technik 16 Förder- und Freundeskreis psychisch Kranker im Landkreis 53 Cloppenburg e.V. 17 Gemeinde-Unfallversicherungsverband (GUV) 10 18 Gemeinsame Einrichtung gemäß § 44 b SGB II (Jobcenter) 50 19 Gemeinschaft DAS OLDENBURGER LAND WI 19 Gesellschaft zur Förderung der Gewinnung von Energie aus 20 Biomasse der Agrar- und Ernährungswirtschaft mbH (GEA) 20 Großleitstelle Oldenburger Land 32 21 Grünlandzentrum Niedersachsen/Bremen e.V. 67 22 GVV Kommunalversicherung VVaG 10 23 Heimatbund für das Oldenburger Münsterland e.V. 40 24 Historische Kommission für Niedersachsen und Bremen e.V. 40 25 Interessengemeinschaft „Deutsche Fehnroute e.V.“ WI 26 Kommunale Datenverarbeitung Oldenburg (KDO) 10 27 Kommunale Gemeinschaftsstelle für Verwaltungsmanage- 10 ment (KGSt) 28 Kommunaler Arbeitgeberverband Niedersachsen e.V. 10 (KAV) 29 Kommunaler Schadenausgleich Hannover (KSA) 20 30 Kreisbildungswerk Cloppenburg – Volkshochschule für den 40 Landkreis Cloppenburg e.V. -
Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
Pastports, Vol. 3, No. 8 (August 2010). News and Tips from the Special Collections Department, St. Louis County Library
NEWS AND TIPS FROM THE ST. LOUIS COUNTY LIBRARY SPECIAL COLLECTIONS DEPARTMENT VOL. 3, No. 8—AUGUST 2010 PastPorts is a monthly publication of the Special Collections Department FOR THE RECORDS located on Tier 5 at the St. Louis County Library Ortssippenbücher and other locale–specific Headquarters, 1640 S. Lindbergh in St. Louis sources are rich in genealogical data County, across the street Numerous rich sources for German genealogy are published in German-speaking from Plaza Frontenac. countries. Chief among them are Ortssippenbücher (OSBs), also known as Ortsfamilienbücher, Familienbücher, Dorfsippenbücher and Sippenbücher. CONTACT US Literally translated, these terms mean “local clan books” (Sippe means “clan”) or To subscribe, unsubscribe, “family books.” OSBs are the published results of indexing and abstracting change email addresses, projects usually done by genealogical and historical societies. make a comment or ask An OSB focuses on a local village or grouping of villages within an ecclesiastical a question, contact the parish or administrative district. Genealogical information is abstracted from local Department as follows: church and civil records and commonly presented as one might find on a family group sheet. Compilers usually assign a unique numerical code to each individual BY MAIL for cross–referencing purposes (OSBs for neighboring communities can also reference each other). Genealogical information usually follows a standard format 1640 S. Lindbergh Blvd. using common symbols and abbreviations, making it possible to decipher entries St. Louis, MO 63131 without an extensive knowledge of German. A list of symbols and abbreviations used in OSBs and other German genealogical sources is on page 10. BY PHONE 314–994–3300, ext. -
Piatkus Non-Fiction Backlist Translation Rights
PIATKUS NON-FICTION BACKLIST TRANSLATION RIGHTS Contents: Non-fiction p.2 Mind, Body & Spirit p.11 Health p.30 Patrick Holford p.42 Self-help/Popular Psychology p.54 Sex p.76 Memoir p.78 Humour p.87 Business p.89 ANDY HINE Rights Director (Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States ) [email protected] KATE HIBBERT Rights Director (US, worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, and the Indian Subcontinent) [email protected] SARAH BIRDSEY Rights Manager (France, Greece, Turkey, Hebrew and Arabic rights, and all of Eastern Europe except Poland) [email protected] RUTH CASE-GREEN Rights Executive [email protected] JESSICA CALLAGHAN Rights Assistant [email protected] Carmelite House 50 Victoria Embankment London EC4Y 0DZ tel: +44 (0)20 3122 6209 1 NON-FICTION THE ORGANISED MUM METHOD: ROCK THE HOUSEWORK AND TRANSFORM YOUR HOME IN 30 MINUTES A DAY by Gemma Bray Say goodbye to mess, clutter and weekends spent tidying and cleaning! Gemma Bray (a.k.a The Organised Mum) is a firm believer that there is more to life than housework, and over the last decade she has perfected The Organised Mum Method (TOMM). TOMM is a structured, manageable and ultra-efficient cleaning routine that ensures all areas of the home are taken care of, as well as time-saving recipes that can be prepared in seconds. It's easy to follow, effective and ensures that everything gets done in just 30 minutes a day, Monday to Friday...and you get weekends off! As well as handy housekeeping hacks, Bray shares her super speedy recipes that will focus on delicious slow-cooked dishes that can be prepared in a flash. -
Outlawz, in the Event of My Demise
Outlawz, In The Event Of My Demise [Geronimo Ji Jaga] In the event of my demise when my heart can beat no more I hope I die for a princeple Or a belief that I have lived for I will die before my time Beacause I feel the shadow's depth So much I wanted to acomplish Before I reached my death I have to come to grips with the possibility And wiped the last tear from my eyes I loved all who were positive In the event of my demise [Young Noble] In the event of my demise don't shed no tear I'll share my wizdom with the world, they'll know I was here Know I was clear, every thing I said I ment A outlaw, when I was born they prepared my ditch Said I won't live long, statistic showed I'm tryna past 24 realistic goal, listen all You gotta stay cold inside That's what I tell myself when I feel alone sometime But I can't cry, I don't tear no more I love god, from death I don't fear no more A part taken in this movment to better my people Though they see me on TV, I tell them we equal Don't look at me as a stranger, I'm one of your own We was rised in concrete and grew as a rose Still I rise, but never get a chance to fly Mama please don't cry In the event of my demise [Chorus: Young Noble] In the event of my demise can't breathe no more hope I die for a princeple something I lived for dying before my time feel the shadows of depth Trying to fulfill all my dreams before I reach my death came to grips with the possibility The world's killing me, and my soldiers die young with no sympathy I wipe the last tear from my eyes I loved all who stand strong -
A Pragmatic Stylistic Framework for Text Analysis
International Journal of Education ISSN 1948-5476 2015, Vol. 7, No. 1 A Pragmatic Stylistic Framework for Text Analysis Ibrahim Abushihab1,* 1English Department, Alzaytoonah University of Jordan, Jordan *Correspondence: English Department, Alzaytoonah University of Jordan, Jordan. E-mail: [email protected] Received: September 16, 2014 Accepted: January 16, 2015 Published: January 27, 2015 doi:10.5296/ije.v7i1.7015 URL: http://dx.doi.org/10.5296/ije.v7i1.7015 Abstract The paper focuses on the identification and analysis of a short story according to the principles of pragmatic stylistics and discourse analysis. The focus on text analysis and pragmatic stylistics is essential to text studies, comprehension of the message of a text and conveying the intention of the producer of the text. The paper also presents a set of standards of textuality and criteria from pragmatic stylistics to text analysis. Analyzing a text according to principles of pragmatic stylistics means approaching the text’s meaning and the intention of the producer. Keywords: Discourse analysis, Pragmatic stylistics Textuality, Fictional story and Stylistics 110 www.macrothink.org/ije International Journal of Education ISSN 1948-5476 2015, Vol. 7, No. 1 1. Introduction Discourse Analysis is concerned with the study of the relation between language and its use in context. Harris (1952) was interested in studying the text and its social situation. His paper “Discourse Analysis” was a far cry from the discourse analysis we are studying nowadays. The need for analyzing a text with more comprehensive understanding has given the focus on the emergence of pragmatics. Pragmatics focuses on the communicative use of language conceived as intentional human action. -
THE ECONOMIC EFFECTS of the GOVERNMENT's PROPOSED BREXIT DEAL Arno Hantzsche, Amit Kara and Garry Young
THE ECONOMIC EFFECTS OF THE GOVERNMENT'S PROPOSED BREXIT DEAL Arno Hantzsche, Amit Kara and Garry Young 26 November 2018 About the National Institute of Economic and Social Research The National Institute of Economic and Social Research is Britain's longest established independent research institute, founded in 1938. The vision of our founders was to carry out research to improve understanding of the economic and social forces that affect people’s lives, and the ways in which policy can bring about change. Seventy-five years later, this remains central to NIESR’s ethos. We continue to apply our expertise in both quantitative and qualitative methods and our understanding of economic and social issues to current debates and to influence policy. The Institute is independent of all party political interests. National Institute of Economic and Social Research 2 Dean Trench St London SW1P 3HE T: +44 (0)20 7222 7665 E: [email protected] niesr.ac.uk Registered charity no. 306083 This paper was first published in November 2018. © National Institute of Economic and Social Research 2018. THE ECONOMIC EFFECTS OF THE GOVERNMENT’S PROPOSED BREXIT DEAL 1 THE ECONOMIC EFFECTS OF THE GOVERNMENT’S PROPOSED BREXIT DEAL* Arno Hantzsche, Amit Kara and Garry Young EXECUTIVE SUMMARY This report estimates the economic effects of the government’s proposed Brexit deal that was first published on 14 November 2018, and subsequently expanded. The impact of any Brexit deal can be broken down into two key components: first, the economic impact of the changes in the trading relationships between the UK, EU and other countries brought about by the deal: second, the economic impact of how the deal affects uncertainty and confidence.