DOCSLIB.ORG

Click on This Link

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Click on This Link The Australian Songwriter Issue 150, October 2020 First published 1979 The Magazine of The Australian Songwriters Association Inc. In This Edition: On the Cover of the ASA: Jazzy Dale performing at the 2019 National Songwriting Awards Chairman’s Message Editor’s Message Important Announcements Jazzy Dale: 2019 Winner Of The Youth Category Wax Lyrical Roundup Greg Barnett: ASA Member Profile Sponsors Profiles Members News and Information Steve Montgomery: 2019 APRA/ASA Songwriter of the Year Latest Music Releases From ASA Members And Friends Michael Lehnen and Catherine Lehnen: ASA Members Profile Mark Cawley’s Monthly Songwriting Blog The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators o Webmaster o 2019 APRA/ASA Songwriter of the Year o 2019 Rudy Brandsma Award Winner o 2019 PPCA Live Performance Award Winner o Australian Songwriters Hall of Fame (2004 to 2019) o Lifetime Achievement Award (2017) o 2019 Australian Songwriting Contest Category Winners o Songwriters of the Year and Rudy Brandsma Award (1983 to 2019) Chairman’s Message Hi Everyone, As I write this, further lifting of restrictions for live music performances in New South Wales are being announced. Fingers crossed, soon the number of opportunities for Songwriters to perform their compositions at gigs will increase substantially. This also augers well for your Board’s plans to hold the 2020 National Songwriting Awards in February 2021. In the meantime, judging for this year’s competition gathers momentum, with the Short Lists having already been announced. The next rounds of arbitration are now taking place. Top Thirty in every Category will be announced sometime in November so please keep an eye on the ASA Website for further updates. Vice Chairman and Editor, Alan Gilmour, has once again come up with an e- Newsletter of considerable substance, to whet your appetite as we emerge from ‘live gig lockdown’. Please enjoy it to the full. I’m sure it won’t be long until we get the call to strap on guitars, sit down at keyboards, take up microphones etc, and bring some new music to crowds once again. Please don’t forget to support our Major Sponsors APRA and Wests Ashfield by becoming Members. We all need to work together to achieve a better future for all, as we come out of this pandemic. It feels good once again to be able to say “see you at the Wax Lyricals”. Denny Burgess Chairman Editor’s Message Hi Everyone, Welcome to Edition 150 of The Australian Songwriter. In this edition, we are featuring interviews with two of the 2019 category winners, Jazzy Dale, who won the Youth Category and Steve Montgomery, who won the Australia and Ballad Categories, and was named the 2019 APRA/ASA Songwriter Of The Year. We also have ASA Member Profiles on Greg Barnett and Michael and Catherine Lehnen. And of course, don’t miss Mark Cawley’s monthly songwriter’s blog. Take care and stay safe, Alan Gilmour, Editor and Vice Chairman Important Announcements Short List Announced in the 2020 Australian Songwriting Contest. The ASA received a record number of entries in the 2020 National Songwriting Contest, and as a result, judging has taken longer than expected. However, the short-list has now been selected by the first-round judges and entrants have been advised of their short-listings. Congratulations to everyone who are now moving on to the second round of judging and thanks to everyone who has entered the contest. Short-listed entries will now go on to the second round of judging from which the Top 30 songs in each category will be chosen and the finalists notified. We hope to have the Top 30 (or more due to the large number of entries) out during November 2020. The Top 30 songs will be placed on the ASA website and will be published in the November ASA magazine. Further judging will select the Top 10 songs in each category as well as the Category Winners. The Top 10 songs will be announced at the 2020 National Songwriting Awards. Winners will receive their trophies and prizes and will have the opportunity to perform their winning songs to the awards night audience. As in the past, the 2020 APRA/ASA Songwriter of the Year will be announced from among the Category Winners. The 2020 winner of The Rudy Brandsma Award for Songwriting Excellence will be announced from the ASA member entrants who are present at the 2020 National Songwriting Awards. If the live event is unable to go ahead due to the current venue restrictions, the winner will be selected from all ASA member entrants in the contest. ASA Wax Lyricals Check with your local ASA Regional Co-Ordinator about the monthly Wax Lyrical events in your area. Most live events are on hold due to the current health crisis, but some have continued with strict social distancing in place. Some ASA Regional Co-Ordinators are holding virtual Wax Lyricals over the internet. 2020 National Songwriting Awards Ongoing venue restrictions at the Canterbury Hurlstone Park RSL Club have meant that the 2020 National Songwriting Awards, which were scheduled for Wednesday 28 October 2020, have been deferred until a date in February 2021, yet to be fixed. The ASA is working towards this new date, but due to the current health crisis, the situation is subject to ongoing review. If the health crisis has not resolved by year’s end, the ASA will investigate the viability of doing an online virtual awards presentation. Jazzy Dale: 2019 Winner Of The Youth Category Jazzy Dale was the winner of the Youth category in the 2019 contest with her song, Better Place. We caught up with Jazzy for a short chat. ASA: Welcome Jazzy, tell us about your winning song? Jazzy: The day I wrote the song, I was actually going to the studio to continue working on another song I was working on, and I got news that one of my best friend’s Dad had suddenly passed away, so I decided to write a song about that and write it from her perspective as if she was singing the song to her Dad. ASA: And where do you record your songs? Jazzy: The Artist’s Studio in Randwick. ASA: What are some of the influences for your music for e.g. do you have artists that you like to follow and get inspiration from them? Jazzy: I would defiantly say Kirby. I like the R & B kind of Gospel vibes that she has. My music style changes a lot, so I will have a new favourite every week. ASA: When did you first start writing songs? Jazzy: Probably about three years ago, so I haven’t been doing it long, but I loved it the moment I started. ASA: Do you write with an instrument? Jazzy: Mostly I do all the stuff on the computer and sometimes I just tinker around on the piano and guitar to find certain chord progression or certain notes or a melody. ASA: How many songs have you written? Jazzy: I would say probably forty and I have got about thirty completed with demos ASA: Do you enter any of these songs into other contests. Jazzy: Yes, I do a bit actually. ASA: Have you ever won any prizes? Jazzy: I have won a few. It’s cool because they give you gift vouchers and that’s how I bought my first two guitars. ASA: Where do you think you will be heading with your career? You are young and you have a whole career in front of you. Are you interested in making music a part of your life? Jazzy: Definitely, I would be happy with anything to do with music. I do love recording and I love writing songs and performing ASA: Where do see yourself in ten years’ time? Jazzy: It’s hard to say, I just envision myself in the music industry. ASA: An international star up on stage with Taylor Swift supporting perhaps? Jazzy: One can only dream, I do like a good breakup song. ASA: Breakup songs have been done to death but we do love them. Do you like writing them or what sorts of songs do you like writing? Jazzy: For me I just go with what I am feeling or real-life situations. I find those things easier to write about. ASA: Well thank you Jazzy it’s been a pleasure chatting to you. Wax Lyrical Roundup Due to ongoing venue restrictions, only a few of our regular monthly Wax Lyrical open-mic nights are currently being undertaken around Australia. Those currently underway are subject to strict hygiene and social distancing measures. Some ASA Regional Co-Ordinators are doing virtual Wax Lyricals, so check with the ASA Regional Co-Ordinator in your area. ASA Northern Rivers NSW, 3 October 2020, Dunoon Sports Club ASA Newcastle NSW, 16 September 2020, Carrington Bowling Club ASA Member Profile: Greg Barnett ASA: Greg, you seem to be bucking the trend in a field renowned for the youth of its aspiring new/emerging artists? Greg: I gave up on the ‘aspiring’ tag a long time ago and never had the good looks or marketability to be ‘popular’. But modern DIY music production costs you nothing once you have the basic gear, so I can put my particular skills, sensibilities, creativity and motivation to work. ASA: What was your musical journey? Greg: A pianist and guitarist from my early teens, I witnessed the inventiveness of the 1960-70’s and the rise of the singer-songwriters.
Load more

Recommended publications
  • Amjad Ali Khan & Sharon Isbin
    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
    [Show full text]
  • Variational Text Linguistics: Revisiting Register in English
    Christoph Schubert and Christina Sanchez-Stockhammer (Eds.) Variational Text Linguistics Topics in English Linguistics Editors Elizabeth Closs Traugott Bernd Kortmann Volume 90 Variational Text Linguistics Revisiting Register in English Edited by Christoph Schubert Christina Sanchez-Stockhammer ISBN 978-3-11-044310-3 e-ISBN (PDF) 978-3-11-044355-4 e-ISBN (EPUB) 978-3-11-043533-7 ISSN 1434-3452 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Brian Stablyk/Photographer’s Choice RF/Getty Images Typesetting: fidus Publikations-Service GmbH, Nördlingen Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgements The foundations for this edited collection of articles were laid at the interna- tional conference Register revisited: New perspectives on functional text variety in English, which took place at the University of Vechta, Germany, from June 27 to 29, 2013. The aim of the present volume is to conserve the research papers and many inspiring discussions which were stimulated then and to make them available to a larger audience. It was only possible to achieve this aim thanks to the help of many people joining us in the effort. First and foremost, we would like to thank all contributors for their continued cooperation in this project.
    [Show full text]
  • THE ECONOMIC EFFECTS of the GOVERNMENT's PROPOSED BREXIT DEAL Arno Hantzsche, Amit Kara and Garry Young
    THE ECONOMIC EFFECTS OF THE GOVERNMENT'S PROPOSED BREXIT DEAL Arno Hantzsche, Amit Kara and Garry Young 26 November 2018 About the National Institute of Economic and Social Research The National Institute of Economic and Social Research is Britain's longest established independent research institute, founded in 1938. The vision of our founders was to carry out research to improve understanding of the economic and social forces that affect people’s lives, and the ways in which policy can bring about change. Seventy-five years later, this remains central to NIESR’s ethos. We continue to apply our expertise in both quantitative and qualitative methods and our understanding of economic and social issues to current debates and to influence policy. The Institute is independent of all party political interests. National Institute of Economic and Social Research 2 Dean Trench St London SW1P 3HE T: +44 (0)20 7222 7665 E: [email protected] niesr.ac.uk Registered charity no. 306083 This paper was first published in November 2018. © National Institute of Economic and Social Research 2018. THE ECONOMIC EFFECTS OF THE GOVERNMENT’S PROPOSED BREXIT DEAL 1 THE ECONOMIC EFFECTS OF THE GOVERNMENT’S PROPOSED BREXIT DEAL* Arno Hantzsche, Amit Kara and Garry Young EXECUTIVE SUMMARY This report estimates the economic effects of the government’s proposed Brexit deal that was first published on 14 November 2018, and subsequently expanded. The impact of any Brexit deal can be broken down into two key components: first, the economic impact of the changes in the trading relationships between the UK, EU and other countries brought about by the deal: second, the economic impact of how the deal affects uncertainty and confidence.
    [Show full text]
  • Dan Blaze's Karaoke Song List
    Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest
    [Show full text]
  • Subject Pronouns and Verb
    WORKSHEET 1 : Subject Pronouns and Verb “ To Be” WORKSHEET 2 : Present Simple and Present Continuous WORKSHEET 3 : Present Simple and Present Continuous WORKSHEET 4 : Present Simple, Present Continuous, Simple Past WORKSHEET 5 : Past form of verb “ To Be “ WORKSHEET 6 : Past form of verb “ To Be “ WORKSHEET 7 : Simple Past Tense WORKSHEET 8 : Simple Past and Past Continuous WORKSHEET 9 : Simple Past and Past Continuous WORKSHEET 10 : Present Perfect Tense WORKSHEET 11 : Present Perfect Tense vs Present Perfect Continuous WORKSHEET 12 : Simple Past vs Present Perfect Tense / Present Perfect Tense vs Present Perfect continuous WORKSHEET 13 : Past Perfect Tense WORKSHEET 14 : Past Perfect Tense / Past Perfect Continuous WORKSHEET 15 : Going to WORKSHEET 16 : Future Continuous WORKSHEET 17 : Future Perfect / Future Perfect Continuous WORKSHEET 18 : Future in the past WORKSHEET 19 : Future Forms WORKSHEET 20 : Tense Review WORKSHEET 21 : Tenses (Rewrite or Combine) WORKSHEET 22 : Correct Tense or Voice WORKSHEET 23 : Passive Form WORKSHEET 24 : Passive Form WORKSHEET 25 : Passive Form WORKSHEET 26 : Reported Speech WORKSHEET 27 : Reported Speech WORKSHEET 28 : Adjectives and Adverbs WORKSHEET 29 : Adjectives ending –ing or -ed WORKSHEET 30 : Conditionals WORKSHEET 31 : Conditionals WORKSHEET 32 : Wishes WORKSHEET 33 : Comparatives and Superlatives WORKSHEET 34 : Prepositions (at / in / on) WORKSHEET 35 : Prepositions WORKSHEET 36 : Relative Clause WORKSHEET 37 : Relative Clause WORKSHEET 38 : Modals WORKSHEET 39 : Modals WORKSHEET 40 : Used
    [Show full text]
  • Aftermath Two Covers One Album Aftermath, Released April 15, 1966 in the UK, Marked the Beginning of the Stones’ Golden Age
    Aftermath Two Covers One Album Aftermath, released April 15, 1966 in the UK, marked the beginning of the Stones’ golden age. They were no longer apprentices playing the songs of Chicago bluesmen. The Stones were creating their own music. This is the story of one musically important album with two different album cover versions. It stands in contrast to the Stones’ earlier trend of using one album cover for two different albums. There is a UK version cover and a US version cover. The art is different but there is more that unites this story than that divides it so the covers are covered together. This is the story of After-Math if you lived in the United Kingdom and of Aftermath if you lived in the United States. It begins with a lengthy but fun diversion into the Stones first movie as a group, for which this album might have been the soundtrack. Heady Times These were heady times for The Rolling Stones. They had just completed their US tour and immediately began to record for their next album. They had been living life in a goldfish bowl where they were being fawned over, pandered to and thrust into a position to order anything on room service that would temporarily sate any pleasure or perversion. The Stones were working the touring and recording circuits hard while manager Andrew Loog Oldham worked all the promotion angles. One of those promotional angles had, since 1964, promised the Stones were coming to the silver screen. The backstory begins in 1964, this is, after all, an aftermath story, so we need to know the aftermath of what? Oldham was taken by Anthony Burgess’ 1962 novel A Clockwork Orange and he had adopted Burgess’s style of writing in his rambling sleeve notes on previous albums.
    [Show full text]
  • Giving More and Better Giving More and Better
    GIVING MORE AND BETTER GIVING MORE AND BETTER How can the philanthropy sector improve? Angela Kail and Stephanie Johnson, NPC and Matthew Bowcock, Hazelhurst Trust June 2016 1 With thanks to those organisations who participated in our research and gave their time and expertise. 2 CONTENTS Introduction .............................................................................................................................................. 4 Philanthropy in the UK ............................................................................................................................. 5 The philanthropist’s journey..................................................................................................................... 8 Theory of change for the philanthropy sector ........................................................................................ 15 Conclusions ........................................................................................................................................... 17 Appendix A: How much could the wealthy in Britain give? ................................................................... 19 Appendix B: Donor typology .................................................................................................................. 20 Appendix C: More detail on the theory of change ................................................................................. 23 Appendix D: Expert interviewees .........................................................................................................
    [Show full text]
  • Right Reason for Buying US Bonds?
    Which of'these .five "eoplegives the PICTURE QUIZ: . right reason for buying U.S. Bonds? ( ANsweR:' eeLOW ) 1. Easy t~ sCf.yel ','I'm putting, my 2. Good investmentI "Getting back 3. Plans for the future I "Ten years, money into U. S. Bonds because $4 for every $3 I invest-the way from now, the money I'll get for my it's the easiest way for me to save. I will in ten years' time with U. S. U.S. Bonds will help to send my kids Under the Payroll Savings Plan,J Bonds~is my idea of a good invest­ to college, or buy our family a new put aside a regular amount each ment. I know, it's ;afe and sound, home. I think that buying U. S.. week for Bonds. So far, I've saved too, because. it's backed by Uncle Bonds is the wisest thing ~ family $500 without missing the money!" Sam. Buy Bonds, I say." man can do." r----------------1 I I I I I I I I I THE ANSWER .1 I I· '1 1 1 I I' Everyone of these people 1. I gives'the "right" reason-be-· I ' 1 cause there's more than one J ' I right reason for buying U. S. 1I . 1 Bonds. 1" '1 Whichever way you buy I I them-through Payroll Sav-, 1 , I 1 ings, or your local bank or post 1 'If. Fights inflation! "I want America. 5. R'ainyd(lyl "Maybe a rainyday's 1 office-U.S. Bonds are the best I to stay economically sound.
    [Show full text]
  • Augsome Karaoke Song List Page 1
    AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co.
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Crush Garbage 1990 (French) Leloup (Can't Stop) Giving You Up Kylie Minogue 1994 Jason Aldean (Ghost) Riders In The Sky The Outlaws 1999 Prince (I Called Her) Tennessee Tim Dugger 1999 Prince And Revolution (I Just Want It) To Be Over Keyshia Cole 1999 Wilkinsons (If You're Not In It For Shania Twain 2 Become 1 The Spice Girls Love) I'm Outta Here 2 Faced Louise (It's Been You) Right Down Gerry Rafferty 2 Hearts Kylie Minogue The Line 2 On (Explicit) Tinashe And Schoolboy Q (Sitting On The) Dock Of Otis Redding 20 Good Reasons Thirsty Merc The Bay 20 Years And Two Lee Ann Womack (You're Love Has Lifted Rita Coolidge Husbands Ago Me) Higher 2000 Man Kiss 07 Nov Beyonce 21 Guns Green Day 1 2 3 4 Plain White T's 21 Questions 50 Cent And Nate Dogg 1 2 3 O Leary Des O' Connor 21st Century Breakdown Green Day 1 2 Step Ciara And Missy Elliott 21st Century Girl Willow Smith 1 2 Step Remix Force Md's 21st Century Girls 21st Century Girls 1 Thing Amerie 22 Lily Allen 1, 2 Step Ciara 22 Taylor Swift 1, 2, 3, 4 Feist 22 (Twenty Two) Taylor Swift 10 Days Late Third Eye Blind 22 Steps Damien Leith 10 Million People Example 23 Mike Will Made-It, Miley 10 Seconds Jazmine Sullivan Cyrus, Wiz Khalifa And 100 Years Five For Fighting Juicy J 100 Years From Now Huey Lewis And The News 24 Jem 100% Cowboy Jason Meadows 24 Hour Party People Happy Mondays 1000 Stars Natalie Bassingthwaighte 24 Hours At A Time The Marshall Tucker Band 10000 Nights Alphabeat 24 Hours From Tulsa Gene Pitney 1-2-3 Gloria Estefan 24 Hours From You Next Of Kin 1-2-3 Len Berry 2-4-6-8 Motorway Tom Robinson Band 1234 Sumptin' New Coolio 24-7 Kevon Edmonds 15 Minutes Rodney Atkins 25 Miles Edwin Starr 15 Minutes Of Shame Kristy Lee Cook 25 Minutes To Go Johnny Cash 16th Avenue Lacy J Dalton 25 Or 6 To 4 Chicago 18 And Life Skid Row 29 Nights Danni Leigh 18 Days Saving Abel 3 Britney Spears 18 Til I Die Bryan Adams 3 A.M.
    [Show full text]
  • Background Material for Term Structure Models
    Term Structure Models: IEOR E4710 Spring 2010 °c 2010 by Martin Haugh Background Material for Term Structure Models Basic Theory of Interest Cash-flow Notation: We use (c0; c1; : : : ; ci; : : : ; cn) to denote the series of cash-flows where ci is received at time t = i . The length of a period, i.e. the interval of time between t = i and t = i + 1, will usually be understood from the context. Negative cash-flows refer to cash payments. The initial cash-flow, c0, will often be negative while the remaining cash-flows are positive. This situation models the cash-flows of many securities such as stocks and bonds. In such circumstances, c0 denotes the cost of the security, while later cash-flows refer to dividends, coupons or sale receipts which are all positive. Principal and Interest De¯nition 1 If A is invested in an account for n periods with a simple interest rate of r per period, then after n periods the account will be worth A(1 + rn). De¯nition 2 If A is invested in an account for n periods with a compound interest rate of r per period, then after n periods the account will be worth A(1 + r)n. Interest rates are usually quoted on an annualized basis, even if the compounding period is less than a year. For example, the phrase \10% interest, compounded quarterly" implies that an investment of A will be worth A(1 + :1=4)4 one year later. Similarly, the phrase \10% interest, compounded semi-annually" implies that an investment of A will be worth A(1 + :1=2)2 after one year.
    [Show full text]