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Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
UK@Kidscreen Delegation Organised By: Contents
© Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time. -
Pay TV Market Overview Annex 8 to Pay TV Market Investigation Consultation
Pay TV market overview Annex 8 to pay TV market investigation consultation Publication date: 18 December 2007 Annex 8 to pay TV market investigation consultation - pay TV market overview Contents Section Page 1 Introduction 1 2 History of multi-channel television in the UK 2 3 Television offerings available in the UK 22 4 Technology overview 60 Annex 8 to pay TV market investigation consultation - pay TV market overview Section 1 1 Introduction 1.1 The aim of this annex is to provide an overview of the digital TV services available to UK consumers, with the main focus on pay TV services. 1.2 Section 2 describes the UK pay TV landscape, including the current environment and its historical development. It also sets out the supply chain and revenue flows in the chain. 1.3 Section 3 sets out detailed information about the main retail services provided over the UK’s TV platforms. This part examines each platform / retail provider in a similar way and includes information on: • platform coverage and geographical limitations; • subscription numbers (if publicly available) by platform and TV package; • the carriage of TV channels owned by the platform operators and rival platforms; • the availability of video on demand (VoD), digital video recorder (DVR), high definition (HD) and interactive services; • the availability of other communications services such as broadband, fixed line and mobile telephony services. 1.4 Section 4 provides an overview of relevant technologies and likely future developments. 1 Annex 8 to pay TV market investigation consultation - pay TV market overview Section 2 2 History of multi-channel television in the UK Introduction 2.1 Television in the UK is distributed using four main distribution technologies, through which a number of companies provide free-to-air (FTA) and pay TV services to consumers: • Terrestrial television is distributed in both analogue and digital formats. -
Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit. -
2012 Guide 56Pp+Cover
cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 4,5 &6 JULY 2012SHEFFIELD UK CONTENT INDUSTRIES CONFER- ENCE GUIDE 4_ 5_ & 6 JULY 2012 GUIDE SPONSOR Welcome Welcome to CMC and to Sheffield in the We are delighted to welcome you year of the Olympics both sporting and to Sheffield again for the ninth annual cultural. conference on children’s content. ‘By the industry, for the industry’ is our motto, Our theme this year is getting ‘ahead of which is amply demonstrated by the the game’ something which is essential number of people who join together in our ever faster moving industry. to make the conference happen. As always kids’ content makers are First of all we must thank each and every leading the way in utilising new one of our sponsors; we depend upon technology and seizing opportunities. them, year on year, to help us create an Things are moving so fast that we need, event which continues to benefit the kids’ more than ever, to share knowledge and content community. Without their support experiences – which is what CMC is all the conference would not exist. about – and all of this will be delivered in a record number of very wide-ranging Working with Anna, our Chair, and our sessions. Advisory Committee is a volunteer army of nearly 40 session producers. We are CMC aims to cover all aspects of the sure that over the next few days you will children's media world and this is appreciate as much as we do the work reflected in our broad range of speakers they put into creating the content from Lane Merrifield, the Founder of Club sessions to stretch your imagination Penguin and Patrick Ness winner of the and enhance your understanding. -
ANNA SARACKA AD CV.Docx
CALLBOX: 01932 592 572 www.callboxdiary.co.uk ANNA SARACKA Assistant Director COVID supervisor Mobile: 07460 335 305 Email: [email protected] FEATURE FILMS PRODUCTION COMPANY PRODUCER PRODUCT DIRECTOR 1st AD POSITION Emu Films Marleen Slot Silver Haze Sacha Polak Peter Bromfield 3rd AD (dailies) Mike Elliot Martyrs Lane Limited Katie Hodgkin Martyrs Lane Ruth Platt Peter Bromfield 3rd AD Dark Brood Pictures Sebastian Nanena Shadowland Simon Key Anna Saracka 1st AD Schemers Movie LTD Dave McLean Schemers Kyle Titterton, Hans Lucas Production Dave McLean Coordinator Peripheral The Movie Ltd Bill Kenwright Peripheral Paul Hyett Mark Chancellor 3rd AD Tim Clayton Craig Tuohy Apocalypse Pictures Ltd Ioanna Karavela REDCON-1 Chee Keung Cheung Lukas Kudapcenka 3rd AD Extras Coordinator Market Gallery, touchFILMS Aleksandra Wojtaszek Office for Monument Construction Karolina Bregula n/a AD Karolina Bregula TELEVISION PRODUCTION COMPANY PRODUCER PRODUCT DIRECTOR FM/ 1st AD POSITION Big Talk Productions Steven Merchant The Offenders (TV series) Alicia MacDonald Charlie Curran 3rd AD Steven Merchant Dom Davey (dailies) Comedy Unit Ltd for BBC Noddy Davidson The Scotts (TV series) Noddy Davidson Sean Boyle 2nd AD RoughCut TV for Channel 4 Bertie Peek Winning (pilot for a TV series) Sam Leifer Joe Starrs 2nd AD Dimension Studio Steve Jelley Notting Hill Carnival 2020 Chris Cowey Sarah Pearn AFM (broadcast) DSPTV for National Geographic Tansi Inayat Nazi Megastructures Sid Bennett Dom Davey 3rd AD (drama reconstruction series) Bitachon 360 for CBBC Sheldon Lazarus Got What It Takes (talent show) Tony Gregory Sarah Oldfield AFM This CV may be shared and kept on file for employment purposes. -
Review of DTT HD Capacity Issues
Review of DTT HD Capacity Issues An Independent Report from ZetaCast Ltd Commissioned by Ofcom Author: Ken McCann Version: 3.0 Date: 31 October 2007 ZetaCast Ltd. Review of DTT HD Capacity Issues Contents 1 EXECUTIVE SUMMARY AND CONCLUSIONS .............................................. 3 2 INTRODUCTION......................................................................................... 5 3 DIGITAL MULTIPLEX CAPACITY ................................................................ 6 3.1 Current Multiplex Utilisation..............................................................................6 3.2 DVB-T Mode Change from 16QAM to 64QAM ..................................................10 3.3 Statistical Multiplexing ....................................................................................10 3.4 Non-Video content in a Statistical Multiplex ...................................................11 3.5 MPEG-2 Coding Developments ........................................................................11 3.6 Recommended Best Practice ...........................................................................12 4 CLEARING MULTIPLEX B.......................................................................... 14 4.1 Transfer from Multiplex B to Multiplex 1.........................................................14 4.1.1 Most probable Scenario.....................................................................................14 4.1.2 Pessimistic Scenario..........................................................................................15 -
995 Final COMMISSION STAFF WORKING DOCUMENT
EUROPEAN COMMISSION Brussels,23.9.2010 SEC(2010)995final COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod2007-2008 (PromotionofEuropeanandindependentaudiovisual works) COM(2010)450final EN EN COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod20072008 (PromotionofEuropeanandindependentaudiovisual works) EN 2 EN TABLE OF CONTENTS ApplicationofArticles 4and5ineachMemberState ..........................................................5 Introduction ................................................................................................................................5 1. ApplicationofArticles 4and5:generalremarks ...................................................5 1.1. MonitoringmethodsintheMemberStates ..................................................................6 1.2. Reasonsfornon-compliance ........................................................................................7 1.3. Measures plannedor adoptedtoremedycasesofnoncompliance .............................8 1.4. Conclusions -
Máire Messenger Davies
A1 The Children’s Media Foundation The Children’s Media Foundation P.O. Box 56614 London W13 0XS [email protected] First published 2013 ©Lynn Whitaker for editorial material and selection © Individual authors and contributors for their contributions. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. You must not circulate this book in any other binding or cover. ISBN 978-0-9575518-0-0 Paperback ISBN 978-0-9575518-1-7 E-Book Book design by Craig Taylor Cover illustration by Nick Mackie Opposite page illustration by Matthias Hoegg for Beakus The publisher wishes to acknowledge financial grant from The Writers’ Guild of Great Britain. CONTENTS INTRODUCTION 1 Editorial Lynn Whitaker 5 2 The Children’s Media Foundation Greg Childs 10 3 The Children’s Media Foundation: Year One Anna Home 14 INDUSTRY NEWS AND VIEWS 4 BBC Children’s Joe Godwin 19 5 Children’s Content on S4C Sioned Wyn Roberts 29 6 Turner Kids’ Entertainment Michael Carrington 35 7 Turner: A View from the Business End Peter Flamman 42 8 Kindle Entertainment Melanie Stokes 45 9 MA in Children’s Digital Media Production, University of Salford Beth Hewitt 52 10 Ukie: UK Interactive Entertainment Jo Twist 57 POLICY, REGULATION AND DEBATE 11 Representation and Rights: The Use of Children -
Impact Assessment on Changes to Gaelic Broadcasting in Scotland
Title: Impact Assessment (IA) Impact Assessment on Changes to Gaelic Broadcasting in Scotland IA No: DCMS027 Date: 21 April 2011 Lead department or agency: DCMS Stage: Enactment Other departments or agencies: Source of intervention: Domestic Type of measure: Secondary legislation Contact for enquiries: David Patterson Summary: Intervention and Options What is the problem under consideration? Why is government intervention necessary? Current statutory obligations require STV, the owner of the channel 3 licences in Scotland, to make and show half an hour a year of Gaelic programming in peak time, plus an hour a week of Gaelic programming in non-peak time. In addition, SDN, the holder of Multiplex A, are required to carry half an hour a day of Gaelic programming on Freeview (in fact they carry an hour daily between 6 and 7pm under the name TeleG). The decision by the BBC to carry BBC ALBA on Freeview and the completion of digital switchover in Scotland mean that these obligations are no longer necessary as provision of Gaelic programming to all Scottish viewers has been secured (and significantly enhanced) through BBC ALBA. The obligations on STV and SDN create opportunity costs (as more popular What are the policy objectives and the intended effects? The purpose of the original statutory requirements was to ensure the availability of Gaelic programming in Scotland, both on analogue and digital terrestrial systems while these were available. That aim will now be achieved more comprehensively through the establishment of BBC ALBA, which launched in September 2008 on satellite, and its imminent availability at digital switchover in Scotland on Freeview. -
Developing a Strategy to Encourage the Animation Industry Life Cycle Evolution in Saudi Arabia
Developing A Strategy To Encourage The Animation Industry Life Cycle Evolution In Saudi Arabia By Ohud Alharbi Thesis submitted for the degree of Doctor of Philosophy Supervised by: Dr. Emily Baines Ms. Janet Choo Faculty of Art, Design and Humanities De Montfort University July 2017 I Abstract This thesis examines the Saudi animation industry and investigates the barriers that are preventing the development of its life cycle. Although there has been a demand for animation content since the establishment of the Saudi TV in 1965, the Saudi animation industry remains in its Introduction stage. Therefore, the study undertakes an analysis of the factors that could enable the industry to move to its Growth stage. To achieve this, the study attempts to establish an understanding of how different countries succeeded in developing their animation industry life cycle. Therefore, the study selects three countries as a qualitative multiple case study. These countries are the UK, which represents a Mature animation industry; Egypt, which represents an established Growth industry; while the United Arab of Emirates represents an emerging Growth industry. This has involved an in-depth analysis of the animation industries in Saudi Arabia and two other Arabian countries – UAE and Egypt – as well as of the UK. There has been very limited historiography for Arabian animation and almost none on the Saudi Arabian industry previously. A consideration of which factors should be investigated, as the most effective in influencing the evolution of the industry, was undertaken. Reviewing the available literature on the animation industry development showed that four factors have been found to play a considerable role in developing the local animation industry: Higher II Education institutions, Networks, Government and Location. -
Business Wire Catalog
UK/Ireland Media Distribution to key consumer and general media with coverage of newspapers, television, radio, news agencies, news portals and Web sites via PA Media, the national news agency of the UK and Ireland. UK/Ireland Media Asian Leader Barrow Advertiser Black Country Bugle UK/Ireland Media Asian Voice Barry and District News Blackburn Citizen Newspapers Associated Newspapers Basildon Recorder Blackpool and Fylde Citizen A & N Media Associated Newspapers Limited Basildon Yellow Advertiser Blackpool Reporter Aberdeen Citizen Atherstone Herald Basingstoke Extra Blairgowrie Advertiser Aberdeen Evening Express Athlone Voice Basingstoke Gazette Blythe and Forsbrook Times Abergavenny Chronicle Australian Times Basingstoke Observer Bo'ness Journal Abingdon Herald Avon Advertiser - Ringwood, Bath Chronicle Bognor Regis Guardian Accrington Observer Verwood & Fordingbridge Batley & Birstall News Bognor Regis Observer Addlestone and Byfleet Review Avon Advertiser - Salisbury & Battle Observer Bolsover Advertiser Aintree & Maghull Champion Amesbury Beaconsfield Advertiser Bolton Journal Airdrie and Coatbridge Avon Advertiser - Wimborne & Bearsden, Milngavie & Glasgow Bootle Times Advertiser Ferndown West Extra Border Telegraph Alcester Chronicle Ayr Advertiser Bebington and Bromborough Bordon Herald Aldershot News & Mail Ayrshire Post News Bordon Post Alfreton Chad Bala - Y Cyfnod Beccles and Bungay Journal Borehamwood and Elstree Times Alloa and Hillfoots Advertiser Ballycastle Chronicle Bedford Times and Citizen Boston Standard Alsager