The Sinification of Japanese: Non-Linear Increase in the Usage of Sino-Japanese Loanwords
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Enmoku (Programm) Yamata-No-Orochi (Story Against
Enmoku (programm) There are more than 60 different stories, episodes or repertoire called Enmoku, each lasting 30 to 60 minutes, but it's adjustable. Most stories come from ancient myths called the Kojiki (Record of Ancient Matters, 712AD) and the Nihonshoki (Chronicles of Japan, 720AD) written in the eighth century. Yamata-no-Orochi (Story against giant evil serpent) 大蛇 30 - 40min. Ancient time in Izumo, an old couple was living. They had 8 daughters but lost 7 of them already because of giant serpents. This old couple was sad because they have to sacrifice thier last daughter this year. The hero "Susa " heart this story from them and decide to save her. Susa found where serpents are, made them drank with Sake, and while they were sleeping, he got rid of them with a sword. (This sword is one of 3 ancient national treasure), and married to this rescued daughter. Jinrin (a story based on the battle in 198) 塵輪 20 - 30min. The battle between the Chuai Tenno (14th emperor in Japan they say) and the powerful demonic king, Jinrin. Jinrin had the ability to fly anywhere in Japan with wings. He and his troops attacked people to death. Chuai decided to defeat Jinrin. Yumi Hachiman (a story based on another battle) 弓八幡 20 - 30min. The battle between the Oujin Tenno (15th emperor in Japan they say) and the another evil foreign king. (Hachiman is enshrined at Usa-Hachiman shrine in Kyushu, had a power to allow to build Todaiji temple in Nara, worshiped by many Shoguns and Samurais throughout history. -
Man'yogana.Pdf (574.0Kb)
Bulletin of the School of Oriental and African Studies http://journals.cambridge.org/BSO Additional services for Bulletin of the School of Oriental and African Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The origin of man'yogana John R. BENTLEY Bulletin of the School of Oriental and African Studies / Volume 64 / Issue 01 / February 2001, pp 59 73 DOI: 10.1017/S0041977X01000040, Published online: 18 April 2001 Link to this article: http://journals.cambridge.org/abstract_S0041977X01000040 How to cite this article: John R. BENTLEY (2001). The origin of man'yogana. Bulletin of the School of Oriental and African Studies, 64, pp 5973 doi:10.1017/S0041977X01000040 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BSO, IP address: 131.156.159.213 on 05 Mar 2013 The origin of man'yo:gana1 . Northern Illinois University 1. Introduction2 The origin of man'yo:gana, the phonetic writing system used by the Japanese who originally had no script, is shrouded in mystery and myth. There is even a tradition that prior to the importation of Chinese script, the Japanese had a native script of their own, known as jindai moji ( , age of the gods script). Christopher Seeley (1991: 3) suggests that by the late thirteenth century, Shoku nihongi, a compilation of various earlier commentaries on Nihon shoki (Japan's first official historical record, 720 ..), circulated the idea that Yamato3 had written script from the age of the gods, a mythical period when the deity Susanoo was believed by the Japanese court to have composed Japan's first poem, and the Sun goddess declared her son would rule the land below. -
Full Download
VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Copyright by Maeri Megumi 2014
Copyright by Maeri Megumi 2014 The Dissertation Committee for Maeri Megumi Certifies that this is the approved version of the following dissertation: Religion, Nation, Art: Christianity and Modern Japanese Literature Committee: Kirsten C. Fischer, Supervisor Sung-Sheng Yvonne Chang Anne M. Martinez Nancy K. Stalker John W. Traphagan Susan J. Napier Religion, Nation, Art: Christianity and Modern Japanese Literature by Maeri Megumi, B.HOME ECONOMICS; M.A.; M.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2014 Acknowledgements I would like to express the deepest gratitude to my advisor and mentor, Dr. Kirsten Cather (Fischer). Without her guidance and encouragement throughout the long graduate student life in Austin, Texas, this dissertation would not have been possible. Her insight and timely advice have always been the source of my inspiration, and her positive energy and patience helped me tremendously in many ways. I am also indebted to my other committee members: Dr. Nancy Stalker, Dr. John Traphagan, Dr. Yvonne Chang, Dr. Anne Martinez, and Dr. Susan Napier. They nourished my academic development throughout the course of my graduate career both directly and indirectly, and I am particularly thankful for their invaluable input and advice in shaping this dissertation. I would like to thank the Department of Asian Studies for providing a friendly environment, and to the University of Texas for offering me generous fellowships to make my graduate study, and this dissertation, possible. -
Shaping Darkness in Hyakki Yagyō Emaki
Asian Studies III (XIX), 1 (2015), pp.9–27 Shaping Darkness in hyakki yagyō emaki Raluca NICOLAE* Abstract In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets. Keywords: yōkai, night, parade, painted scrolls, fear Izvleček Yōkai (prikazni, demoni) so v japonski kulturi nadnaravna bitja, ki naseljuje drug svet in včasih tudi mejo med našim in drugim svetom ter so očitno manifestacija občutka strahu “prevedena” v besedila in podobe. Med številnimi slikami na zvitkih (emaki), kjer se prikazni pojavljajo, obstaja poseben tip, ki se imenuje hyakki yagyō (nočna parade stotih demonov), kjer se zberejo pošasti različne vrste in velikosti, da bi uživali v noči, vendar jih na koncu preženejo prvi žarki svetlobe ali skrivnosten darani no hi, ogenj, ki se pojavi z močnim magičnim zaklinjanje in se uporablja pri budistični sekti Shingon. -
Nihontō Compendium
Markus Sesko NIHONTŌ COMPENDIUM © 2015 Markus Sesko – 1 – Contents Characters used in sword signatures 3 The nengō Eras 39 The Chinese Sexagenary cycle and the corresponding years 45 The old Lunar Months 51 Other terms that can be found in datings 55 The Provinces along the Main Roads 57 Map of the old provinces of Japan 59 Sayagaki, hakogaki, and origami signatures 60 List of wazamono 70 List of honorary title bearing swordsmiths 75 – 2 – CHARACTERS USED IN SWORD SIGNATURES The following is a list of many characters you will find on a Japanese sword. The list does not contain every Japanese (on-yomi, 音読み) or Sino-Japanese (kun-yomi, 訓読み) reading of a character as its main focus is, as indicated, on sword context. Sorting takes place by the number of strokes and four different grades of cursive writing are presented. Voiced readings are pointed out in brackets. Uncommon readings that were chosen by a smith for a certain character are quoted in italics. 1 Stroke 一 一 一 一 Ichi, (voiced) Itt, Iss, Ipp, Kazu 乙 乙 乙 乙 Oto 2 Strokes 人 人 人 人 Hito 入 入 入 入 Iri, Nyū 卜 卜 卜 卜 Boku 力 力 力 力 Chika 十 十 十 十 Jū, Michi, Mitsu 刀 刀 刀 刀 Tō 又 又 又 又 Mata 八 八 八 八 Hachi – 3 – 3 Strokes 三 三 三 三 Mitsu, San 工 工 工 工 Kō 口 口 口 口 Aki 久 久 久 久 Hisa, Kyū, Ku 山 山 山 山 Yama, Taka 氏 氏 氏 氏 Uji 円 円 円 円 Maru, En, Kazu (unsimplified 圓 13 str.) 也 也 也 也 Nari 之 之 之 之 Yuki, Kore 大 大 大 大 Ō, Dai, Hiro 小 小 小 小 Ko 上 上 上 上 Kami, Taka, Jō 下 下 下 下 Shimo, Shita, Moto 丸 丸 丸 丸 Maru 女 女 女 女 Yoshi, Taka 及 及 及 及 Chika 子 子 子 子 Shi 千 千 千 千 Sen, Kazu, Chi 才 才 才 才 Toshi 与 与 与 与 Yo (unsimplified 與 13 -
A STUDY of L2 KANJI LEARNING PROCESS Analysis of Reading and Writing Errors of Swedish Learners in Comparison with Level-Matched Japanese Schoolchildren
A STUDY OF L2 KANJI LEARNING PROCESS Analysis of Reading and Writing Errors of Swedish Learners in Comparison with Level-matched Japanese Schoolchildren Fusae Ivarsson Department of Languages and Literatures Doctoral dissertation in Japanese, University of Gothenburg, 18 March, 2016 Fusae Ivarsson, 2016 Cover: Fusae Ivarsson, Thomas Ekholm Print: Reprocentralen, Campusservice Lorensberg, Göteborgs universitet, 2016 Distribution: Institutionen för språk och litteraturer, Göteborgs universitet, Box 200, SE-405 30 Göteborg ISBN: 978-91-979921-7-6 http://hdl.handle.net/2077/41585 ABSTRACT Ph.D. dissertation at the University of Gothenburg, Sweden, 18 March, 2016 Title: A Study of L2 Kanji Learning Process: Analysis of reading and writing errors of Swedish learners in comparison with level-matched Japanese schoolchildren. Author: Fusae Ivarsson Language: English, with a summary in Swedish Department: Department of Languages and Literatures, University of Gothenburg, Box 200, SE-405 30 Gothenburg, Sweden ISBN: 978-91-979921-7-6 http://hdl.handle.net/2077/41585 The present study investigated the characteristics of the kanji learning process of second language (L2) learners of Japanese with an alphabetic background in comparison with level-matched first language (L1) learners. Unprecedentedly rigorous large-scale experiments were conducted under strictly controlled conditions with a substantial number of participants. Comparisons were made between novice and advanced levels of Swedish learners and the respective level-matched L1 learners (Japanese second and fifth graders). The experiments consisted of kanji reading and writing tests with parallel tasks in a practical setting, and identical sets of target characters for the level-matched groups. Error classification was based on the cognitive aspects of kanji. -
The Meaning and Use of Waseieigo in Present-Day Japanese
Patrycja Duc The Meaning and Use of Waseieigo in Present-Day Japanese While considering the subject of waseieigo, it is essential to mention two important aspects of its present-day usage in Japanese language. The first refers to the etymology of waseieigo and its phonetic and morphologic layer (linguistic aspect). The second might be regarded as an attempt to present the link between the popularity of words which belong to the waseieigo group and some kind of sociological diversity in Japan (sociological aspect). Although Japanese society is often depicted as homogenic and collective, its internal structure is varied. The aim of this short paper is to introduce and describe the above-mentioned aspects of waseieigo in order to emphasize the mutual dependence between the language and its users. Waseieigo – Linguistic Aspects of the Phenomenon The term: waseieigo 和製英語 can be literally translated as ‘English words made (or produced) in Japan’. Eigo 英語 means ‘English’ or ‘English words’, wasei 和製 – ‘produced/made in Japan’. However, this way of translation is not completely correct – one cannot consider waseieigo expressions as English words , since it is obvious that only English native speakers are able to create new ones, whilst the Japanese definitely not. Nevertheless, the term waseieigo is with no doubt connected with the English language. It refers to all vocabulary containing Japanese expressions made from English words or morphemes. However, we have to take into consideration that the meaning of these words has been extended from the original one and thereupon the safest way is to translate this term as a group of Japanese words which were made from English words or morphemes and where katakana symbols are used for its transcription. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis “Dating the split of the Japonic language family. The Pre-Old Japanese corpus” verfasst von / submitted by Patrick Elmer, BA MA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 599 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Indogermanistik und historische degree programme as it appears on Sprachwissenschaft UG2002 the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Melanie Malzahn, Privatdoz. Table of contents Part 1: Introduction ..................................................................................................... 8 1.1 The Japonic language family .............................................................................................. 9 1.2 Previous research: When did Japonic split into Japanese and Ryūkyūan .......................... 11 1.3 Research question and scope of study .............................................................................. 15 1.4 Methodology ................................................................................................................... 16 Part 2: Language data ................................................................................................ 19 2.1 Old Japanese ................................................................................................................... -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
Asiatic Society of Japan
http://e-asia.uoregon.edu TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN VOL XLVI.-PART II 1918 THE ASIATIC SOCIETY OF JAPAN, KEIOGIJIKU, MITA, TŌKYŌ AGENTS KELLY & WALSH, L'd., Yokohama, Shanghai, Hongkong Z. P. MARUYA Co., L'd., Tokyo KEGAN PAUL,TRUEBNER & Co., L'd., London TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN VOL XLVI.-PART II 1918 THE ASIATIC SOCIETY OF JAPAN, KEIOGIJIKU, MITA, TŌKYŌ AGENTS KELLY & WALSH, L'd., Yokohama, Shanghai, Hongkong Z. P. MARUYA Co., L'd., Tokyo KEGAN PAUL,TRUEBNER & Co., L'd., London INTRODUCTION. Subject and Structure .---The Heike Monogatari, one of the masterpieces of Japanese literature, and also one of the main sources of the history of the Gempei period, is a poetic narrative of the fall of the Heike from the position of supremacy it had gained under Taira Kiyomori to almost complete destruction. The Heike, like the Genji, was a warrior clan, but had quickly lost its hardy simplicity under the influence of life in the Capital, and identified itself almost entirely with the effeminate Fujiwara Courtiers whose power it had usurped, so that the struggle between it and the Genji was really more one between courtiers and soldiers, between literary officials and military leaders. Historically this period stands between the Heian era of soft elegance and the Kamakura age of undiluted militarism. The Heike were largely a clan of emasculated Bushi, and their leader Kiyomori, though he obtained his supremacy by force of arms, assumed the role of Court Noble and strove to rule the country by the same device of making himself grandfather to the Emperor as the Fujiwara family had previously done. -
Chapter 14 Differential Subject Marking and Its Demise in the History of Japanese Yuko Yanagida University of Tsukuba
Chapter 14 Differential subject marking and its demise in the history of Japanese Yuko Yanagida University of Tsukuba The subject of various types of subordinate or nominalized clauses in Old Japanese (700– 800) is marked in one of three different ways: with the postpositional particle ga, no or zero. This paper argues that the opposition between case marked and unmarked subjects fit into cross-linguistically well attested patterns of differential subject marking (DSM). Follow- ing Woolford (2008), it shows that the syntactic and semantic characteristics of these case marking patterns reveal thatOJ displays two kinds of DSM effects which are associated with distinct grammatical levels. This paper also examines three possible scenarios for the loss of DSM, which occurred in Early Middle Japanese (EMJ 800–1200). TheOJ and EMJ data suggest that case systems do not simply shift from one alignment pattern to another, as sometimes assumed (cf. Harris & Campbell 1995: 258). Instead, the morphological features of individual case markers change incrementally over time, ultimately giving rise to global changes in the overall system. 1 Introduction Modern Japanese (ModJ) displays a straightforward nominative-accusative system. Tran- sitivity does not affect the case marking on the subject1 ( ). (1) Modern Japanese a. Taroo ga sake o non-da koto (transitive) Taroo nom sake acc drink-pst that ‘that Taroo drank sake’ b. sakura ga sai-ta koto (intransitive) cherry.blossom nom bloom-pst that ‘that Cherry blossoms bloomed’ In ModJ the case markers ga and o mark the subject and object respectively as gram- matical case markers; these particles display no semantic effects.