Dye Selectivity and Colour Fastness Assessment of Dyed Microcrystallinecellulose Extracted from Cornstalks
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Aldrich FT-IR Collection Edition I Library
Aldrich FT-IR Collection Edition I Library Library Listing – 10,505 spectra This library is the original FT-IR spectral collection from Aldrich. It includes a wide variety of pure chemical compounds found in the Aldrich Handbook of Fine Chemicals. The Aldrich Collection of FT-IR Spectra Edition I library contains spectra of 10,505 pure compounds and is a subset of the Aldrich Collection of FT-IR Spectra Edition II library. All spectra were acquired by Sigma-Aldrich Co. and were processed by Thermo Fisher Scientific. Eight smaller Aldrich Material Specific Sub-Libraries are also available. Aldrich FT-IR Collection Edition I Index Compound Name Index Compound Name 3515 ((1R)-(ENDO,ANTI))-(+)-3- 928 (+)-LIMONENE OXIDE, 97%, BROMOCAMPHOR-8- SULFONIC MIXTURE OF CIS AND TRANS ACID, AMMONIUM SALT 209 (+)-LONGIFOLENE, 98+% 1708 ((1R)-ENDO)-(+)-3- 2283 (+)-MURAMIC ACID HYDRATE, BROMOCAMPHOR, 98% 98% 3516 ((1S)-(ENDO,ANTI))-(-)-3- 2966 (+)-N,N'- BROMOCAMPHOR-8- SULFONIC DIALLYLTARTARDIAMIDE, 99+% ACID, AMMONIUM SALT 2976 (+)-N-ACETYLMURAMIC ACID, 644 ((1S)-ENDO)-(-)-BORNEOL, 99% 97% 9587 (+)-11ALPHA-HYDROXY-17ALPHA- 965 (+)-NOE-LACTOL DIMER, 99+% METHYLTESTOSTERONE 5127 (+)-P-BROMOTETRAMISOLE 9590 (+)-11ALPHA- OXALATE, 99% HYDROXYPROGESTERONE, 95% 661 (+)-P-MENTH-1-EN-9-OL, 97%, 9588 (+)-17-METHYLTESTOSTERONE, MIXTURE OF ISOMERS 99% 730 (+)-PERSEITOL 8681 (+)-2'-DEOXYURIDINE, 99+% 7913 (+)-PILOCARPINE 7591 (+)-2,3-O-ISOPROPYLIDENE-2,3- HYDROCHLORIDE, 99% DIHYDROXY- 1,4- 5844 (+)-RUTIN HYDRATE, 95% BIS(DIPHENYLPHOSPHINO)BUT 9571 (+)-STIGMASTANOL -
A Comparison of the Patterns Formed by Primary Textile Structures and Their Photographic Abstraction
Rochester Institute of Technology RIT Scholar Works Theses 9-22-1976 A comparison of the patterns formed by primary textile structures and their photographic abstraction Pamela Perlman Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Perlman, Pamela, "A comparison of the patterns formed by primary textile structures and their photographic abstraction" (1976). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Thesis Proposal for the Master of Fine Arts De gree Collee;e of Fine and Applj_ed .Arts Rochester Institute of Technology Title: A Comparison of the Fatterns Formed by Primary Textile structures and their Phot ographic Abstraction Submitted by: Pamela Anne Perlman Date: September 22, 1976 Thesis Co mm it te~: Nr . Donald Du jnowski I-Ir. I,l az Lenderman hr. Ed 1iiller Depart~ental Approval : Date :-:--g---li6~-r-71-b-r-/ ----- ---------~~~~~'~~~r------------------------- Chairman of the School for American Craftsme:l: ___-r-----,,~---- ____ Da t e : ---.:...,'?7~JtJ--J7~i,-=-~ ___ _ Chairr.ian of the Gr3.duate Prog:rarn: ------------------------~/~~/~. --- Date: ___________________~ /~~,~~;j~~, (~/_' ~i~/~: 7 / Final Committee Decision: Date: ----------------------- Thesis Proposal for the Master of Fine Arts Degree College of Fine and Applied Arts Rochester Institute of Technology Title: A Comparison of the Patterns Frmed by Primary Textile Structures and their Photographic Abstraction My concern in textiles is with structure and materials. I v/ould like to do v/all hangings based on primary textile structures such as knotting, looping, pile, balanced weaves, and tapestry. -
Colour and Textile Chemistry—A Lucky Career Choice
COLOUR AND TEXTILE CHEMISTRY—A LUCKY CAREER CHOICE By David M. Lewis, The University of Leeds, AATCC 2008 Olney Award Winner Introduction In presenting this Olney lecture, I am conscious that it should cover not only scientific detail, but also illustrate, from a personal perspective, the excitement and opportunities offered through a scientific career in the fields of colour and textile chemistry. The author began this career in 1959 by enrolling at Leeds University, Department of Colour Chemistry and Dyeing; the BSc course was followed by research, leading to a PhD in 1966. The subject of the thesis was "the reaction of ω-chloroacetyl-amino dyes with wool"; this study was responsible for instilling a great enthusiasm for reactive dye chemistry, wool dyeing mechanisms, and wool protein chemistry. It was a natural progression to work as a wool research scientist at the International Wool Secretariat (IWS) and at the Australian Commonwealth Scientific Industrial Research Organisation (CSIRO) on such projects as wool coloration at room temperature, polymers for wool shrink-proofing, transfer printing of wool, dyeing wool with disperse dyes, and moth-proofing. Moving into academia in 1987 led to wider horizons bringing many new research challenges. Some examples include dyeing cellulosic fibres with specially synthesised reactive dyes or reactive systems with the objective of achieving much higher dye-fibre covalent bonding efficiencies than those produced using currently available systems; neutral dyeing of cellulosic fibres with reactive dyes; new formaldehyde-free crosslinking agents to produce easy-care cotton fabrics; application of leuco vat dyes to polyester and nylon substrates; cosmetic chemistry, especially in terms of hair dyeing and bleaching; security printing; 3-D printing from ink-jet systems; and durable flame proofing cotton with formaldehyde-free systems. -
Tub Dyeing Basics Step by Step Instructions on the Next Page G with Fiber Reactive Dyes
tub dyeing basics Step by step instructions on the next page g with Fiber Reactive Dyes Use this method to dye fabric or clothing, made of natural fibers one uniform or solid color. Also called Garment Dyeing or Vat Dyeing, this method can also be done in a washing machine. Fiber Reactive Dye is the dye of choice for all cellulose (plant) fibers, like cotton, Rayon, hemp, linen, Tencel®, Modal®, bamboo, etc. (For dyeing silk, wool and other protein fibers, see Dyeing Wool and Silk with Fiber Reactive Dyes on our website) The chemical bond of these dyes is permanent, so once all the excess dye is washed out an infant can chew on the fabric and it will not come off! Fiber Reactive Dyes work in lukewarm water so these directions can also be used to dye batik (waxed) fabrics in successive colors without fear of melting the wax. WHAT You’ll need: SALT & SODA ASH REQUIREMENTS • Fiber Reactive Dye • A bucket large enough The amount of Non-Iodized Salt and Soda Ash are for your item to move a function of the amount of water used. For each • Soda Ash around in, or a top pound of dry fabric you will need about 3 gallons of • Non-Iodized Salt loading washing machine warm water. The water must cover the fabric with • Urea (optional) • Pitcher & cup enough room for thorough, tangle-free stirring; oth- erwise you get uneven dyeing and streaks. For each • Calsolene Oil (optional) • Measuring cups 1½ gallons of water use 1½ cups of Non-Iodized • Synthrapol • Spoons Salt and 1/6 cup of Soda Ash. -
In-Situ Fabric Coloration with Indigo Synthesized in Flow
This is a repository copy of In-situ fabric coloration with indigo synthesized in flow. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/137959/ Version: Accepted Version Article: Haaf, MP, Piemonte, KM, McQuade, DT et al. (2 more authors) (2019) In-situ fabric coloration with indigo synthesized in flow. Coloration Technology, 135 (2). pp. 127-132. ISSN 1472-3581 https://doi.org/10.1111/cote.12383 © 2018 The Authors. Coloration Technology © 2018 Society of Dyers and Colourists. This is an author produced version of a paper published in Coloration Technology. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ In-situ fabric coloration with indigo synthesized in flow Michael P. Haaf,a* Katrina M. Piemonte,a D. Tyler McQuade,b Lucy Cotton,c Richard S. Blackburnc aIthaca College Department of Chemistry, Ithaca, NY 14850, USA; *Tel: +1 607-274-7978; E-mail: [email protected]; bVirginia Commonwealth University Department of Chemical and Life Science Engineering, Richmond, VA 23285, USA; cSchool of Design, University of Leeds, Leeds LS2 9JT, United Kingdom. -
Using PRO MX Reactive Dye Please Read Directions Carefully Before Starting
BATIK using PRO MX Reactive Dye Please read directions carefully before starting. Batik is an ancient form of resist dyeing. Unwaxed areas of the fabric absorb dye while the waxed areas resist the dye, preserving the original color of the fabric. More wax is added to dyed areas preserving the new color and the fabric is dipped in another color of dye. Repeat this process until the design is completed then remove the wax. Designs may involve only one or many colors depending upon the number of times the hot wax is applied and the cloth is dipped into different colored dye baths. For additional information visit our web site at www.prochemicalanddye.com. Always use proper ventilation in your work area. Create a local exhaust system by putting a portable exhaust fan in a window, so it pulls air from the room to the outside. Heated wax releases irritating chemicals including acrolein and aldehydes. There is no approved MSHA/NIOSH filter for acrolein. A respirator is not a substitute for good ventilation. Heat wax to the lowest temperature at which it remains liquid. Do not leave hot wax unattended, as it is a fire hazard. Keep water away from the wax pot, as it will splatter. Always make sure you have a fire extinguisher or bucket of sand nearby in case of fire. Wax forms potentially hazardous vapors at high temperatures and may ignite. Do not use open flames, such as a gas or propane burner, instead use a crock pot or electric fry pan with temperature control. Make sure your hair is tied back and sleeves are rolled up when using heating equipment. -
Dyeing and Colour Fastness of Natural Dye from Citrus Aurantium on Lyocell Fabric DOI: 10.35530/IT.071.04.1686
Dyeing and colour fastness of natural dye from Citrus aurantium on Lyocell fabric DOI: 10.35530/IT.071.04.1686 NAVEED TAYYAB AWAN ASHRAF JAVEED RASHDI YASEEN SAYED ABBAS MUDASSAR REHMAN FAISAL FRAZ AHMAD WEI WANG AWAIS MUHAMMAD ABSTRACT – REZUMAT Dyeing and colour fastness of natural dye from Citrus aurantium on Lyocell fabric The use of natural dyes for textiles has attained attention due to their ecology, minimum impact on the environment and pollution. Therefore the objective of this study is to dye Lyocell fabric with natural dye extracted from orange peel for comparative analysis of colour efficiencies (K/S), CIE L*a*b* values and the colour fastness properties. The mordants applied were ferrous (II) sulphate and copper (II) sulphate. For the extraction of the dye, the aqueous extraction method was used. The pre-mordanting method was used and the dyeing effect on Lyocell fabric was analyzed at concentrations of 2% and 4%. It was observed that the mordant type employed had an influence on the colour efficiency and the colour coordinates of fabric dyed with Citrus aurantium dye. The colour efficiency (K/S: 4) and colour fastness to washing, light, rubbing and perspiration in all the dyed samples were better and excellent (grade 4–5) at 4% concentration. In overall results, the pre-mordanting method at 4% concentration gives the best results of colour efficiency and colour fastness properties. The performance analysis of colour fastness was also statistically significant at the 0.05 level. Keywords: natural dyes, orange peel, Lyocell, extraction, mordant, colour fastness Vopsirea și rezistența culorii colorantului natural din Citrus aurantium pe țesătura din Lyocell Utilizarea coloranților naturali pentru materialele textile a atras atenția datorită aspectelor legate de ecologie, impactul minim asupra mediului și poluare. -
Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta
Chapter Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta Abstract The meticulous environmental standards in textiles and garments imposed by countries cautious about nature and health protection are reviving interest in the application of natural dyes in dyeing of textile materials. The toxic and allergic reactions of synthetic dyes are compelling the people to think about natural dyes. Natural dyes are renewable source of colouring materials. Besides textiles it has application in colouration of foods, medicine and in handicraft items. Though natural dyes are ecofriendly, protective to skin and pleasing colour to eyes, they are having very poor bonding with textile fibre materials, which necessitate mordant- ing with metallic mordants, some of which are not eco friendly, for fixation of natural dyes on textile fibres. So the supremacy of natural dyes is somewhat sub- dued. This necessitates newer research on application of natural dyes on different natural fibres for completely eco friendly textiles. The fundamentals of natural dyes chemistry and some of the important research work are therefore discussed in this review article. Keywords: colour fastness, dyeing, extraction of natural dyes, natural dyes 1. Introduction After the advent of mauveine by Henry Perkin in 1856 and subsequent commer- cialization of synthetic dyes had replaced natural dyes, and since then consumption and application of natural dyes for textiles got reduced substantially. In present scenario environmental consciousness of people about natural products, renewable nature of materials, less environmental damage and sustainability of the natural products has further revived the use of natural dyes in dyeing of textile materials. -
Extraction and Application of Avocado Dyes on Eco- Friendly Fabrics Using Batik Technique
Report of the Minor Research Project Sponsored by UGC Principle Investigator: Dr. S. KAUVERY BAI Project Fellow: Pavitra S Associate Professor, Department of Textiles and Clothing Smt. VHD Central Institute of Home Science, (Autonomous) Seshadri Road, Bengaluru Extraction and Application of Avocado Dyes on Eco- Friendly Fabrics Using Batik Technique. Introduction Colour Attracts and holds attention.....humans have been attracted to colour and have devised ways to add colour to all things, and this has evolved into a science long before chemical dyes were discovered. Natural dyes have been used in early cave paintings as the first form of documented expression or communication. Later these dyes were applied as tattoos; permanent and temporary before showing up on textiles. All the murals depicting textiles in painting found in the caves at Ajanta and Ellora as well as the various paintings documenting the past, show coloured garments. A wide variety of natural materials were used in combination to get different colours, not only were these dyes, ‘clean colours’ but also were bright and fast when used on all kinds of natural fabrics. India is a country famous for its textiles especially dyed, printed, embroidered and intricately woven fabrics. When studying Natural dyes, it is seen that certain colours were automatically considered those of the privileged class, as they were available only at a high cost since the natural sources itself were found in limited quantities, e.g. Tyrian purple. Natural dyes are colours obtained from plant, animal or mineral sources. These natural matters are made to undergo various processes to extract colour from them. -
Comparative Study of Fastness Properties and Color Absorbance Criteria of Conventional and Avitera Reactive Dyeing on Cotton Knit Fabric
European Scientific Journal May 2016 edition vol.12, No.15 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Comparative Study Of Fastness Properties And Color Absorbance Criteria Of Conventional And Avitera Reactive Dyeing On Cotton Knit Fabric Md. Abu Sufian B.Sc. in Textile Engineering,University of Chittagong, Bangladesh Md.Abdul Hannan M.Sc. in Textile Technology, University of Boras, Sweden Md. Masud Rana Muhmmad Zanibul Huq M.Sc. in Textile Engineering, Bangladesh University of Textiles, Bangladesh doi: 10.19044/esj.2016.v12n15p352 URL:http://dx.doi.org/10.19044/esj.2016.v12n15p352 Abstract 160 GSM Single Jersey cotton knitted fabric was dyed with conventional Remazol reactive dye and latest Avitera reactive dye (Huntsman). Detailed comparison of the process parameters and fastness properties of these dyed fabrics were studied. Investigation exposed that Avitera delivered better dyeing performance including fastness to washing, perspiration, rubbing than conventionally dyed fabrics. Concerning process parameters Avitera dye required less soda, salt and no addition of other auxiliaries. Also this new Avitera reactive dye is more eco-friendly, cost effective and energy saving than conventional Remazol reactive dye. CMC DE and Da* color deviation were significantly higher between the dyed samples. Again K/S value of Avitera dyed sample was superior to that of Remazol dyed samples as because of enhanced dye uptake. Sequentially reflectance and relative indicators of the latest reactive dyed samples were also experimented. Keywords: Avitera reactive dye, Remazol reactive dye, Color Fastness, Energy saving, K/S value, CMC DE, Reflectance. Introduction: The best dyes to apply on cotton fabric and other cellulose fibers are reactive dyes. -
Improving the Colour Fastness of the Selected Natural Dyes on Cotton (Improving the Sunlight Fastness and Washfastness of the Eucalyptus Bark Dye on Cotton)
IOSR Journal of Polymer and Textile Engineering (IOSR-JPTE) e-ISSN: 2348-019X, p-ISSN: 2348-0181, Volume 1, Issue 4 (Sep-Oct. 2014), PP 27-30 www.iosrjournals.org Improving the Colour Fastness of the Selected Natural Dyes on Cotton (Improving the sunlight fastness and washfastness of the eucalyptus bark dye on cotton) R.Prabhavathi1, Dr.A.Sharada Devi2 & Dr. D. Anitha3 Department of Apparel and Textiles, College of Home Science, Acharya N.G Ranga Agricultural University (ANGRAU)Saifabad, Hyderabad -30, India. Part-V Abstract: This paper reports the improving the colourfastness of the natural dye with dye fixing agents, extraction of the colourants from natural sources; effects of different mordants and mordanting methods; selection of fixing agents; dyeing variables; post-treatment process and analysis of colour improvement parameters with fixing agents for cotton dyed with natural dye; assessed colour improvement with colourfastness test. Key words: Eucalyptus Bark natural dye, fixing agents, coloufastness, shade variations with dye fixing agents I. Introduction: In India, dyes from natural sources have ancient history and can trace their route to antiquity. It is interesting to note that India is one of the few civilizations to perfect the art of fixing natural dye to the cloth. Indian textiles were greatly valued and sought after for their colours and enduring qualities. Like most ancient Indian arts and crafts, part of the knowledge and expertise of natural dyes has traditionally passed down from the master crafts man to his disciples. Even though scientists have paid considerable attention in the post independence period to study the plants in relation to their pharmaceutical use, very little attention was paid to study the plants as sources of dyes and colourants. -
Reactive Dyes… General Structure Has a Reactive Group Which Are Adsorbed on to the Cellulose and Than Reacted with the Fiber to Form Covalent Bonds
Reactive Chemistry TECHNICAL INFORMATION Murat ŞAHİNLİ 12.11.2015 Cellulose… Cellulose structure Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Reactive group Functional groups Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Functional groups Shade Fastness Fastness Dischargeability Levelness Fixation Substantivity Application temperature Solubility Application temperature Reactive dyes… General reaction When put fabric and dye into the water; Cellulose: Cell-OH Cell-O¯ Electrostatic repulsion because of Dye: the negative charges HO3S-Dye-X X-Dye-SO3¯ With addition of salt: Cell-O¯ ⁺ Na Reduce the repulsion X-Dye-SO3¯ ⁺ Na Reactive dyes… General reaction After addition alkaline and linking with covalent bond; Thanks to covalent bond X-Dye-SO3¯ ⁺ Na + Na ⁺ ¯O-Cell Linking much more resistant to the usual conditions of use than the ( Soda ash, caustic …) physicochemical bond between direct dyes and cellulose. Na ⁺ ¯O3S – Dye –O-Cell + NaX Bond type App. Relative strength Covalent 30.0 Ionic 7.0 Hydrogene 3.0 Other 1.0 Intermolecular Reactive dyes… Description of dyeing mechanism Exhaustion of dye in presence of electrolyte by adsorption Fixation under the influence of alkali Wash off the unfixed dye from material surface T1: Addition of alkali and start of the fixation Reactive dyes… Exhaustion The reactive dyes is adsorbed onto the cellulose surface and than diffuses into the fiber. This phase is fully reversible.