The Etruscan World
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Experiencing the Etruscans: a Special Guided Tour by Archaeologist Louise Maciejewski
Experiencing the Etruscans: A Special Guided Tour by Archaeologist Louise Maciejewski About your archaeologist/guide: Louise Maciejewski earned her Bachelor of Arts degree in Archaeology from the Institute of Archaeology in London, England, and completed her Masters degree in the study of Etruscans and Etruria at the University of Siena (Italy). She has also studied the art of biography and has broad experience in fine arts conservation, working at a renowned studio in Milan, as well as the Italian Sovrintendenza ai Beni Culturali. In the last few years she has published various articles on the history and prehistory of Cortona and its surrounding area. She has also a close connection to the MAEC (Museo dell’Accademia Etrusca e della Città di Cortona) where she is often asked to participate in local projects. Learn more about Louise below. Dates: October 3 to October 13 (You will need to leave the US on October 2) Day 0 – October 2 - Departure from the US. Day 1 – October 3- Arrival in Rome Upon arrival in the immortal city of Rome you will be transferred from the airport to a charming centrally located hotel. You will join your fellow travellers for a welcome talk and dinner. You will also meet Archaeologist Louise Maciejewski, who will be with you throughout the trip. Sleep in Rome Customized Journeys - www.customizedjourneys.com - [email protected] 25 NW 23rd PL. Suite 6 PMB # 478 Portland, OR 97210 Tel. + 503 914 6452 Day 2 – October 4- Rome and Villa Giulia This morning you will start your Etruscan discovery with a visit to the amazing treasures of the Villa Giulia museum, which houses the largest collection of Etruscan artifacts in the world. -
150506-Woudhuizen Bw.Ps, Page 1-168 @ Normalize ( Microsoft
The Ethnicity of the Sea Peoples 1 2 THE ETHNICITY OF THE SEA PEOPLES DE ETNICITEIT VAN DE ZEEVOLKEN Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnificus Prof.dr. S.W.J. Lamberts en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op vrijdag 28 april 2006 om 13.30 uur door Frederik Christiaan Woudhuizen geboren te Zutphen 3 Promotiecommissie Promotor: Prof.dr. W.M.J. van Binsbergen Overige leden: Prof.dr. R.F. Docter Prof.dr. J. de Mul Prof.dr. J. de Roos 4 To my parents “Dieser Befund legt somit die Auffassung nahe, daß zumindest für den Kern der ‘Seevölker’-Bewegung des 14.-12. Jh. v. Chr. mit Krieger-Stammesgruppen von ausgeprägter ethnischer Identität – und nicht lediglich mit einem diffus fluktuierenden Piratentum – zu rechnen ist.” (Lehmann 1985: 58) 5 CONTENTS Preface ................................................................................................................................................................................9 Note on the Transcription, especially of Proper Names....................................................................................................11 List of Figures...................................................................................................................................................................12 List of Tables ....................................................................................................................................................................13 -
Homenaje Al Profesor Armando Torrent
Coordinadores ALFONSO MURILLO VILLAR ARÁNZAZU CALZADA GONZÁLEZ SANTIAGO CASTÁN PÉREZ-GÓMEZ HOMENAJE AL PROFESOR ARMANDO TORRENT RIFLESSIONI SUI SISTEMI DI GOVERNO ETRUSCHI PRIMA E DOPO LA GUERRA SOCIALE (91-88 a.C.) LOREDANA CAPPELLETTI (85-99) pp. UNIVERSIDAD DE BURGOS 2016 Todos los derechos reservados. Ni la totalidad ni parte de este libro, incluido el diseño de la cubierta, puede reproducirse o transmitirse por ningún procedimiento electrónico o mecánico. Cualquier forma de reproducción, distribución, comunicación pública o transformación de esta obra solo puede ser realizada con la autorización de sus titulares, salvo excepción prevista por la ley. Diríjase a CEDRO (Centro Español de Derechos Reprográficos) si necesita fotocopiar o escanear algún fragmento de esta obra (www.conlicencia.com; 91 702 19 70 / 93 272 04 47).. Esta obra ha sido posible gracias a la contribución de la Universidad de Burgos, la Universidad Rey Juan Carlos, Consejo General del Notariado y Colegio de Registradores de España. © Copyright by Autores DYKINSON, S.L. UNIVERSIDAD DE BURGOS UNIVERSIDAD REY JUAN CARLOS Editorial DYKINSON, S.L. Meléndez Valdés, 61 - 28015 Madrid Teléfono (91) 544 28 46 - (91) 544 28 69 e-mail: [email protected] http://www.dykinson.es http://www.dykinson.com ISBN: 978-84-9085-629-1 ISBN Universidad de Burgos: 978-84-16283-16-3 Depósito Legal: M-251-2016 ÍNDICE GENERAL PRESENTACIÓN Por Fernando Suárez Bilbao, Rector de la Universidad Rey Juan Carlos ................. 17 PRÓLOGO Por Alfonso Murillo Villar, Aránzazu Calzada González, Santiago Castán Pérez-Gómez (editores) .................................................................................................................................19 ARMANDO TORRENT: 50 AÑOS DE DEDICACIÓN A LA UNIVERSIDAD Y AL DERECHO ...................23 ESTUDIOS SOBRE LA EVOLUCIÓN DE CREDERE Y SOLVERE ...............................................33 ANA ALEMÁN MONTERREAL Universidad de Almería LA PROYECCIÓN DEL FAVOR DEBITORIS AL DERECHO PÚBLICO ROMANO. -
An Examination of Cavità 254 in Orvieto, Italy, and Its Primary Usage As an Etruscan Quarry
An Examination of Cavità 254 in Orvieto, Italy, and its Primary Usage as an Etruscan Quarry Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Professor Ann Olga Koloski-Ostrow, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Kelsey Latsha May 2018 Copyright by Kelsey Latsha © 2018 ACKNOWLEDGEMENTS This Project is the culmination of years of work on the excavation of Cavità 254 under the direction of Professor David George and Claudio Bizzarri. I would like to thank Professor George for the opportunity to work on the site of Cavità 254 and for introducing me to the world of the Etruscans during my time at Saint Anselm College. I am forever grateful for Professor George’s mentorship that motivated me to pursue a graduate degree in Ancient Greek and Roman Studies at Brandeis University. I would also like to thank Doctor Paolo Binaco a fantastic teacher, friend, and archaeologist. Paolo has guided me in the right direction, while simultaneously sparking excitement in asking new questions about our unique site. Thank you, Paolo, for the unforgettable adventures to see Orvieto’s “pyramids” and for teaching me everything Etruscan. This thesis would not be possible without the immense support of the Department of Classical Studies at Brandeis. I especially would like to thank my Advisor Professor Ann Olga Koloski-Ostrow for her enthusiastic support of my project from its early beginnings and always pushing me to better my writing and research. -
The Library of Prof. Dr. Werner Rudolf Fuchs, Professor Emeritus, Westfälische Wilhelms-Universität, Münster Including a Portion of the Library of Prof
Ancient Art & Archaeology, Mostly Greek The Library of Prof. Dr. Werner Rudolf Fuchs, Professor emeritus, Westfälische Wilhelms-Universität, Münster including a portion of the library of Prof. Dr. Reinhard Herbig (as well as books from the libraries of Gustav Herbig and Rudolf Pagenstecher) 2,842 titles in circa 3,600 volumes WERNER FUCHS Dr.Phil. Professor em. 27.09.27 11.01.16 Zwickau, Germany Oxford, England SCHRIFTVERZEICHNIS FUER PROF.em. DR. WERNER FUCHS 1. Die Vorbilder der neuattischen Reliefs. Dissertation Tuebingen 1953. Erweitert gedruckt 1959 als 20. Ergaenzungsheft zum Jahrbuch des Deutschen Archaeologischen Instituts. 212 S., 39 Taf. 2. Zum Aphrodite-Typus Louvre-Neapel, Neue Beitraege zur klass. Altertumswissenschaft (Festschrift B. Schweitzer) 1954, 206-217 3. Das roemische Theater in Malaga, Archaeologischer Anzeiger 1954, 389- 395. 4. Dionysos aus dem Metroon-Giebel?, Athenische Mitteilungen 721, 1956, 66-73, Beilage 44-46. 5. Zu den Metopen des Heraion von Selinus, Roemische Mitteilungen 63, 1956, 102-121, Taf. 49-56. 6. Eine Bronzestatuette des Strengen Stiles im Lateran, Roemische Mitteilungen 64, 1957, 222-231, Taf. 46-47. 7. Die verschollene Kleinbronze aus Tegea, Archaeologischer Anzeiger 1956, 1-10, Abb. 1-5. 8. Juenglingskopf im Museo Barracco, Roemische Mitteilungen 65, 1958, 1-5, Taf. 1-3. 9. Anzeige von Opus Nobile Heft 1-5, Gnomon 30, 1958, 398-399. 10. Der Dornauszieher, Opus Nobile Heft 8, Bremen 1958, 3-14, Abb.15. 11. Attisches Weihrelief im Vatikan, Roemische Mitteilungen 68, 1961, 167- 181, Taf. 74-77. 12. Rezension von Tobias Dohrn, Attische Plastik vom Tode des Phidias bis zum Wirken der grossen Meister des IV Jhs.v.Chr., Gnomon 33, 1961, 237- 242. -
Vasemania: Neoclassical Form and Ornament
VOLUME: 4 WINTER, 2004 Vasemania: Neoclassical Form and Ornament: Selections from The Metropolitan Museum of Art at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture Review by Nancy H. Ramage 1) is a copy of a vase that belonged to Ithaca College Hamilton, painted in Wedgwood’s “encaustic” technique that imitated red-figure with red, An unusual and worthwhile exhibit on the orange, and white painted on top of the “black passion for vases in the 18th century has been basalt” body, as he called it. But here, assembled at the Bard Graduate Center in Wedgwood’s artist has taken all the figures New York City. The show, entitled that encircle the entire vessel on the original, Vasemania: Neoclassical Form and and put them on the front of the pot, just as Ornament: Selections from The Metropolitan they appear in a plate in Hamilton’s first vol- Museum of Art, was curated by a group of ume in the publication of his first collection, graduate students, together with Stefanie sold to the British Museum in 1772. On the Walker at Bard and William Rieder at the Met. original Greek pot, the last two figures on the It aims to set out the different kinds of taste — left and right goût grec, goût étrusque, goût empire — that sides were Fig. 1 Wedgwood Hydria, developed over a period of decades across painted on the Etruria Works, Staffordshire, Britain, France, Italy, Spain, and Germany. back of the ves- ca. 1780. Black basalt with “encaustic” painting. The at the Bard Graduate Center. -
Le Parole Etrusche Ame, Amce E La Revisione Di Ie. *Yem- ‘Paaren’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Emerita (E-Journal) LE PAROLE ETRUSCHE AME, AMCE E LA REVISIONE DI IE. *YEM- ‘PAAREN’ ADOLFO ZAVARONI The main purpose of this article is to demonstrate the groundlessness of the old and common thesis according to which Etr. ame, amuke, amce are parts of the verb “to be”. We can search for the true meaning of these words with the help of the so-called “comparative method”, a method that, in the last few decades, did not enjoy its due share of attention. My underlying thesis is that Etruscan, although not being an Indo-European language, has many IndoEuropean stems, which it acquired during many centuries of contacts. The comparative method might be of help just provided we strictly stick to the rules that define the phonological system of Etruscan (in the present work I present the system of the stops only). –– The term am(u)ce indicates ‘to be united, to make a pair with, co-’. In fact, amce is mainly found in connection with the words puia ‘wife’ and zilaθ (magistracy constituted by two or more persons). In extant inscriptions, we also find twice the word ame connected to puia, yet in most cases ame is a particle placed after the verb, where it fulfills the same function of the latin preverb cum, co-. As an example, in the Tabula Cortonensis the words eprus ame mean ‘co-operantur, (they) sacrifice together’. Moreover, there are five occurrences of the particle ama connected with the word ipa. -
Work Notes on Bona Dea & the Goddess Uni-A Survey of Etruscan
Work notes on Bona Dea & the goddess Uni — a survey of Etruscan & Latin texts relating to the Pyrgi Gold Tablets By Mel Copeland (Relating to Etruscan Phrases texts) A work in progress November 15, 2014 The Etruscan goddess, Uni, Unia, has been identified with the Roman Juno and, on pottery and mirrors she is portrayed in mythological scenes involving the Greek goddess Hera. Although the Etruscans assigned their own peculiar names to the “Greek” pantheon, such as Tini, Tinia (L. Jupiter, Gr. Zeus), Uni, Unia (L. Juno, Gr. Hera), Turan (L. Venus, Gr. Aphrodite, and Thalna (Gr. Nemisis), many of the Greek characters are recorded with similar spelling in the Etruscan texts, such as Hercle, HerKle, (Gr. Herakles), These (Gr.Theseus), Akle (Gr. Achilles), Ektor (Gr. Hector), Aifas Telmonos (Gr. Ajax Telamonos), Elenei, Elinai (Gr. Helen [of Troy], Elchintre (Alexandar, Paris), Achmemon (Gr. Agememnon) Aeitheon (Gr. Jason) Aita (Gr. Hades) and Dis (Gr. another name of Hades: Dis) and his consort Phersipnei (Gr. Persephone). Because of the imagery used on vases and mirrors and the common Greek mythological themes, we can discern the names and grammatical conventions of Etruscan mythological characters. Because we know who the characters are for the most part and the context in which the Etruscans knew them, we can further understand pure textual documents of the Etruscans, such as the Pyrgi Gold tablets, which will be discussed later in this document, as it pertains to the Roman Feast of the 1st of May called Bona Dea. Uni was identified by the Romans as the Etruscan version of Juno, the consort of their supreme god, Jupiter (Etr. -
A Companion to Ancient History Edited by Andrew Erskine © 2009 Blackwell Publishing Ltd
A COMPANION TO ANCIENT HISTORY A Companion to Ancient History Edited by Andrew Erskine © 2009 Blackwell Publishing Ltd. ISBN: 978-1-405-13150-6 BLACKWELL COMPANIONS TO THE ANCIENT WORLD This series provides sophisticated and authoritative overviews of periods of ancient history, genres of classical literature, and the most important themes in ancient culture. Each volume comprises between twenty-fi ve and forty concise essays written by individual scholars within their area of specialization. The essays are written in a clear, provocative, and lively manner, designed for an international audience of scholars, students, and general readers. ANCIENT HISTORY LITERATURE AND CULTURE A Companion to the Roman Army A Companion to Classical Receptions Edited by Paul Erdkamp Edited by Lorna Hardwick and Christopher Stray A Companion to the Roman Republic Edited by Nathan Rosenstein and Robert A Companion to Greek and Roman Morstein-Marx Historiography Edited by John Marincola A Companion to the Roman Empire Edited by David S. Potter A Companion to Catullus Edited by Marilyn B. Skinner A Companion to the Classical Greek World Edited by Konrad H. Kinzl A Companion to Roman Religion Edited by Jörg Rüpke A Companion to the Ancient Near East Edited by Daniel C. Snell A Companion to Greek Religion Edited by Daniel Ogden A Companion to the Hellenistic World Edited by Andrew Erskine A Companion to the Classical Tradition Edited by Craig W. Kallendorf A Companion to Late Antiquity Edited by Philip Rousseau A Companion to Roman Rhetoric Edited by William Dominik and Jon Hall A Companion to Archaic Greece Edited by Kurt A. -
Etnews Draft 14
Volume 17 Winter 2015 Uni and the Golden Gift Excavations in excavations are Etruscans at Oxford of Thefarie a sacred Etruscan conducted under and Roman well the auspices of Dr. Charlotte Potts The 50th Anniversary of the at Cetamura del the Soprintend- Sybille Haynes Lecturer in Etruscan Discovery of the Gold Tablets of Chianti have enza per i Beni and Italic Archaeology and Art Pyrgi brought forth Archeologici Woolley Fellow, Somerville College, by Daniele F. Maras some 14 bronze della Toscana Oxford and Rex E. Wallace vessels and hun- (Andrea Pessina, dreds of objects Soprintendente). The Etruscans seem to have well and As many of our readers know, Pyrgi that show ritual The shaft on the truly arrived at the University of Oxford is the site of the most famous Etruscan usage of the top zone of after 18 months of high-profile events. water source. The Holy Waters at Cetamura Cetamura (Zone results, obtained I) is perhaps over a four-year by Nancy De Grummond more properly period of excavation, were announced called a cistern, since it does not obtain at a press conference on July 4, 2014, at water from an aquifer, but rather accu- the Museo Nazionale Archeologico di mulates it through seepage from the Siena by team members Nancy de sandstone bedrock walls. But its great Grummond (director; Florida State depth suggests comparison with other University), Francesco Cini (president Etruscan wells. The bottom was found of Ichnos: Archeologia, Ambiente e at ca. 32.5 m below ground level, a Sperimentazione) and Nòra Marosi depth that was probably planned as 100 sanctuary. -
ETRUSCAN ORIGINS* Fred C. Woudhuizen Models the Problem of Etruscan Origins Has Received Scholarly Attention Already in Antiquit
TALANTAXXXIV-XXXV (2002-2003) * ETRUSCAN ORIGINS Fred C. Woudhuizen Models The problem of Etruscan origins has received scholarly attention already in Antiquity. First of all, there is the testimony of Herodotos of Halikarnassos (5th century BC) according to which the Etruscans were Lydian colonists from western Asia Minor. Hard pressed by a famine, so the story goes, half of the Lydian population under the leadership of king Atys’ son Tyrsenos mus- tered on ships at Smyrna and sailed to Italy, where they settled in the territo- ry of the Umbrians (Histories I, 94). As opposed to this, we have the opinion of Dionysios of Halikarnassos (1st century BC), who, on the basis of a com- parison between the customs and the languages of the Etruscans and the Lydians, reached the conclusion that these two peoples were unrelated. He extrapolated from this conclusion that the Etruscans were no Lydian colonists, but had always lived in Italy (Roman Antiquities I, 25-30). As divided as opinions were on the subject of Etruscan origins in Antiquity, so they are in our present era. A majority among scholars in the field holds that the Etruscans were autochthonous. In accordance with this view, the Etruscans are considered a remnant population surviving the onset of Indo- European migrations which brought the Umbrians, Oscans, Latins, and Faliscans to the Italian peninsula. Their language, so this line of appraoch con- tinues, is not comparable to any other in the world, except for the one attest- ed for the famous stele from Kaminia on the island of Lemnos in the Aegean. -
Apollo and the Mundus of Caere Naomi Laura Neufeld
APOLLO AND THE MUNDUS OF CAERE NAOMI LAURA NEUFELD APOLLO AND THE MUNDUS OF CAERE: AN INTERPRETATION OF THE PALM TREE FRESCOES OF THE HYPOGAEUM OF CLEPSINA By NAOMI LAURA NEUFELD, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Naomi Laura Neufeld, August 2015 DESCRIPTIVE NOTE: McMaster University MASTER OF ARTS (2015) Hamilton, Ontario (Classics) TITLE: Apollo and the Mundus of Caere: An Interpretation of the Palm Tree Frescoes of the Hypogaeum of Clepsina AUTHOR: Naomi Laura Neufeld, B.A. (McMaster University) SUPERVISORS: Dr. Spencer Pope and Dr. Fabio Colivicchi NUMBER OF PAGES: xi, 141 ii LAY ABSTRACT: The Hypogaeum of Clepsina is an underground ritual chamber in Caere, which scholars theorize to be a mundus, a liminal space where chthonic rituals were enacted in honour of the infernal gods. The mundus was tied to notions of civic foundation, which suggests that the hypogaeum’s construction (or renovation) around the year 273 BC, the time when the city of Caere was officially converted into a Roman praefectura, was a statement of Rome’s re-establishment of Caere. Thus, gaining a deeper understanding of the hypogaeum, especially the cults worshiped within it, contributes to our knowledge of the role that religion played in Roman expansion during the Republican period. The palm tree frescoes decorating the niche of the hypogaeum provide important clues as to the identity of the deity worshiped in the mundus. They are a reference to the god, Apollo Soranus, or Śuri, who was a chthonic deity fitting to preside over the mundus of Caere.