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Planetary Report Report
The PLANETARYPLANETARY REPORT REPORT Volume XXIX Number 1 January/February 2009 Beyond The Moon From The Editor he Internet has transformed the way science is On the Cover: Tdone—even in the realm of “rocket science”— The United States has the opportunity to unify and inspire the and now anyone can make a real contribution, as world’s spacefaring nations to create a future brightened by long as you have the will to give your best. new goals, such as the human exploration of Mars and near- In this issue, you’ll read about a group of amateurs Earth asteroids. Inset: American astronaut Peggy A. Whitson who are helping professional researchers explore and Russian cosmonaut Yuri I. Malenchenko try out training Mars online, encouraged by Mars Exploration versions of Russian Orlan spacesuits. Background: The High Rovers Project Scientist Steve Squyres and Plane- Resolution Camera on Mars Express took this snapshot of tary Society President Jim Bell (who is also head Candor Chasma, a valley in the northern part of Valles of the rovers’ Pancam team.) Marineris, on July 6, 2006. Images: Gagarin Cosmonaut Training This new Internet-enabled fun is not the first, Center. Background: ESA nor will it be the only, way people can participate in planetary exploration. The Planetary Society has been encouraging our members to contribute Background: their minds and energy to science since 1984, A dust storm blurs the sky above a volcanic caldera in this image when the Pallas Project helped to determine the taken by the Mars Color Imager on Mars Reconnaissance Orbiter shape of a main-belt asteroid. -
The Planetary Report
On the Cover: Volume XV Seen thro ugh eyes other than our own, the planet Earth Table of Number 3 appears as a stran ge but beautiful place. The Galilea spacecraft on its way to Jupiter took thi s image of West ' Contents 'May/June 1995 Africa and the Mediterranean Sea from about 600 ,000 kilometers (400,000 miles) away. The spacecraft's camera was looking through infrared filters sensitive to light wave lengths unfamiliar to the human eye. Images ta ken th is way provide information about things such as the location an d health of vegetati on an d the water conte nt of clouds. Features Basics of Galilea's portrai ts of the planet cou ld be valuabl e referen ce 14 Spaceflight: poi nts for future Earth-monitoring spacecraft. Phoenix Rises: (See page 10 for a complete caption.) Gravity Assist 4 NASA SETI Project Image: Pau l Geissler, Lunar and Planetary Laboratory, Over the years the term "gravity assist" Un ivers ity of Arizona Is Reborn has appeared time and again in our pages. Two years ago the congressional budget This ingenious technique has made many cutters took an ax to NASA's ambitious of our pioneering spacecraft missions pos program in the Search for Extraterrestrial sible. For example, the Galileo encounter Froln Intelligence. But dedicated researchers with Earth was part of a gravity-assist refused to give up, and they found a way to maneuver. It's a hard technique to explain, The save part of the program. Project Phoenix but here we lay it out for our readers. -
Copyright by Paul Harold Rubinson 2008
Copyright by Paul Harold Rubinson 2008 The Dissertation Committee for Paul Harold Rubinson certifies that this is the approved version of the following dissertation: Containing Science: The U.S. National Security State and Scientists’ Challenge to Nuclear Weapons during the Cold War Committee: —————————————————— Mark A. Lawrence, Supervisor —————————————————— Francis J. Gavin —————————————————— Bruce J. Hunt —————————————————— David M. Oshinsky —————————————————— Michael B. Stoff Containing Science: The U.S. National Security State and Scientists’ Challenge to Nuclear Weapons during the Cold War by Paul Harold Rubinson, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Acknowledgements Thanks first and foremost to Mark Lawrence for his guidance, support, and enthusiasm throughout this project. It would be impossible to overstate how essential his insight and mentoring have been to this dissertation and my career in general. Just as important has been his camaraderie, which made the researching and writing of this dissertation infinitely more rewarding. Thanks as well to Bruce Hunt for his support. Especially helpful was his incisive feedback, which both encouraged me to think through my ideas more thoroughly, and reined me in when my writing overshot my argument. I offer my sincerest gratitude to the Smith Richardson Foundation and Yale University International Security Studies for the Predoctoral Fellowship that allowed me to do the bulk of the writing of this dissertation. Thanks also to the Brady-Johnson Program in Grand Strategy at Yale University, and John Gaddis and the incomparable Ann Carter-Drier at ISS. -
7Th June 2020 Matthew 28: 16 – 20; Psalm 8; 2 Cor 13: 5 - 14
St. Ninian’s Parish Church Sunday 7th June 2020 Matthew 28: 16 – 20; Psalm 8; 2 Cor 13: 5 - 14 In 1990 the astronomer Carl Sagan suggested that the Voyager space probe, which had been launched in 1977, should capture an image of Earth as the probe reached the outer reaches of our solar system. It did so, and in the grainy image, which it sent back to us, Earth shows up as a pale blue dot. Carl Sagan published a book in 1994 called Pale Blue Dot. He wrote, ‘Consider again that dot. That's here. That's home. That's us.... The Earth is a very small stage in a vast cosmic arena.... To my mind, there is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly and compassionately with one another and to preserve and cherish that pale blue dot, the only home we've ever known.’1 Carl Sagan wasn’t the first to imagine earth as a dot in the universe. In 1919, the philosopher Bertrand Russell wrote of our world, On this dot, tiny lumps of impure carbon and water, of complicated structure, with somewhat unusual physical and chemical properties, crawl about for a few years, until they are dissolved again into the elements of which they are compounded... No one is liberated from fear who dares not see his place in the world as it is; no one can achieve the greatness of which he is capable until he has allowed himself to see his own littleness.2 Neither Carl Sagan, nor Bertrand Russell before him were the first to consider the smallness of our world and the fragility of those who live on it. -
IAFS 4500/The Post-Cold War World: Global Security: Weapons of Mass Destruction Spring 2020 Instructor: Dr
“Now, I am become Death, the destroyer of worlds.” - J. Robert Oppenheimer quoting from the Bhagavad-Gita at the 1st detonation of the atomic bomb “A world without nuclear weapons would be less stable and more dangerous for all of us.” - British Prime Minister Margaret Thatcher” IAFS 4500/The Post-Cold War World: Global Security: Weapons of Mass Destruction Spring 2020 Instructor: Dr. Gregory D. Young Office: Ketchum Hall, Room 212 E-mail: [email protected] Lecture Times: Tuesdays & Thursdays, 11:00am – 12:15pm in HUMN 245 Syllabus: http://spot.colorado.edu/~gyoung/home/4500/4500_syl.htm Office Hours: Tuesdays & Thursdays 2:00- 3:00pm or Wednesdays by appt. COURSE LINKS • Cold War Timeline • Schedule for Current Event Presentations • Schedule and Links to Course Reading Summaries • Research Paper Sign Up • Research Proposal Grade Sheet • In Class Debate Teams • In Class Debate Rules • In Class Debate Results • Link to Potential Midterm Questions • Midterm Grading Statistical Summary • Research Presentation Schedule • Oral Presentation Grade Sheet • Library Research Page • WMD Links • PowerPoint Links COURSE OBJECTIVES AND DESCRIPTION Twenty-six years have passed since the end of the Cold War, but we are still struggling to understand the nature of the world that has emerged in its wake. What are now the main sources of conflict in the “new world order”, now that the fifty-year bipolar standoff between the U.S. and the USSR has dissolved? Is terrorism of the kind exhibited on 9/11 the biggest threat to global security or is there a new, more sinister threat from weapons of mass destruction? This course is going to focus on the weapons of mass destruction that defined the “balance of terror during the Cold War. -
The God Hypothesis
CHAPTER 2 The God Hypothesis The religion of one age is the literary entertainment of the next. RALPH WALDO EMERSON THE GOD HYPOTHESIS 31 The God of the Old Testament is arguably the most unpleasant character in all fiction: jealous and proud of it; a petty, unjust, unforgiving control-freak; a vindictive, bloodthirsty ethnic cleanser; a misogynistic, homophobic, racist, infanticidal, genocidal, fili- cidal, pestilential, megalomaniacal, sadomasochistic, capriciously malevolent bully. Those of us schooled from infancy in his ways can become desensitized to their horror. A naif blessed with the perspective of innocence has a clearer perception. Winston Churchill's son Randolph somehow contrived to remain ignorant of scripture until Evelyn Waugh and a brother officer, in a vain attempt to keep Churchill quiet when they were posted together during the war, bet him he couldn't read the entire Bible in a fort- night: 'Unhappily it has not had the result we hoped. He has never read any of it before and is hideously excited; keeps reading quotations aloud "I say I bet you didn't know this came in the Bible ..." or merely slapping his side & chortling "God, isn't God a shit!"'16 Thomas Jefferson - better read - was of a similar opinion: 'The Christian God is a being of terrific character - cruel, vindictive, capricious and unjust.' It is unfair to attack such an easy target. The God Hypothesis should not stand or fall with its most unlovely instantiation, Yahweh, nor his insipidly opposite Christian face, 'Gentle Jesus meek and mild'. (To be fair, this milksop persona owes more to his Victorian followers than to Jesus himself. -
An Artist's Collaboration with Astronomer Carl Sagan at UCSD, Jan
Visualizing Science: An artist's collaboration with astronomer Carl Sagan at UCSD, Jan. 22 January 15, 1997 MEDIA ADVISORY EVENT: Visualizing Science: An Artist's Collaboration with Astronomer Carl Sagan DATE/TIME: 4:15 p.m.--5:30 p.m., Jan. 22, 1997 LOCATION: Peterson Hall, Rm. 108 University of California, San Diego BACKGROUND: Jon Lomberg, principal artistic collaborator to the late Carl Sagan for about a quarter century, will present some of his illustrations and artwork during a public lecture at UCSD honoring Sagan, who died last month. Lomberg will deliver the talk as a UC Regents' Lecturer sponsored by UCSD's Department of Psychology and The Laboratory for Applied Cognitive Research. Since the publication of "The Cosmic Connection" in 1972, Lomberg worked on virtually all of Sagan's projects to popularize science including most of his books, many of his magazine articles, the "nuclear winter" work, and the TV series "Cosmos," for which Lomberg won an Emmy Award for his work as chief artist. At the time of Sagan's death in December, Lomberg and Sagan were collaborating on the film version of Sagan's novel "Contact." In his talk, the artist will describe his work with Sagan, showing many examples of their work together and sharing personal recollections of the world-famous astronomer. Lomberg will deliver a second Regents lecture, "Messages Across Space and Time," from 4:15 p.m.--5:30 p.m., Jan. 29, Peterson Hall, Rm. 108. At this time, Lomberg will describe his role in the creation of four of the most unusual and long-lasting artifacts ever created by human beings, including NASA's Voyager Interstellar Record (for extraterrestrial beings far off the Milky Way). -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Seeing Titan Mapping Saturn’S Moon with Infrared Technology Jason W
the art + science of seeing volume 2 issue 4 Cosmos Gl mpse vol 2.4 Cosmos 4 2 issue volume Glimpse is an interdisciplinary journal that examines the functions, processes, and effects of vision and the art vision’s implications for being, knowing and constructing our world(s). Each theme-focused journal issue + features articles, visual spreads, interviews and seeing of science reviews spanning the physical sciences, social sciences, arts and humanities. TM TM CONTENTS The Cosmos Issue 11 UNBERÜHRTES MUSTER 24 MAYA ETHNOASTRONOMY Arto Vaun Susan Milbrath EXPLORING MARS AND THE MOON DIMMING THE LIGHTS 38 12 USING GOOGLE EARTH Astronomy and light pollution Ross A. Beyer Scott Kardel 52 THE USE OF COLOR 18 WHAT THE WISE MEN SAW IN INTERSTELLAR MESSAGE DESIGN IN THE SKY Kimberly A. Jameson & Jon Lomberg Michael R. Molnar 61 SEEING TITAN Mapping Saturn’s moon with infrared technology Jason W. Barnes 68 RETROSPECT: 1880-1911 Carolyn Arcabascio 70 RETROSPECT: 1757 Gl mpse 71 SEEING THE UNIVERSE online THE COSMOS THROUGH A STRAW ISSUE PLAYLIST The Hubble Space Telescope Christie Marie Bielmeier 81 $25 MILLION A RIDE A real view of space tourism C.J. Wallington 84 (RE)VIEWS A Trip to the Moon & Moon Ivy Moylan TM JASON W. BARNES ORS Jason W. Barnes is an assistant professor of physics at the University of Idaho. After T growing up in St. Louis, Missouri, he received a BS degree in Astronomy from Caltech in BU I 1998 and a Ph.D. in Planetary Science from R the University of Arizona in 2004. Prior to T starting at the University of Idaho he worked as a postdoc for the Kepler mission at NASA’s Ames Research Center in Moffett Field, California. -
Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen
Journal of Sonic Studies 8 (2014) Sounds of Space: http://www.researchcatalogue.net/view/109536/109537 Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen Stefan Helmreich Contextualizing the Context In 2010, scientists claiming to belong to a dissenting faction of the Search for Extraterrestrial Intelligence (SETI) contacted Seeland Records. Calling themselves the Search for Extraterrestrial Intelligence in Exile, or SETI-X, the group claimed to have received an alien transmission of rearranged sound from the Voyager Golden Record, a phonograph album famously sent into outer space in 1977 on each of NASA’s two Voyager spacecraft (Figure 1). The Golden Record had been put together in the mid-1970s by a panel convened by astronomer Carl Sagan, and it held a program of sounds and music of Earth, representing to imagined aliens our planet’s soundscapes, voices, and musical traditions. [1] Figure 1: The Voyager Golden Record. Side 1, on left, is the analog audio program. Side 2, on right, instructions to extraterrestrials on how to play the record. [2] 1 Because the scientists of SETI-X wished to remain anonymous, Seeland sought a public voice or commentator from other quarters. Because the label had in 2003 released a CD I had created, Xerophonics: Copying Machine Music, a science- and-technology themed mix of sounds of indefinite ownership (Helmreich 2003), and because I had also written about scientific notions of extraterrestrial life (Helmreich 2006), Seeland reasoned that I might be appropriately positioned to offer thoughts on the SETI-X document. They asked me to comment, which I did in a few venues (including, among other sites, the Los Angeles Daily News [Mills 2010]. -
The Day the Earth Smiled
National Aeronautics and and Space Space Administration Administration The Day the Earth Smiled www.nasa.gov Mars Pallene’s Ring Venus Mimas Janus Janus’ Ring Prometheus Pandora Spokes Enceladus Epimetheus Clumps Earth and Moon Tethys On July 19, 2013, in an event celebrated the world advance that their photo would be taken from such a For full details of this image, visit: over, NASA’s Cassini spacecraft slipped into Saturn’s great distance. http://saturn.jpl.nasa.gov/photos/imagedetails/index. shadow and turned to image the planet, seven of cfm?imageId=4915 its moons, its rings — and, in the background, our This image, which has been contrast-enhanced home planet, Earth. With the sun’s powerful and to bring out details, spans about 405,000 miles The Cassini mission to Saturn is a cooperative potentially damaging rays eclipsed by Saturn itself, (652,000 kilometers) across. In the lower right of the project of the National Aeronautics and Space Cassini’s onboard cameras were able to take advan- mosaic, in between the diffuse, bluish E ring (the Administration (NASA), the European Space Agency tage of this unique viewing geometry. They acquired outermost ring seen here) and the faint but narrower and the Italian Space Agency. The Jet Propulsion a panoramic mosaic of the Saturn system that allows G ring, is the pale blue dot of our planet, Earth. Look Laboratory, a division of the California Institute of scientists to see details in the rings and throughout closely and you can see the moon protruding from Technology, manages the mission for NASA. -
NASA Releases Images of Earth by Distant Spacecraft 23 July 2013
NASA releases images of earth by distant spacecraft 23 July 2013 taken from interplanetary distances. NASA invited the public to celebrate by finding Saturn in their part of the sky, waving at the ringed planet and sharing pictures over the Internet. More than 20,000 people around the world participated. "We can't see individual continents or people in this portrait of Earth, but this pale blue dot is a succinct summary of who we were on July 19," said Linda Spilker, Cassini project scientist, at NASA's Jet Propulsion Laboratory in Pasadena, Calif. "Cassini's picture reminds us how tiny our home planet is in the vastness of space, and also testifies to the ingenuity of the citizens of this tiny planet to send a robotic spacecraft so far away from home to study Saturn and take a look-back photo of Earth." Color and black-and-white images of Earth taken by two NASA interplanetary spacecraft on July 19 show our planet and its moon as bright beacons from millions of miles away in space. NASA's Cassini spacecraft captured the color images of Earth and the moon from its perch in the Saturn system nearly 900 million miles (1.5 billion kilometers) away. MESSENGER, the first probe to orbit Mercury, took a black-and-white image from a distance of 61 million miles (98 million kilometers) as part of a campaign to search for natural satellites of the planet. In the Cassini images Earth and the moon appear as mere dots—Earth a pale blue and the moon a stark white, visible between Saturn's rings.