The Civil Architecture of Vitruvius
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The Annual of the British School at Athens the Ionic Capital of The
The Annual of the British School at Athens http://journals.cambridge.org/ATH Additional services for The Annual of the British School at Athens: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The Ionic Capital of the Gymnasium of Kynosarges Pieter Rodeck The Annual of the British School at Athens / Volume 3 / November 1897, pp 89 - 105 DOI: 10.1017/S0068245400000770, Published online: 18 October 2013 Link to this article: http://journals.cambridge.org/abstract_S0068245400000770 How to cite this article: Pieter Rodeck (1897). The Ionic Capital of the Gymnasium of Kynosarges. The Annual of the British School at Athens, 3, pp 89-105 doi:10.1017/S0068245400000770 Request Permissions : Click here Downloaded from http://journals.cambridge.org/ATH, IP address: 130.133.8.114 on 02 May 2015 COIN TYPE OF ELIS, RESTORED. THE IONIC CAPITAL OF THE GYMNASIUM OF KYNOSARGES. (PLATES VL—Vm.) THE excavations of the British School at Athens, in the winters of 1896 and 1897, had the result of determining that the site, on which they were carried on, had been a burial ground previous to the sixth cen- tury B.C. and again after the third century, and that, in the meantime, it must have been covered by the Greek building, of which we laid bare the foundations. The plan of this building resembles that of a large gymnasium; the period of its existence coincides with that during which we know the gymnasium of Kynosarges to have existed, and the position of the site is such as the various mentions of Kynosarges by classic authors leads us to expect. -
Application of Color to Antique Grecian Architecture
# ''A \KlMinlf111? ^W\f ^ 4 ^ ih t ' - -- - A : ^L- r -Mi UNIVERSITY OF ILLINOIS LIBRARY .4k - ^» Class Book Volume MrlO-20M * 4 ^ if i : ' #- f | * f f f •is * id* ^ ; ' 4 4 - # T' t * * ; f + ' f 4 f- 4- f f -4 * 4 ^ I - - -HI- - * % . -4*- f 4- 4 4 # Hp- , * * 4 4- THE APPLICATION OF COLOR TO ANTIQUE GRECIAN ARCHITECTURE BY ARSELIA BESSIE MARTIN B. S. University of Illinois, 1909 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN ARCHITECTURAL DECORATION IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS fa 1910 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL June 4... 1910 190 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Viss .Arsel is Bessie ^srtin ENTITLED TM application of Color to antique Grecisn Architecture BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Master of Science in Architectural Decoration In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 170372 Digitized by the Internet Archive in 2013 * UHJCi http:V7afchive.org/details/applicationofcol00mart THE APPLICATION OF COLOR TO ANTIQUE GRECIAN ARCHITECTURE CONTENTS Page | INTRODUCTION 1 SECTION I - A Kistorioal Review of the Controversy .... 4 SECTION II - A Review of the Earlier Styles IS A » Egyptian B. Assyrian C. Primitive Grecian SECTION III - Derivation of the Grecian Polychromy ..... 21 SECTION IV - General Considerations and Influences. ... 24 A. Climate B. Religion C. Natural Temperament of the Greeks D. Materials SECTION V - Coloring of Architectural Members 31 Proofs classified according to monuments SECTION VI - The Colors and Technique of Architectural Painting SECTION VII - Architectural Terra. -
Aws Edition 1, 2009
Appendix B WS Edition 1, 2009 - [WI WebDoc [10/09]] A 6 Interior and Exterior Millwork © 2009, AWI, AWMAC, WI - Architectural Woodwork Standards - 1st Edition, October 1, 2009 B (Appendix B is not part of the AWS for compliance purposes) 481 Appendix B 6 - Interior and Exterior Millwork METHODS OF PRODUCTION Flat Surfaces: • Sawing - This produces relatively rough surfaces that are not utilized for architectural woodwork except where a “rough sawn” texture or nish is desired for design purposes. To achieve the smooth surfaces generally required, the rough sawn boards are further surfaced by the following methods: • Planing - Sawn lumber is passed through a planer or jointer, which has a revolving head with projecting knives, removing a thin layer of wood to produce a relatively smooth surface. • Abrasive Planing - Sawn lumber is passed through a powerful belt sander with tough, coarse belts, which remove the rough top surface. Moulded Surfaces: Sawn lumber is passed through a moulder or shaper that has knives ground to a pattern which produces the moulded pro[le desired. SMOOTHNESS OF FLAT AND MOULDED SURFACES Planers and Moulders: The smoothness of surfaces which have been machine planed or moulded is determined by the closeness of the knife cuts. The closer the cuts to each other (i.e., the more knife cuts per inch [KCPI]) the closer the ridges, and therefore the WS Edition 1, 2009 - [WI WebDoc [10/09]] smoother the resulting appearance. A Sanding and Abrasives: Surfaces can be further smoothed by sanding. Sandpapers come in grits from coarse to [ne and are assigned ascending grit numbers. -
The Sanctuary of Despotiko in the Cyclades. Excavations 2001–2012
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Yannos Kourayos – Kornelia Daifa – Aenne Ohnesorg – Katarina Papajanni The Sanctuary of Despotiko in the Cyclades. Excavations 2001–2012 aus / from Archäologischer Anzeiger Ausgabe / Issue 2 • 2012 Seite / Page 93–174 https://publications.dainst.org/journals/aa/123/4812 • urn:nbn:de:0048-journals.aa-2012-2-p93-174-v4812.0 Verantwortliche Redaktion / Publishing editor Redaktion der Zentrale | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/aa ISSN der Online-Ausgabe / ISSN of the online edition 2510-4713 Verlag / Publisher Hirmer Verlag GmbH, München ©2017 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Mit dem Herunterladen erkennen Sie die Nutzungsbedingungen (https://publications.dainst.org/terms-of-use) von iDAI.publications an. Die Nutzung der Inhalte ist ausschließlich privaten Nutzerinnen / Nutzern für den eigenen wissenschaftlichen und sonstigen privaten Gebrauch gestattet. Sämtliche Texte, Bilder und sonstige Inhalte in diesem Dokument unterliegen dem Schutz des Urheberrechts gemäß dem Urheberrechtsgesetz der Bundesrepublik Deutschland. Die Inhalte können von Ihnen nur dann genutzt und vervielfältigt werden, wenn Ihnen dies im Einzelfall durch den Rechteinhaber oder die Schrankenregelungen des Urheberrechts gestattet ist. Jede Art der Nutzung zu gewerblichen Zwecken ist untersagt. Zu den Möglichkeiten einer Lizensierung von Nutzungsrechten wenden Sie sich bitte direkt an die verantwortlichen Herausgeberinnen/Herausgeber der entsprechenden Publikationsorgane oder an die Online-Redaktion des Deutschen Archäologischen Instituts ([email protected]). -
Design Ideas
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¶V%HQFK &RUSRUDWH:RRGZRUN )XUQLWXUHDQG)L[WXUHV 5HFHSWLRQ &KXUFK)LWWLQJV %DVLF&DELQHWU\ &DELQHW'HVLJQ6HULHV -
The Architecture of the Hera I Temple of Paestum: an Archaeological Comparative Study
The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt Cover photo: Hera I temple at Paestum (Norbert Nagel/Wikimedia Commons, License: CC BY-SA 3.0) The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt, S1237047 Bachelor thesis Classical Archaeology Supervisor: Dr. M. E. J. J. van Aerde Leiden University, Faculty of Archaeology Leiden, 15 December 2017, Final version 2 Table of content 1. Introduction ....................................................................................................................................... 4 1.1 Research question .......................................................................................................................... 4 1.2 Greek colonisation and Magna Graecia ........................................................................................ 4 1.3 A historical overview of Poseidonia/Paestum ............................................................................... 7 1.4 The excavations of the Paestum area ............................................................................................. 8 1.5 Surroundings and site context ....................................................................................................... 8 1.6 The temples of Paestum .............................................................................................................. 10 2. The first Hera temple at Paestum ................................................................................................. -
Another Note on the Sculpture of the Later Temple of Artemis at Ephesus
ANOTHER NOTE ON THE SCULPTURE OF THE LATER TEMPLE OF ARTEMIS AT EPHESUS. WHEN I wrote my former notes I was undecided as to the meaning of two of the sculptured fragments. No. 1215 is described in the Catalogue as ' Fragment of sculptured pier, with portions of two figures wrestling; one is half kneeling, and his left thigh is clasped by the hand of his opponent —perhaps the contest of Herakles and Antaeus.'1 (Fig. 1.) FIG. 1. The high relief shows that the fragment indeed belonged to a pedestal, and in re-examining it more carefully I find that a portion of the right-hand return still exists. Small as the trace is, it is enough to fix the place of the fragment in regard to the angle of the pedestal together with the vertical direction. It is plain, further, that the hand which grasps the leg is a left hand. These data are enough to define the general type of the design—a type which is well known for the struggle of Herakles and Antaeus (Fig. 2). The subject is that proposed in the Catalogue, but its treatment was not that which is there suggested. In Reinach's Repertoire four or five examples are illustrated of statue groups which conform to the same formula, and one is given in his collection of Reliefs (iii. p. 75). Another similar design from an engraved gem appears in Daremberg and Saglio's Dictionary under ' Antaeus.' Our Ephesus relief is by far the oldest of these, and in several other cases these sculptures give the earliest known versions of their subjects. -
Section 600 ORNAMENTAL WORK
Closet & Utility Shelving Section 600 ORNAMENTAL WORK ORNAMENTAL 600 SECTION © 2003 AWI/AWMAC - 8th Edition Quality Standards 302 700 Ornamental/Historic Work Section 700 Ornamental/Historic Work Ornamental/Historic Work Section 700 Section 700 Section 700 Selection and Specification Checklist Because most architecture, specification, and design firms have electronic master specifications in place, the AWI and AWMAC offer this quick checklist. A review of these items may help the design and specification team issue a complete and accurate contract document and avoid missing things vital to the successful completion of the project. The checklists are not considered a part of the Quality Standards for the purposes of compliance. Part 1. GENERAL 1.1. REFERENCES A. AWI/AWMAC Quality Standards Illustrated (QSI), current edition 1.2. SUBMITTALS A. Shop drawings: • Submit two copies; one of which will be returned with reviewed notations prior to commencement of work under this section. • Indicate plans and elevations, materials, surface grain directions, profiles, assembly methods, joint details, fastening methods, accessories, hardware, compliance with specified fire-retardant treatments, preservative treatments, and schedule of finishes. B. Finish samples: • When appropriate, submit one or more samples of veneer-on-substrate, 200 x 250 mm [8 x 10"] illustrating expected range of component finish color and/or grain. • When appropriate, submit one or more samples of solid lumber, 300 square centimeters [50 square inches] illustrating expected range of component finish color and/or grain. • The sample shall bear identification of the project, architect or designer, general contractor, woodwork manufacturer, items to which the finish applies and the system utilized to attain the finish. -
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ISSN: 2651-4664 Arkhaia Anatolika Anadolu Arkeolojisi Araştırmaları Dergisi The Journal of Anatolian Archaeological Studies Volume 4 (2021) The Colourful Look of the Maussolleion at Halikarnassos Halikarnassos Maussolleionu’nun Renkli Görünümü Gürol AYTEPE Abdulkadir BARAN https://orcid.org/0000-0003-1385-135X https://orcid.org/0000-0001-5226-9616 Geliş Tarihi: 11.05.2021 | Kabul Tarihi: 17.06.2021 | Online Yayın Tarihi: 20.06.2021 Makale Künyesi: Aytepe, G. ve Baran, A. (2021). The Colourful Look of the Maussolleion at Halikarnassos. Arkhaia Anatolika, 4, 215-236. https://doi.org/10.32949/Arkhaia.2021.33 Arkhaia Anatolika, Anadolu Arkeolojisi Araştırmaları Dergisi “Açık Erişimli” (Open Access) bir dergidir. Kullanıcılar, dergide yayınlanan makalelerin tamamını tam metin olarak okuyabilir, indirebilir, makalelerin çıktısını alabilir ve kaynak göstermek suretiyle bilimsel çalışmalarında bu makalelerden faydalanabilir. Bunun için yayıncıdan ve yazar(lar)dan izin almasına gerek yoktur. Dergide yayınlanan makalelerin bilimsel ve hukuki sorumluluğu tamamen yazar(lar)ına aittir. Arkhaia Anatolika, The Journal of Anatolian Archaeological Studies follows Open Access as a publishing model. This model provides immediate, worldwide, barrier-free access to the full text of research articles without requiring a subscription to the articles published in this journal. Published material is freely available to all interested online readers. The scientific and legal propriety of the articles published in the journal belongs exclusively to the author(s). -
Architectural Nomenclature of the Middle Ages
ARCHITECTURAL NOMENCLATURE OF THE MIDDLE AGES. BY ROBERT WILLIS, M.A., F.R.S., &0. JACKSONIAN PROFESSOR IN TilE UNIVERSITY OF CAMBRIDGE. WITH THREE PLATES. CAMBRIDGE: PRINTED AT THE UNIVERSITY PRESS. PUBLISHED BY J. & J. J. DEIGHTON, AND T. STEVENSON; JOHN W. PARKER, LONDON; AND J. H. PARKER, OXFORD. M.DCCC.XLIV. CAMBRIDG·E ANTIQUARIAN SOCIETY. PRESIDENT. The Rev. WILLIAM WEBB, D.D., F.L.S., Master of Clare Hall. COUNOIL. CHARLES CARDALE BABINGTON, M.A., F.L.S., F.G.S., St John's College, Treasurer. , The Rev. Professor CORRIE, B.D., S. Catharine's Hall. Sir HENRY DRYDEN, Bart., M.A., Trinity College. AL EXANDER BERESFORD HOPE, B.A., M.P., Trinity Oollege. CHARLES LE.STOURGEON, M.A., Trinity College. The Rev. JOHN LODGE, M.A., University Librarian, Magdalene College. J AMES P AOKE, M.A., Vice-Provost of King's College. JOHN POWER, B.A., Pembroke College, Secretar!l. The Rev. JOHN J AMES SMITH, M.A., Cains College. The Rev. RALPHTATHAM, D.D., Master of S. John"s College. FREDERIC THA,CKERAY, M.D., Emmanuel College. HE;NRY ANNESLEY '"WOODHAM, M.A., F .S.A., Jesus College. The Rev. THOMAS SAMUEL W OOLLASTON, M.A., S. Peter's College. AUDITORS. The Rev. WILLIAM BATES, M.A., Ohrises Oollege. The Rev. JAMESGOODWIN, B.D., Oorpus Ohristi College. TABLE OF CONTENTS. PAGE INTRODUCTION 1 CHAPTER I. On the Nomenclature of Moldings . 3 CHAPTER 11. Of Masonry, Walls, and Tablements 22 CHAPTER Ill. Of Pillars, Arches, and Vaults 39 CHAPTER IV. Of Windows 46 NOTE A. On Doorways 60 NOTE B. -
Dictionary of Moisture Protection and Restoration by John F
Dictionary of Moisture Protection and Restoration by John F. Maillard CSI-CDT 2008 Edition Edited by Taryn Williams S.E. The first time I met John Maillard, he showed me a small black book, which he took from his breast pocket. The book was filled with hand-drawn illustrations of architectural details, each one a work of art. To John, they were not so much art; rather, they served a more practical purpose. The illustrations were the method he used to educate others about elements of architecture, as well as proper construction details. John is passionate about the preservation of our structures, our heritage. He is also passionate about waterproofing; because, as he says, all problems in structures begin with water. This book, John’s book, is a gem. It is a work of unique passion. I am proud that he has selected Conproco Corp. to publish his life’s collection of knowledge and experience. John, Taryn and I hope you enjoy this contribution to our industry. Christopher Brown President Conproco Corp. PREFACE Why do we use Division 07 00 00 Thermal and Moisture Protection (Waterproofing) and Preservation / Restoration in the same sentence? Because Waterproofing is an integral part of Preservation / Restoration. The only way we can preserve or restore a structure is to stop or prevent further water intrusion. We are well aware that water has destroyed or damaged more structures than wars and natural disasters have. We appear to ignore this fact when we attempt to preserve or restore our historic structures today. Our landmark architects, engineers and conservators face an enormous challenge. -
(PDF) of the Wyoming State Capitol
WYOMING STATE CAPITOL PRESERVATION AND RESTORATION - PUBLIC ACCESS - FUNCTION DESIGN GUIDELINES AND IMPERATIVES WORKING DRAFT GLOSSARY OF TERMS Acanthus (a KAN this) Corinthian Order Small shrubs native to the Mediterranean having pinnately The most ornate of the five Classical Orders , characterized lobed basal leaves with spiny margins and showy spikes of by a slender column having an ornate, bell shaped capital white or purplish flowers. Leaf used in Corinthian column decorated with acanthus leaves. capitals. Dentil A small rectangular block used in a series forming a mold- Architrave (AR ka trave) ing under a cornice. The lowest of the three main parts of an entalabature. The undecorated lintel resting on the columns. Entablature The upper part of an order consisting of architrave, frieze and cornice. Baluster One of a number of short members, often circular in sec- tion, used to support a handrail or guardrail. Entasis (en TAY sis) The very slight convex curve used by Greek and later col- Balustrade umns to correct the optical illusion of concavity which An entire railing system (as along the edge of a balcony) would result if the sides were straight. including a top rail and its balusters, and a bottom rail. Frieze The plain or decorated horizontal part of an entablature be- Capital tween the cornice and the architrave. The head or crowning feature of a column or pilaster. Lay Light Column A horizontal window in a ceiling (ceiling light) or roof (roof A supporting pillar consisting of a base, cylindrical shaft light). and capital. Linel Colonnade A beam over an opening carrying the wall above and span- A number of columns arranged at intervals, supporting an ning between jambs or columns.