Galaxy Garden Enterprises LLC [email protected] [email protected] P

Total Page:16

File Type:pdf, Size:1020Kb

Galaxy Garden Enterprises LLC Galaxygarden@Hawaii.Rr.Com Lomberg@Aloha.Net P Galaxy Garden Enterprises LLC www.jonlomberg.com www.galaxygarden.net [email protected] [email protected] P. O. Box 207 Honaunau HI 96726 U.S.A 808-328-9598 JON LOMBERG Galaxy Garden –Earth’s first walk-through model of our Milky Way Galaxy Galaxy Garden Enterprises delivers a revolutionary new astronomy education experience that conveys the scale of our Universe as never before - The Galaxy GardenTM Created by Jon Lomberg, the world-famous Emmy Award winning artist who has helped shape an entire generation’s image of the Universe. Lomberg’s 25 year partnership with Carl Sagan produced some of the most important science inspired art of our time, including: NASA’s legendary Voyager Interstel- lar Record, Humanity’s self-portrait launched on a billion year voyage to the stars: COSMOS, CONTACT, and four message artifacts on the surface of Mars. No other artist on Earth has designed so many artifacts for distant times, worlds, and beings. www.jonlomberg.com In 1992 the National Air and Space Museum in Washington DC commissioned a large and accurate painting of the Milky Way galaxy. This artwork has remained an iconic image of the galaxy for this generation of astronomers, used in many textbooks, museums, and for NASA’s Kepler and ACE missions http://www.nasa.gov/mission_pages/kepler/multimedia/images/kepler-target-in -the-milkyway.html The Galaxy Garden in Hawaii is Earth’s first large-scale walk-through model of the Milky Way Galaxy and is based on Lomberg’s “Portrait of the Milky Way” mural painted for the Smithsonian Institution’s National Air and Space Museum in Wash. DC. “The hardest thing to envision about the galaxy is its sheer vastness. Pictures on a page don't do it. Even a large mural on a wall doesn't do it justice. Scale-model solar systems have proven an effective teaching tool for con- veying the geography of our Sun and its planets. These models of the solar sys- tem have enabled students to understand the distances between planets in our own solar system. Such models appear in Ithaca, New York, (Washington, D.C., Pasadena, California, and in Peoria, Illinois, where you can bicycle your way around the Solar System. I wanted to create the same kind of experience of the Milky Way Galaxy, a model you can walk around inside. A living garden symbolizes the stars, form- ing, dying, and reforming in our galaxy all the time. And walking along the spiral arms to the center is an interstellar journey that everyone can make.” Jon Lomberg The Galaxy Garden is the first time our Milky Way galaxy has been rendered as an accurate walk-through map; a "living portrait" of our galaxy, realized as a garden. In a 30m diameter Galaxy Garden, 1 meter= ~3000 light years. One cm = ~30 light years. A single leaf holds the Sun and millions of other stars, including most of those we can see with unaided eyes. Visitors experience a “Eureka!” moment, understanding for the first time the scale of the Milky Way and our tiny neighbor- hood within it. More than just an intellectual exercise, the Galaxy Garden per- mits actual exploration by young and old alike and provides a powerful, almost transcendent experience of our place in the Universe. The first Galaxy Garden was built in Kona, Hawaii with much of the labor do- nated by local high school students and volunteers of all ages. In fact the inter- generational effort was one of the most rewarding aspects of the construction phase. The Galaxy Garden has become an astronomy attraction for local, national and international visitors, Schools and other groups. “I visited the Galaxy Garden in early May 2008 and was quite impressed. This is a great way for people to visualize the enormous size and stunning beauty of our home, the Milky Way Galaxy. There are a number of Solar System "walk-along models" available throughout the world (for example, in Ithaca, NY, inspired by Carl Sagan), but I know of no similar model of the Galaxy. This is an excellent educational tool, and well worth a visit if you are on the Big Island of Hawaii.” Alex Filippenko, Dept. of Astronomy, UC Berkeley “Every planetarium and museum should hire you to create have a garden like this for them! We non-science folk can grasp the galactic concept by viewing and walking in such a beautiful garden.” Bjo, California “Breathtaking... What a gift you have created for all of us. To parallel the majesty of our galaxy with the beauty of your local flora... Thank you - for shar- ing your creativity. Carlotta, New Hampshire “This is obviously a labour of love! Thank you so much for doing this beautiful garden - science in the most wonderful form! I'm literally thrilled. Celia, British Columbia “La experiencia de conocer otra forma de entender la realidad, ha sido importante no para conocer lo pequeños que somos, sino que sabemos dosnde estamos y quienes somos. Gracias al Galaxy Garden, las nuevas generaciones pueden entender con poesía y belleza un poco mas de ser humanos” Guillermo, Chile The Galaxy Garden is an experience that engages the senses; the exquisite beauty of the flowers representing nebula; the sound made by walking on the crunchy cinder paths which sounds like real radio static coming from space. The Galaxy Garden is a place for all people from all walks of life regardless of age, background, education, ethnicity, gender. Everyone comes away thrilled. Galaxy Garden Enterprises provides astronomy outreach exhibits that engage the community and spark the interest of the new generation of space explorers. And as so, our company provide: Licensed use of the Galaxy Garden concept and model of the galaxy which it is based. Creation of a new site-specific Galaxy Garden visualizations for academic, science center, or botanical garden locations on which detailed designs can be based. Detailed design of a site specific Galaxy Garden incorporating local plants and minerals best-suited for a year-round garden. Design of the Black Hole fountain and other special features. Supporting graphics, signage, and other materials. A Collaborative relationship with other Galaxy Gardens to share materials developed for specific educational and general audiences. Public or scientific lectures and articles about the Galaxy Garden. The Galaxy Garden in Kona was designed to fit naturally into the Hawaiian land- scape. Galaxy Garden Enterprises believe that a similar design can be found that is equally expressive of the landscape and vegetation of your location. Our next priority is to understand your interest and answer any questions or concerns. This will able us to create the desired garden. We are looking forward to working with you. Sharona Lomberg Galaxy Garden Enterprises LLC Galaxy Garden Enterprises LLC POBox 207 Honaunau, HI 96726 U.S.A. 808-328-9598 e-mail : [email protected] www.jonlomberg.com www.galaxygarden.net .
Recommended publications
  • Planetary Report Report
    The PLANETARYPLANETARY REPORT REPORT Volume XXIX Number 1 January/February 2009 Beyond The Moon From The Editor he Internet has transformed the way science is On the Cover: Tdone—even in the realm of “rocket science”— The United States has the opportunity to unify and inspire the and now anyone can make a real contribution, as world’s spacefaring nations to create a future brightened by long as you have the will to give your best. new goals, such as the human exploration of Mars and near- In this issue, you’ll read about a group of amateurs Earth asteroids. Inset: American astronaut Peggy A. Whitson who are helping professional researchers explore and Russian cosmonaut Yuri I. Malenchenko try out training Mars online, encouraged by Mars Exploration versions of Russian Orlan spacesuits. Background: The High Rovers Project Scientist Steve Squyres and Plane- Resolution Camera on Mars Express took this snapshot of tary Society President Jim Bell (who is also head Candor Chasma, a valley in the northern part of Valles of the rovers’ Pancam team.) Marineris, on July 6, 2006. Images: Gagarin Cosmonaut Training This new Internet-enabled fun is not the first, Center. Background: ESA nor will it be the only, way people can participate in planetary exploration. The Planetary Society has been encouraging our members to contribute Background: their minds and energy to science since 1984, A dust storm blurs the sky above a volcanic caldera in this image when the Pallas Project helped to determine the taken by the Mars Color Imager on Mars Reconnaissance Orbiter shape of a main-belt asteroid.
    [Show full text]
  • The Planetary Report
    On the Cover: Volume XV Seen thro ugh eyes other than our own, the planet Earth Table of Number 3 appears as a stran ge but beautiful place. The Galilea spacecraft on its way to Jupiter took thi s image of West ' Contents 'May/June 1995 Africa and the Mediterranean Sea from about 600 ,000 kilometers (400,000 miles) away. The spacecraft's camera was looking through infrared filters sensitive to light wave­ lengths unfamiliar to the human eye. Images ta ken th is way provide information about things such as the location an d health of vegetati on an d the water conte nt of clouds. Features Basics of Galilea's portrai ts of the planet cou ld be valuabl e referen ce 14 Spaceflight: poi nts for future Earth-monitoring spacecraft. Phoenix Rises: (See page 10 for a complete caption.) Gravity Assist 4 NASA SETI Project Image: Pau l Geissler, Lunar and Planetary Laboratory, Over the years the term "gravity assist" Un ivers ity of Arizona Is Reborn has appeared time and again in our pages. Two years ago the congressional budget This ingenious technique has made many cutters took an ax to NASA's ambitious of our pioneering spacecraft missions pos­ program in the Search for Extraterrestrial sible. For example, the Galileo encounter Froln Intelligence. But dedicated researchers with Earth was part of a gravity-assist refused to give up, and they found a way to maneuver. It's a hard technique to explain, The save part of the program. Project Phoenix but here we lay it out for our readers.
    [Show full text]
  • An Artist's Collaboration with Astronomer Carl Sagan at UCSD, Jan
    Visualizing Science: An artist's collaboration with astronomer Carl Sagan at UCSD, Jan. 22 January 15, 1997 MEDIA ADVISORY EVENT: Visualizing Science: An Artist's Collaboration with Astronomer Carl Sagan DATE/TIME: 4:15 p.m.--5:30 p.m., Jan. 22, 1997 LOCATION: Peterson Hall, Rm. 108 University of California, San Diego BACKGROUND: Jon Lomberg, principal artistic collaborator to the late Carl Sagan for about a quarter century, will present some of his illustrations and artwork during a public lecture at UCSD honoring Sagan, who died last month. Lomberg will deliver the talk as a UC Regents' Lecturer sponsored by UCSD's Department of Psychology and The Laboratory for Applied Cognitive Research. Since the publication of "The Cosmic Connection" in 1972, Lomberg worked on virtually all of Sagan's projects to popularize science including most of his books, many of his magazine articles, the "nuclear winter" work, and the TV series "Cosmos," for which Lomberg won an Emmy Award for his work as chief artist. At the time of Sagan's death in December, Lomberg and Sagan were collaborating on the film version of Sagan's novel "Contact." In his talk, the artist will describe his work with Sagan, showing many examples of their work together and sharing personal recollections of the world-famous astronomer. Lomberg will deliver a second Regents lecture, "Messages Across Space and Time," from 4:15 p.m.--5:30 p.m., Jan. 29, Peterson Hall, Rm. 108. At this time, Lomberg will describe his role in the creation of four of the most unusual and long-lasting artifacts ever created by human beings, including NASA's Voyager Interstellar Record (for extraterrestrial beings far off the Milky Way).
    [Show full text]
  • Seeing Titan Mapping Saturn’S Moon with Infrared Technology Jason W
    the art + science of seeing volume 2 issue 4 Cosmos Gl mpse vol 2.4 Cosmos 4 2 issue volume Glimpse is an interdisciplinary journal that examines the functions, processes, and effects of vision and the art vision’s implications for being, knowing and constructing our world(s). Each theme-focused journal issue + features articles, visual spreads, interviews and seeing of science reviews spanning the physical sciences, social sciences, arts and humanities. TM TM CONTENTS The Cosmos Issue 11 UNBERÜHRTES MUSTER 24 MAYA ETHNOASTRONOMY Arto Vaun Susan Milbrath EXPLORING MARS AND THE MOON DIMMING THE LIGHTS 38 12 USING GOOGLE EARTH Astronomy and light pollution Ross A. Beyer Scott Kardel 52 THE USE OF COLOR 18 WHAT THE WISE MEN SAW IN INTERSTELLAR MESSAGE DESIGN IN THE SKY Kimberly A. Jameson & Jon Lomberg Michael R. Molnar 61 SEEING TITAN Mapping Saturn’s moon with infrared technology Jason W. Barnes 68 RETROSPECT: 1880-1911 Carolyn Arcabascio 70 RETROSPECT: 1757 Gl mpse 71 SEEING THE UNIVERSE online THE COSMOS THROUGH A STRAW ISSUE PLAYLIST The Hubble Space Telescope Christie Marie Bielmeier 81 $25 MILLION A RIDE A real view of space tourism C.J. Wallington 84 (RE)VIEWS A Trip to the Moon & Moon Ivy Moylan TM JASON W. BARNES ORS Jason W. Barnes is an assistant professor of physics at the University of Idaho. After T growing up in St. Louis, Missouri, he received a BS degree in Astronomy from Caltech in BU I 1998 and a Ph.D. in Planetary Science from R the University of Arizona in 2004. Prior to T starting at the University of Idaho he worked as a postdoc for the Kepler mission at NASA’s Ames Research Center in Moffett Field, California.
    [Show full text]
  • Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen
    Journal of Sonic Studies 8 (2014) Sounds of Space: http://www.researchcatalogue.net/view/109536/109537 Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen Stefan Helmreich Contextualizing the Context In 2010, scientists claiming to belong to a dissenting faction of the Search for Extraterrestrial Intelligence (SETI) contacted Seeland Records. Calling themselves the Search for Extraterrestrial Intelligence in Exile, or SETI-X, the group claimed to have received an alien transmission of rearranged sound from the Voyager Golden Record, a phonograph album famously sent into outer space in 1977 on each of NASA’s two Voyager spacecraft (Figure 1). The Golden Record had been put together in the mid-1970s by a panel convened by astronomer Carl Sagan, and it held a program of sounds and music of Earth, representing to imagined aliens our planet’s soundscapes, voices, and musical traditions. [1] Figure 1: The Voyager Golden Record. Side 1, on left, is the analog audio program. Side 2, on right, instructions to extraterrestrials on how to play the record. [2] 1 Because the scientists of SETI-X wished to remain anonymous, Seeland sought a public voice or commentator from other quarters. Because the label had in 2003 released a CD I had created, Xerophonics: Copying Machine Music, a science- and-technology themed mix of sounds of indefinite ownership (Helmreich 2003), and because I had also written about scientific notions of extraterrestrial life (Helmreich 2006), Seeland reasoned that I might be appropriately positioned to offer thoughts on the SETI-X document. They asked me to comment, which I did in a few venues (including, among other sites, the Los Angeles Daily News [Mills 2010].
    [Show full text]
  • Ann Druyan from Wikipedia, the Free Encyclopedia
    Ann Druyan From Wikipedia, the free encyclopedia Ann Druyan (/ˈdri.æn/ DREE-an;[1] born June 13, 1949) is an Emmy Award-winning American writer and Peabody Ann Druyan Award-winning producer specializing in the communication of science. She co-wrote the 1980 PBS documentary series Cosmos, hosted by Carl Sagan, whom she married in 1981. She is the creator, producer, and writer of the 2014 sequel, Cosmos: A Spacetime Odyssey. She was the Creative Director of NASA's Voyager Interstellar Message Project, the golden discs affixed to both the Voyager 1 and Voyager 2 spacecraft.[2] Contents 1 Early life 2 Career as an author 3 Work in science 4 Work in film and television Ann Druyan, executive producer and writer of 5 Activism COSMOS: A SpaceTime Odyssey, accepts the 6 Honors Peabody with Neil deGrasse Tyson, Mitchell 7 Religious and philosophical views Cannold and Brannon Braga. 8 Awards 9 See also Born June 13, 1949 10 References Queens, New York, U.S. 11 External links Known for Author, activist, producer Spouse(s) Carl Sagan (1981–1996; his death) Early life Children Alexandra Rachel "Sasha" Druyan Sagan (1982) Samuel Democritus Druyan Sagan Druyan was born in Queens, New York, the daughter of Pearl A. (née Goldsmith) and Harry Druyan, who co-owned a (1991) knitware firm.[3][4][5] Career as an author Druyan's first novel, A Famous Broken Heart, was published in 1977. Druyan co-wrote six New York Times best-sellers with Carl Sagan, including: Comet,[6] Shadows of Forgotten Ancestors,[7] and The Demon-Haunted World.[8][9] She is co-author, along with Carl Sagan, F.
    [Show full text]
  • Art on Mars: a Foundation for Exoart
    THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF CANBERRA AUSTRALIA by TREVOR JOHN RODWELL Bachelor of Design (Hons), University of South Australia Graduate Diploma (Business Enterprise), The University of Adelaide ART ON MARS: A FOUNDATION FOR EXOART May 2011 ABSTRACT ART ON MARS: A FOUNDATION FOR EXOART It could be claimed that human space exploration started when the former Soviet Union (USSR) launched cosmonaut Yuri Gagarin into Earth orbit on 12 April 1961. Since that time there have been numerous human space missions taking American astronauts to the Moon and international crews to orbiting space stations. Several space agencies are now working towards the next major space objective which is to send astronauts to Mars. This will undoubtedly be the most complex and far-reaching human space mission ever undertaken. Because of its large scale and potentially high cost it is inevitable that such a mission will be an international collaborative venture with a profile that will be world- wide. Although science, technology and engineering have made considerable contributions to human space missions and will be very much involved with a human Mars mission, there has been scant regard for artistic and cultural involvement in these missions. Space agencies have, however, realised the influence of public perception on space funding outcomes and for some time have strived to engage the public in these space missions. This has provided an opportunity for an art and cultural involvement, but there is a problem for art engaging with space missions as currently there is no artform specific to understanding and tackling the issues of art beyond our planet.
    [Show full text]
  • Principium 3
    RINCIPIUM PThe Newsletter of the Institute for Interstellar Studies ™ Introduction by Adrian Mann News from the Institute Tennessee Valley Interstellar Workshop Advances: DE-STAR The Starship Art of Jon Lomberg Book review R IN O T F E R E S T T U E T I L T L S A N R I S ™ TUDIES Scientia ad sidera www.I4IS.org Knowledge to the Stars Introduction by Adrian Mann “I affirm that next to the soul, the most the golden age of aircraft design. I wonder beautiful object in the galaxy is the what Geoffrey deHavilland, Reginald spaceship!” So said Alejandro Jodorowsky Mitchell or Barnes Wallis would have in his foreword to Chris Foss’ book 21st designed? I suspect it might not have been Century Foss . And who could argue with too dissimilar. As the old adage goes “If it that sentiment? looks right, it is right.” Witness the work of Jon Lomberg in this So here we stand, at the birth of the issue. He creates radical, ground-breaking concepts and ideas that will surely one day concepts of great beauty that inspire and carry humanity to the stars. Ships that force us to rconsider notions of what is burn antimatter for fuel, harness the possible, or how things can be. Which is processes at the hearts of stars, or travel right and proper, of course. on exa-watt lightbeams, hurling collosal masses at fantastic velocities, on journeys It seems many of us can recount the of decades or centuries, out into a vast, same sort of childhood experiences – an dangerous and dark unknown.
    [Show full text]
  • A Profile of Humanity: the Cultural Signature of Earth's Inhabitants
    International Journal of A profile of humanity: the cultural signature of Astrobiology Earth’s inhabitants beyond the atmosphere cambridge.org/ija Paul E. Quast Beyond the Earth foundation, Edinburgh, UK Research Article Abstract Cite this article: Quast PE (2018). A profile of The eclectic range of artefacts and ‘messages’ we dispatch into the vast expanse of space may humanity: the cultural signature of Earth’s become one of the most enduring remnants of our present civilization, but how does his pro- inhabitants beyond the atmosphere. tracted legacy adequately document the plurality of societal values and common, cultural heri- International Journal of Astrobiology 1–21. https://doi.org/10.1017/S1473550418000290 tage on our heterogeneous world? For decades now, this rendition of the egalitarian principle has been explored by the Search for Extra-Terrestrial Intelligence community in order to draft Received: 18 April 2018 theoretical responses to ‘who speaks for Earth?’ for hypothetical extra-terrestrial communica- Revised: 13 June 2018 tion strategies. However, besides the moral, ethical and democratic advancements made by Accepted: 21 June 2018 this particular enterprise, there remains little practical exemplars of implementing this gar- Key words: nered knowledge into other experimental elements that could function as mutual emissaries Active SETI; data storage; deep time messages; of Earth; physical artefacts that could provide accessible details about our present world for eternal memory archives; future archaeology; future archaeological observations by our space-faring progeny, potential visiting extrasolar long-term communication strategies; SETI; time capsules denizens or even for posterity. While some initiatives have been founded to investigate this enduring dilemma of humanity over the last half-century, there are very few comparative stud- Author for correspondence: ies in regards to how these objects, time capsules and transmission events collectively dissem- Paul E.
    [Show full text]
  • Universal Cognitive Maps and the Search for Intelligent Life in The
    Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2009.42.5.396 by guest on 02 October 2021 T R A G E N E R A L A RTICLE E C A P Universal Cognitive Maps S and the Search for Intelligent Life in the Universe ABSTRACT Guillermo A. Lemarchand For almost 50 years the Search for Extraterrestrial Intelligence and Jon Lomberg (SETI) research program was pursued under the hypothesis of the universality of the physi- cal laws in the cosmos. The authors call attention to some epistemological issues that make it necessary to seek other aesthetic, spiritual and ethical he aim of the present essay is to call the at- introduce to a broad interdisciplin- “cognitive universals.” They T propose the participation of a tention of scholars to the need for a systematic exploration ary academic community. of cognitive universals that might be used to develop new strat- SETI researchers believe that the broader community of scholars egies for the Search for Extraterrestrial Intelligence (SETI) from natural, social, artistic and basic principles of our science and humanistic disciplines to explore research programs and eventually to seek for new ways to de- the science of extraterrestrial beings all the possible “universal cogni- sign schemes for communication among hypothetical galactic should be fundamentally the same, tive maps” that eventually might civilizations. We think that this work should be focused on and we should be able to communi- favor the detection of extrater- four types of cognitive universals: (a) physical-technological, cate with ETIL by referring to those restrial intelligent life.
    [Show full text]
  • Astrobiology Math
    National Aeronautics andSpace Administration Aeronautics National Astrobiology Math This collection of activities is based on a weekly series of space science problems intended for students looking for additional challenges in the math and physical science curriculum in grades 6 through 12. The problems were created to be authentic glimpses of modern science and engineering issues, often involving actual research data. The problems were designed to be one-pagers with a Teacher’s Guide and Answer Key as a second page. This compact form was deemed very popular by participating teachers. Astrobiology Math Mathematical Problems Featuring Astrobiology Applications Dr. Sten Odenwald NASA / ADNET Corp. [email protected] Astrobiology Math i http://spacemath.gsfc.nasa.gov Acknowledgments: We would like to thank Ms. Daniella Scalice for her boundless enthusiasm in the review and editing of this resource. Ms. Scalice is the Education and Public Outreach Coordinator for the NASA Astrobiology Institute (NAI) at the Ames Research Center in Moffett Field, California. We would also like to thank the team of educators and scientists at NAI who graciously read through the first draft of this book and made numerous suggestions for improving it and making it more generally useful to the astrobiology education community: Dr. Harold Geller (George Mason University), Dr. James Kratzer (Georgia Institute of Technology; Doyle Laboratory) and Ms. Suzi Taylor (Montana State University), For more weekly classroom activities about astronomy and space visit the Space Math@ NASA website, http://spacemath.gsfc.nasa.gov Image Credits: Front Cover: Collage created by Julie Fletcher (NAI), molecule image created by Jenny Mottar, NASA HQ.
    [Show full text]
  • Seth Macfarlane Collection of the Carl Sagan and Ann Druyan Archive a Finding Aid to the Collection in the Library of Congress
    The Seth MacFarlane Collection of the Carl Sagan and Ann Druyan Archive A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2017 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Catalog Record: https://lccn.loc.gov/mm2011085590 Additional search options available at: https://hdl.loc.gov/loc.mss/eadmss.ms013113 Prepared by Connie L. Cartledge, Karen Linn Femia, Melinda K. Friend, Laura J. Kells, Kathleen O'Neill, and Karen Stuart, with the assistance of Thomas Bigley, Maria Farmer, Rosa Hernandez, Sherralyn McCoy, Brian McGuire, Jewel McPherson, Dan Oleksiw, Kimberly Owens, Tammi Taylor, and Prints and Photographs Division staff who processed the photographs and visual materials Finding aid encoded by Library of Congress Manuscript Division, 2013 Revised 2019 December Collection Summary Title: The Seth MacFarlane Collection of the Carl Sagan and Ann Druyan Archive Span Dates: 1860-2004 Bulk Dates: (bulk 1962-1997) ID No.: MSS85590 Creator: Sagan, Carl, 1934-1996 Creator: Druyan, Ann, 1949- Extent: 595,000 items Extent: 1,705 containers plus 1 classified, 38 oversize, and 19,163 digital files (242.6 MB) Extent: 690.6 linear feet Extent: 1 microfilm reel Language: Collection material in English, Russian, and German Location: Manuscript Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/mm2011085590 Summary: Astronomer, author, and educator (Carl Sagan). Author and television producer (Ann Druyan). Correspondence, memoranda, scripts, notes, subject files, course files, articles, book drafts and resource material, reports, organization files, biographical material, clippings, printed matter, slides and transparencies, photographs and negatives, electronic files, and other material documenting Sagan's career as a scientist and educator and the collaboration of Sagan and Druyan on articles, books, television shows, movies, and other projects.
    [Show full text]