DOCSLIB.ORG

Wspó£Czesne Metody Opracowania Baz Danych

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wspó£Czesne Metody Opracowania Baz Danych Pawlicki, B. M., Czechowicz, J., Drabowski, M. (2001). Modern methods of data processing of old historical structure for the needs of the Polish Information System About Monuments following the example of Cracow in Cultural Heritage Protection. In: D. Kereković, E. Nowak (ed.). GIS Polonia 2001. Hrvatski Informatički Zbor – GIS Forum, Croatia, 367-378. MODERN METHODS OF DATA PROCESSING OF OLD HISTORICAL STRUCTURE FOR THE NEEEDS OF THE POLISH INFORMATION SYSTEM ABOUT MONUMENTS FOLLOWING THE EXAMPLE OF CRACOW IN CULTURAL HERITAGE PROTECTION Bonawentura Maciej PAWLICKI Jacek CZECHOWICZ Mieczysław DRABOWSKI Politechnika Krakowska Cracow University Of Technology Cracow University of Technology, Institute of History of Architecture and Monuments Preservation, Center of Education and Research in the Range of Application of Informatic Systems, Cracow ABSTRACT Presented works were made from 1999 to 2001 years in the Division of Conservatory Studies and Researches, of the Institute of History of Architecture and Monument Preservation - Faculty of Architecture of the Cracow University of Technology. The software, methods and models of the data base systems were laboratory experimented in the Computer Information Systems Center of the Cracow University of Technology. The works (laboratories, terain exercises and student practises) which have been doing so far, concerned of geodesy-cataloguing registration and using computer technology give an optimal possibilities of monitoring of the historical environment for preservation of the cultural heritage. The data used in computer modelling make applying of multiply materials as a basis of data warehouse, among other: geodesy foundations, their newest actualisation, digital camera photography’s and space visualisations. In works students used following graphical programs: GIS, 3D Studio Max, AutoCAD – Architectural Desktop, ArchiCAD 6.5, Adobe Photo Shop, Land Development, Corel Draw, Picture Publisher. Discussed project database system use following information’s categories: 1. objects identification – repository with kinds monuments and describe attributes, among other information: qualitative, valorizative, quantitative, economic, organizational, legislative, form of monuments and tabelar indexes 2. input form – documents format included structures input data, correction rules 3. output form – structures reports, charts, labels etc., statistic, sort criterions and data election 4. processing – computations type 5. database preservation – procedures: data archive, update, delete, join, divide etc. Implementation is in relation database model and documentation is contained in diagrams: Data Flow, Entity Relationship, Entity Life History, State Transition. The results, which have been accomplished shows, that data packet are useful for scientific researches, support management systems, monument preservation, town planning, optimisation of building and historical complexes functions, preservation designing and revalorization works. They can be useful for our national heritage as a maintenance of the old town fabric and town aesthetic from the view point of advertising, illuminations and technical infrastructure designing. The works presented herein were carried out between 1999 – 2001 within students’ classes in the Division of Conservatory Studies and Research of the Institute of History of Architecture and Monument Preservation at the Faculty of Architecture of the Cracow University of Technology. Software, methods and models of the database were laboratory tested in the Centre of Information Systems Engineering at the Cracow University of Technology. Cataloguing and analytical studies of fragments of monumental structures in the centre of Cracow were carried out within laboratory classes, outdoor classes and students’ apprenticeship. The ERD diagram was created as the first in the order of sequence. Pawlicki, B. M., Czechowicz, J., Drabowski, M. (2001). Modern methods of data processing of old historical structure for the needs of the Polish Information System About Monuments following the example of Cracow in Cultural Heritage Protection. In: D. Kereković, E. Nowak (ed.). GIS Polonia 2001. Hrvatski Informatički Zbor – GIS Forum, Croatia, 367-378. ATTRIBUTES - A OBJECTS - O RELATIONSHIPS - R ESSENTIAL DATA TYPES OF MONUMENTS EXPLOITATION 1. 1. 1. LOCATION SPATIAL LAYOUT BUILDING GROUP INDEX 2. 2. 2. OBJECTS INDEX COURTYARDS CHURCHES 3. 3. 3. AUTHORS INDEX BUILDING WINGS MONASTERIES 4. 4. 4. PATRONS INDEX DOMES - TOWERS CHAPELS 5. 5. 5. ORIGIN- CAMPANILES OTHER SACRAL TYPOLOGICAL INDEX 6. FACADES 6. CASTLES 6. TOPOGRAPHICAL INDEX 7. 7. DEFENSIVE 7. DETAILS DRAWINGS PROPORTIONS STRUCTURES 8. 8. 8. ELEVATION VIEW ORNAMENTS TOWN HALLS CROSS SECTION 9. 9. 9. QUOINS SHAPE PUBLIC INSTITUTIONS RENDERINGS 10. 10. 10. URBAN PLANS ENTABLATURE PALACES 11. PILASTERS 11. 11. COLUMNS- MANOR-HOUSES MAPS DEMICOLUMNS 12. 12. 12. TABLES BASES HOUSES 13. ARCADES 13. OTHER DWELLING 13. COMPARATIVE PLACES ANALYSES 14. MOULDING 14. INDUSTRIAL 14. HISTORICAL STRUCTURES PERIOD 15. 15. 15. VAULTS HOUSEHOLD CLASSIFICATION STRUCTURES 16. 16. 16. CRUCIAL EVENTS CEILINGS PARKS - GARDENS 17. 17. 17. PHOTO PORTALS STATUES DOCUMENTATION 18. 18. 18. WINDOWS TOMBS ICONOGRAPHY 19. 19. 19. ILLUSTRATION DOORS ARCHAEOLOGICAL SOURCES SITES 20. 20. ENGINEERING 20. ILLUSTRATIONS BALCONIES STRUCTURES LIST 21. 21. 21. BALUSTRADES INTERIORS BIBLIOGRAPHY 22. 22. 22. ORIELS PANORAMIC VIEWS LITERATURE In the ERD diagram monumental objects (object - O) were characterised according to categories and types which were described with essential data (attribute – A), in mutual relationships to be used in the warehouse of the database (relationships – R). 2 Pawlicki, B. M., Czechowicz, J., Drabowski, M. (2001). Modern methods of data processing of old historical structure for the needs of the Polish Information System About Monuments following the example of Cracow in Cultural Heritage Protection. In: D. Kereković, E. Nowak (ed.). GIS Polonia 2001. Hrvatski Informatički Zbor – GIS Forum, Croatia, 367-378. Object – monument and groups of monuments were described as vital topological, geometrical and topographical information, which allows us to study relations of location at the site. 1. Map with objects marked 2. Location of the object in relation to polygon – pair of co-ordinates 3. Spatial location of the object – three pairs of co-ordinates 4. Scanned raster map with the exactitude of min. 300 dpi (point/inch), in the configuration of the map co-ordinates 1:1 000 000 (1cm = 10 km), location of points 1,2,...etc. 5. Vector map made up as automatic vectorial analysis (1mm = 1m at the site) city plan 1:1000 (1cm = 10m), location of points A, B, C, ...etc. 6. Configuration of co-ordinates of the net of points A B C (area border, street crossroads, axes of roads, axes of streets, technical infrastructure network) 7. Transformation of co-ordinates configuration of different map scales CRACOW B C A WIELICZKA CRACOW’S MARKET SQUARE Fig.1. Vector map. Fig.2. Configuration of co-ordinates. 1. structure’s map location 16. current sales price of land 2. street name 17. surroundings, roads, squares 3. house number 18. graphic information 4. structure’s name 19. tables,calculations,graphs, histograms 5. building type 20. sonic information 6. date of erection, remodelling 21. animation 7. author of monument 22. scanned and digital photographs 8. terrier number 23. graphic symbols, True Type 9. property owner’s name 24. numerical data 10. automatic distance calculation 25. textual data 11. automatic direction calculation 26. data of “Data” type 12. area and allotment periphery 27. screen presentations 13. “key points” co-ordinates 28. outprints, reports 14. name and number of users 29. date and author of data input 15. number of rooms 30. new information field Attributes refer to the characterisation of structural configurations of individual monuments. They include among the others: addresses, spatial layouts, their specific forms, shapes and proportions. The attribute carries thematic information. It is a textual file containing addresses of the structure and statistical data, and the range of the presentation potential. 3 Pawlicki, B. M., Czechowicz, J., Drabowski, M. (2001). Modern methods of data processing of old historical structure for the needs of the Polish Information System About Monuments following the example of Cracow in Cultural Heritage Protection. In: D. Kereković, E. Nowak (ed.). GIS Polonia 2001. Hrvatski Informatički Zbor – GIS Forum, Croatia, 367-378. 1. SPATIAL LAYOUT 7. PROPORTIONS 3. Zoo- and 1. Detached 1. Architectural orders antropomorphic 2. Corner a. Romanesque a. bucranium 3. Compact b. Gothic b. dolphin 2. COUTYARDS c. Renaissance c. gryphon 1. Open d. Mannerism d. mascaron 2. Closed e. Baroque 4. Architectural 3. Lateral f. Rococo a. Astragal 4. Furnishing g. Classicism b. Dentils a. Well h. Neo-style c. Beads b. Fountain i. Art. Nouveau d. Cimatium c. Sculptures j. Eclecticism 9. CORNERS' SHAPE d. Plants k. Modernism 1. Truncate 3. BUILDING’S WINGS 2. Geometrical 2. Rectangular 1. Central interdependence 3. Curvatured 2. Lateral a. Modular layout 4. Corner buttress 4. DOMES-TOWERS b. Golden division 10. ENTABLATURE 1. Dome base c. Silver division (trabeatio) a. Circular d. Symmetrical 1. Cornice moulding b. Elliptical layout (coronis) c. Square e. Asymmetrical a. Supercilium - Pendentives layout (supercilium) - Squinches 8. ORNAMENTS b. Sima (sima) 2. Half-dome 1. Floral c. Regula (regula) a. Segmental a. Palmette d.
Load more

Recommended publications
  • Development of Form Making of Door Knockers in Italy in the Xv-Xvii Centuries
    Man In India, 96 (12) : 5677-5697 © Serials Publications DEVELOPMENT OF FORM MAKING OF DOOR KNOCKERS IN ITALY IN THE XV-XVII CENTURIES Tatiana Evgenievna Trofimova* Abstract: Decorative art items - door knockers - combine practical and esthetic features. At the same time they are a part of everyday and art culture, and can tell much about the ideology, lifestyle of the society, and the level of the artistic crafts development at the time when they were created. The goal of this research is to study the role and purpose of door knockers in the Italian culture of the XV-XVII centuries, to research door knockers that continue decorating doors of various Italian cities and towns, to study in details Italian door knockers of the golden age of the bronze-casting art through the samples from the Hermitage in Saint-Petersburg. For this research it was necessary to solve the following tasks: to put the generalized illustrative material in the historical succession, to consider form making of door knockers in accordance with the architectural styles, and symbolic meaning, to define characteristic features of the artistic expression, to reveal regularities in form making and decorating of door knockers, as well as to study and describe samples from the Hermitage in Saint-Petersburg as the best examples of Italian door knockers of the XV-XVII centuries. The following methods were used during the research: - References and analytical: reproduction of the general picture of the development of various forms of door knockers, searching for and systematization
    [Show full text]
  • Scavenger Hunt Glossary
    GLOSSARY DOWNTOWN NORFOLK VIRTUAL SCAVENGER HUNT A Hampton Roads Chapter of the American Institute of Architecture HISTORIC PRESERVATION MONTH EVENT May 15-31, 2020 Architecture has a language unto itself. Every piece of a building, every type of ornamentation, every style has a distinct name and so does each detail you will encounter in our Scavenger Hunt. Below are definitions of typical architectural features you will see in the photos embedded in the Virtual Scavenger Hunt Interactive Map and the Official Virtual Scavenger Hunt Entry Form. Choose from these definitions for the description that is the best match to the details to be found. Enter this on the Entry Form (see example on the bottom right of the Official Entry Form). HINT: Not all are used; some are used more than once. Acroterion – A classical ornament or crowning adorning a pediment Fleuron – Ornament at the center of the Ionic abacus. Classically usually at gable corners and crown, generally carvings of monsters, it is a floral ornament, but in modern interpretations, can be sphinxes, griffins or gorgons, sometimes massive floral complexes. anthropomorphic (e.g. human forms). Art Deco Ornament – Popular decorative arts in the 1920s–30s Fretwork – Ornament comprised of incised or raised bans, variously after WWI. Identified by geometric, stylized, designs and surface combined and typically using continuous lines arranged in a ornamentation in forms such as zigzags, chevrons and stylized floral rectilinear or repeated geometric pattern. Also called a Meander. motifs. Geison – The projection at the bottom of the tympanum formed by Bas Relief Ornamentation – Carved, sculpted or cast ornament the top of the Cornice.
    [Show full text]
  • Artistic Furnishings and Interior Decorations of The
    A RT I ST I C F U R N I S H I N GS A N D I N T E R I O R DE C O R AT I O N S OF T H E R E S I DE N C E H E N R W P R E Y . O O , SQ . T O B E S O L D A T U N R E ST R I C T E D P U B L I C S A L E B M A E . K I R B Y Y M R . T H O S O F T H E A M E R I C A N A R T A S S OC I A T I O N , M A N A G E R S ON P U BL I C VI EW M D A Y A N D T DA Y A PR I L 19T H A N D 20T H ON U E S , M . N T I L P . M . F R OM 10 A . U 5 D SS ON T O T H E EXH B ON AN D S LE EX LUS VELY (A MI I I ITI A , C I BY D T O BE H AD N CAR , O WRITTEN APPLICATION T O T H E MAN AG ERS) T H E A R T I ST I C P R O P E R T Y CON TAIN ED I N T H E RESIDEN CE OF E .
    [Show full text]
  • ADP Bulletin 92 Mars 2020 P4-26 Les Mascarons
    Bull 92 mars 2020 DEF Boby_Mise en page 1 17/03/20 22:41 Page4 PATRIMOINE Les mascarons de Pézenas Une touche de fantaisie et d’élégance Ces têtes ou masques de fantaisie sculptés décorent les clefs d’arcade, les fontaines, les portes. L’usage de ces visages remonte à l’Antiquité. Ils avaient un rôle protecteur, ils étaient censés éloigner les démons. Au Moyen Âge l’usage des sculptures aux représentations démoniaques enrichit le répertoire décoratif de ces visages de pierre. Au XV e siècle, suite à la découverte des peintures antiques de la Villa Auréa à Rome, appelées “grotteschi“, la Renaissance italienne va remettre au goût du jour ce répertoire ornemental. Les artistes italiens venus travailler pour François 1 er à Fontainebleau vont s’en inspirer. Les recueils de gravures de l’architecte Jacques Androuet du Cerceau vont également contribuer à la diffusion de ces ornements. À Versailles, au XVII e siècle on voit apparaître de nouveaux modèles qui vont enrichir le genre. Le XVIII e siècle, la grande mode des mascarons Au XVIII e siècle, le goût de la fantaisie, de l’exotisme, l’embellissement du cadre de vie, vont faire du mascaron un des ornements incontournables de l’architecture et de la modénature des façades. Toutes les villes vont se l’approprier et Pézenas ainsi que les villages de la basse vallée de l’Hérault n’y dérogent pas. Le mascaron, symbole identitaire, de notoriété va donc devenir très tendance. Hôtel Darles de Chamberlain. Les mascarons au XIX e siècle Un mascaron : c’est quoi ? Le trop plein de mascarons sur les façades au Un mascaron est un ornement sculpté XVIII e siècle va être décrié et ils vont peu à peu représentant un visage humain, animal, tomber en désuétude et disparaître progressi- fantastique ou grotesque.
    [Show full text]
  • “Raid the Icebox Now,” Triple Canopy
    To Make New Bodies Out of Old Shapes Triple Canopy For “Raid the Icebox Now,” Triple Canopy created Can I Leave You?, a multimedia installation that responds to the RISD Museum’s Pendleton House, which was built in 1906 to exhibit the bequest (and resemble the nearby home) of the collector Charles Pendleton. This volume revises the lavish catalogue of Pendleton’s collection, published by the museum in 1906 in a limited edition featuring photogravure illustrations. Triple Canopy focuses on the catalogue’s text, a seemingly anodyne description of styles and techniques. This language, however, is a manifestation of the rhetoric around taste, distinction, and progress, especially in industry and art, that has fueled the formation of American identity and abetted the exercise of American power. As To Make New Bodies Out of Old Shapes progresses, the original catalogue is increasingly augmented by nationalistic speeches, nostalgic stories, messianic sermons, and other original sources that reflect this underlying agenda. Dutiful assessment of the collection is interrupted by a time traveler who meddles with the rebellion against the British, an enslaved person harvesting mahogany to furnish the homes of New England aristocrats, and a Chinese philosopher disturbed by the patrician penchant for dragons and pagodas. Eventually, To Make New Bodies Out of Old Shapes gives itself over to these accounts. THE PENDLETON COLLECTION PUBLISHED BY THE RHODE ISLAND SCHOOL OF DESIGN Copyright, 1904 By Luke Vincent Lockwood THE RHODE ISLAND SCHOOL OF DESIGN CERTIFIES THAT ONLY l6o COPIES OF THIS BOOK HAVE BEEN PRINTED, AND THE TYPE DISTRIBUTED. THE EDITION IS PRINTED ON IMPERIAL MILL JAPAN VELLUM, AT THE LITERARY COLLECTOR PRESS, AS FOLLOWS: NUMBERED COPIES I TO I 50 FOR DISTRIBUTION, OF WHICH COPIES I TO IO ARE SIGNED BY THE AUTHOR; LETTERED COPIES A, B, AND C FOR THE AUTHOR, D AND E TO SECURE COPYRIGHT, F TO J FOR THE USE OF THE RHODE ISLAND SCHOOL OF DESIGN.
    [Show full text]
  • Center 8 Research Reports and Record of Activities
    National Gallery of Art Center 8 Research Reports and Record of Activities ¢ am I, ~i.,r .~,4, I , ~, - ....... "It. ",2.'~'~.~D~..o~ ~', ~, : -- "-';"~-'~"'-" tl..~" '~ ' -- ~"' ',"' ." , ~. " ;-.2. ; -,, '6.~ h'.~ ~,,.'.~ II,,..~'.~..~.->'. "~ ;..~,,r~,; .,.z . - -~p__.~..i..... • , ". ~:;° ..' = : .... ..i ~ '- 3:.,'~<'~- i £ :--.-_ National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Center 8 Research Reports and Record of Activities June 1987-May 1988 Washington, 1988 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, D.C. 20565 Telephone: (202) 842-6480 All rights reserved. No part of this book may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565. Copyright © 1988 Trustees of the National Gallery of Art, Washington. This publication was produced by the Editors Office, National Gallery of Art, Washington. Frontispiece: Thomas Rowlandson, Viewing at the Royal Academy, c. 1815, Paul Mellon Collection, Upperville, Virginia. CONTENTS General Information Fields of Inquiry 9 Fellowship Program 10 Facilities 12 Program of Meetings 13 Publication Program 13 Research Programs 14 Board of Advisors and Selection Committee 14 Report on the Academic Year 1987-1988 Board of Advisors 16 Staff 16 Architectural Drawings Cataloguing Project 16 Members 17 Meetings 21 Lecture Abstracts 32 Members' Research Reports Reports 38 ~llpJ~V~r ' 22P 'w x ~ i~ ~i!~i~,~ ~ ~ ~ ~!~,~!~!ii~!iii~ ~'~,i~ ~ ~ ~i~, ~ HE CENTER FOR AI)VANCED STUDY IN THE VISUAL ARTS was founded T in 1979, as part of the National Gallery of Art, to promote the study of history, theory, and criticism of art, architecture, and urbanism through the formation of a community of scholars.
    [Show full text]
  • Notes on Arms and Armor
    SUV. U5 ; NOTES ON ARMS AND ARMOR THE METROPOLITAN MUSEUM OF ART NOTES ON ARMS AND ARMOR BY BASHFORD DEAN CURATOR OF THE DEPARTMENT OF ARMS AND ARMOR NEW YORK M C M X V I I. / Z~ PREFACE the field of arms and armor The Metropohtan Museum IiN of Art has hitherto pubhshed four handbooks or cata- logues, viz. : Catalogue of the Loan Collection of Japan- ese Armor (Handbook No. 14), 1903, 71 pp., 14 figs. (Out of Print); Catalogue of European Arms and Armor (Hand- book No. 15), 1905, 215 pp., loi figs. (Out of Print); Catalogue of a Loan Collection of Arms and Armor, 19,1 i, 85 pp., pis. i-xlvii; Handbook of the Collection of Arms and Armor, including the William H. Riggs Donation. 1915. 161 pp., pis. i-lxv [Edition 1, January, Edition II, March]. Together with these appeared from time to time in the Museum Bulletin a series of notes upon various branches of the subject, mainly relating to accessions, but sometimes touching a wider field. Between 1905 and the present year, 19 16, about fifty contributions are recorded, nearly all from the pen of the curator, some brief, some extended. As they were widely scattered, it now seems well to bring them to- gether, with certain changes and additions in both text and figures, together with a hitherto unpublished article, for the use of those who are interested in armor and arms and in the activities of the Museum in this field. Edward Robinson, Director. April, 1916. ioib 1 7 CONTENTS PAGE PAGE I.
    [Show full text]
  • Chc-2019-244-Hcm Env-2019-245-Ce
    MILLION DOLLAR THEATER BUILDING 306-316 West Third Street; 301-313 South Broadway CHC-2019-244-HCM ENV-2019-245-CE Agenda packet includes: 1. Final Determination Staff Recommendation Report 2. Commission/ Staff Site Inspection Photos—March 21, 2019 3. Categorical Exemption 4. Under Consideration Staff Recommendation Report 5. Historic-Cultural Monument Application Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2019-244-HCM ENV-2019-245-CE HEARING DATE: April 18, 2019 Location: 306-316 West Third Street; TIME: 10:00 AM 301-313 South Broadway PLACE: City Hall, Room 1010 Council District: 14 - Huizar 200 N. Spring Street Community Plan Area: Central City Los Angeles, CA 90012 Area Planning Commission: Central Neighborhood Council: Downtown Los Angeles EXPIRATION DATE: April 23, 2019 Legal Description: Property of T.D. Stimson Tract, LT E PROJECT: Historic-Cultural Monument Application for the MILLION DOLLAR THEATER BUILDING REQUEST: Declare the property an Historic-Cultural Monument OWNER/APPLICANT: Adam Daneshgar Langdon Street Capital 9777 Wilshire Boulevard, Suite 811 Beverly Hills, CA 90212 GCS Emerald LLC Et al. c/o Langdon Street Capital LLC and GCS Equity LLC P.O. Box 1936 Beverly Hills, CA 90213 PREPARER: Amanda Yoder Duane GPA Consulting 617 South Olive Street, Suite 910 Los Angeles, CA 90014 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property an Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2.
    [Show full text]
  • [email protected]
    N° 40 JACQUES NÈVE Horloger d’Art + 32 (0)477 27 19 08 - [email protected] - www.horloger.net CHARLES-FRANÇOIS ROSSIGNEUX (Paris, 1818 – 1907) EXCEPTIONAL CARVED WALNUT WALL CLOCK Paris, circa 1870 H 147 cm (58"), W 102 cm (40"), D 26 cm (10") Bibliography: Bulletin Bibliographique , Gazette des Beaux Arts, 1873, 2 e période, p. 564; Léon Deshairs, Charles Rossigneux, architecte décorateur (1818-1907), Gazette des Beaux-Arts, 1908; Jules Guiffrey, Charles-François Rossigneux, architecte et dessinateur (1818-1907) , s.n. 1908; M. de Ribes- Christofle, Notice nécrologique sur M. Ch. Rossigneux , Société d’encouragement pour l’industrie nationale, Paris, Extrait du Bulletin de Mars 1908. 1 2 3 4 CHARLES-FRANÇOIS ROSSIGNEUX (Paris, 1818 – 1907) EXCEPTIONAL CARVED WALNUT WALL CLOCK Circa 1870 Self-starting movement with horizontal balance wheel, autonomy eight days. The clock dial in waxed and polished walnut, with gothic-style Roman hour chapters painted in white, chased gilt-brass hands; the case, in the form of a heraldic crest resting on a small gadrooned base finished with an acanthus leaf motif; the whole entirely decorated with Neo-Renaissance motifs loosely inspired from Antiquity, flanked on either side by two inverted winged-dragons with reptile-like tails coiled around a chimera mascaron placed in the centre; above, branches of laurel leaves and a horn-shaped vase filled with a pomegranate bouquet surmount the clock. H. 147 cm (58"), W. 102 cm (40"), D. 26 cm (10") Impressive in scale, this clock case is a real tour de force of wood carving, superimposing a proliferation of ornaments that blends naturalistic plant forms with an imaginary universe composed of hybrid creatures and a grotesque mascaron.
    [Show full text]
  • The Roosevelt Building, 841 Broadway, 1899, New York Public Library
    DESIGNATION REPORT The Roosevelt Building Landmarks Preservation Designation Report Designation List 512 Commission The Roosevelt Building LP-2620 June 11, 2019 DESIGNATION REPORT The Roosevelt Building LOCATION Borough of Manhattan 841 Broadway (aka 837 Broadway; 837-847 Broadway; 53-63 East 13th Street) LANDMARK TYPE Individual SIGNIFICANCE Prominently situated on the northwest corner of Broadway and East 13th Street, the Roosevelt Building is an outstanding example of the high-rise commercial development that occurred south of Union Square during the late-19th century using innovative new technology such as elevators, electricity, and metal framing. Built in 1893-94, the transitional Romanesque Revival/Renaissance Revival- style building is also historically significant for housing the Biograph Company, which advanced early filmmaking technology and became one of the first and most recognized American film studios. Landmarks Preservation Designation Report Designation List 512 Commission The Roosevelt Building LP-2620 June 11, 2019 The Roosevelt Building, 841 Broadway, 1899, New York Public Library LANDMARKS PRESERVATION COMMISSION COMMISSIONERS Lisa Kersavage, Executive Director Sarah Carroll, Chair Mark Silberman, General Counsel Frederick Bland, Vice Chair Kate Lemos McHale, Director of Research Diana Chapin Cory Herrala, Director of Preservation Wellington Chen Michael Devonshire REPORT BY Michael Goldblum MaryNell Nolan-Wheatley, Research Department John Gustafsson Anne Holford-Smith EDITED BY Jeanne Lutfy Kate Lemos McHale and Margaret Herman Adi Shamir-Baron PHOTOGRAPHS BY LPC Research Staff Landmarks Preservation Designation Report Designation List 512 Commission The Roosevelt Building LP-2620 June 11, 2019 3 of 30 The Roosevelt Building Manhattan Borough President Gale Brewer, State 841 Broadway, Manhattan Senators Brad Hoylman and Liz Krueger, and State Assemblymember Deborah Glick, as well as representatives of the Municipal Art Society of New York, the Victorian Society of New York, the Society for the Architecture of the City, and two individuals.
    [Show full text]
  • The Romanesque Sculpture of Moissac
    THE ROMANESQUE SCULPTURE OF MOISSAC PART I (I) By MEYER SCHAPIRO INTRODUCTION1 T study hereundertaken consists of threeparts. In the firstis describedthe -HEstyle of the sculptures; in the second the iconographyis analyzedand its details compared with other examples of the same themes; in the third I have investigatedthe history of the style and tried to throwfurther light on its origins and development. The study of the ornament, because of its variety, has attained such length that it will be publishedas a separate work. A catalogue of the sculptures and a description of each face of every capital in the cloister is desirablebut cannot be given here. Such a descriptionwould almost double the length of this work. A plan of the cloisterwith an index to the subjects of the capitals has been substituted (p. 250, Fig. 2). This, with the photographs reproduced, provides a fair though not completeknowledge of the contents of the cloister. For a more detailed descriptionthe readeris referredto the books of Rupin and Lagreze-Fossat,which lack, however,adequate illustration and a systematic discussionof style or iconography. In the present work, the postures, gestures, costumes, expressions,space, perspective, and groupingof the figureshave been described,not to show the inferiorityor incompetence of the sculptorsin the processof exact imitation, but to demonstratethat their departures from nature or our scientific impressionisticview have a common character which is intimately bound up with the harmoniousformal structure of the works. I have tried to show also how with certain changes in the relation to nature apparentin the later works, the artistic characteris modified. In the descriptionof purely formalrelations I do not pretend to find in them the exact nature of the beauty of the work or its cause, but I have tried to illustrate by them my sense of the characterof the whole and the relevanceof the parts to it.
    [Show full text]
  • Designed by Josh Finklea in 2017 Available in 16 Styles Licenses For
    Centra No.2 Designed by Josh Finklea in 2017 Available in 16 styles Licenses for Web, Desktop, & App 1 All Caps Roman SECRETAIRE Black — 60pt COFFERING Extrabold — 60pt PEDIMENTS Bold — 60pt CAMPANILE Medium — 60pt TYMPANUM Book — 60pt PALLADIANS Light — 60pt MARTYRIUM Thin — 60pt GALLETTING Hairline — 60pt Centra Display No.2 2 All Caps Italic JARDINIÉRE Black Italic — 60pt PEDIMENTS Extrabold Italic — 60pt SPANDRELS Bold Italic — 60pt KEYSTONES Medium Italic — 60pt MAQSURAH Book Italic — 60pt QUATREFOIL Light Italic — 60pt CLERESTORY Thin Italic — 60pt BALUSTRADE Hairline Italic — 60pt Centra Display No.2 3 Title Case Roman Biedermeier Black — 60pt Architraves Extrabold — 60pt Martyriums Bold — 60pt Orthostates Semibold — 60pt Chalcidicum Medium — 60pt Bressummer Book — 60pt Gadrooning Light — 60pt Dodecastyle Thin — 60pt Centra Display No.2 4 Title Case Italic Gadrooning Black Italic — 60pt Travertines Extrabold Italic — 60pt Banquettes Bold Italic — 60pt Candelabra Medium Italic — 60pt Bargeboard Book Italic — 60pt Wainscoting Light Italic — 60pt Flushworked Thin Italic — 60pt Emperadora Hairline Italic — 60pt Centra Display No.2 5 All Caps & Title Case Roman OTTOMAN Backless Couch Black — 30pt PARQUETRY Wood Pattern Extrabold — 30pt ETAGÉRE Open Shelving Bold — 30pt UNDERCROFT Brick Cellar Medium — 30pt REVETMENT Retaining Wall Book — 30pt CANTERBURY Low Slated Stand Light — 30pt PORTE-COCHÈRE Covered Gateway Thin — 30pt MONOTRIGLYPH Intercolumniation Hairline — 30pt Centra Display No.2 6 All Caps & Title Case Italic VITROLITE Pigmented
    [Show full text]