Enmoku (Programm) Yamata-No-Orochi (Story Against

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Enmoku (Programm) Yamata-No-Orochi (Story Against

Enmoku (programm) There are more than 60 different stories, episodes or repertoire called Enmoku, each lasting 30 to 60 minutes, but it's adjustable. Most stories come from ancient myths called the Kojiki (Record of Ancient Matters, 712AD) and the Nihonshoki (Chronicles of Japan, 720AD) written in the eighth century. Yamata-no-Orochi (Story against giant evil serpent) 大蛇 30 - 40min. Ancient time in Izumo, an old couple was living. They had 8 daughters but lost 7 of them already because of giant serpents. This old couple was sad because they have to sacrifice thier last daughter this year. The hero "Susa " heart this story from them and decide to save her. Susa found where serpents are, made them drank with Sake, and while they were sleeping, he got rid of them with a sword. (This sword is one of 3 ancient national treasure), and married to this rescued daughter. Jinrin (a story based on the battle in 198) 塵輪 20 - 30min. The battle between the Chuai Tenno (14th emperor in Japan they say) and the powerful demonic king, Jinrin. Jinrin had the ability to fly anywhere in Japan with wings. He and his troops attacked people to death. Chuai decided to defeat Jinrin. Yumi Hachiman (a story based on another battle) 弓八幡 20 - 30min. The battle between the Oujin Tenno (15th emperor in Japan they say) and the another evil foreign king. (Hachiman is enshrined at Usa-Hachiman shrine in Kyushu, had a power to allow to build Todaiji temple in Nara, worshiped by many Shoguns and Samurais throughout history. Later it was combined with Buddhism and spread 46000 shrine exist all over Japan.) Ebisu(Comic story of the trade and fishing god) 恵比寿 10min. Ebis is a god of fishing which made him also a god of harvesting, wealth and property. His model is "Okuninushi" who is enshrined at Izumo Taisha shrine (the officially 2nd but historically most important shrine in Japan). Ebis is performed at wedding because he fish a red snapper which is considered a happy symbol fish in Japan) and he shares this happiness with audience. .

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Copyright by Maeri Megumi 2014
Copyright by Maeri Megumi 2014 The Dissertation Committee for Maeri Megumi Certifies that this is the approved version of the following dissertation: Religion, Nation, Art: Christianity and Modern Japanese Literature Committee: Kirsten C. Fischer, Supervisor Sung-Sheng Yvonne Chang Anne M. Martinez Nancy K. Stalker John W. Traphagan Susan J. Napier Religion, Nation, Art: Christianity and Modern Japanese Literature by Maeri Megumi, B.HOME ECONOMICS; M.A.; M.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2014 Acknowledgements I would like to express the deepest gratitude to my advisor and mentor, Dr. Kirsten Cather (Fischer). Without her guidance and encouragement throughout the long graduate student life in Austin, Texas, this dissertation would not have been possible. Her insight and timely advice have always been the source of my inspiration, and her positive energy and patience helped me tremendously in many ways. I am also indebted to my other committee members: Dr. Nancy Stalker, Dr. John Traphagan, Dr. Yvonne Chang, Dr. Anne Martinez, and Dr. Susan Napier. They nourished my academic development throughout the course of my graduate career both directly and indirectly, and I am particularly thankful for their invaluable input and advice in shaping this dissertation. I would like to thank the Department of Asian Studies for providing a friendly environment, and to the University of Texas for offering me generous fellowships to make my graduate study, and this dissertation, possible.
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