Status Ambitions and Iranian Nuclear Reversal Andrew Prosser
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Teacher's Notes
PENGUIN READERS Teacher’s notes LEVEL 5 Teacher Support Programme The Phantom of the Opera Gaston Leroux underground house on the lake below the Opera. She believes he is the Angel of Music, who her father promised to send after he died. To her horror she discovers, when she sees him for the first time that she is in the grip of a terrible monster. Count Chagny’s brother Raoul, the viscount, is also in love with Christine but she cannot return his love for fear of what the monster will do if he finds them together. The monster and the viscount are jealous of each other, but the monster is far cleverer and Raoul ends up in Erik’s torture room with the Persian who is helping him find Christine. When it seems that there is no hope and that they will die in the torture room, the Persian reminds Erik that he once saved Erik’s About the author life. This saves the two men. When Christine touches the monster’s hand, mixes her tears with his, and allows the Gaston Leroux, born in Paris in 1868, was trained in monster to kiss her, he has his first and last taste of human law, but chose a career in writing. He wrote stories, plays, affection and love. How can he now allow Christine to poems, novels and screenplays. His own extensive travels go away with Raoul? We learn towards the end of the around the world and his knowledge of the layout of the story that Erik was born with no nose and yellow eyes. -
U.S.-South Korea Relations
U.S.-South Korea Relations Mark E. Manyin, Coordinator Specialist in Asian Affairs Emma Chanlett-Avery Specialist in Asian Affairs Mary Beth D. Nikitin Specialist in Nonproliferation Brock R. Williams Analyst in International Trade and Finance Jonathan R. Corrado Research Associate May 23, 2017 Congressional Research Service 7-5700 www.crs.gov R41481 U.S.-South Korea Relations Summary Overview South Korea (officially the Republic of Korea, or ROK) is one of the United States’ most important strategic and economic partners in Asia. Congressional interest in South Korea is driven by both security and trade interests. Since the early 1950s, the U.S.-ROK Mutual Defense Treaty commits the United States to help South Korea defend itself. Approximately 28,500 U.S. troops are based in the ROK, which is included under the U.S. “nuclear umbrella.” Washington and Seoul cooperate in addressing the challenges posed by North Korea. The two countries’ economies are joined by the Korea-U.S. Free Trade Agreement (KORUS FTA). South Korea is the United States’ seventh-largest trading partner and the United States is South Korea’s second- largest trading partner. Between 2009 and the end of 2016, relations between the two countries arguably reached their most robust state in decades. Political changes in both countries in 2017, however, have generated uncertainty about the state of the relationship. Coordination of North Korea Policy Dealing with North Korea is the dominant strategic concern of the relationship. The Trump Administration appears to have raised North Korea’s nuclear and missile programs to a top U.S. -
Allusions and Historical Models in Gaston Leroux's the Phantom of the Opera
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2004 Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera Joy A. Mills Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the French and Francophone Literature Commons, Other Theatre and Performance Studies Commons, and the Translation Studies Commons Recommended Citation Mills, Joy A., "Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera" (2004). Honors Theses. 83. https://scholarlycommons.obu.edu/honors_theses/83 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Gaston Leroux's 1911 novel, The Phantom of the Opera, has a considerable number of allusions, some of which are accessible to modern American audiences, like references to Romeo and Juilet. Many of the references, however, are very specific to the operatic world or to other somewhat obscure fields. Knowledge of these allusions would greatly enhance the experience of readers of the novel, and would also contribute to their ability to interpret it. Thus my thesis aims to be helpful to those who read The Phantom of the Opera by providing a set of notes, as it were, to explain the allusions, with an emphasis on the extended allusion of the Palais Garnier and the historical models for the heroine, Christine Daae. Notes on Translations At the time of this writing, three English translations are commercially available of The Phantom of the Opera. -
The Officer at Work: Leadership
CHAPTER FIVE The Officer at Work: Leadership . before it is an honor, leadership is trust; Before it is a call to glory, Leadership is a call to service; . before all else, forever and always, leadership is a willingness to serve. —Father Edson Wood, OSA, Cadet Catholic Chaplain Invocation at Assumption of Command by BG Curtis Scaparrotti, Commandant of Cadets, U.S. Military Academy August 11, 2004 Leadership—convincing others to collaborate effectively in a common endeavor—is the primary function of all Armed Forces officers. Only a few officers are commanders at any particular moment, but every officer is a leader. Indeed the Army and Marine Corps insist that lead- ership is the common responsibility of every Soldier and Marine.1 The Air Force says “Any Airman can be a leader and can positively influ- ence those around him or her to accomplish the mission.”2 A conse- quence is that almost every officer considers himself or herself good at leadership, but perspectives on method differ depending on individual circumstances and experiences. This chapter discusses leadership from four different but overlapping viewpoints: accomplishing the mission and taking care of the troops; three concepts of leadership; Service approaches; and “tribal wisdom,” views of leadership expressed by senior professionals. 57 Accomplishing the Mission and Taking Care of the Troops Leaders are expected to guide their followers to mission success at least possible cost. Lord Moran, who served as a medical officer on the Western Front in World War I, and was Churchill’s doctor and con- fidant in World War II, defined leadership as “the capacity to frame plans which will succeed and the faculty of persuading others to carry them out in the face of death.”3 Moran was skeptical of a requirement for fine character, the honorable virtues, in a leader, but found that a reputation for achieving success was the essential middle term between the ability to formulate a course of action and persuading others to implement it. -
THE MASK of ERIK by Rick Lai © 2007 Rick Lai [email protected] In
THE MASK OF ERIK by Rick Lai © 2007 Rick Lai [email protected] In The Phantom of the Opera (1910), Gaston Leroux (1868-1927) created a colorful past for the title character who was also known as Erik. Leroux pretended that his novel was not a work of fiction. He perpetrated the hoax that the Phantom’s story had been unearthed through interviews with actual people including former employees of the Paris Opera House. A careful reading of the novel indicates that its events transpired decades before its year of publication. The novel’s prologue indicated that the story took place “not more than thirty years ago.” At one point, Erik made the farcical prediction that a young girl, Meg Giry, would be an Empress in 1885. The novel happened sometime between 1880 and 1884. Of the years available, I favor 1881 (1). The Phantom was born in a French town not far from Rouen. His exact year of birth was unstated, but it was probably around 1830 (2). The Phantom’s skeletal visage was a defect from birth. The makeup of Lon Chaney Sr. in the famous 1925 silent movie faithfully followed Leroux’s description of the Phantom’s face. Since the silent film was made in black and white, Chaney could never duplicate the bizarre yellow eyes of the Phantom. Very little is known of the Phantom’s parents (3). His father was a stonemason. The Phantom’s mother was repelled by her son’s ugliness. She refused to ever let him kiss her. Furthermore, she insisted that he wear a mask at all times. -
NATO-Russia Relations: the Background
North Atlantic Treaty Organization www.nato.int/factsheets Media Backgrounder April 2018 NATO-Russia Relations: The Background The end of the Cold War was a turning point in Europe’s history. From 1991, NATO began to work hard to establish a strategic partnership with Russia. However, in March 2014, Russia illegally annexed Crimea. In response, NATO suspended all practical cooperation with Russia, while keeping political and military channels of communication open. This factsheet sets out the key dates and events in the relationship. 1994: The Partnership for Peace In June 1994, Russia became the first country to join NATO’s Partnership for Peace (PfP), a programme of practical bilateral cooperation between NATO and partner countries. The Brussels Summit Declaration defined the goals of PfP as expanding and intensifying political and military cooperation in Europe, increasing stability, diminishing threats to peace, and building strengthened security relationships. 1997: The NATO-Russia Founding Act On 27 May 1997, NATO leaders and President Boris Yeltsin signed the NATO-Russia Founding Act, expressing their determination to “build together a lasting and inclusive peace in the Euro-Atlantic area on the principles of democracy and cooperative security.” The Act established the goal of cooperation in areas such as peacekeeping, arms control, counter-terrorism, counter-narcotics and theatre missile defence. In the Founding Act, NATO and Russia agreed to base their cooperation on the principles of human rights and civil liberties, refraining from the threat or use of force against each other or any other state. With the Signing of NATO-Russia Founding Act, 27 May 1997 illegal annexation of Crimea, the territory of a sovereign state, Russia violated the Founding Act. -
U.S.-China Military Contacts: Issues for Congress
U.S.-China Military Contacts: Issues for Congress Shirley A. Kan Specialist in Asian Security Affairs October 27, 2014 Congressional Research Service 7-5700 www.crs.gov RL32496 U.S.-China Military Contacts: Issues for Congress Summary This CRS Report, updated through the 113th Congress, discusses policy issues regarding military- to-military (mil-to-mil) contacts with the People’s Republic of China (PRC) and records major contacts and crises since 1993. The United States suspended military contacts with China and imposed sanctions on arms sales in response to the Tiananmen Crackdown in 1989. In 1993, President Clinton reengaged with the top PRC leadership, including China’s military, the People’s Liberation Army (PLA). Renewed military exchanges with the PLA have not regained the closeness reached in the 1980s, when U.S.-PRC strategic alignment against the Soviet Union included U.S. arms sales to China. Improvements and deteriorations in overall bilateral engagement have affected military contacts, which were close in 1997-1998 and 2000, but marred by the 1995-1996 Taiwan Strait crisis, mistaken NATO bombing of a PRC embassy in 1999, the EP-3 aircraft collision crisis in 2001, and the PLA’s aggressive maritime and air confrontations. Issues for Congress include whether the Administration complies with legislation overseeing dealings with the PLA and pursues contacts with the PLA that advance a prioritized set of U.S. security interests, especially the operational safety of U.S. military personnel. Oversight legislation includes the Foreign Relations Authorization Act for FY1990-FY1991 (P.L. 101-246) and National Defense Authorization Act (NDAA) for FY2000 (P.L. -
One Flank, One Threat, One Presence
ONE FLANK, ONECenter for EuropeanTHREAT, Policy Analysis ONE PRESENCE A Strategy for NATO’s Eastern Flank LTG (Ret.) Ben Hodges Janusz Bugajski COL (Ret.) Ray Wojcik Carsten Schmiedl 2 May 2020 Center for European Policy Analysis All opinions are those of the author(s) and do not necessarily represent the position or views of the institutions they represent or the Center for European Policy Analysis. About CEPA The Center for European Policy Analysis (CEPA) is a 501(c)(3), non-profit, non-partisan, public policy research institute. Our mission is to promote an economically vibrant, strategically secure, and politically free Europe with close and enduring ties to the United States. Our analytical team consists of the world’s leading experts on Central-East Europe, Russia, and its neighbors. Through cutting- edge research, analysis, and programs we provide fresh insight on energy, security, and defense to government officials and agencies; we help transatlantic businesses navigate changing strategic landscapes; and we build networks of future Atlanticist leaders. © 2020 by the Center for European Policy Analysis, Washington, DC. All rights reserved. No part of this publication may be used or reproduced in any manner whatsoever without permission in writing from the Center for European Policy Analysis, except in the case of brief quotations embodied in news articles, critical articles, or reviews. Center for European Policy Analysis 1275 Pennsylvania Ave NW, Suite 400 Washington, DC 20004 E-mail: [email protected] www.cepa.org Cover image: Standing NATO Maritime Group Two and Standing NATO Mine Countermeasures Group Two in the Black Sea in 2018. -
Read Ebook {PDF EPUB} Into the Light a Phantom of the Opera Story by Debra P. Whitehead Into the Light: a Phantom of the Opera Story by Debra P
Read Ebook {PDF EPUB} Into the Light A Phantom of the Opera Story by Debra P. Whitehead Into the Light: A Phantom of the Opera Story by Debra P. Whitehead. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660859611d062bc6 • Your IP : 116.202.236.252 • Performance & security by Cloudflare. Into the Light: A Phantom of the Opera Story by Debra P. Whitehead. Published Mar 20, 2008 448 Pages Genre: HUMOR / General. Looking for Kindle/Audio editions? Browse Amazon for all formats. Searching for the Nook edition? Browse Barnes & Noble. Book Details. What Do You Do When a Dead Man Moves to Town? Millie would not be intimidated, not by the likes of him. As if he read her thoughts, his mouth curled at one corner in a crude caricature of a smile. A wave of foreboding clawed its way up her spine. She was going to regret selling him the house. Hanover, Tennessee is a community of honest family values and simple pleasures, a place comfortably wrapped in generations of sameness. -
The PHANTOM of the OPERA
ELBERT COUNTY TRIBUNE. nin»-- your cer- known to FRIENDS SAID risk life for her! You "It’s not turning! . , , a Mcret paa«*«. lon* MY must And U“* tainly Christine, alone and contrlYed at bate Erik!" sir, Christine?" aolf u»e ( Could Never Get Well “No, sir,” the sadly, said coldly: of the Commune to allow said Persian Tbe Persian Paris ®° their P rl ner to Peruna I am Well. "I do not hate him. If I hated him, "We shall do ail that It Is humanly to convey Thanks Jailers that naa he would long ago have ceased doing possible to straight to the dungeons In the cel- barm." stop us at the first step! ... constructed for them He been occupied "Has begone you harm?" commands tbe walls, the doors and lars; for tbe Federates had after the "I have forgiven him the barm the trap-doors. In my country, he was the opera-house immediately The PHANTOM which he has done me." known a and had made a by name which means the eighteenth of March " or "I not you. You ‘trap-door starting-place right at the top do understand lover.' car- treat him as a monster, you or “But why do walla their Mongolfler balloons, which speak tbe6e obey him to his crime, he has done you barm and alone? He did not build them!” ried their incendiary proclamations prison 1 find In you the same Inexplicable “Yes, sir, that Is Just what he did!" the departments, and a state OF OPERA pity that drove me to despair when i Raoul looked at him in amazement; right at the bottom. -
The Phantom of the Opera
The Phantom of the Opera by GASTON LEROUX ABOUT THE BOOK CHAPTERS About the Opera House It is 1880, in the Opera House in 1. The Dancers Paris. Everybody is talking about the Phantom of the Opera, the 2. The directors of the Opera House ghost that lives somewhere under 3. Christine Daaé the Opera House. The Phantom 4. The Phantom is angry is a man in black clothes, a body without a head and a head 5. A letter for Raoul without a body. He has a yellow 6. La Carlotta sings Margarita face, no nose, and black holes for 7. My angel of music eyes. Everybody is afraid of the phantom – the singers, the 8. Where is Christine Daaé? dancers, the directors, the stage 9. The house on the lake workers... But who has actually 10. Madame Giry visits the Persian seen him? The Phantom of the Opera About the Opera House The Opera House in Paris is a very famous and beautiful building. It is the biggest Opera House in the world. Work on the building began in 1861, finished in 1875, and cost forty-seven million francs. lt has seventeen floors, ten above the ground, and seven under the ground. Behind and under the stage, there are stairs and passages and many, many rooms - dressing-rooms for the singers and the dancers, rooms for the stage workers, the opera dresses and shoes. There are more than 2,500 doors in the building. You can walk for hours and never see daylight, under the Paris Opera House. -
P1 Ludovic Maublanc for 2 Players Ages 9 Years and up Approximately 30 Minutes P17
A game of investigation by Bruno Cathala & p1 Ludovic Maublanc for 2 players ages 9 years and up Approximately 30 minutes p17 Paris – 1881 – Opéra Garnier La Carlotta, the famous opera singer, is rehearsing for her next recital. A series of strange events frightens her a little more every day: a chandelier falls and nearly kills her, strange voices come out of nowhere, doors slam ... It’s clear: a ghost haunts the place! It is out of the question for her to stay in Paris under these conditions. Therefore, this mystery must be solved as quickly as possible, as she is threatening to leave Paris to perform her recital at La Scala in Milan! The matter is urgent and the whole of France is in turmoil ... The first elements of the investigation have identified eight suspects. Each has good reasons to want to make La Carlotta flee ... Will you be able to unmask the culprit in time? Contents One game board 1 La Carlotta token / 1 Blackout token / 1 Padlock token 8 double-sided character tokens, in 8 different colors, with a Suspect side and an Innocent side. Before the first game, you will need to paste the stickers on the pieces according to their color (e.g., sticker with a red background on a red token, etc.). 11 alibi cards, each representing a character or the Phantom (3 cards) SUSPECT BACK PHANTOM ONE ALIBI FOR EACH CHARACTER INNOCENT 1 Game round card: Investigator on the front / Phantom on the back, 8 character cards, each representing a character, with icons detailing the steps in a Game round symbolizing their special power.