W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2008 The Mega-, Melo-, and Meta-Drama in Adaptations of The Phantom of the Opera Kristin Boos College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Critical and Cultural Studies Commons Recommended Citation Boos, Kristin, "The Mega-, Melo-, and Meta-Drama in Adaptations of The Phantom of the Opera" (2008). Undergraduate Honors Theses. Paper 819. https://scholarworks.wm.edu/honorstheses/819 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact
[email protected]. The Mega-, Melo-, and Meta-Drama in Adaptations of The Phantom of the Opera A thesis submitted in partial fulfillment of the requirement for the degree of Bachelors of Arts in Literary and Cultural Studies from The College of William and Mary by Kristin Ashlee Boos Accepted for High Honors ________________________________________ Colleen Kennedy , Director ________________________________________ Simon Joyce ________________________________________ Katherine Preston Williamsburg, VA April 30, 2008 Boos 2 The Mega-, Melo-, and Meta-Drama in Adaptations of The Phantom of the Opera Introduction In his essay, “Adaptation, or Cinema as Digest,” film theorist Andre Bazin posits that too often an adaptation is evaluated according to its fidelity (or infidelity) to its source text. He criticizes the popular notion that a film adaptation bastardizes a text by hijacking the events and characters from their literary form and thereby destroying the work by divorcing form from content.