Etruscan News 1-14 (2002-2012) Index
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Comparison of T1 FLAIR BLADE with and Without Parallel Imaging Against T1 Turbo Spin Echo in the MR Imaging of Lumbar Spine in the Sagittal Plane
Lavdas et al., J Radiat Res Imaging 2021; Journal of Radiation Research and 1(1):33-40. Imaging Research Article Comparison of T1 FLAIR BLADE with and without parallel imaging against T1 turbo spin echo in the MR imaging of lumbar spine in the sagittal plane Eleftherios Lavdas1,2, Eleonora Giankou3, Panos Papanikolaou4, Aleksandra Tsikrika5, Maria Papaioannou2, Violeta Roka6, Vasiliki Chatzigeorgiou3, Georgios Batsikas3, Spiros Kostopoulos7, Dimitrios Glotsos7, Athanasios Bakas1, Panayiotis Mavroidis8* 1University of West Attica, Department Abstract of Biomedical Sciences, Athens, Greece Purpose: Spinal cord and nerves are best visualized by MRI, which is able to show structural and functional 2Animus Kyanoys Stavros, Department anomalies of the spine. The primary objective of this study is to identify advantages or disadvantages of of Radiology, Larissa, Greece the T1-weighted fluid attenuated inversion recovery (FLAIR) sequence with BLADE technique (T1W-FLAIR BLADE), with and without parallel imaging when compared with T1 Turbo Spin Echo (T1 TSE) sequence 3Department of Medical Imaging, IASO Thessalias Hospital, Larissa, Greece when performing MRI examination of the lumbar spine in a sagittal view. 4Long School of Medicine, University Methods: L-spine examinations with T1W-FLAIR BLADE (with and without parallel imaging) and T1 TSE of Texas Health at San Antonio, San were acquired on 44 patients using a 1.5T scanner. These sequences were assessed by two radiologists Antonio, TX, USA a) quantitatively by comparing the signal-to-noise ratio (SNR), contrast-to-noise ratio (CNR) and relative contrast (ReCon) measurements and b) qualitatively based on different features of the images such as 5 Department of Radiology, University cerebrospinal fluid (CSF) nulling. -
Herakles Iconography on Tyrrhenian Amphorae
HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase). -
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Phasis 8, 2005 Ekaterine Kobakhidze (Tbilisi) THE ISSUE OF DESCENT OF THE DEITY MARS An attempt to identify the functions of Roman deity Mars has been made in many research works.1 Particular interest towards this god is motivated by his participation in so-called Roman genealogical myths. The father of Romulus and Remus, the main character of one of the earliest patterns of the surviving folk poetry, has for a long time remained in science in the shade of the Greek god of war Ares, and was perceived as his Roman interpretation. Now "justice is restored", and under the influence of Greek mythology, he re-acquired the role of the god of war for the second time, though his primary function has not been definitely identified. I believe that obtaining further insight into the essence of the problem is impossible without taking into consideration the "Italian context" of the Ro- man deity. In this case I mean the pantheon of the peoples living on the Apennines peninsula and participation of Mars‟ namesake gods in the forma- tion of functions of the Roman deity. These mythological characters and gods are: of Marsians – Marsia, Mar- sos, of Auzons – Mares, and Etruscan – Maris. Let us consider the existing information on each of the deities, which in first two cases is fully based on literary sources. 1 Georg Wissowa, Religion u. Kultur d. Römer, 2. Auflage, München, 1912, U. W. Scholz, Studien z. altitalischen u. altrömischen Marskult u. Marsmythos, Heidelberg, 1970, E. Simon, Il dio Marte nell‟arte dell‟ Italia Centrale, Studi Etruschi, XLVI, 1978, 135-74, G. -
Reading for Monday 4/23/12 History of Rome You Will Find in This Packet
Reading for Monday 4/23/12 A e History of Rome A You will find in this packet three different readings. 1) Augustus’ autobiography. which he had posted for all to read at the end of his life: the Res Gestae (“Deeds Accomplished”). 2) A few passages from Vergil’s Aeneid (the epic telling the story of Aeneas’ escape from Troy and journey West to found Rome. The passages from the Aeneid are A) prophecy of the glory of Rome told by Jupiter to Venus (Aeneas’ mother). B) A depiction of the prophetic scenes engraved on Aeneas’ shield by the god Vulcan. The most important part of this passage to read is the depiction of the Battle of Actium as portrayed on Aeneas’ shield. (I’ve marked the beginning of this bit on your handout). Of course Aeneas has no idea what is pictured because it is a scene from the future... Take a moment to consider how the Battle of Actium is portrayed by Vergil in this scene! C) In this scene, Aeneas goes down to the Underworld to see his father, Anchises, who has died. While there, Aeneas sees the pool of Romans waiting to be born. Anchises speaks and tells Aeneas about all of his descendants, pointing each of them out as they wait in line for their birth. 3) A passage from Horace’s “Song of the New Age”: Carmen Saeculare Important questions to ask yourself: Is this poetry propaganda? What do you take away about how Augustus wanted to be viewed, and what were some of the key themes that the poets keep repeating about Augustus or this new Golden Age? Le’,s The Au,qustan Age 195. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
ZIREB Vol 12 No 1.Vp
Zagreb International Review of Economics & Business, Vol. 12, No. 1, pp. 19-38, 2009 © 2009 Economics Faculty Zagreb All rights reserved. Printed in Croatia ISSN 1331-5609; UDC: 33+65 Urban Dipoles in Greece: Economic Development Opportunities for Larissa-Volos Dipole in Thessaly Region Theodore Metaxas* Abstract: The article attempts to illustrate the significance of the existence of co-operation and in tandem development of an urban dipole, as well as the impact of such a dipole development on each of the two cities and on the greater region they belong. For this reason, the article focuses on a specific case of two medium size cities in Greece, Larissa and Volos, which activate in the same region by taking development actions complementary to one another. The aim of the article is to define the prospects for economic development of this dipole and examine its dynamic in relation to other cities in Greece, by using original data derived by a recent empirical research conducted among foreign firms of the region which have established in the dipole area the last 15 years. Keywords: urban dipoles, economic development, Greece JEL Classification: R11, R12, R13 Introduction Cities are the most dynamic centres of economic transformations in a global level (Harris 1997). The main argument arises through the analysis of the international practice is that regional competitiveness / attractiveness presupposes the economic development and vigorousness of the regions main cities (Cheshire and Gordon 1998; Cuadrado-Roura and Rubalcaba- Bermejo, 1998; Cuadrado-Roura, 2001). This conclusion is harmonized with the basic principles for the competition between cities, as they referred in the European Spatial Development Perspective (ESDP, 1999). -
Etruscan Biophilia Viewed Through Magical Amber
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Etruscan Biophilia Viewed through Magical Amber Greta Rose Koshenina University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Koshenina, Greta Rose, "Etruscan Biophilia Viewed through Magical Amber" (2020). Honors Theses. 1432. https://egrove.olemiss.edu/hon_thesis/1432 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ETRUSCAN BIOPHILIA VIEWED THROUGH MAGICAL AMBER by Greta Rose Koshenina A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Dr. Jacqueline DiBiasie-Sammons ___________________________________ Reader: Dr. Molly Pasco-Pranger ___________________________________ Reader: Dr. John Samonds © 2020 Greta Rose Koshenina ALL RIGHTS RESERVED ii DEDICATION I dedicate this thesis with gratitude to my advisors in both America and Italy: to Dr. Jacqueline DiBiasie-Sammons who endured spotty skype meetings during my semester abroad and has been a tremendous help every step of the way, to Giampiero Bevagna who helped translate Italian books and articles and showed our archaeology class necropoleis of Etruria, and to Dr. Brooke Porter who helped me see my research through the eyes of a marine biologist. -
A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean. -
Social Mobility in Etruria Gérard Capdeville
Etruscan Studies Journal of the Etruscan Foundation Volume 9 Article 15 2002 Social Mobility in Etruria Gérard Capdeville Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Capdeville, Gérard (2002) "Social Mobility in Etruria," Etruscan Studies: Vol. 9 , Article 15. Available at: https://scholarworks.umass.edu/etruscan_studies/vol9/iss1/15 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SociaL MobiLity iN Etruria by Gérard Capdeville H(astia) . Ecnatnei . Atiuce . lautnic ([ CIE , 3088 =] TLE , 550 = Cl 1.1568) y “social Mobility” I MeaN here a chaNge of social class, which is Not easy to dis - cerN iN Etruria because we do Not have Much geNeral iNforMatioN oN the struc - Bture of EtruscaN society. The Most iMportaNt chaNge, aNd the Most obvious, is the traNsitioN froM servile to free status, heNce the iMportaNce of freedMeN for our subject. The word for “freedMaN” is well kNowN, as we have circa 175 iNscriptioNs: it is lautuni, lautni (rec. lavtni ), feM. lautni a, lautnita (rec. lavtnita ). Its MeaNiNg is attested by two biliNgual Etrusco-LatiN iNscriptioNs ( CIE , 1288 ClusiuM; 3692 Perugia), which testify to the equivaleNce of lautNi to the LatiN libertus. EquivaleNce does Not MeaN ideNtity of status, especially duriNg the iNdepeNdeNt cities period. At least two questioNs arise. What is the relatioNship betweeN the lautni aNd his forMer Master? What is the positioN of the lautni as regards citizeNship? The oNoMastic, for which we have a very rich corpus of epitaphs, provides us with part of the aNswer. -
Per La Storia Degli Etruschi
PER LA STORIA DEGLI ETRUSCHI I. - CLUSINI VETERES e CLUSINI NOVI Plinio (N. H., Ili, 5, 52) elencando, in ordine approssimati- vamente alfabetico, le località e le repartizioni dell’Etruria dei tempi suoi, e venendo a parlare, dopo la zona marittima, di quella interna (« mtus »), ha : « Cortonenses, Capenates, Clusini novi, Clusini veteres, Fiorentini ». Questa distinzione dei Clusini in veteres e novi, può, presa a sè, rimanere di dubbio significato, per- chè l’analogia ci insegna che, teoricamente, essa potrebbe spiegarsi sia colla sovrapposizione o giustapposizione in uno stesso centro o in centri attigui di due o più elementi di popolazione (come si suole credere per gli A.rretini veteres, Fidentiores e lulienses, di cui parla Plinio stesso) ; sia con la coesistenza di due centri abitati, la popo- lazione di uno dei quali, in un qualche tempo, sia stata in parte trapiantata nel secondo, senza che il primo scomparisse (come per Aufidena, per Fabrateria, e, rimanendo in Etruria, per Faleri, Volsini e Surrina); sia infine con la coesistenza di due centri, lon- tani fra di loro, e casualmente omonimi, che con quegli epiteti si volevano differenziare, o perchè sorti realmente in età diversa, o perchè conosciuti dai Romani in età successive (cfr. Carthago e Chartago nova; Bovianum vetus e Undecumanorum etc., e Neapolis di fronte a Cuma). Che una delle sedi dei Clusini corrisponda all’attuale Chiusi di Val di Chiana non è dubbio, sia per la tradizione storica romana che, almeno dai tempi della III Sannitica in poi, vi allude con precisi riferimenti topografici, sia per le epigrafi latine in essa rin- venute, che parlano di ordo Clusinorum, populus Clusìnus, respu- blica. -
Experiencing the Etruscans: a Special Guided Tour by Archaeologist Louise Maciejewski
Experiencing the Etruscans: A Special Guided Tour by Archaeologist Louise Maciejewski About your archaeologist/guide: Louise Maciejewski earned her Bachelor of Arts degree in Archaeology from the Institute of Archaeology in London, England, and completed her Masters degree in the study of Etruscans and Etruria at the University of Siena (Italy). She has also studied the art of biography and has broad experience in fine arts conservation, working at a renowned studio in Milan, as well as the Italian Sovrintendenza ai Beni Culturali. In the last few years she has published various articles on the history and prehistory of Cortona and its surrounding area. She has also a close connection to the MAEC (Museo dell’Accademia Etrusca e della Città di Cortona) where she is often asked to participate in local projects. Learn more about Louise below. Dates: October 3 to October 13 (You will need to leave the US on October 2) Day 0 – October 2 - Departure from the US. Day 1 – October 3- Arrival in Rome Upon arrival in the immortal city of Rome you will be transferred from the airport to a charming centrally located hotel. You will join your fellow travellers for a welcome talk and dinner. You will also meet Archaeologist Louise Maciejewski, who will be with you throughout the trip. Sleep in Rome Customized Journeys - www.customizedjourneys.com - [email protected] 25 NW 23rd PL. Suite 6 PMB # 478 Portland, OR 97210 Tel. + 503 914 6452 Day 2 – October 4- Rome and Villa Giulia This morning you will start your Etruscan discovery with a visit to the amazing treasures of the Villa Giulia museum, which houses the largest collection of Etruscan artifacts in the world. -
Hammond2009.Pdf (13.01Mb)
Postgraduate Programmes in the SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY The Iconography of the Etruscan Haruspex Supervisor: Name: Sarah Hammond Dr Robert Leighton 2009 SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY DECLARATION OF OWN WORK This dissertation has been composed by Sarah Hammond a candidate of the MSc Programme in MScR, Archaeology, run by the School of History, Classics and Archaeology at the University of Edinburgh. The work it represents is my own, unless otherwise explicitly cited and credited in appropriate academic convention. I confirm that all this work is my own except where indicated, and that I have: Clearly referenced/listed all sources as appropriate Referenced and put in inverted commas all quoted text of more than three words (from books, web, etc) Given the sources of all pictures, data etc. that are not my own Not made any use of the essay(s) of any other student(s) either past or present Not sought or used the help of any external professional agencies for the work Acknowledged in appropriate places any help that I have received from others (e.g. fellow students, technicians, statisticians, external sources) Complied with any other plagiarism criteria specified in the Course handbook I understand that any false claim for this work will be penalised in accordance with the University regulations Signature: Name (Please PRINT): SARAH HAMMOND Date: 22/06/2009 The Iconography of the Etruscan Haruspex by Sarah Naomi Hammond MSc by Research, Archaeology The University of Edinburgh 2009 Word count: 25,000 Abstract The religious rituals of the Etruscans incorporated several forms of divination including the practices of extispicy and hepatoscopy, the arts of divining through the examination of sacrificed animal entrails, and specifically the liver.