Pakistani Cinema: a Seventy Years Study of Rise and Fall Dr
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Tentative List of Miscellaneous Matters to Be Listed in Seriatim in the Coming Weeks (Based on the Advance List Published on 07
Tentative list of Miscellaneous Matters to be listed in seriatim in the coming weeks (Based on the Advance List published on 07. 03. 2020) Note :- The Advocates-On-Record in the following matters are requested to intimate the Registry as to whether the matter(s) is/are fit or not for hearing through Video Conferencing Mode, on the e-mail id [email protected] by 5.00 P.M. on 15.8.2020. If no intimation is received it shall be taken that the matter is fit for hearing through Video Conferencing Mode. SUPREME COURT OF INDIA SNo. Case No. Petitioner / Respondent Petitioner/Respondent Advocate 1 W.P.(C) No. 55/2003 E.R. KUMAR AND ANR. PETITIONER-IN-PERSON[P-1] PIL-W Versus VINAY GARG, V. G. PRAGASAM, SHIBASHISH MISRA, SATYA MITRA, S.. UDAYA KUMAR SAGAR, RUCHI KOHLI, RANJAN MUKHERJEE, PRAGATI NEEKHRA, PARIJAT SINHA, P. V. YOGESWARAN, NISHE RAJEN SHONKER, MISHRA SAURABH, M. YOGESH KANNA, KAVEETA WADIA, K. ENATOLI SEMA, HEMANTIKA WAHI, [R-8], GUNTUR PRABHAKAR, GOPAL SINGH, GOPAL PRASAD, G. INDIRA, UNION OF INDIA AND ORS. [R-1], ANIRUDDHA P. MAYEE, ADARSH UPADHYAY, RANJEETA ROHATGI[R-1], MUKESH KUMAR MARORIA[R-1], M. SHOEB ALAM[R-2], [R-11], ABHINAV MUKERJI[R-3], SANJAY KUMAR VISEN[R-5], UTTARA BABBAR, [R-6], KAMLENDRA MISHRA[R-9], RAJESH SRIVASTAVA[R-10], TAPESH KUMAR SINGH[R-12], JATINDER KUMAR BHATIA[R-13], CHANDRA PRAKASH[R-15], SHUVODEEP ROY[R-16] Connected 1.1 DEEPAN BORA AND ORS. PRASHANT BHUSHAN[P-1] W.P.(C) No. 572/2003 Versus PIL-W M. -
Copyright by Gwendolyn Sarah Kirk 2016
Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
Role of the Muslim Anjumans for the Promotion of Education in the Colonial Punjab: a Historical Analysis
Bulletin of Education and Research December 2019, Vol. 41, No. 3 pp. 1-18 Role of the Muslim Anjumans for the Promotion of Education in the Colonial Punjab: A Historical Analysis Maqbool Ahmad Awan* __________________________________________________________________ Abstract This article highlightsthe vibrant role of the Muslim Anjumans in activating the educational revival in the colonial Punjab. The latter half of the 19th century, particularly the decade 1880- 1890, witnessed the birth of several Muslim Anjumans (societies) in the Punjab province. These were, in fact, a product of growing political consciousness and desire for collective efforts for the community-betterment. The Muslims, in other provinces, were lagging behind in education and other avenues of material prosperity. Their social conditions were also far from being satisfactory. Religion too had become a collection of rites and superstitions and an obstacle for their educational progress. During the same period, they also faced a grievous threat from the increasing proselytizing activities of the Christian Missionary societies and the growing economic prosperity of the Hindus who by virtue of their advancement in education, commerce and public services, were emerging as a dominant community in the province. The Anjumans rescued the Muslim youth from the verge of what then seemed imminent doom of ignorance by establishing schools and madrassas in almost all cities of the Punjab. The focus of these Anjumans was on both secular and religious education, which was advocated equally for both genders. Their trained scholars confronted the anti-Islamic activities of the Christian missionaries. The educational development of the Muslims in the Colonial Punjab owes much to these Anjumans. -
Trends of Pakistani Films: an Analytical Study of Restoration of Cinema
Trends of Pakistani films: An analytical study of restoration of cinema Fouzia Naz* Sadia Mehmood** ABSTRACT People prefer to go to the cinema as compared to theaters because of its way of execution and performance. Background music, sound effects, lights, direction attract people, and its demonstrations relate people to their lives. It is true that films have a unique and powerful connection between human behavior and societal culture. Pakistani film industry faced the downfall and now it is doing its best to make the films on international standards. In this research article, the background of Pakistani cinema and causes of downfall will be discussed. The main idea of this research article is to identify and study the development of Pakistani film industry. Qualitative and quantitative data collection will be used as the research method of this research. This research article helps in observing different mass media theory based on Pakistani cinema. Moreover, it will be explained what filmmakers critiques and people say regarding revival or restoration. Keywords: downfall, revival, the impact of the Pakistani film industry, Lollywood *Assistant professor, Mass Communication, University of Karachi) **Assistant professor, Mass Communication, University of Karachi) 33 Jhss, Vol. 8, No. 2 , July to December, 2017 The definition of cinema can be explained as “another word of moving a picture”1This is the place where films are shown to the public. Most of the people who are not into the arts get confused in cinema and theater. The theater is the building where live performance is performed2. The similarity between cinema and theaters are both of them execute act and created for public entertainment. -
Research and Development
Annual Report 2010-11 Research and Development RESEARCH AND DEVELOPMENT FACULTY OF ARTS & HUMANITIES DEPARTMENT OF ARCHAEOLOGY Projects: (i) Completed UNESCO funded project ―Sui Vihar Excavations and Archaeological Reconnaissance of Southern Punjab” has been completed. Research Collaboration Funding grants for R&D o Pakistan National Commission for UNESCO approved project amounting to Rs. 0.26 million. DEPARTMENT OF ENGLISH LANGUAGE & LITERATURE Publications Book o Spatial Constructs in Alamgir Hashmi‘s Poetry: A Critical Study by Amra Raza Lambert Academic Publishing, Germany 2011 Conferences, Seminars and Workshops, etc. o Workshop on Creative Writing by Rizwan Akthar, Departmental Ph.D Scholar in Essex, October 11th , 2010, Department of English Language & Literature, University of the Punjab, Lahore. o Seminar on Fullbrght Scholarship Requisites by Mehreen Noon, October 21st, 2010, Department of English Language & Literature, Universsity of the Punjab, Lahore. Research Journals Department of English publishes annually two Journals: o Journal of Research (Humanities) HEC recognized ‗Z‘ Category o Journal of English Studies Research Collaboration Foreign Linkages St. Andrews University, Scotland DEPARTMENT OF FRENCH LANGUAGE AND LITERATURE R & D-An Overview A Research Wing was introduced with its various operating desks. In its first phase a Translation Desk was launched: Translation desk (French – English/Urdu and vice versa): o Professional / legal documents; Regular / personal documents; o Latest research papers, articles and reviews; 39 Annual Report 2010-11 Research and Development The translation desk aims to provide authentic translation services to the public sector and to facilitate mutual collaboration at international level especially with the French counterparts. It addresses various businesses and multi national companies, online sales and advertisements, and those who plan to pursue higher education abroad. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
Music- a Literary Social Science
International Research Journal of Social Sciences_____________________________________ ISSN 2319–3565 Vol. 2(4), 28-30, April (2013) Int. Res. J. Social Sci. Music- A Literary Social Science Shivadurga and Mehrotra Vivek English Department, Institute of Applied Science and Humanities, GLA University, Mathura, UP, INDIA Available online at: www.isca.in Received 22 nd November 2012, revised 20 th December 2013, accepted 28 th February 2013 Abstract Music is the movement of sound to reach the soul for the education of its virtue.The study of music is a part of biology as the study of living organisms. Music exists because people create it, perform it and listen to it. The human brain is an information processing system. Music is a higher revelation than all wisdom and philosophy. Music is a super-stimulus to express the strong emotions about the internal mental state of the speaker. The musicality of speech is much more subtle than that of music, but it provides important information which the listener's brain processes in order to derive some information. This information is applied to modulate the listener's emotional response to speech, and this accounts for the emotional effect of music. The normal function of the cortical map that responds to consonant relationships between different notes occurring at the same time within harmonies and chords must be the perception of consonant relationships between pitch values occurring at different times within the same speech melody. There are at least five and possibly six symmetries of music like: Pitch translation invariance, Time translation invariance, Time scaling invariance, Amplitude scaling invariance, Octave translation invariance and Pitch reflection invariance. -
Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan
Syracuse University SURFACE Dissertations - ALL SURFACE June 2014 Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan Faris Ahmed Khan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Khan, Faris Ahmed, "Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan" (2014). Dissertations - ALL. 56. https://surface.syr.edu/etd/56 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract In 2009, the Pakistani Supreme Court began granting rights to gender ambiguous people who are locally known as khwaja siras. The Court organized this population into taxonomic groups and ordered the government to ‘mainstream’ them. These actions were based on certain cultural assumptions and occurred amid uncertainties about who khwaja siras really were. Meanwhile, khwaja siras began to mobilize in an effort to control their public image. Based on fourteen months of ethnographic fieldwork on the identity politics of khwaja siras in Karachi, this dissertation seeks to understand the ways in which gender ambiguous people constructed, negotiated and represented themselves both within their social networks and in the wider society, as well as the factors underpinning their public portrayals. I conceive khwaja sira politics as a ‘game’, that is, as the art of manipulation and concealment. I argue that the games of secrecy and deception in which this minority population engaged were responses to the stigma they experienced in everyday life. -
FLOOD RISK ASSESSMENT REPORT a Hi-Tech Knowledge Management Tool for Disaster Risk Assessment at UNION COUNCIL Level
2015 FLOOD RISK ASSESSMENT REPORT A Hi-Tech Knowledge Management Tool for Disaster Risk Assessment at UNION COUNCIL Level A PROPOSAL IN VIEW OF LESSONS LEARNED ISBN (P) 978-969-638-093-1 ISBN (D) 978-969-638-094-8 205-C 2nd Floor, Evacuee Trust Complex, F-5/1, Islamabad 195-1st Floor, Deans Trade Center, Peshawar Cantt; Peshawar Landline: +92.51.282.0449, +92.91.525.3347 E-mail: [email protected], Website: www.alhasan.com ALHASAN SYSTEMS PRIVATE LIMITED A Hi-Tech Knowledge Management, Business Psychology Modeling, and Publishing Company 205-C, 2nd Floor, Evacuee Trust Complex, Sector F-5/1, Islamabad, Pakistan 44000 195-1st Floor, Dean Trade Center, Peshawar Can ; Peshawar, Pakistan 25000 Landline: +92.51.282.0449, +92.91.525.3347 Fax: +92.51.835.9287 Email: [email protected] Website: www.alhasan.com Facebook: www.facebook.com/alhasan.com Twi er: @alhasansystems w3w address: *Alhasan COPYRIGHT © 2015 BY ALHASAN SYSTEMS All rights reserved. No part of this publica on may be reproduced, stored in a retrieval system, or transmi ed, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior wri en permission of ALHASAN SYSTEMS. 58 p.; 8.5x11.5 = A3 Size Map ISBN (P) 978-969-638-093-1 ISBN (D) 978-969-638-094-8 CATALOGING REFERENCE: Disaster Risk Reduc on – Disaster Risk Management – Disaster Risk Assessment Hyogo Framework for Ac on 2005-2015 Building the Resilience of Na ons and Communi es to Disasters IDENTIFY, ACCESS, AND MONITOR DISASTER RISKS AND ENHANCE EARLY WARNING x Risk assessments -
Balochistan Review 2 2019
- I - ISSN: 1810-2174 Balochistan Review Volume XLI No. 2, 2019 Recognized by Higher Education Commission of Pakistan Editor: Abdul Qadir Mengal BALOCHISTAN STUDY CENTRE UNIVERSITY OF BALOCHISTAN, QUETTA-PAKISTAN - II - Bi-Annual Research Journal “Balochistan Review” ISSN: 1810-2174 Publication of: Balochistan Study Centre, University of Balochistan, Quetta-Pakistan. @ Balochistan Study Centre 2019-2 Subscription rate in Pakistan: Institutions: Rs. 300/- Individuals: Rs. 200/- For the other countries: Institutions: US$ 15 Individuals: US$ 12 For further information please Contact: Abdul Qadir Mengal Assistant Professor & Editor Balochistan Review Balochistan Study Centre, University of Balochistan, Quetta-Pakistan. Tel: (92) (081) 9211255 Facsimile: (92) (081) 9211255 E-mail: [email protected] Website: www.uob.edu.pk/journals/bsc.htm No responsibility for the views expressed by authors and reviewers in Balochistan Review is assumed by the Editor, Assistant Editor, and the Publisher. - III - Editorial Board Patron in Chief: Prof. Dr. Javeid Iqbal Vice Chancellor, University of Balochistan, Quetta-Pakistan. Patron Prof. Dr. Abdul Haleem Sadiq Director, Balochistan Study Centre, UoB, Quetta-Pakistan. Editor Abdul Qadir Mengal Asstt Professor, International Realation Department, UoB, Quetta-Pakistan. Assistant Editor Dr. Waheed Razzaq Assistant Professor, Brahui Department, UoB, Quetta-Pakistan. Members: Prof. Dr. Andriano V. Rossi Vice Chancellor & Head Dept of Asian Studies, Institute of Oriental Studies, Naples, Italy. Prof. Dr. Saad Abudeyha Chairman, Dept. of Political Science, University of Jordon, Amman, Jordon. Prof. Dr. Bertrand Bellon Professor of Int’l, Industrial Organization & Technology Policy, University de Paris Sud, France. Dr. Carina Jahani Inst. of Iranian & African Studies, Uppsala University, Sweden. Prof. Dr. Muhammad Ashraf Khan Director, Taxila Institute of Asian Civilizations, Quaid-i-Azam University Islamabad, Pakistan.