A Content Analysis of Kanji Textbooks Targeted for Second Language Learners of Japanese
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JLPT Explanatory Notes on the Use of the Flashcards.Pdf
Explanatory Notes on the Use of the Flashcards General Introduction There are four sets of flashcards—Grammar, Kana, Kanji and Vocabulary flashcards. In the current digital age, it might seem superfluous to have printable, paper flashcards as there are now plenty of resources online to learn and review Japanese with. However, they can be very useful for a variety of reasons. First of all, physical flashcards have one primary purpose: to help you learn something. That might sound strange, but haven’t you ever switched on your phone to study some vocabulary on your favorite app only to get distracted by some social media notification. The next thing you know, you’ve spent 30 minutes checking up on your friend’s social life and haven’t learned anything new. That’s why using a single-purpose tool like paper flashcards can be a huge help. It helps you to stay focused and sometimes that is the most difficult part of studying a new language. The second reason is that paper flashcards don’t require any electricity. You can use them anytime, anywhere in any environment without worrying about a system crash or your battery dying. Use these flashcards to review what you’ve learned from the Study Guide so that you are fully equipped with the necessary language skills, before going into the test. There is a big difference between being familiar with something and knowing it well. The JLPT expects you to know the material and recall it quickly. That means frequent revision and practice. 1. Grammar Flashcards – Quick Start Guide The grammar cards contain the key phrases from all the grammar units of the Study Guide. -
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Tetsugaku International Journal of the Philosophical Association of Japan
ISSN 2432-8995 Tetsugaku International Journal of the Philosophical Association of Japan Volume 2 2018 Special Theme Philosophy and Translation The Philosophical Association of Japan The Philosophical Association of Japan PRESIDENT KATO Yasushi (Hitotsubashi University) CHIEF OF THE EDITORIAL COMITTEE ICHINOSE Masaki (Musashino University) Tetsugaku International Journal of the Philosophical Association of Japan EDITORIAL BOARD CHIEF EDITOR NOTOMI Noburu (University of Tokyo) DEPUTY CHIEF EDITORS Jeremiah ALBERG (International Christian University) BABA Tomokazu (University of Nagano) SAITO Naoko (Kyoto University) BOARD MEMBERS DEGUCHI Yasuo (Kyoto University) FUJITA Hisashi (Kyushu Sangyo University) MURAKAMI Yasuhiko (Osaka University) SAKAKIBARA Tetsuya (University of Tokyo) UEHARA Mayuko (Kyoto University) ASSISTANT EDITOR TSUDA Shiori (Hitotsubashi University) SPECIAL THANKS TO Beverly Curran (International Christian University), Andrea English (University of Edingburgh), Enrico Fongaro (Tohoku University), Naomi Hodgson (Liverpool Hope University), Leah Kalmanson (Drake University), Sandra Laugier (Paris 1st University Sorbonne), Áine Mahon (University College Dublin), Mathias Obert (National University of Kaohsiung), Rossen Roussev (University of Veliko Tarnovo), Joris Vlieghe (University of Aberdeen), Yeong-Houn Yi (Korean University), Emma Williams (University of Warwick) Tetsugaku International Journal of the Philosophical Association of Japan Volume 2, Special Theme: Philosophy and Translation April 2018 Edited and published -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
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Reviews | 159 Germany, Rewohlt Verlag established a paperback series called “New Women” and, from 1977 to 1995, introduced many women writers’ texts, not only from German-language communities but also other nations. In the 1980s, the largest publisher in Germany, Suhrkamp, asked Hijiya- Kirschnereit to become the editor of a 32-volume series on Japanese literature. This meant rapidly increasing interest in Japanese literature in Germany in the 1980s. In 1990, at the world-famous Frankfurt Book Fair, Japan was selected as the country of theme. Along with Hijiya-Kirschnereit’s translation projects came changes in the book market, general readership, and studies of Japanese women’s literature in the German-language community. As discussed above, Hijiya-Kirschnereit’s focus is on publications and studies on women’s literature in German- and Japanese-language communities. Her 2018 volume reviewed here complements Joan E. Ericson’s careful analysis in her Be a Woman: Hayashi Fumiko and Modern Japanese Women’s Literature (University of Hawai‘i Press, 1997), which pointed out that the literary category joryū bungaku associated sentimentality, lyricism, and impressionism with works of literature written by women, erasing individual differences in women and in each work of literature by the same author. Read in conjunction with Ericson’s analysis, Hijiya-Kirschnereit’s volume helps us understand the personal and literary history of individual authors, the development of the publishing industry, general and academic readership, and studies of modern Japanese women’s literature in the Japanese-, German-, and English-language communities. Japanese Kanji Power: A Workbook for Mastering Japanese Characters By John Millen. -
A STUDY of L2 KANJI LEARNING PROCESS Analysis of Reading and Writing Errors of Swedish Learners in Comparison with Level-Matched Japanese Schoolchildren
A STUDY OF L2 KANJI LEARNING PROCESS Analysis of Reading and Writing Errors of Swedish Learners in Comparison with Level-matched Japanese Schoolchildren Fusae Ivarsson Department of Languages and Literatures Doctoral dissertation in Japanese, University of Gothenburg, 18 March, 2016 Fusae Ivarsson, 2016 Cover: Fusae Ivarsson, Thomas Ekholm Print: Reprocentralen, Campusservice Lorensberg, Göteborgs universitet, 2016 Distribution: Institutionen för språk och litteraturer, Göteborgs universitet, Box 200, SE-405 30 Göteborg ISBN: 978-91-979921-7-6 http://hdl.handle.net/2077/41585 ABSTRACT Ph.D. dissertation at the University of Gothenburg, Sweden, 18 March, 2016 Title: A Study of L2 Kanji Learning Process: Analysis of reading and writing errors of Swedish learners in comparison with level-matched Japanese schoolchildren. Author: Fusae Ivarsson Language: English, with a summary in Swedish Department: Department of Languages and Literatures, University of Gothenburg, Box 200, SE-405 30 Gothenburg, Sweden ISBN: 978-91-979921-7-6 http://hdl.handle.net/2077/41585 The present study investigated the characteristics of the kanji learning process of second language (L2) learners of Japanese with an alphabetic background in comparison with level-matched first language (L1) learners. Unprecedentedly rigorous large-scale experiments were conducted under strictly controlled conditions with a substantial number of participants. Comparisons were made between novice and advanced levels of Swedish learners and the respective level-matched L1 learners (Japanese second and fifth graders). The experiments consisted of kanji reading and writing tests with parallel tasks in a practical setting, and identical sets of target characters for the level-matched groups. Error classification was based on the cognitive aspects of kanji. -
Title Japanese Kanji Learning Method for Arabic Speakers Sub
Title Japanese Kanji learning method for Arabic speakers Sub Title Author Alsharif, Afnan(Katō, Akira) 加藤, 朗 Publisher 慶應義塾大学大学院メディアデザイン研究科 Publication year 2017 Jtitle Abstract Notes Genre Thesis or Dissertation URL http://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=KO40001001-00002017 -0564 Powered by TCPDF (www.tcpdf.org) Master's thesis Academic Year 2017 Japanese Kanji Learning Method for Arabic Speakers Keio University Graduate School of Media Design Alsharif Afnan A Master’s Thesis submitted to Keio University Graduate School of Media Design in partial fulfillment of the requirements for the degree of MASTER of Media Design Alsharif Afnan Thesis Committee: Professor Akira Kato (Supervisor) Professor Hideki Sunahara (Co-Supervisor) Senior Assistant Professor Marcos Sadao Maekawa (Reviewer) Abstract of Master’s Thesis of Academic Year 2017 Japanese Kanji Learning Method for Arabic Speakers Category: Design Summary Arabic speakers who wish to learn Japanese deal with a very limited number of Kanji resources. This is because for several centuries the cultural exchange between Japan and the Arab world has been inactive which reflected on the amount of published work between the two nations. Learners mostly rely on English resources but this is not an efficient way to learn because first, not every Arabic speaker knows English and second, during translation meaning lost can happen. We address this challenging problem by proposing a learning method specific to native Arabic speakers. It employs two ideas: The first is Arabic Kanji Equivalent which is a copied version of Kanji in Arabic words. The second is Phrase Based Learning where Japanese text along with Arabic translation is given for active reading practice. -
NBTHK SWORD JOURNAL ISSUE NUMBER 711 April, 2016 Meito
NBTHK SWORD JOURNAL ISSUE NUMBER 711 April, 2016 Meito Kansho Examination of Important Swords Juyo Bunkazai Important Art Object Type: Tachi Mei: Aritsuna Owned by the Tokyo Fuji Museum Length: 2 shaku 3 sun 5 bu 3 rin (71.3 cm) Sori: 9 bu 1 rin (2.75 cm) Motohaba: 1 sun 6 rin (3.2 cm) Sakihaba: 6 bu 7 rin (2.05 cm) Motokasane: 2 bu 1 rin (0.65 cm) Sakikasane: 1 bu 3 rin (0.4 cm) Kissaki length: 1 sun 2 rin (3.1 cm) Nakago length: 7 sun 7 bu 2 rin (23.4 cm) Nakago sori: 1 bu (0.3 cm) Commentary This is a shinogi zukuri tachi with an ihorimune, a standard width, and the widths at the moto and saki are a little different. There is large sori, the tip has sori, and there is a short chu-kissaki. The jihada is itame mixed with abundant mokume, and the hada is visible in places. The bottom half has jifu type jihada. There are ji-nie, frequent chikei, and mizukage below the machi. The entire hamon is low, and is primarily komidare mixed with ko-gunome. There are ashi, thick uneven rough nie, kinsuji, niesuji, sunagashi, and in some places, nijuba type yubashiri and tobiyaki. The boshi is straight, and the omote has togariba with a komaru and return; the ura is straight mixed with kuichigaiba, and the tip is yakizume. The horimono on the omote and ura are bo-hi carved through the nakago. The nakago is ubu, the tip is is slightly ha-agari with a shallow kurijiri, and the yasurime are o-suji-chigai. -
The Meaning and Use of Waseieigo in Present-Day Japanese
Patrycja Duc The Meaning and Use of Waseieigo in Present-Day Japanese While considering the subject of waseieigo, it is essential to mention two important aspects of its present-day usage in Japanese language. The first refers to the etymology of waseieigo and its phonetic and morphologic layer (linguistic aspect). The second might be regarded as an attempt to present the link between the popularity of words which belong to the waseieigo group and some kind of sociological diversity in Japan (sociological aspect). Although Japanese society is often depicted as homogenic and collective, its internal structure is varied. The aim of this short paper is to introduce and describe the above-mentioned aspects of waseieigo in order to emphasize the mutual dependence between the language and its users. Waseieigo – Linguistic Aspects of the Phenomenon The term: waseieigo 和製英語 can be literally translated as ‘English words made (or produced) in Japan’. Eigo 英語 means ‘English’ or ‘English words’, wasei 和製 – ‘produced/made in Japan’. However, this way of translation is not completely correct – one cannot consider waseieigo expressions as English words , since it is obvious that only English native speakers are able to create new ones, whilst the Japanese definitely not. Nevertheless, the term waseieigo is with no doubt connected with the English language. It refers to all vocabulary containing Japanese expressions made from English words or morphemes. However, we have to take into consideration that the meaning of these words has been extended from the original one and thereupon the safest way is to translate this term as a group of Japanese words which were made from English words or morphemes and where katakana symbols are used for its transcription. -
Rubric for Script (Adapted from VAC
Rubric for Script (adapted from VAC http://www.carla.umn.edu/assessment/VAC/evaluation/e_1.html) Mechanics (3 points possible) Score 1st Draft 3 Few errors in punctuation and mastery of writing in genkoo yooshi (special format for Japanese composition). Hiragana and Katakana are written carefully with few errors. 2 Frequent errors in punctuation and lack of mastery of writing in genkoo yooshi. Hiragana and Katakana are written with frequent errors and demonstrate poor writing skills. 1 Dominated by errors in punctuation, in writing of Hiragana and Katakana, and no mastery of writing in genkoo yooshi. Content (4 points possible) Score Final 4 Topic clearly and fully developed. Details, descriptions, examples, and anecdotes explain and clarify information. All task requirements more than adequately fulfilled. 3 Topic adequately developed with relevant information and some details. Task requirements adequately fulfilled. 2 Topic partially developed; some relevant information is missing; few or no details. Task requirements partially fulfilled. 1 Topic poorly developed and/or task requirements not fulfilled. Or not enough material to evaluate. Grammar (5 points possible) Score Final 5 Few grammatical mistakes and the meaning is always clear. 4 Occasional grammatical mistakes, but do not interfere with the meaning of the message. 3 Frequent grammatical mistakes and sometimes interfere with the meaning of the message. 2 Very frequent grammatical mistakes and often interfere with the meaning of the message. 1 Incomprehensible or not enough material provided to evaluate. Vocabulary (4 points possible) Score Final 4 Wide range of vocabulary learned in class, used appropriately in all instances and with few spelling mistakes. -
A Study of Loan Color Terms Collocation in Modern Japanese
A Study of Loan Color Terms Collocation in Modern Japanese Anna V. Bordilovskaya ([email protected]) Graduate School of Humanities, Kobe University, 1-1 Rokkodai-machi, Nada-ku, Kobe 657-8501 JAPAN Abstract English loanwords in Japanese have been a topic of various studies by both native and foreign linguists for The Japanese lexicon consists of Japanese-origin words about 100 years. (WAGO), Chinese-origin words (KANGO) and words Some researchers are more interested in the assimilation borrowed from English and other European languages processes of loanwords (Kay, 1995; Irwin, 2011), other (GAIRAIGO). The acquisition of words from three sources linguists focus on semantic changes (Daulton, 2008), third results in the abundance of near synonyms without any clear rules when a particular synonym should be used. mainly study sociolinguistic background and functions Loveday has hypothesized that WAGO/KANGO and (Loveday, 1986, 1996). GAIRAIGO concrete nouns are used to address similar At present, the number of GAIRAIGO is increasing phenomena of Japanese and Western origins, respectively. rapidly and loanwords penetrate into different spheres of This is referred as Hypothesis of Foreign vs. Native life. Dictionaries (Katakanago Jiten Consaizu (The Concise Dichotomy (HFND). However, the matter of abstract nouns, Dictionary of Katakana Words), etc.) in most cases do not adjectivals and their collocations remains unstudied. In contrast to the previous studies, based on questionnaires, our state any clear differences in the meaning and usage for the approach stems from statistical analysis of corpus data. Our abovementioned near synonyms. results illuminate a distinguishable bias in the structure of On the other hand, the experience of studying and collocations – nouns and adjectivals of the same origin tend communicating in Japanese shows that it is not possible to to appear together more often than the ones of the different substitute WAGO/KANGO and GAIRAIGO near synonyms origins. -
Phonotactically-Driven Rendaku in Surnames: a Linguistic Study Using Social Media
Phonotactically-DrivenRendakuinSurnames: ALinguisticStudyUsingSocialMedia YuTanaka 1. Introduction Like regular compound words, Japanese surnames with a compound structure can undergo a voicing alternation known as rendaku. Rendaku application in surnames is somewhat different from that in regular compounds, however; the voicing alternation is governed by avoidance of consonant sequences that are similar in terms of voicing and place. Although the peculiarity of rendaku in surnames has been noted in the literature (see Sugito, 1965 among others), no study has provided a full description or explanation of the patterns. The first aim of this study is thus to better describe the data. A corpus of rendaku in surnames is created using social media, which enables us to assess comprehensively and quantitatively the validity of proposed generalizations. The second aim of the study is to explain why rendaku applies in a different manner in names and in normal words. I propose that compound names are treated as if they are single stems and that the peculiar rendaku patterns in surnames can be attributed to stem-internal phonotactics, such as dispreferences for the occurrence of multiple voiced obstruents or sequential homorganic voiceless obstruents within stems. 2. Data: Rendaku in surnames 2.1. Strong Lyman’s Law? Rendaku, or sequential voicing (Martin, 1952), is a morphophonological process in Japanese whereby the initial obstruent of the second element of a compound becomes voiced,1 as shown in (1).2 (1) a. maki + susi ! maki-zusi ‘rolled-sushi’ b. ori + kami ! ori-gami ‘folding-paper’ Application of rendaku is variable, being affected by a number of factors including lexical idiosyncrasy (see Vance, 2015 for a comprehensive overview).