The Police Execution of Oscar Grant (PDF)
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An Explorative Study of the No Snitching Mentality in the African American Community
MOUTH SHUT, EYES OPEN: AN EXPLORATIVE STUDY OF THE NO SNITCHING MENTALITY IN THE AFRICAN AMERICAN COMMUNITY Tianna Williams B.A , California State University, Sacramento, 2007 PROJECT Submitted in partial satisfaction of the requirements for the degree of MASTER OF SOCIAL WORK at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SPRING 2011 ©2011 Tianna Williams ALL RIGHTS RESERVED ii MOUTH SHUT, EYES OPEN: AN EXPLORATIVE STUDY OF THE NO SNITCHING MENTALITY IN THE AFRICAN AMERICAN COMMUNITY A Project by Tianna Williams Approved by: __________________________________, Committee Chair Teiahsha Bankhead, Ph.D., LCSW ____________________________ Date iii Student: Tianna Williams I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the project. __________________________, Department Chair ___________________ Robin Kennedy, Ph.D. Date Division of Social Work iv Abstract of MOUTH SHUT, EYES OPEN: AN EXPLORATIVE STUDY OF THE NO SNITCHING MENTALITY IN THE AFRICA AMERICAN COMMUNITY by Tianna Williams The aim of this explorative quantitative study is to examine the culture of silence (also referred as the ―no snitching‖ mentality) that exists in the African American Community. Such attitude encourages African Americans to be uncooperative with the police, in which explicit messages are present in some rap and hip hop lyrics, illustrated in music videos, and designed on clothing apparel that advocate for this behavior (United States Department of Justice, 2009a). African Americans compared to Whites and other minorities represent a disproportion number of victims of homicide and incarcerated adults in the United States (United States Department of Justice, 2006; United States Department of Justice, 2010). -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Blacklivesmatter—Getting from Contemporary Social Movements to Structural Change
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2021 #BlackLivesMatter—Getting from Contemporary Social Movements to Structural Change Jamillah Bowman Williams Georgetown University Law Center, [email protected] Naomi Mezey Georgetown University Law Center, [email protected] Lisa O. Singh Georgetown University, [email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/2387 https://ssrn.com/abstract=3860435 California Law Review Online, Vol. 12, Reckoning and Reformation symposium. This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Criminal Law Commons, Law and Race Commons, and the Law and Society Commons #BlackLivesMatter— Getting from Contemporary Social Movements to Structural Change Jamillah Bowman Williams*, Naomi Mezey**, and Lisa Singh*** Introduction ................................................................................................. 2 I. Methodology ............................................................................................ 5 II. BLM: From Contemporary Social Movement to Structural Change ..... 6 A. Black Lives Matter as a Social Media Powerhouse ................. 6 B. Tweets and Streets: The Dynamic Relationship between Online and Offline Activism ................................................. 12 C. A Theory of How to Move from Social Media -
From the Instructor
FROM THE INSTRUCTOR In the final essay for WR 100: “Reading Disaster: #FergusonSyllabus,” students were asked to use a problem or question from Ta-Nehisi Coates’s challenging new book, Between the World and Me, as their motivation for a conversation across multiple exhibit and argument sources. Here, Ria examines contemporary media depictions of black life (and death) alongside Coates’s difficult advice to his teenaged son to embrace the struggle that he sees as the lot of black Americans. She finds that these depictions often fail to acknowledge struggle, a narrative that might serve to humanize such victims of systemic racism as Trayvon Martin and Oscar Grant. This alone would be a worthwhile exercise, but Ria takes her argument further by considering how other texts we read or watched during the semester present a more honest view of “black experience that is free of selective historical amnesia.” While Bill O’Reilly might be an easy target in such a conversation, Ria displays a fundamental respect for all her sources. She is a complex thinker and a beautiful prose stylist, grappling with nuance, while remaining attentive to the sonic and rhythmic possibilities of syntax and diction. Jessica Bozek WR 100: Reading Disaster FROM THE WRITER This was a paper born of frustration. Written as my final essay for Professor Jessica Bozek’s WR 100 section, “Reading Disaster,” its contents were a culmination of all the injustice and racial politics that we had spent the semester dissecting. What most agitated me, I believe, was the concept of respectability politics—the idea that a black person’s life must meet certain standards of behavior in order to be considered valuable. -
SAN FRANCISCO BAY AREA RAPID TRANSIT DISTRICT 300 Lakeside Drive, P
SAN FRANCISCO BAY AREA RAPID TRANSIT DISTRICT 300 Lakeside Drive, P. O. Box 12688, Oakland, CA 94604-2688 BOARD MEETING AGENDA October 14, 2010 9:00 a.m. A regular meeting of the Board of Directors will be held at 9:00 a.m. on Thursday, October 14, 2010, in the BART Board Room , Kaiser Center 20th Street Mall - Third Floor , 344 - 20th Street, Oakland, California. Members of the public may address the Board of Directors regarding any matter on this agenda. Please complete a "Request to Address the Board" form (available at the entrance to the Board Room) and hand it to the Secretary before the item is considered by the Board . If you wish to discuss a matter that is not on the agenda during a regular meeting, you may do so under General Discussion and Public Comment. Any action requiring more than a majority vote for passage will be so noted. Items placed under "consent calendar" are considered routine and will be received , enacted, approved, or adopted by one motion unless a request for removal for discussion or explanation is received from a Director or from a member of the audience. Please refrain from wearing scented products (perfume, cologne, after-shave , etc) to these meetings, as there may be people in attendance susceptible to environmental illnesses. BART provides service/accommodations upon request to persons with disabilities and individuals who are limited English proficient who wish to address BART Board matters. A request must be made within one and five days in advance of Board meetings , depending on the service requested. -
The Integral Curriculum and Its Alumni
Integral Alumni Council IAC Biographies Project The Integral Curriculum and Its Alumni Vol. Two December 2020 Editors Tim Cahill, '72 S. A. Cortright, '75 Ernest S. Pierucci, ‘72 Laura F. Gibble, ‘09 Preface This second iteration of The Integral Curriculum and Its Alumni continues the on-going Integral Alumni Council (IAC) Biographies Project. The Council's intention is to supplement the collection continuously, aiming ultimately to chronicle, as accurately as we can as lives move on, each and every one of the Curriculum's alumni, who now number some 735. Special thanks are owing to IAC Board Member, Tim Cahill '72—CEO, Charles Bell, Co., attorney, playwright and world traveler—who conceived the project and continues to gather life stories. The Integral Curriculum of Liberal Arts—familiarly, the Integral Program—has been conducted at Saint Mary’s since 1956. It is a four-year curriculum devoted to conversational inquiry into the great books and leading to a Bachelor of Arts degree. A brief history of the Program and statement of its mission follow. The first class was graduated in 1960. This collection of 81 biographies spans the entire history of the Program, up to a member of the class of 2020. The collection stands—and future, expanded iterations will stand—as testimony to the truth of two propositions. The first is enunciated by the achievements recorded—and to be recorded—in the on-going collection. Although, over the last 60 years, society, the economy, and workplaces have changed many times over, the Integral Program, unchanged in conception and continuous in execution, graduates liberal artists whose lives and achievements demonstrate their education's timeless relevance: from one Program, a galaxy of excellences. -
Rousing the Sleeping Giant: Administrative Enforcement of Title VI and New Routes to Equity in Transit Planning
05-Yan (Do Not Delete) 8/14/2013 1:23 AM Rousing the Sleeping Giant: Administrative Enforcement of Title VI and New Routes to Equity in Transit Planning Jerett Yan* From Homer Plessy to Rosa Parks, access to public transit has been at the center of the civil rights movement. While de jure segregation is largely a relic of this nation’s past, advocates have struggled to adapt civil rights jurisprudence to the more subtle and pervasive transit inequities that exist today. Administrative enforcement of Title VI of the Civil Rights Act of 1964 has the potential to open a new front in the struggle for transit justice. Using the Federal Transit Administration’s Title VI guidance as a starting point, this Comment examines the current guidance’s innovations and weaknesses, and proposes new measures the Federal Transit Administration and other administrative agencies can use to ensure transit planning decisions are made in a manner that is most equitable to the communities involved. Introduction ................................................................................................... 1132 I. Theories of Equity and the Shortcomings of Judicial Pursuit of Transit Justice .................................................................................... 1135 A. Substantive Equity ........................................................................ 1136 Copyright © 2013 California Law Review, Inc. California Law Review, Inc. (CLR) is a California nonprofit corporation. CLR and the authors are solely responsible for the content of their publications. * Attorney Adviser, U.S. Environmental Protection Agency, Office of Civil Rights; J.D. University of California, Berkeley, School of Law, 2012; B.A. Northwestern University 2007. I am grateful to Michelle Wilde Anderson, Guillermo Mayer, Tony LoPresti, and the staff of the California Law Review for their insight and feedback. -
Resolution 21-01 Reopen Oscar Grant Case
OAKLAND POLICE COMMISSION RESOLUTION NO. 21-01 RESOLUTION TO URGE THAT THE DISTRICT ATTORNEYS’ OFFICE REOPEN OFFICER-INVOLVED SHOOTING CASE OF OSCAR GRANT WHEREAS, on January 1, 2009, Mr. Oscar Grant was shot and killed by former BART police officer Johannes Mehserle on the platform of the Fruitvale BART station, in Alameda County, CA; WHEREAS, although Mehserle fired the fatal gunshot, several other BART police officers were present on the platform at that tragic moment; WHEREAS, Mehserle resigned his employment with BART and was convicted of involuntary manslaughter for this shooting; WHEREAS, one of the officers present on the platform, Anthony Pirone, participated in the detainment of Mr. Grant and his companions, and both struck and kneed Mr. Grant while detaining him, with the autopsy report revealing that Mr. Grant suffered trauma in his facial area and significant brain injury; WHEREAS, Pirone also held Mr. Grant down on the platform by kneeling on him until just before Mr. Grant was shot by Mehserle; WHEREAS, Pirone directed a racial slur at Mr. Grant during his detainment; WHEREAS, when Mehserle fled the City of Oakland to avoid prosecution, the Oakland Police Department dispatched its officers to locate Merhserle and return him to Oakland to face charges; WHEREAS, BART commissioned an independent investigation into this tragedy and a report was issued; WHEREAS, that report, among other findings, determined that "Officer Pirone's overly aggressive and unreasonable actions and conduct in violation of policy and acceptable standards, -
Fire to the Prisons
FOR NOTHING AGAINST EVERY THING FIRE TO THE PRISONS Issue 7//Fall 2009 An Insurrectionary Quarterly “CONTRARY TO WHAT HAS BEEN REPEATED TO US SINCE CHILD- HOOD, INTELLIGENCE DOESN’T MEAN KNOW- ING HOW TO ADAPT; OR IF THAT IS A KIND OF INTELLIGENCE, IT’S THE INTELLIGENCE OF SLAVES.” DISCLAIMER: Fire to the Prisons is for informational and edu- cational purposes only. This magazine in no way encourages or supports any illegal behavior in any way. This magazine looks only to provide a forum for conversation and news. All news mentioned was found as public information and later compiled or re-organized for this magazine, and any attempt by anyone to connect this publication to any illegal behavior is a complete fabrication by forces looking to impede the spreading of information such as this. “BUT, WE MIGHT NEED IT!”. BRIEFING Pg. 3 TABLE OF A subtle introduction. PERMANENT POTENTIAL, CONTENTS IN PERMANENT CONFLICT Pg. 4 Towards a revolutionary vagueness. ON “BURNING OUT” Pg. 8 This magazine is in NO-WAY a “for profit” Disempowerment and the modern radical. publication; nor is it in anyway a formal en- terprise or business. We encourage the WE DEMAND NOTHING Pg. 12 re-distribution and re-printing of everything On the Practical Necessity of Demanding Nothing. in this magazine, as well as the magazine in it’s entirety. Printable PDFs are available for A STATEMENT FROM THE UNDECIDED Pg. 23 re-distribution or viewing on our web site in- The liberal/conservative false dichotomy. cluded below. ESCAPISM HAS ITS PRICE, If your reading this, it means that this is- THE ARTIST HAS HIS INCOME Pg. -
Hyphy Sparked a Social Movement
38876 esr_37 & 38 Sheet No. 28 Side A 07/13/2017 11:07:28 \\jciprod01\productn\E\ESR\37-38\ESR106.txt unknown Seq: 1 19-JUN-17 11:59 HYPHY SPARKED A SOCIAL MOVEMENT Andrea L.S. Moore California State University, Sacramento “When hip hop’s true influence as a cultural movement is finally under- stood. .people will recognize that the very same synergy at the heart of hip hop’s commercial success has also informed our generation’s ac- tivist and political theorists.” —Baraka Kitwana Hyphy (pronounced Hi-fee), is a genre of rap and lifestyle associated with Bay Area hip hop culture that emerged in early 2000 and by 2009 evolved into a counter-cultural social movement for marginalized youth. Hyphy was originally a part of Bay Area vernacular used in local neigh- borhoods as an actual hyperbole on the word hyper. It eventually came to mean an unbridled release of energy that could include excitement, frus- tration or uncontrolled anger. The synergy of anger mixed with raw and aggressive sounds in the musical beats created a powerful reflection of street life and party style rap.1 The aesthetic dimensions of Hyphy in- clude sideshows (car culture), slanguage (language), turfin’ (dancing), fashion, and the independent hustling/marketing of an artist. Each aes- thetic is heavily influenced by the everyday reality one experiences while living in urban spaces. The dynamism of Hyphy is carefree resistance; the sound, in combination with the everyday marginalized lived exper- iences. The Hyphy Movement emerged as a collective for activism as 38876 esr_37 & 38 Sheet No. -
Congress Passes Stimulus I — BART Creates Thousands of Jobs
San Francisco Bay Area Rapid Transit 2010 Report To Congress Congress Passes Stimulus I — BART Creates Thousands of Jobs BART Ready for New Jobs Bill in 2010 • As a result of FTA reversing its approval of the Oakland Airport Connector project (OAC), $70 million of stimulus funding was When Congress and President redistributed among Bay Area transit properties, with $17 million going Obama acted to authorize stimulus to BART capital projects. This funding will provide for rail and vehicle funding legislation in early 2009 to improvements to replace the flooring and seat cushions on 50 rail cars, help stabilize the nation’s economy, rearrange seats on 100 rail cars to allow speedier passenger loading, improving our transit systems and replace the power units on 40 BART vehicles. became a critical means to the current economic recovery. All of these stimulus projects will generate more than 2,000 jobs – helping to assure that the BART system continues to contribute to the The American Recovery and Bay Area economy. Reinvestment Act of 2009 (ARRA) included $787 billion worth of Should a second stimulus effort or jobs bill be enacted, BART is appropriations and tax changes to ready with at least another $94 million worth of shovel-ready stimulate the economy. In addition projects to help jump-start the Bay Area economy with needed to the goals of preserving and cre- work – many ready within 90 days of grant award date. ating jobs, the legislation invested over $48 billion in transportation infrastructure – $8.4 billion of BART Moves Closer to San Jose which went to transit capital im- Recent events are moving BART closer to serving the nation’s 10th provements through Federal Transit largest city. -
FRUITVALE STATION Production Notes
FRUITVALE STATION Production Notes Publicity materials are available at: twcpublicity.com Running Time: 84 minutes MPAA Rating: R 1 SYNOPSIS Winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, director Ryan Coogler’s FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22- year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother (Octavia Spencer), whose birthday falls on New Year’s Eve, being a better partner to his girlfriend Sophina (Melonie Diaz), who he hasn’t been completely honest with as of late, and being a better father to Tatiana (Ariana Neal), their beautiful four year-old daughter. Crossing paths with friends, family, and strangers, Oscar starts out well, but as the day goes on, he realizes that change is not going to come easily. His resolve takes a tragic turn, however, when BART officers shoot him in cold blood at the Fruitvale subway stop on New Year’s Day. Oscar’s life and tragic death would shake the Bay Area – and the entire nation – to its very core. 2 Q&A WITH WRITER/DIRECTOR RYAN COOGLER What originally inspired you to make this film? I was originally inspired to make this film by the event itself, as well as the aftermath.