Arc 203 History of European Architecture – I
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Annual of the British School at Athens the Ionic Capital of The
The Annual of the British School at Athens http://journals.cambridge.org/ATH Additional services for The Annual of the British School at Athens: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The Ionic Capital of the Gymnasium of Kynosarges Pieter Rodeck The Annual of the British School at Athens / Volume 3 / November 1897, pp 89 - 105 DOI: 10.1017/S0068245400000770, Published online: 18 October 2013 Link to this article: http://journals.cambridge.org/abstract_S0068245400000770 How to cite this article: Pieter Rodeck (1897). The Ionic Capital of the Gymnasium of Kynosarges. The Annual of the British School at Athens, 3, pp 89-105 doi:10.1017/S0068245400000770 Request Permissions : Click here Downloaded from http://journals.cambridge.org/ATH, IP address: 130.133.8.114 on 02 May 2015 COIN TYPE OF ELIS, RESTORED. THE IONIC CAPITAL OF THE GYMNASIUM OF KYNOSARGES. (PLATES VL—Vm.) THE excavations of the British School at Athens, in the winters of 1896 and 1897, had the result of determining that the site, on which they were carried on, had been a burial ground previous to the sixth cen- tury B.C. and again after the third century, and that, in the meantime, it must have been covered by the Greek building, of which we laid bare the foundations. The plan of this building resembles that of a large gymnasium; the period of its existence coincides with that during which we know the gymnasium of Kynosarges to have existed, and the position of the site is such as the various mentions of Kynosarges by classic authors leads us to expect. -
Application of Color to Antique Grecian Architecture
# ''A \KlMinlf111? ^W\f ^ 4 ^ ih t ' - -- - A : ^L- r -Mi UNIVERSITY OF ILLINOIS LIBRARY .4k - ^» Class Book Volume MrlO-20M * 4 ^ if i : ' #- f | * f f f •is * id* ^ ; ' 4 4 - # T' t * * ; f + ' f 4 f- 4- f f -4 * 4 ^ I - - -HI- - * % . -4*- f 4- 4 4 # Hp- , * * 4 4- THE APPLICATION OF COLOR TO ANTIQUE GRECIAN ARCHITECTURE BY ARSELIA BESSIE MARTIN B. S. University of Illinois, 1909 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN ARCHITECTURAL DECORATION IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS fa 1910 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL June 4... 1910 190 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Viss .Arsel is Bessie ^srtin ENTITLED TM application of Color to antique Grecisn Architecture BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Master of Science in Architectural Decoration In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 170372 Digitized by the Internet Archive in 2013 * UHJCi http:V7afchive.org/details/applicationofcol00mart THE APPLICATION OF COLOR TO ANTIQUE GRECIAN ARCHITECTURE CONTENTS Page | INTRODUCTION 1 SECTION I - A Kistorioal Review of the Controversy .... 4 SECTION II - A Review of the Earlier Styles IS A » Egyptian B. Assyrian C. Primitive Grecian SECTION III - Derivation of the Grecian Polychromy ..... 21 SECTION IV - General Considerations and Influences. ... 24 A. Climate B. Religion C. Natural Temperament of the Greeks D. Materials SECTION V - Coloring of Architectural Members 31 Proofs classified according to monuments SECTION VI - The Colors and Technique of Architectural Painting SECTION VII - Architectural Terra. -
The Monumental Architecture of Iklaina
The Monumental Architecture of Iklaina Michael B. Cosmopoulos1 Abstract: The excavations of the Athens Archaeological Society at Iklaina have brought to light a major LH settle- ment that is identified with *a-pu2, one of the district capitals of the Mycenaean state of Pylos. One of the most striking features of the site is its monumental architecture, which includes at least two large buildings, two paved roads, a paved piazza, and massive built stone drains. The presence of this kind of monumentality outside the traditionally defined ‘palaces’, combined with other markers of advanced socio-political complexity, opens up a number of questions regard- ing the processes of the unification of the Mycenaean state of Pylos. In the present paper I review the relevant archi- tectural and stratigraphic evidence and assess its possible implications for this issue. It is concluded that the emergence of monumental architecture at Iklaina could have been initiated either by the Palace of Nestor following a peaceful annexation of Iklaina in the early Mycenaean period, or by the local Iklaina rulers following a period of continuous growth before a forced annexation in LH IIIB. Keywords: Monumentality, state formation, Mycenaean, Pylos, Iklaina Introduction The excavations at Iklaina are conducted under the auspices of the Archaeological Society at Athens.2 Over the course of nine field seasons we have unearthed a significant part of a LH settle- ment, which can be identified with *a-pu2, one of the district capitals of the Mycenaean state of Pylos.3 The site includes three general areas: residential, industrial, and administrative (marked as R, I, and A in Fig. -
Lesson #1: Architecture Features Through the Ages
Unit Two: History of Architecture and Building Codes Lesson #1: Architecture Features Through the Ages Objectives Students will be able to… . Summarize the architecture features through Stone Ages to Neo-Classical Time. Common Core Standards LS 11-12.6 RSIT 11-12.2 RLST 11-12.2 Problem Solving/Critical Thinking 5.4 Health and Safety 6.2, 6.3, 6.4, 6.5, 6.6, 6.12 Technical Knowledge and Skills 10.1, 10.2, 10.3 Residential and Commercial Construction Pathway D2.1, D2.8, D2.9, D3.1, D3.2, D3.3, D3.4, D3.7 Responsibility and Leadership 7.4, 9.3 Materials Architecture Features Through the Ages Power Point https://documentcloud.adobe.com/link/track?uri=urn%3Aaaid%3Ascds%3AUS%3Ab4f485df -0d78-4fa9-9509-0b9ea3e1952c Architecture Features Through the Ages Worksheet Lesson Sequence . Introduce to students that a specific architectural style is characterized by a collection of design details. These details include size and shape of windows, the size and placement of a porch, and the presence or absence of columns. Review the Architecture Features Through the Ages PowerPoint with students. Have students fill in the Architecture Features Through the Ages Worksheet while reviewing the power point. Discuss and answer any questions students may have along the way. © BITA: A program promoted by California Homebuilding Foundation BUILDING INDUSTRY TECHNOLOGY ACADEMY: YEAR TWO CURRICULUM Assessment Check for understanding while presenting PowerPoint. Grade student worksheets. Reteach and clarify any misunderstandings as needed. Accommodations/Modifications Check for Understanding One on One Support Peer Support Extra Time If Needed © BITA: A program promoted by California Homebuilding Foundation BUILDING INDUSTRY TECHNOLOGY ACADEMY: YEAR TWO CURRICULUM Architecture Features Through the Ages Worksheet As you watch the PowerPoint on Architectural Features Through the Ages fill in summary with the correct answers. -
Aws Edition 1, 2009
Appendix B WS Edition 1, 2009 - [WI WebDoc [10/09]] A 6 Interior and Exterior Millwork © 2009, AWI, AWMAC, WI - Architectural Woodwork Standards - 1st Edition, October 1, 2009 B (Appendix B is not part of the AWS for compliance purposes) 481 Appendix B 6 - Interior and Exterior Millwork METHODS OF PRODUCTION Flat Surfaces: • Sawing - This produces relatively rough surfaces that are not utilized for architectural woodwork except where a “rough sawn” texture or nish is desired for design purposes. To achieve the smooth surfaces generally required, the rough sawn boards are further surfaced by the following methods: • Planing - Sawn lumber is passed through a planer or jointer, which has a revolving head with projecting knives, removing a thin layer of wood to produce a relatively smooth surface. • Abrasive Planing - Sawn lumber is passed through a powerful belt sander with tough, coarse belts, which remove the rough top surface. Moulded Surfaces: Sawn lumber is passed through a moulder or shaper that has knives ground to a pattern which produces the moulded pro[le desired. SMOOTHNESS OF FLAT AND MOULDED SURFACES Planers and Moulders: The smoothness of surfaces which have been machine planed or moulded is determined by the closeness of the knife cuts. The closer the cuts to each other (i.e., the more knife cuts per inch [KCPI]) the closer the ridges, and therefore the WS Edition 1, 2009 - [WI WebDoc [10/09]] smoother the resulting appearance. A Sanding and Abrasives: Surfaces can be further smoothed by sanding. Sandpapers come in grits from coarse to [ne and are assigned ascending grit numbers. -
Architectural History in Schools of Architecture
Architectural History in Schools of Architecture Stanford Anderson The Journal of the Society of Architectural Historians, Vol. 58, No. 3, Architectural History 1999/2000. (Sep., 1999), pp. 282-290. Stable URL: http://links.jstor.org/sici?sici=0037-9808%28199909%2958%3A3%3C282%3AAHISOA%3E2.0.CO%3B2-7 The Journal of the Society of Architectural Historians is currently published by Society of Architectural Historians. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/sah.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. -
ARC 112 History of Architecture II
Prehistoric Architecture Dr. Zeinab Feisal Stone Age period When? Where? How did we know about it? What about social characteristics & Believes? Architecture of the civilization. Stone Age period Occurred before invention of written records No written record from the prehistoric period How did we know about it? Information is gathered from scientific studies of prehistoric objects Many academic disciplines are interested in studying human civilization- archeology, paleontology, anthropology etc The disciplines study prehistoric objects They provide information about civilizations based on studies Early Stone Age (or Paleolithic) Up to 9000 BC New Stone Age (or Neolithic) Stone Age STONE AGE 9000 BC to 3000 BC Stone Age period Not restricted to any particular geographical region Occurred in different locations, Usually close to sources of food, near rivers Stone Age period Life style differed between the Early Stone Age period and the New Stone Age Period Each of the two periods will be examined independently to understand the people and their society Nomadic, always on move Move about in search of food, water, and good climate Got their food through food gathering, hunting and fishing Usually move about in small bands of less than 15 persons Not much is known about their beliefs GOT THEIR FOOD THROUGH FOOD GATHERING, HUNTING AND FISHING GOT THEIR FOOD THROUGH FOOD GATHERING, HUNTING AND FISHING People stopped wandering and settled down in permanent settlements Discovered art of farming and animal husbandry Period -
The Significance of Dressing in Architecture : the Theories of Semper and Loos
THE SIGNIFICANCE OF DRESSING IN ARCHITECTURE : THE THEORIES OF SEMPER AND LOOS By RINA SUDERMAN THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture Theory and History The University of New South Wales March, 1995 CERTIFICATION "I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement is made in the text." (Rina Suherman) ACKNOWLEDGEMENTS I thank God for making the completion of this thesis possible. I would like to express my sincere gratitude to Dr. Peter Kohane for his continuous assistance and supervision on this thesis, and also to John Gamble for his recommendation regarding additional reading materials. Thanks to the librarians of the UNSW Kensington Library for their assistance during my research and thanks also to Christine Brunt and Susan lv!c. CaJrnont for editing the thesis. I am truly indebted to my parents for their continuous financial and moral support, which has made me believe in the importance of the higher education. And my special thanks go to Wahjono for his patience and encouragement during my time away from home. "As architecture is the art and science of building, so dress is the art and science of clothing. To construct and decorate a covering for the human body that shall be beautiful and healthy is as important as to build a shelter for it when so covered that shall be beautiful and healthy." E.W. -
1. During the Paleolithic Age, Humans Were Hunter-Gatherers. They Were
Guide to Readin G n o t e s Section 2 Section 5 1. During the Paleolithic Age, humans were 1. During the Paleolithic Age, people lived in hunter-gatherers. They were always looking for small bands of 20 to 60 people because they food and took shelter in places such as caves. were always moving from place to place in During the Neolithic Age, humans grew their search of food. own food, built permanent shelters, and settled 2. Possible student answers: down in one place. Symbols will vary. “Because we lived in larger communities, we 2. Neolithic settlements were located east of could divide up the work.” the Mediterranean Sea because the land was fertile. “Working together allowed us to finish tasks faster.” Section 3 “In communities, we had more time to make 1. During the Paleolithic Age, people obtained our lives more comfortable and much safer. We food by hunting animals and gathering plants. could defend ourselves more easily. Our popu- Some of the problems were that hunting lation increased.” was dangerous and the food supply was not dependable. Section 6 2. Possible student answers: 1. During the Paleolithic Age, people’s most important job was to find food for survival. “We learned that we could grow our own food by collecting and planting the seeds of plants.” 2. Possible student answers: “We learned how to raise animals for their “Our specialized jobs included weaving, basket milk and meat. We also used animals to carry making, toolmaking, and trading.” heavy loads and plow fields.” “We had more time to decorate pottery and “Agriculture means that we grow our own polish stones to make our lives more crops and domesticate animals. -
The Pedimental Sculpture of the Hephaisteion
THE PEDIMENTALSCULPTURE OF THE HEPHAISTEION (PLATES 48-64) INTRODUCTION T HE TEMPLE of Hephaistos, although the best-preserved ancient building in Athens and the one most accessible to scholars, has kept its secrets longer than any other. It is barely ten years since general agreement was reached on the name of the presiding deity. Only in 1939 was the evidence discovered for the restora- tion of an interior colonnade whicli at once tremendously enriched our conception of the temple. Not until the appearance of Dinsmoor's study in 1941 did we have a firm basis for assessing either its relative or absolute chronology.' The most persistent major uncertainty about the temple has concerned its pedi- mental sculpture. Almost two centuries ago (1751-55), James Stuart had inferred 1 The general bibliography on the Hephaisteion was conveniently assembled by Dinsmoor in Hesperia, Supplement V, Observations on the Hephaisteion, pp. 1 f., and the references to the sculpture loc. cit., pp. 150 f. On the sculpture add Olsen, A.J.A., XLII, 1938, pp. 276-287 and Picard, Mamtel d'Archeologie grecque, La Sculpture, II, 1939, pp. 714-732. The article by Giorgio Gullini, " L'Hephaisteion di Atene" (Archeologia Classica, Rivista dell'Istituto di Archeologia della Universita di Roma, I, 1949, pp. 11-38), came into my hands after my MS had gone to press. I note many points of difference in our interpretation of the sculptural history of the temple, but I find no reason to alter the views recorded below. Two points of fact in Gullini's article do, however, call for comment. -
REVERSE CIRCULATION JUNK BASKET Instruction Manual 3100
REVERSE CIRCULATION JUNK BASKET Instruction Manual 3100 Reverse Circulation Junk Basket O n e C o m p a n y U n l i m i t e d S o l u t i o n s Reverse Circulation Junk Basket Reverse Circulation Junk Basket General Description ..................................................... 3 Uses ............................................................................. 3 Construction ................................................................ 3 Accessories ................................................................. 3 Operation ..................................................................... 4 Explanation of the Mechanism .................................... 6 Maintenance ................................................................ 6 Magnet Insert Assembly .............................................. 6 Specifications and Replacement Parts ................ 7 – 12 Rock Bit Cone Dimensions ........................................ 13 I N D E X The designs and specifications for the tools described in this instruction manual were in effect at the time this manual was approved for printing. National Oilwell Varco, whose policy is one of continuous improvement, reserves the right to discontinue models at any time, or to change designs and specifications without notice or without incurring obligation. Nineteenth Printing, September 2005 General Description The reverse circulation is obtained by the Bowen Reverse Circulation Junk unique construction of the Barrel, which Baskets are designed to effectively is, in effect, a two-bowl -
The Sanctuary of Despotiko in the Cyclades. Excavations 2001–2012
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Yannos Kourayos – Kornelia Daifa – Aenne Ohnesorg – Katarina Papajanni The Sanctuary of Despotiko in the Cyclades. Excavations 2001–2012 aus / from Archäologischer Anzeiger Ausgabe / Issue 2 • 2012 Seite / Page 93–174 https://publications.dainst.org/journals/aa/123/4812 • urn:nbn:de:0048-journals.aa-2012-2-p93-174-v4812.0 Verantwortliche Redaktion / Publishing editor Redaktion der Zentrale | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/aa ISSN der Online-Ausgabe / ISSN of the online edition 2510-4713 Verlag / Publisher Hirmer Verlag GmbH, München ©2017 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Mit dem Herunterladen erkennen Sie die Nutzungsbedingungen (https://publications.dainst.org/terms-of-use) von iDAI.publications an. Die Nutzung der Inhalte ist ausschließlich privaten Nutzerinnen / Nutzern für den eigenen wissenschaftlichen und sonstigen privaten Gebrauch gestattet. Sämtliche Texte, Bilder und sonstige Inhalte in diesem Dokument unterliegen dem Schutz des Urheberrechts gemäß dem Urheberrechtsgesetz der Bundesrepublik Deutschland. Die Inhalte können von Ihnen nur dann genutzt und vervielfältigt werden, wenn Ihnen dies im Einzelfall durch den Rechteinhaber oder die Schrankenregelungen des Urheberrechts gestattet ist. Jede Art der Nutzung zu gewerblichen Zwecken ist untersagt. Zu den Möglichkeiten einer Lizensierung von Nutzungsrechten wenden Sie sich bitte direkt an die verantwortlichen Herausgeberinnen/Herausgeber der entsprechenden Publikationsorgane oder an die Online-Redaktion des Deutschen Archäologischen Instituts ([email protected]).