DOCSLIB.ORG

DUO GIOCO DI SALTERIO Suonibirgit Stolzenburg Amorosi Hans Brüderl Anonymous (14Th/15Th Cent.) Nicola Matteis (?–C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DUO GIOCO DI SALTERIO Suonibirgit Stolzenburg Amorosi Hans Brüderl Anonymous (14Th/15Th Cent.) Nicola Matteis (?–C DUO GIOCO DI SALTERIO SuoniBirgit Stolzenburg amorosi Hans Brüderl Anonymous (14th/15th cent.) Nicola Matteis (?–c. 1713) 1 Ave donna santissima (Laude) Suoni2.08 amorosi16 Aria Allegra 1.11 2 La Danza Cleves (Bassedanse) 1.20 17 Aria Amorosa 4.26 3 Salve, salve virgo pia (Laude) 1.41 18 Ground after the scotch humour 2.23 4 Petit Vriens (Ballo) 1.04 Arcangelo Corelli (1653–1713) 5 Luis de Narváez (16th cent.) Guardame las vacas 1.32 Sonata VIII in E minor · Sonate e-Moll 6 Alonso de Mudarra (c. 1510–1580) Guardame las vacas 2.13 19 Preludio Largo 2.42 7 Luis de Narváez Guardame las vacas 2.28 20 Allemande 2.00 21 Sarabande 2.07 Diego Ortiz (c. 1510–c. 1570) 22 Gigue 2.18 8 Recercada Segunda 1.14 9 Recercada Settima 1.40 Bernardo Pasquini (1637–1710) 10 Recercada Tercera 1.37 Sonata in D minor · Sonata d-Moll 23 Allegro 1.56 Adrian Le Roy (c. 1520–1598) 24 Andante 1.22 11 Branle de Poictou 1.44 25 Allegro 1.53 12 Branle Simple 1.37 13 Branle Pimontoise 1.40 Anonymous (after manuscript / 14 Cinquesième Branle 1.10 nach der Handschrift Barcelona 1764) 26 Folias de España 6.06 Bartolomeo Selma y Salaverde (c. 1595–c. 1638) 15 Canzon Terza 6.02 DUO GIOCO DI SALTERIO Birgit Stolzenburg Hans Brüderl Dulce Melos, Salterio, dulcimer, double bass dulcimer Vihuela, renaissance guitar, renaissance lute, theorbo Hackbrett, Kontrabasshackbrett Renaissancegitarre, Renaissancelaute, Theorbe 2 Samuele Martin Samuele Sources / Quellen: g Lauden, Laudario von Cortona um 1300 photo: Luis de Narváez, Los seys libros del Delphin de música de cifras ... , Valladolid 1538 Alonso de Mudarra, Tres Libros de música, Sevilla 1546 Diego Ortiz, Tratado de glosas ... , Rom 1553 Adrian Le Roy, Premier livre de tabulature de guiterre, Paris 1551 Bartolomeo Selma y Salaverde, Canzone, Fantasie & Correnti, Venezia 1638 Nicola Matteis, Ayrs for the violin, London 1676 Arcangelo Corelli, Violin Sonatas op. 5, Rom 1700 Bernardo Pasquini, Sonata a due Bassi Anonymous, Handschrift Barcelona 1764. Recording: 3–5 November 2017, Bayerischer Rundfunk, Studio 2, Munich, Germany Executive producers: Falk Häfner (BR-KLASSIK) & Michael Brüggemann (Sony Music) Recording producer: Marie-Josefin Melchior Recording engineer: Jochen Fornell · Artwork: Christine Schweitzer Cover photo: Irina Iriser / pexels.com Booklet photos: Christoph A. Hellhake Total time: 57.38 A coproduction with Bayerischer Rundfunk P 2018 Bayerischer Rundfunk / Sony Music Entertainment Germany GmbH g 2020 Sony Music Entertainment Germany GmbH 3 THE DUO GIOCO DI SALTERIO The dulcimer and the lute show their most delicate and emotional sounds, full of tenderness and serenity, in the Aria Amoroso by Nicola Matteis. Birgit Stolzenburg and Hans Brüderl‘s playing is marked by their love of their instruments with their diverse range of sounds. This affection leads them to choose and interpret music ranging from the late Middle Ages to the high baroque period. With eight different instruments in all, they enable the sounds of lutes, guitars, psaltery and dulcimer to come to life again. For centuries, two stringed instruments (one plucked, one struck) were part of the spectrum of music in royal courts and in churches. They were to be found at renaissance round dances, in baroque court etiquette, and down to the deepest bass notes caused a sensation at the German courts. accompanying hymns in praise of God. One of them is well known, and Its inventor was Pantaleon Hebestreit. His “Pantalonic Cymbal” was only present in musical life to this day: the other has only recently been re- superseded by the triumphal advance of the pianoforte, which unlike the gaining its place in music from the late Middle Ages to the early classical harpsichord can be played with varying dynamics. With the double bass period. dulcimer, the fascination of Hebestreit’s Pantalon could again be expe- rienced. The dulcimer is the only instrument in which strings are struck with little hammers. Its further development led to the keyboard instruments, The lute was the most important plucked instrument until the end of Mozart and Beethoven’s fortepiano, and to the modern grand piano. Its the Basso Continuo age. Originally it was equipped with only 5–6 double names range from “Dulce Melos” (Burgundy, about 1440) via “Salterio” strings, but in time it developed into a voluminous instrument with up to (Brescia, 1696) to “Hackbrett” (Zurich) and “Zymbal” or “Cimbalom”. 14 courses (string pairs). As a theorbo it was an accompanying instrument There are two strands of development, one from the plucked psaltery and which was indispensable for baroque performance practice. The guitar the other from the monochord of the Middle Ages. Dulce Melos becomes started with the Spanish vihuela and the renaissance guitar and rapidly the English term Dulcimer, the psaltery becomes the Italian term Salterio. developed not only into a popular instrument for accompanying songs, About 1700 the invention of a huge dulcimer with an outstanding range but also into a valuable solo instrument at numerous royal courts. 4 DAS DUO GIOCO DI SALTERIO Salterio und Laute breiten in der Aria Amorosa von Nicola Matteis ihr feinstes und emotionalstes Klangspektrum voller Zärtlichkeit und heiterer Gelassenheit aus. Die Liebe zu ihren Instrumenten und deren differenzierten Klangwelten trägt das Spiel von Birgit Stolzenburg und Hans Brüderl und ist bestimmend für die Auswahl und Interpretation der Musikstücke vom Spätmittelalter bis zum Hochbarock. Mit insgesamt acht verschiedenen Instrumenten lassen sie die Klangwelt von Lauten, Gitarren, Psalter und Hackbrett wiedererstehen. Zwei Saiteninstrumente, eines gezupft, eines geschlagen, gehörten über Um 1700 macht die Erfindung eines großen Hackbretts mit spektakulärem Jahrhunderte zur Klangwelt der Musik an Fürstenhöfen und im Kirchen- Tonumfang bis zu den tiefsten Basstönen an den Fürstenhöfen Deutschlands raum. Sie fehlen nicht bei den Reigentänzen der Renaissance, dem höfischen Furore. Der Erfinder ist Pantaleon Hebestreit. Sein „pantalonisches Cymbal“ Zeremoniell der Barockzeit und den Lobgesängen zur Verehrung Gottes. verschwindet erst mit dem Siegeszug des im Gegensatz zum Cembalo Eines ist bis heute bekannt und im Musikleben präsent, das andere erobert dynamisch spielbaren Hammerklaviers. Mit dem Kontra basshackbrett sich erst seit Kurzem seinen Platz in der Musik vom Spätmittelalter bis wird die Faszination des Hebestreitschen Pantalons wieder erlebbar. zur Frühklassik zurück. Das Hackbrett ist das einzige mit Hämmerchen geschlagene Saiten- Die Laute ist das wichtigste Zupfinstrument bis zum Ende des General- instrument. Seine Entwicklung mündet in die Tasteninstrumente, dem basszeitalters. Sie war ursprünglich mit nur 5–6 Doppelsaiten bespannt, Hammerklavier Mozarts und Beethovens bis hin zum modernen Flügel. hat sich aber im Laufe der Zeit zu einem voluminösen Instrument mit Die Bezeichnungen reichen von „Duke Melos“ (Burgund um 1440) über bis zu 14 Chören entwickelt. Als Theorbe war sie in der barocken Auffüh- Salterio (Brescia 1696) bis Hackbrett (Zürich 1447) und Cymbal. Es gibt rungspraxis ein unverzichtbares Begleitinstrument. Die Gitarre nahm ihren zwei Entwicklungsstränge, einen aus dem gezupften Psalterium und einen Anfang mit der spanischen Vihuela und der Renaissancegitarre und ent- aus dem Mono chord des Mittelalters. Aus Dulce Melos wird Dulcimer wickelte sich rasch zum beliebten Instrument für Liedbegleitung, aber (engl.), aus Psalterium Salterio (ital.). auch zum hochwertigen Soloinstrument an zahlreichen Königshöfen. 5 THE ARTISTS BIRGIT STOLZENBURG Birgit Stolzenburg has been working on historical types of dulcimer for many years. In cooperation with the instrument maker Reinhard Hoppe she initiated the production of a replica of an 18th century Italian salterio. Her intensive involvement with the manifold artistic aspects of the dulcimer makes her a pioneer in the further development of the instrument in both historical and contemporary styles. For further information: www.birgit-stolzenburg.de HANS BRÜDERL The lutenist Hans Brüderl is a member of various ensembles for Early Mu- sic, giving him a wide scope for playing the continuo with manifold possibil- ities. He has a wide repertoire, from solo music for the lute, and songs with lute accompaniment, to works for larger forces, up to Baroque operas, oratorios and the Bach Passions. Hans Brüderl also performs at interna- tional festivals of Early Music, and has taken part in numerous broadcasts and recordings. For further information: www.hansbruederl.jimdo.com 6 DIE INTERPRETEN BIRGIT STOLZENBURG beschäftigt sich seit vielen Jahren mit den historischen Hackbrett-Typen und initiierte in Zusammenarbeit mit dem Instrumentenbauer Reinhard Hoppe den Nachbau eines italienischen Salterios des 18.Jahrhunderts. Die intensive Beschäftigung mit den vielfältigen künstlerischen Aspekten des Hackbretts macht sie zu einer Pionierin in der Weiterentwicklung auf historischem sowie auf zeitgenössischem Gebiet. Weitere Informationen unter www.birgit-stolzenburg.de HANS BRÜDERL Als Lautenist ist Hans Brüderl Mitglied verschiedener Ensembles für Alte Musik, wobei ihm das Continuospiel ein breites Aufgabenfeld mit verschie­­­densten Möglichkeiten bietet. Sein Repertoire reicht von der Solomusik für Laute, Lautenlied, über Werke für größere Besetzungen bis zu Barockopern, Oratorien oder den Passionen von J. S. Bach. Über- dies wirkte Hans Brüderl bei internationalen Festivals für Alte Musik und bei zahlreichen Aufnahmen mit. Weitere Informationen unter www.hansbruederl.jimdo.com
Load more

Recommended publications
  • The Science of String Instruments
    The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D.
    [Show full text]
  • Il Salterio Ad Arco © Paola Brancato, 2012 Prima Edizione: Giugno 2012
    PAOLA BRANCATO Origini, tecniche, repertorio revisione a cura di ELENA BITTASI Il Salterio ad Arco © Paola Brancato, 2012 prima edizione: giugno 2012 Tutti i diritti riservati. La riproduzione, anche parziale e con qualsiasi mezzo, non è consentita senza la preventiva autorizzazione scritta di chi detiene i diritti Testi, impaginazione, grafica e disegni dell’Autrice http://www.paolabrancato.net Là dove non diversamente specificato, i salteri ad arco che compaiono nelle immagini di questo libro sono opera del liutaio Michele Sangineto. Gli archi sono del liutaio Marco Pasquino. 2 - P. Brancato INDICE Prefazione .................................................................................................................................... 5 Introduzione ................................................................................................................................. 7 PARTE I – ORIGINE, STORIA ED EVOLUZIONE Origine e storia del salterio ........................................................................................... 11 Il salterio ad arco .............................................................................................................. 23 PARTE II – TECNICA, ESERCIZI, MANUTENZIONE 1. Struttura del salterio e dell’arco .......................................................................... 31 1.1 - Salteri da braccio e Salteri da gamba .............................................................................. 31 1.2 - Diatonico o cromatico?............................................................................................
    [Show full text]
  • (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
    FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • A Brief History of the Hammered Dulcimer
    Phil Passen Press Kit!page 2 A Brief History of the Hammered Dulcimer The trapezoidal-shaped hammered dulcimer, coming in sizes from 3 to 5 octaves with 40 to 100 strings, is the direct ancestor of the piano. In this country it’s called the hammered dulcimer to distinguish it from the lap, or Appalachian dulcimer (a strummed 4 string instrument originating in the Appalachian mountains in the 1800’s). The two instruments have nothing in common except their names, and that they are both usually classified as members of the zither family. The commonly accepted theory about the the hammered dulcimer’s beginnings is that it originated in Persia; that it was brought into western Europe between 900 and 1200 by the Moors and by returning Crusaders; and that it was brought into eastern Europe by the Roma people. But in his well researched and documented book, The Hammered Dulcimer, Paul Gifford presents an alternative opinion, arguing that the dulcimer developed independently in Europe in the early fifteenth century and was related to the European psaltery, a plucked instrument which in turn may have been related to the Mideastern psaltery. Whatever its origins, by 1600 the dulcimer was firmly established in Europe and was popular in the court of King James I of England. In the Book of Daniel in the King James version of the Bible, Nebuchadnezzar’s band was said to contain a dulcimer, leading people to assume that the dulcimer existed in biblical times. Subsequent research has shown that the Hebrew word translated as dulcimer actually meant something else — bagpipe or string drum or perhaps flute.
    [Show full text]
  • Vamö-Nachrichten
    Die Verbandszeitschrift der Amateurmusiker und –vereine Österreichs VAMÖ 68. Jahrg ang H eft 1 3.+ 4. Qu Vamö-Nachrichtenartal 2 012 Verband der Amateurmusiker und –vereine Österreichs 1010 Wien, Fischerstiege 4/3/5 Erscheinungsort: P.b.b.Wien Verlagspostamt: 1010 Wien GZ: 02 Z 030 122 M 35. VAMÖ-Zitherseminar, SchwerpunktVAMÖ-Seminare Wiener St 2013 32. VAMÖ-Mandolinen- und Gitarrensemina immung, 8.-12. 5. 2013 Schloss Puchberg 35. VAMÖ-Zitherseminar, Schwerpunkt Standard r, 8.-12. 5. 2013 Schloss Zeillern Stimmung, 17.-21. 5. 2013 Schloss Zeillern Wiener Volksbildungswerk Bundesministerium für Kunst. Unterricht und Kultur Preis: € 2,75 Angaben zu Konzert- oder Veranstaltungsmeldung Für Terminkalender VAMÖ-Nachrichten (senden an: [email protected]) oder für VAMÖ-HOMEPAGE (senden an: [email protected], oder selbst auf Homepage www.vamoe.at eingeben) Bitte Meldungen für VAMÖ-Nachrichten und/oder Homepage GETRENNT abschicken! Datum der Veranstaltung: (Tag, Monat, Jahr) Beginnzeit der Veranstaltung: (Uhrzeit) Veranstalter: (Vereinsname, Spielgruppe, usw.) Veranstaltungsort: (Konzerthaus, Theater, Festsaal, usw.) Adresse des Veranstaltungsortes: Titel (Motto) der Veranstaltung: (Frühjahrskonzert, Jubiläumskonzert, usw.) Mitwirkende: (Moderator, Gäste, besondere Einlagen) Musikalischer Leiter: (Dirigent) Konzertleitung: Kartenpreise: (Normalpreis, Kinderpreis, Abendkassa) Auskunft: (Kontaktperson für nähere Info bzw. Kartenbestellung, Tel. oder FAX-Nummer, e-mail-Adresse) Soll ein Konzertbericht in den VAMÖ-Nachrichten er- scheinen? a) kein
    [Show full text]
  • Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017
    Compact Discs / DVD-Blu-ray Recent Releases - Spring 2017 Compact Discs 2L Records Under The Wing of The Rock. 4 sound discs $24.98 2L Records ©2016 2L 119 SACD 7041888520924 Music by Sally Beamish, Benjamin Britten, Henning Kraggerud, Arne Nordheim, and Olav Anton Thommessen. With Soon-Mi Chung, Henning Kraggerud, and Oslo Camerata. Hybrid SACD. http://www.tfront.com/p-399168-under-the-wing-of-the-rock.aspx 4tay Records Hoover, Katherine, Requiem For The Innocent. 1 sound disc $17.98 4tay Records ©2016 4TAY 4048 681585404829 Katherine Hoover: The Last Invocation -- Echo -- Prayer In Time of War -- Peace Is The Way -- Paul Davies: Ave Maria -- David Lipten: A Widow’s Song -- How To -- Katherine Hoover: Requiem For The Innocent. Performed by the New York Virtuoso Singers. http://www.tfront.com/p-415481-requiem-for-the-innocent.aspx Rozow, Shie, Musical Fantasy. 1 sound disc $17.98 4tay Records ©2016 4TAY 4047 2 681585404720 Contents: Fantasia Appassionata -- Expedition -- Fantasy in Flight -- Destination Unknown -- Journey -- Uncharted Territory -- Esme’s Moon -- Old Friends -- Ananke. With Robert Thies, piano; The Lyris Quartet; Luke Maurer, viola; Brian O’Connor, French horn. http://www.tfront.com/p-410070-musical-fantasy.aspx Zaimont, Judith Lang, Pure, Cool (Water) : Symphony No. 4; Piano Trio No. 1 (Russian Summer). 1 sound disc $17.98 4tay Records ©2016 4TAY 4003 2 888295336697 With the Janacek Philharmonic Orchestra; Peter Winograd, violin; Peter Wyrick, cello; Joanne Polk, piano. http://www.tfront.com/p-398594-pure-cool-water-symphony-no-4-piano-trio-no-1-russian-summer.aspx Aca Records Trios For Viola d'Amore and Flute.
    [Show full text]
  • Library of Congress Medium of Performance Terms for Music
    A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭.
    [Show full text]
  • A A- (+Instr.; Prefijo) Acciarino Triángulo Accordéon Acordeón
    A A- (+instr.; prefijo) Acciarino Triángulo Accordéon Acordeón Accordio Acordeón Accordion Acordeón Accordo Lirone Accord zither Zither Acordeon Acordeón Adiaphone Aeola Acordeón Aeolian bells Aeolian harp Arpa eólica Aeoline Armonio Aeoliphone Aeolodion Armonio Aeolsglocken Aeolsklavier Armonio Aéro-clavicorde Arpa eólica Aerofoni Aerophon Armonio Afoche Afoxe Afrikanische schlitztrommel Afuche Afuche cabaza Agogo Agogó Agogò Akkordeon Armonio Akkordflöte Flageolet Akkordgitarre Guitarra Akkordzither Zither Ala (medieval) Arpaneta Alamire Albero dei sonagli Medialuna Albisifono Flauta travesera Albisiphon Flauta travesera Alfandoque Aliquot piano Piano Almglocke Cencerro Alpenhorn Trompa de los Alpes Alphorn Trompa de los Alpes Alpine zither Zither Alt... (+instr.) Alt cornett Althorn (ted.) Alto (francés, instr.) Alto (+instr.) Altobasso Alto en mib (francés) Alto-fagotto Altopiano Alto viola Am (+instr.) Amboss Yungue Ambosse Yungue American organ Armonio Amerikanisches organ Armonio Amorschall Ampico Pianola Amplificato (+instr.) Amplifié (+instr.) Amplified (+instr.) Anakreontische leier Anémocorde Arpa eólica Angelica Tiorba Angelika Tiorba Angélique Tiorba Angel lute Tiorba Antikes becken Crótalo Antike zimbeln Crótalo Antique cymbals Crótalo Anvil Yungue Äolsharfe Arpa eólica Äolsklavier Armonio Apolliricon Piano Apollo guitar Apollonion Piano Apollonium Piano Appalachian dulcimer Zither Arabian drum Arabische trommel Araine Cascabel Arceviolyra Lirone Archcittern Archicítola Archets Archi Archicembalo Archiórgano Archicetra Archicítola
    [Show full text]
  • The Moment That a Player Lifts the Hammers and Strikes the Strings, Music Is There
    The moment that a player lifts the hammers and strikes the strings, music is there. Have you seen this musical instrument before? (Fig.1) A percussive stretched-string instrument that needs a hammer to strike, an instrument that reveals the astonishing diversity of the world's music？This instrument is called the hammered dulcimer. On the Map of the distribution of the hammered dulcimer and possible routes of dissemination given by Grove Music Online (Fig.2), the route of dissemination overlaps with the Silk Road. (Fig.3) For many centuries, the Silk Road, the network of trade routes that connected the East and the West, was central to cultural interaction between the regions. With the evolution of history, many countries have experienced prosperity and decline, many regions have merged and split, but the trade network has never stopped contributing to cultural exchanges. It may lead us to the possibility that this instrument traveling along the Silk Road with people, was used to make some of the first "world music" jam sessions and was developed together with the trade of silk and porcelain on the journey. Now, let us explore the uniqueness of the various hammered dulcimer along the Silk Road together. According to the Grove Music Online, the hammered dulcimer has been known by dozens of different names. (Fig.4) The various names can be classified into different families and also convey some of the character of the instrument such as structure, material, and even usage scenarios within each culture. About the origin of this instrument, due to the great age, the academic circle has not yet reached a unified conclusion.
    [Show full text]
  • Systematiken
    Musikbibliothek Systematiken SYSTEMATIK MUSIKBÜCHER (SB), TANZBÜCHER (SC) ........................................................ 2 SYSTEMATIK NOTEN ................................................................................................. 42 SYSTEMATIK MUSIKTONTR"#ER .................................................................................. $% SYSTEMATIK MUSIK&'(' UND MUSIK&B)U-RAY ............................................................. 126 Musiksystematiken, Stan-. September 2018 * SYSTEMATIK MUSIKBÜCHER (SB), TANZBÜCHER (SC) SBA NACHSCH)A#E4ERKE..........................................................................................% SBB A))#EMEINE, EINFÜHRENDE UN' VERMISCHTE SCHRIFTEN...........................................6 SBC MUSIK4ISSENSCHA5T..........................................................................................+ SB' AUSSEREUR 7"ISCHE MUSIKKULTUREN 8 EUR 7"ISCHE ( )KSMUSIK............................3 SBE MUSIK UND ANDERE KÜNSTE 8 MUSIK UND ANDERE 4ISSENSGEBIETE...........................*2 SB5 MUSIK R#ANISATIONEN, MUSIKINDUSTRIE, RECHTSFRA#EN.......................................** SB# MUSIK)EBEN, MUSIK75)E#E................................................................................12 SBH MUSIK7"'A# #IK, INSTRUMENTA)AUSBI)'UNG, AUF5ÜHRUNGSPRAXIS.......................*% SB) MUSIKINSTRUMENTE UND IHRE #ESCHICHTE...........................................................*+ SBM MUSIK#ESCHICHTE...........................................................................................20
    [Show full text]
  • LCSH Section MP
    A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭.
    [Show full text]