Dictionary of Moisture Protection and Restoration by John F
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CITY of SEATTLE Seattle Public Utilities
CITY OF SEATTLE Seattle Public Utilities IMPROVEMENT OF: SOUTH PARK PUMP STATION Project Manual – Volume 2 of 3 Division 02 through Division 26 FUNDED BY: DWF and King County Flood Control District PW#: 2019-067 ORDINANCE #: 125724 Advertise: January 29, 2020 Bids Open: February 26, 2020 SEATTLE, WASHINGTON TABLE OF CONTENTS SECTION 00 01 10 SOUTH PARK PUMP STATION Page 1 VOLUME 2 – DIVISION 02 THROUGH DIVISION 26 DIVISION 02 – EXISTING CONDITIONS Section 02 41 01 – Demolition and Deconstruction DIVISION 03 – CONCRETE Section 03 11 00 – Concrete Forming Section 03 20 00 – Concrete Reinforcing Section 03 30 00 – Cast-in-Place Concrete Section 03 48 11 – Precast Concrete Vaults Section 03 60 00 – Grouting Section 03 70 00 – Mass Concrete DIVISION 04 – MASONRY Section 04 20 00 – Unit Masonry DIVISION 05 – METALS Section 05 05 14 – Hot-Dip Zinc Coating Section 05 05 33 – Anchor Bolts Section 05 10 00 – Structural Metal Framing Section 05 31 23 – Steel Roof Decking Section 05 50 00 – Metal Fabrications Section 05 51 00 – Metal Stairs Section 05 52 20 – Steel Railings Section 05 53 10 – Metal Gratings and Stair Treads TABLE OF CONTENTS SECTION 00 01 10 SOUTH PARK PUMP STATION Page 2 DIVISION 06 – WOOD, PLASTICS, AND COMPOSITES Section 06 10 00 – Rough Carpentry Section 06 71 01 – Fiberglass Reinforced Products and Fabrications Section 06 82 13 – Fiberglass Reinforced Gratings DIVISION 07 – THERMAL AND MOISTURE PROTECTION Section 07 10 00 – Dampproofing and Waterproofing Section 07 31 10 – Thermal Insulation Section 07 54 23 – Thermoplastic Polyfin -
THE AMERICAN UNIVERSITY in CAIRO School of Humanities And
1 THE AMERICAN UNIVERSITY IN CAIRO School of Humanities and Social Sciences Department of Arab and Islamic Civilizations Islamic Art and Architecture A thesis on the subject of Revival of Mamluk Architecture in the 19th & 20th centuries by Laila Kamal Marei under the supervision of Dr. Bernard O’Kane 2 Dedications and Acknowledgments I would like to dedicate this thesis for my late father; I hope I am making you proud. I am sure you would have enjoyed this field of study as much as I do. I would also like to dedicate this for my mother, whose endless support allowed me to pursue a field of study that I love. Thank you for listening to my complains and proofreads from day one. Thank you for your patience, understanding and endless love. I am forever, indebted to you. I would like to thank my family and friends whose interest in the field and questions pushed me to find out more. Aziz, my brother, thank you for your questions and criticism, they only pushed me to be better at something I love to do. Zeina, we will explore this world of architecture together some day, thank you for listening and asking questions that only pushed me forward I love you. Alya’a and the Friday morning tours, best mornings of my adult life. Iman, thank you for listening to me ranting and complaining when I thought I’d never finish, thank you for pushing me. Salma, with me every step of the way, thank you for encouraging me always. Adham abu-elenin, thank you for your time and photography. -
The Annual of the British School at Athens the Ionic Capital of The
The Annual of the British School at Athens http://journals.cambridge.org/ATH Additional services for The Annual of the British School at Athens: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The Ionic Capital of the Gymnasium of Kynosarges Pieter Rodeck The Annual of the British School at Athens / Volume 3 / November 1897, pp 89 - 105 DOI: 10.1017/S0068245400000770, Published online: 18 October 2013 Link to this article: http://journals.cambridge.org/abstract_S0068245400000770 How to cite this article: Pieter Rodeck (1897). The Ionic Capital of the Gymnasium of Kynosarges. The Annual of the British School at Athens, 3, pp 89-105 doi:10.1017/S0068245400000770 Request Permissions : Click here Downloaded from http://journals.cambridge.org/ATH, IP address: 130.133.8.114 on 02 May 2015 COIN TYPE OF ELIS, RESTORED. THE IONIC CAPITAL OF THE GYMNASIUM OF KYNOSARGES. (PLATES VL—Vm.) THE excavations of the British School at Athens, in the winters of 1896 and 1897, had the result of determining that the site, on which they were carried on, had been a burial ground previous to the sixth cen- tury B.C. and again after the third century, and that, in the meantime, it must have been covered by the Greek building, of which we laid bare the foundations. The plan of this building resembles that of a large gymnasium; the period of its existence coincides with that during which we know the gymnasium of Kynosarges to have existed, and the position of the site is such as the various mentions of Kynosarges by classic authors leads us to expect. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
Chian Relief Pottery and Its Relationship to Chian and East Greek Architectural Terracottas
CHIAN RELIEF POTTERY AND ITS RELATIONSHIP TO CHIAN AND EAST GREEK ARCHITECTURAL TERRACOTTAS (PLATES23, 24) rT HE RELATIONSHIP between the relief decorationof temple entablaturesand relief potteryhas been discussedmany times in the past.1Scholars have suggestedsome pos- sible ways that architecturalreliefs might have affectedthe arrangementof the decoration on relief pottery (i.e., compositionin metopes or in a continuous band2),but for the most part they have focusedon the analogies existing between the moldings of temple simas and the formationof the lip of some Cretan relief pithoi, especially those from Arkades. Fea- tures such as the strongly flaring lip of these pithoi, the decorationof the rim with molded tori or with other patternswhich was currentas early as the first half of the 7th century,and particularlythe ridged protrusionshanging from the lip, frequentlyin the form of the head of a lion, bull, panther, or horse, have led many scholarsto comparethe design of these lips with the similar arrangementof the temple sima and to correlatethe protrusionsand the heads with the water spouts of the sima.3 l Some of the problems set forward here were outlined briefly in Simantoni-Bournias,1987. In the paper which follows, comparisonswith Chian material are limited for the most part to parallels from the realm of East Greek art, since influenceis more likely to come from a culturallyrelated area. I am grateful to Dr. M. E. Caskey, who read a draft of this paper and polished my English. I also wish to express my thanks to the Ephor of Chios-Mytilene, Mrs. A. Archontidou,for facilitatingmy study of the material in the Museum of Chios and kindly giving me permissionto present the perirrhanterionstand from the Attaliotis'plot. -
Early Islamic Architecture in Iran
EARLY ISLAMIC ARCHITECTURE IN IRAN (637-1059) ALIREZA ANISI Ph.D. THESIS THE UNIVERSITY OF EDINBURGH 2007 To My wife, and in memory of my parents Contents Preface...........................................................................................................iv List of Abbreviations.................................................................................vii List of Plates ................................................................................................ix List of Figures .............................................................................................xix Introduction .................................................................................................1 I Historical and Cultural Overview ..............................................5 II Legacy of Sasanian Architecture ...............................................49 III Major Feature of Architecture and Construction ................72 IV Decoration and Inscriptions .....................................................114 Conclusion .................................................................................................137 Catalogue of Monuments ......................................................................143 Bibliography .............................................................................................353 iii PREFACE It is a pleasure to mention the help that I have received in writing this thesis. Undoubtedly, it was my great fortune that I benefited from the supervision of Robert Hillenbrand, whose comments, -
Concrete Spalling Corrosion – Cracking – Spalling – Corrosion Cycle by Rebar Corrosion CMC, Inc
CMC, Inc. Application of Petrography and Other Methods in Quality Assurance & Failure Investigation of Construction Materials ●●●●● Dipayan Jana, President Construction Materials Consultants, Inc. www.cmc-concrete.com CMC, Inc. Strategy used in Quality Assurance & Failure Investigation of Construction Materials Background Information, Communication • Field Investigation, Photographs & Sample Selection Techniques, • Petrographic Examination Examinations, • Chemical Testing Investigation • Physical Testing • Specialty Testing Data Interpretation and Report Preparation CMC, Inc. Petrography Literally: 150-year old discipline of Geology, which deals with the description and classification of natural (igneous, sedimentary, & metamorphic) rocks. [Greek Petra = Rocks & Graphics = Picture] Concrete is a man-made rock Broadly: The science of observation and description of a material – Its composition, texture, microstructure, integrity, and overall quality Tools: Light optical microscopes, Electron microscopes, X-ray diffractometer Basic Advanced There are two systems in the Universe – Geology & Theology – Petrography is the connecting link. CMC, Inc. Concrete Petrography Application of petrography in the description of concrete and concrete-making materials, which include: - Portland cements - Fly ash, Ground granulated blast furnace slag, Silica fume, Metakaoline, Natural pozzolans, Microfillers - Blended cements - Other cementitious materials, e.g. high alumina cement, expansive cements - Aggregates: Natural, Manufactured, Gravel, Crushed stone, -
K a L L O S G a L L E R
KALLOS GALLERY 4 Kallos Gallery – 2019 No.1 Cover.qxp_Layout 1 25/02/2019 14:46 Page 1 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 1 catalogue 4 14-16 Davies Street london W1K 3Dr telephone +44 (0)20 7493 0806 e-mail [email protected] WWW.KalloSgallery.coM 9 27 june – 3 july 16–24 March Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 2 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 3 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 4 1 | A CYPRIOT BLACK ON RED WARE POTTERY OINOCHOE cyPro-archaIc, cIrca 750 – 600 Bc height: 20.2cm e deep reddish ground decorated with concentric circles, with a trefoil mouth and a double strip handle. ProVenance luigi Palma di cesnola collection, 1865 – 1876, inventory no. c.P.563, duplicates, Stanford Metropolitan Museum of art, new york Purchased in 1884 by governor leland Stanford of california (1824 – 1893) and sent in 1893 to the leland Stanford Museum cyprus Museum, jacksonville lIterature For the type, see V. Karageorghis, Ancient Art from Cyprus, e Cesnola Collection in e Metropolitan Museum of Art, new york, 2000, p. 92. 4 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 5 2 | A GREEK GEOMETRIC POTTERY KANTHAROS attIc, late 8th century Bc Width: 15 cm With twin high-arching handles, decorated with rectangular geometric patterns. e body on both sides has been separated into two scenes by parallel lines and zig-zags. -
Wspó£Czesne Metody Opracowania Baz Danych
Pawlicki, B. M., Czechowicz, J., Drabowski, M. (2001). Modern methods of data processing of old historical structure for the needs of the Polish Information System About Monuments following the example of Cracow in Cultural Heritage Protection. In: D. Kereković, E. Nowak (ed.). GIS Polonia 2001. Hrvatski Informatički Zbor – GIS Forum, Croatia, 367-378. MODERN METHODS OF DATA PROCESSING OF OLD HISTORICAL STRUCTURE FOR THE NEEEDS OF THE POLISH INFORMATION SYSTEM ABOUT MONUMENTS FOLLOWING THE EXAMPLE OF CRACOW IN CULTURAL HERITAGE PROTECTION Bonawentura Maciej PAWLICKI Jacek CZECHOWICZ Mieczysław DRABOWSKI Politechnika Krakowska Cracow University Of Technology Cracow University of Technology, Institute of History of Architecture and Monuments Preservation, Center of Education and Research in the Range of Application of Informatic Systems, Cracow ABSTRACT Presented works were made from 1999 to 2001 years in the Division of Conservatory Studies and Researches, of the Institute of History of Architecture and Monument Preservation - Faculty of Architecture of the Cracow University of Technology. The software, methods and models of the data base systems were laboratory experimented in the Computer Information Systems Center of the Cracow University of Technology. The works (laboratories, terain exercises and student practises) which have been doing so far, concerned of geodesy-cataloguing registration and using computer technology give an optimal possibilities of monitoring of the historical environment for preservation of the cultural heritage. The data used in computer modelling make applying of multiply materials as a basis of data warehouse, among other: geodesy foundations, their newest actualisation, digital camera photography’s and space visualisations. In works students used following graphical programs: GIS, 3D Studio Max, AutoCAD – Architectural Desktop, ArchiCAD 6.5, Adobe Photo Shop, Land Development, Corel Draw, Picture Publisher. -
Application of Color to Antique Grecian Architecture
# ''A \KlMinlf111? ^W\f ^ 4 ^ ih t ' - -- - A : ^L- r -Mi UNIVERSITY OF ILLINOIS LIBRARY .4k - ^» Class Book Volume MrlO-20M * 4 ^ if i : ' #- f | * f f f •is * id* ^ ; ' 4 4 - # T' t * * ; f + ' f 4 f- 4- f f -4 * 4 ^ I - - -HI- - * % . -4*- f 4- 4 4 # Hp- , * * 4 4- THE APPLICATION OF COLOR TO ANTIQUE GRECIAN ARCHITECTURE BY ARSELIA BESSIE MARTIN B. S. University of Illinois, 1909 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN ARCHITECTURAL DECORATION IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS fa 1910 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL June 4... 1910 190 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Viss .Arsel is Bessie ^srtin ENTITLED TM application of Color to antique Grecisn Architecture BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Master of Science in Architectural Decoration In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 170372 Digitized by the Internet Archive in 2013 * UHJCi http:V7afchive.org/details/applicationofcol00mart THE APPLICATION OF COLOR TO ANTIQUE GRECIAN ARCHITECTURE CONTENTS Page | INTRODUCTION 1 SECTION I - A Kistorioal Review of the Controversy .... 4 SECTION II - A Review of the Earlier Styles IS A » Egyptian B. Assyrian C. Primitive Grecian SECTION III - Derivation of the Grecian Polychromy ..... 21 SECTION IV - General Considerations and Influences. ... 24 A. Climate B. Religion C. Natural Temperament of the Greeks D. Materials SECTION V - Coloring of Architectural Members 31 Proofs classified according to monuments SECTION VI - The Colors and Technique of Architectural Painting SECTION VII - Architectural Terra. -
Cairo Supper Club Building 4015-4017 N
Exhibit A LANDMARK DESIGNATION REPORT Cairo Supper Club Building 4015-4017 N. Sheridan Rd. Final Landmark Recommendation adopted by the Commission on Chicago Landmarks, August 7, 2014 CITY OF CHICAGO Rahm Emanuel, Mayor Department of Planning and Development Andrew J. Mooney, Commissioner The Commission on Chicago Landmarks, whose nine members are appointed by the Mayor and City Council, was established in 1968 by city ordinance. The Commission is re- sponsible for recommending to the City Council which individual buildings, sites, objects, or districts should be designated as Chicago Landmarks, which protects them by law. The landmark designation process begins with a staff study and a preliminary summary of information related to the potential designation criteria. The next step is a preliminary vote by the landmarks commission as to whether the proposed landmark is worthy of consideration. This vote not only initiates the formal designation process, but it places the review of city per- mits for the property under the jurisdiction of the Commission until a final landmark recom- mendation is acted on by the City Council. This Landmark Designation Report is subject to possible revision and amendment dur- ing the designation process. Only language contained within a designation ordinance adopted by the City Council should be regarded as final. 2 CAIRO SUPPER CLUB BUILDING (ORIGINALLY WINSTON BUILDING) 4015-4017 N. SHERIDAN RD. BUILT: 1920 ARCHITECT: PAUL GERHARDT, SR. Located in the Uptown community area, the Cairo Supper Club Building is an unusual building de- signed in the Egyptian Revival architectural style, rarely used for Chicago buildings. This one-story commercial building is clad with multi-colored terra cotta, created by the Northwestern Terra Cotta Company and ornamented with a variety of ancient Egyptian motifs, including lotus-decorated col- umns and a concave “cavetto” cornice with a winged-scarab medallion. -
The Grottesche Part 1. Fragment to Field
CHAPTER 11 The Grottesche Part 1. Fragment to Field We touched on the grottesche as a mode of aggregating decorative fragments into structures which could display the artist’s mastery of design and imagi- native invention.1 The grottesche show the far-reaching transformation which had occurred in the conception and handling of ornament, with the exaltation of antiquity and the growth of ideas of artistic style, fed by a confluence of rhe- torical and Aristotelian thought.2 They exhibit a decorative style which spreads through painted façades, church and palace decoration, frames, furnishings, intermediary spaces and areas of ‘licence’ such as gardens.3 Such proliferation shows the flexibility of candelabra, peopled acanthus or arabesque ornament, which can be readily adapted to various shapes and registers; the grottesche also illustrate the kind of ornament which flourished under printing. With their lack of narrative, end or occasion, they can be used throughout a context, and so achieve a unifying decorative mode. In this ease of application lies a reason for their prolific success as the characteristic form of Renaissance ornament, and their centrality to later historicist readings of ornament as period style. This appears in their success in Neo-Renaissance style and nineteenth century 1 The extant drawings of antique ornament by Giuliano da Sangallo, Amico Aspertini, Jacopo Ripanda, Bambaia and the artists of the Codex Escurialensis are contemporary with—or reflect—the exploration of the Domus Aurea. On the influence of the Domus Aurea in the formation of the grottesche, see Nicole Dacos, La Découverte de la Domus Aurea et la Formation des grotesques à la Renaissance (London: Warburg Institute, Leiden: Brill, 1969); idem, “Ghirlandaio et l’antique”, Bulletin de l’Institut Historique Belge de Rome 39 (1962), 419– 55; idem, Le Logge di Raffaello: Maestro e bottega di fronte all’antica (Rome: Istituto Poligrafico e Zecca dello Stato, 1977, 2nd ed.