Insurgency Is Not the Solution: Abdullah
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First Ever Women Mart Opened in BAMYAN
Eye on the News [email protected] Truthful, Factual and Unbiased Vol:IX Issue No:248 Price: Afs.15 MONDAY. APRIL 13 . 2015 -Hamal 24, 1394 HS www.afghanistantimes.af www.facebook.com/ afghanistantimeswww.twitter.com/ afghanistantimes Civilian casualties Taliban engaged hit record high as NUG leaders urged in psychological no end in sight to warfare: Seddiqi ground battles to bury hatchet, AT News Report AT News Report KABUL: Commenting on the re- overcome lease of Mullah Omar s biography by the Taliban insurgents in such a Abdul Zuhoor Qayomi further said that Jurm, Wardoj and is growing so rapidly and what KABUL: The United Nations Yangam districts of Badakhshan plans they got to tackle it. Nadir Assistance Mission in Afghanistan time when the war is coming to a close and Daesh is appearing in the KABUL: The Meshrano Jirga or are going to fall to the Taliban, if Baloch said the president and CEO (UNAMA) recorded eight percent economic crisis the government does not support should keep aside their differenc- country, the Ministry of Interior Senate on Sunday expressed seri- increase in civilian casualties in the ous concern over insecurity and police. Gul Ahmad Azami, a sena- es and pay attention to the prob- first three months of the current (MoI) said that it s a part of their psychological warfare and a media asked the government to take con- tor from Farah, said that insecuri- lems that have affected lives of ci- year as compared to the same pe- crete steps to improve the law and ty is a sensitive issue and number vilians. -
Filming Pakistan in Zero Budget
Filming Pakistan in Zero Budget Dr. Ahmad Bilal* ABSTRACT: In 2009-10, I have decided to do the doctorate in the art of filmmaking. Those were the years of extreme decline for Pakistan’s film industry. Pakistani film was almost over and there was no evidence of the resurrection of this destroyed industry. Indeed, the future of film industry was doubtful, and the same could be the case for a film researcher. Most of the friends, after knowing my field of research, often asked me that why would I chose to do PhD in the subject of film. As, according to them, this is one of the obnoxious and intolerable field, as it is ruining the society by offering and promoting sinful and immoral acts. So a PhD in such a field might not be fruitful in this world, as well as hereafter. I started thinking about one of the very basic questions that how this perception about the art of making film was built. The study of traditional Pakistani cinema, ‘established cinema’, has disclosed that the medium of film was facing a control from the very beginning. Indeed, the policy of censorship was rooted in the times of imperialism. The censorship policy of the British rule was executed only to restrain socialist political ideology and nationalistic themes (Pendakur 1996; Shoesmith 2009). The main emphasis of the policy focus of mass media systems during colonial regimes was on furthering administrative efficiency” (McMillin 71). The government of Pakistan had inherited the policies of their colonial masters; hence, they executed similar censorship policies even after Independence. -
Emergent Cinema of Pakistan
Bāzyāft-30 (Jan-Jun 2017) Urdu Department, Punjab University, Lahore 13 Emergent Cinema of Pakistan Ahmad Bilal ABSTRACT: Pakistan and India shared a common history, language and cultural values, so the form of the film is also similar. The biggest challenge for Pakistan film industry (Lollywood), since partition in 1947, was to achieve a form that can formulate its unique identity. Indian films had been facing an official ban from 1960s to 2007, which initially had helped the local film industry, as, in 1970s and 80s, it was producing more than 100 films per year. However, the ban had diminished the competition and become the biggest reason of the decline of Pakistani film. The number of films and their production value had been deteriorating in the last two decades. In 2007, the official screening Indian films have been allowed by Pakistani authorities. It, on the one side, has damaged the traditional films, “established cinema”, of Pakistan, and on the other side, it has reactivated the old question of distinctive cultural face of Pakistan. Simultaneously, the technology has been shifted from analogue to digital, which have allowed young generation of moviemakers to experiment with the medium, as it is relatively economical. The success of Khuda Kay Liay (2007) and Bol (2011) have initiated a new kind of cinema, which is termed as “emergent cinema” by this research. This paper investigates emergent cinema to define its elements and to establish its relation with the established cinema of Pakistan. It also discloses the link of emergent cinema with the media liberation Act of 2002, which has allowed a range of subjects. -
Causes and Effects of Indian Movies in Pakistani Cinemas
CAUSES AND EFFECTS OF INDIAN MOVIES IN PAKISTANI CINEMAS: A CASE STUDY OF LAHORE Researcher Supervisor Muhammad Umar Nazir Prof. Dr. Ghulam Shabir Reg. No. 02/M.Phil-2/2011 Chairman M. Phil (Media Studies) Department of Media Studies In partial fulfillment of the requirement of the Degree of Master of Philosophy in Media Studies (Session 2011-2013) Department of Media Studies The Islamia University of Bahawalpur i Table of Contents Sr. Contents Page No No. Abstract 1 Chapter 1: Introduction 1.1 Introduction 2 1.2 Rationale of Study 9 1.2.1. Rationale for Selecting the Topic 9 1.3 Objectives 11 1.4 Hypothesis 12 1.5 Research Questions 12 1.6 Significance 13 Chapter 2: Literature Review 2.1 Literature Review 16 Chapter 3: Theoretical Framework 3.1 Theoretical Framework 33 3.2 Uses and Gratification Theory 33 3.2.1. Criticism of Uses and Gratification Theory 36 3.2.2. Relevance of the Theory with Research 37 3.3 Theory of Political Economy of Communication 37 3.3.1 Roots 39 3.3.2. Political economy of communication in Nazi Germany 46 viii 3.3.3. Contemporary concerns 49 3.3.4. Contemporary “mainstream” approaches 50 3.4 Conclusion 61 Chapter 4: Research Methodology 4.1 Research Design 62 4.2 Research Methodology 63 4.2.1. Universe 63 4.2.2. Sampling 64 4.2.3. Sampling Ratio 64 4.2.4. Sample Size 65 4.3. Unit of Analysis 65 4.4. Conceptualization and Operationalization of key terms and concepts 67 4.4.1. -
(September, 2017) CONSENSUAL and CONFLICTUAL POLITICAL CULTURE in PAKISTAN: a COMPARATIVE ANALYSIS of JAMAAT-I-ISLAMI and JAMIAT ULEMA-I-ISLAM SOCIALIZATION PROCESS
CONSENSUAL AND CONFLICTUAL POLITICAL CULTURE IN PAKISTAN: A COMPARATIVE ANALYSIS OF JAMAAT-I-ISLAMI AND JAMIAT ULEMA-I-ISLAM SOCIALIZATION PROCESS BY WAJID MEHMOOD DEPARTMENT OF POLITICAL SCIENCE UNIVERSITY OF PESHAWAR (September, 2017) CONSENSUAL AND CONFLICTUAL POLITICAL CULTURE IN PAKISTAN: A COMPARATIVE ANALYSIS OF JAMAAT-I-ISLAMI AND JAMIAT ULEMA-I-ISLAM SOCIALIZATION PROCESS Thesis submitted to the Department of Political Science, University of Peshawar, in partial fulfillment of the requirements for the Award of the Degree of DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE (September, 2017) i ABSTRACT This study reflects on the consensual and conflictual political culture in Pakistan and specifically in two religio-political parties i.e. Jamaat-i-Islami and Jamiat Ulema-i- Islam. It validates the argument that consensus and conflicts within political parties are because of the socialization process of their workers. It fundamentally tries to investigate the questions of “how a culture of consensus or conflict is developed through the process of socialization”. How JI and JUI socialize their workers? And “how far socialized workers in JI and JUI accommodate people of other political parties and ideologies”? The scarce literature on Jamaat-i-Islami and Jamiat Ulema-i-Islam failed to explain the political behavior of the workers of these two parties. In the political socialization scholarship, socialization is a continuous process and different agents and factors have significant roles during the whole process, which shape specific preferences of the “socialized” workers. For JI and JUI, socializing and politically educating the future citizens of the polity is the primary duty of the family. Political and social conceptions along with religious ideas and values found among members of JI and JUI are thus transmitted through, especially, parents’ in the family, more than schools, peer groups and mass media. -
Role of ISPR in Countering Hybrid Warfare
Human Nature Journal of Social Science Vol. 1, No. 1 (March-2021), Pp.12-21 Role of ISPR in Countering Hybrid Warfare Zainab Khan1, Abdul Wajid Khan2 1MPhil Media Studies, Department of Media Studies, The Islamia University of Bahawalpur 2Professor, Department of Media Studies, The Islamia University of Bahawalpur [email protected], [email protected] Abstract In recent years, hybrid warfare has come up as a real challenge for states especially, the ones which are developing like Pakistan and tensions of hybrid warfare due to some allegations from Indian media. The relationship between both Pakistan and India becomes more complicated; therefore, this research study is designed to find out the role of ISPR towards handling of national media in the prevalent security environment with a view to recommend measures to integrate both for larger national security interests. Therefore, according to the need of recent research study, researcher adopted the explorative research design and the population comprised of all the media production by ISPR and sample was collected by using purposive sampling technique. Moreover, ISPR is in principle, an authoritative military media and the study explore the role of ISPR being media and public relations wing of the Pakistan armed forces and the main source of information in point of view of hybrid warfare and in spreading awareness regarding hybrid warfare are the findings gathered from content analysis of the media campaigned. The findings revealed that the purpose behind the creation of such content was to paid homage to the brave soldiers of armed forces of the land of Pakistan and also falsified the propaganda impose by foreign media to spread rumors against Pakistan. -
Roohani Daak (1)
Roohani Daak (1) (Roman Urdu) KHWAJA SHAMSUDDIN AZEEMI www.ksars.org Khwaja Shamsuddin Azeemi Research Society 1 Roohani Daak (1) Roohani Daak (01) Compiled By RAMSHA AHMED AZEEMI www.ksars.org www.ksars.org Khwaja Shamsuddin Azeemi Research Soceity 2 Roohani Daak (1) Fehrist 15 .............................................................................. Aulaad Nahi Hoti 15 .................................................................................. Allergy Ka Ilaaj 16 ................................................................ Aik So Pachaas Cheenkain 16 ................................................................................................. Udasi 17 ............................................................. Ungliyan Kashish Ka Zareya 17 ................................................................................... Aulaad Narina 17 ................................................................................ Aulaad Nahi Hui 18 ............................................................................ Androoni Bukhaar 19 ..................................................................................... Ehsas Kamtri 20 ....................................................................... Istaghna Aur Calories 21 ................................................................................... Insani Voltage 22 ....................................................................... Aik Laakh Khwahisaat 23 ............................................................................. Abnormal Zindagi -
Citizenship and State in Pakistani Animated Films Mohammad Azeem
Animating Subjects: Citizenship and State in Pakistani Animated Films Mohammad Azeem Abstract This paper engages in textual analysis of 3 Bahadur (dir. Sharmeen O. Chinoy, 2015) and Allahyar and The Legend of the Markhor (dir. Uzair Zaheer Khan, 2018) to explore the portrayal of archetypal good and evil, the ideal male and female citizen, and the depiction of the enemy. The analysis is built upon the idea of ‘politics of innocence’ and the relationship of films with the audience's deep-rooted concerns about life. In this case, all the questions that arise from engaging with the aforementioned themes. The paper finds that while in 3 Bahadur, the ideal citizen embraces the power to fight the enemy that takes birth within the community, Allahyar and The Legend of the Markhor (ALM) pictures the enemy as someone residing outside the country and portrays Allahyar as the ‘Protector’. It also finds a different treatment of female protagonists in both films; where Mehru in ALM, though adventurous, is trapped by guilt for being one while Amna in 3 Bahadur, is supported by his father to fight off the villain. This analysis is primarily necessitated by the idea of innocence, employed by selected films, to scrutinize the didactic messaging which would otherwise go unchecked, for the innocence gives the tinge of ‘unintentional’ design making it more persuasive for the audience. Keywords: Pakistani Animation, Sharmeen Obaid-Chinoy, Uzair Zaheer Khan, Citizenship, Nation in Cinema The Pakistani cinema industry took a brutal hit during the martial law era of dictator Zia-ul-Haq, beginning in 1977 (Gazdar). -
Positivity in Pakistan BS43 3811 Facts About Pakistan * Pakistan Is the First Islamic Country to Attain Nuclear Power
A Media Publication by the students of Mass Communication and Media Studies Karachi - Pakistan Volume - V July 2015 Issue - VII By Atif Malik Positivity in Pakistan BS43 3811 Facts about Pakistan * Pakistan is the First Islamic country to attain Nuclear Power. * Our National Anthem tune ranks first in the top three tunes of the world. * The Shah Faisal Mosque in Islamabad can accommodate almost 100,000 worshipers. * World’s youngest certified Microsoft Expert Arfa Kareem (Late) and Babar Iqbal are from Pakistan. * Pakistan’s literacy rate has grown by 250% from 2010 - 2015, the largest increase in any country to date. * Pakistan has resources like natural gas, fertile soil, mines, minerals, water, and crops. * In sightings and tourism our country has many beautiful places that caters to that. Starting from Karachi where we have water parks, shopping, beaches, zoos, horseback riding whereas in Lahore water parks, zoos, architecture, history and culture is the main attraction moving further to Murree those green Mountain peaks will actually give you a thrill and a calm enjoyable environment. Places like Naran Kaghan, Siri Paya, Gilgit Baltistan, Bhurban, Kalam, Swat, Taxila, Margalla Hills, KPK (Khyber Pakhtunkhwa), Gwadar, Balakot, Jhelum, Skardu and many places like these which has beautiful views of lakes, rivers, mountains, snowfall and greenery will actually bring a heavenly and adventurous sensation to you while travelling. * Let’s take a tour of those facts or you can say the brighter part of our Country. Skimming over a few selective spheres of influence where Pakistan has truly blazed a trail. 1. Technology: 2. Largest Ambulance 3. -
Pakistan's Institutions of Higher Education Impacting Community
Issue V CommPact Spring 2016 Pakistan’s Institutions of Higher Education Impacting Community through PCTN CommPact A PCTN Publication Spring 2016 In Focus 05 Advocacy/ Awareness 11 Health 19 Education 29 CHAPTERS Disaster Relief 41 Environment Protection 45 Community Empowerment and Outreach 49 Misc News 57 Editor > Gul-e-Zehra Graphics & layout > Kareem Muhammad PSA Directorate-NUST Editor’s Note I am pleased to share with you the 5th edition of Pakistan Chapter of The Talloires tual learning for students. Network (PCTN) newsletter. Like the previous newsletters, this publication also In March 2016 the 3rd PCTN seminar was held on the theme of ‘Role of Universities shares the outstanding community service work being carried out by students of in Community Development and Empowerment’. It was attended by Vice Chancel- PCTN member universities all across Pakistan. The activities that our members share lors, faculty and students of PCTN member universities. Rector NUST Engr Muham- motivate us to do better in reaching out to and serving our communities. mad Asghar and Air Commodore Shabbir gave key note speeches, which inspired At the end of last year PCTN members elected a new Steering Committee for the the attendees to make all possible efforts for the betterment of Pakistan. A panel next 2 years. We hope that the leadership of the newly elected committee would discussion on ‘Contributions towards school education’ was held. After the seminar, guide and steer the Chapter towards promoting the cause of community service meeting of the newly elected Steering Committee was also held in which the way throughout Pakistan. -
2018 Annual Report
Message From CEO Duraid Qureshi CEO HUM NETWORK LTD. In 2018, HUM Network Limited is now in its 14th year of operation. Our success over the past 13 years has been full of obstacles and challenges but we continued to push forward courageously breaking barriers. Creativity remained our driving force and we continued to offer viewers with the best of Pakistani dramas thus indulging them into deep desire for more. Hum News is the most ambitious project of Hum Network that has been launched to articulate dreams and aspirations of the 21st Century Pakistan. Since its launch in May 2018, Hum News has raised the bar of broadcast journalism by its factual, objective, balanced and fair coverage. Hum News is striving to shape up a new, dynamic and inclusive national narrative by focusing on strengths and positives of this nation of 220 million people, while at the same time highlighting the problems and contradictions, which need to be solved and resolved. In line with the traditions of Hum Network – the market leader in the entertainment world since its establishment in February 2004 – Hum News also adheres to the best corporate and media practices. Hum News has set a new benchmark in delivering high-quality news, current affairs and infotainment content to the viewers. Headquartered in Islamabad, Hum News has established itself in a short-span of time as an independent, investigative and inspirational channel. Our leadership has also anticipated the changes taking place in this digital era and ventured into the vast market of e-commerce operations. HUM Mart was launched during FY2017-18 to take advantage of the highly potential untapped market in Pakistan. -
An Interview with the Team of Maalik by Ally Adnan
An Interview with the Team of Maalik by Ally Adnan After a period of more than three decades, cinema in Pakistan is now in the midst of a revival. Films like Chambaili, Dukhtar, Josh, Lamha, Main Hoon Shahid Afridi, Na Maloom Afraad, Waar, Khuda Ke Liye, Tamanna and Zinda Bhaag have received both commercial and critical success, paving the way for an unprecedented number of serious films that is in the pipeline for the next few years. Ashir Azeem’s Maalik is one of the more promising films in this list of films. In an exclusive interview for the Friday Times, Ally Adnan talks to film’s director, Ashir Azeem, and his wife, Bushra Ashir, along with two of its stars, Farhan Ally Agha and Hassan Niazi. 1. Cinema in Pakistan seems to have a new lease on life and the resurgence has made it possible for a lot of new filmmakers to join the field and produce films of a superior caliber. Maalik is one of the major films that is set for a release in 2015. Would the film have been made if Pakistani cinema was not undergoing a revival? Ashir Azeem: I believe the film would have been made, if not now, then in a few years. The activity in the field of cinema made it possible to make it now. Farhan Ally Agha: I want to say something about the so-called “resurgence” of Pakistani cinema. I do not feel that it is as much a resurgence as it is a complete rebirth. The cinema that was in vogue up until the nineteen eighties was very different than what we have today.