November 2016 Plaintiff Magazine
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The Integral Curriculum and Its Alumni
Integral Alumni Council IAC Biographies Project The Integral Curriculum and Its Alumni Vol. Two December 2020 Editors Tim Cahill, '72 S. A. Cortright, '75 Ernest S. Pierucci, ‘72 Laura F. Gibble, ‘09 Preface This second iteration of The Integral Curriculum and Its Alumni continues the on-going Integral Alumni Council (IAC) Biographies Project. The Council's intention is to supplement the collection continuously, aiming ultimately to chronicle, as accurately as we can as lives move on, each and every one of the Curriculum's alumni, who now number some 735. Special thanks are owing to IAC Board Member, Tim Cahill '72—CEO, Charles Bell, Co., attorney, playwright and world traveler—who conceived the project and continues to gather life stories. The Integral Curriculum of Liberal Arts—familiarly, the Integral Program—has been conducted at Saint Mary’s since 1956. It is a four-year curriculum devoted to conversational inquiry into the great books and leading to a Bachelor of Arts degree. A brief history of the Program and statement of its mission follow. The first class was graduated in 1960. This collection of 81 biographies spans the entire history of the Program, up to a member of the class of 2020. The collection stands—and future, expanded iterations will stand—as testimony to the truth of two propositions. The first is enunciated by the achievements recorded—and to be recorded—in the on-going collection. Although, over the last 60 years, society, the economy, and workplaces have changed many times over, the Integral Program, unchanged in conception and continuous in execution, graduates liberal artists whose lives and achievements demonstrate their education's timeless relevance: from one Program, a galaxy of excellences. -
Hyphy Sparked a Social Movement
38876 esr_37 & 38 Sheet No. 28 Side A 07/13/2017 11:07:28 \\jciprod01\productn\E\ESR\37-38\ESR106.txt unknown Seq: 1 19-JUN-17 11:59 HYPHY SPARKED A SOCIAL MOVEMENT Andrea L.S. Moore California State University, Sacramento “When hip hop’s true influence as a cultural movement is finally under- stood. .people will recognize that the very same synergy at the heart of hip hop’s commercial success has also informed our generation’s ac- tivist and political theorists.” —Baraka Kitwana Hyphy (pronounced Hi-fee), is a genre of rap and lifestyle associated with Bay Area hip hop culture that emerged in early 2000 and by 2009 evolved into a counter-cultural social movement for marginalized youth. Hyphy was originally a part of Bay Area vernacular used in local neigh- borhoods as an actual hyperbole on the word hyper. It eventually came to mean an unbridled release of energy that could include excitement, frus- tration or uncontrolled anger. The synergy of anger mixed with raw and aggressive sounds in the musical beats created a powerful reflection of street life and party style rap.1 The aesthetic dimensions of Hyphy in- clude sideshows (car culture), slanguage (language), turfin’ (dancing), fashion, and the independent hustling/marketing of an artist. Each aes- thetic is heavily influenced by the everyday reality one experiences while living in urban spaces. The dynamism of Hyphy is carefree resistance; the sound, in combination with the everyday marginalized lived exper- iences. The Hyphy Movement emerged as a collective for activism as 38876 esr_37 & 38 Sheet No. -
FRUITVALE STATION Production Notes
FRUITVALE STATION Production Notes Publicity materials are available at: twcpublicity.com Running Time: 84 minutes MPAA Rating: R 1 SYNOPSIS Winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, director Ryan Coogler’s FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22- year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother (Octavia Spencer), whose birthday falls on New Year’s Eve, being a better partner to his girlfriend Sophina (Melonie Diaz), who he hasn’t been completely honest with as of late, and being a better father to Tatiana (Ariana Neal), their beautiful four year-old daughter. Crossing paths with friends, family, and strangers, Oscar starts out well, but as the day goes on, he realizes that change is not going to come easily. His resolve takes a tragic turn, however, when BART officers shoot him in cold blood at the Fruitvale subway stop on New Year’s Day. Oscar’s life and tragic death would shake the Bay Area – and the entire nation – to its very core. 2 Q&A WITH WRITER/DIRECTOR RYAN COOGLER What originally inspired you to make this film? I was originally inspired to make this film by the event itself, as well as the aftermath. -
Police Commission Meeting 6/27/19 (Completed 07/03/19) Page 1 of 101 Transcript by Rev.Com
CITY OF OAKLAND OAKLAND POLICE COMMISSION Meeting Transcript Thursday, June 27, 2019 6:30 PM City Hall, Council Chambers 1 Frank H. Ogawa Plaza, Oakland, California 94612 Regina Jackson: Hello, everyone. Apologies for starting just a bit tardy. It is now 6;36 on June 27th. Welcome to the Oakland Police Commission. Our first order of business is a call to order. Commissioner Ahmad. Mubarak Ahmad: Present. Regina Jackson: Commissioner Dorado. Jose Dorado: Here. Regina Jackson: Commissioner Anderson. Tara Anderson: Here. Regina Jackson: Commissioner Harris. Ginale Harris: Here. Regina Jackson: Here for myself. Commissioner Smith. Thomas Smith: Here. Regina Jackson: Alternate Commissioner Brown. Chris Brown: Present. Regina Jackson: And Commissioner Prather is away on business. We have a quorum. Regina Jackson: Excuse for my huffing and puffing, but I ran around the building to get in, so I'm still catching up to myself. Regina Jackson: The next item is the welcome and open forum. For ... this is 12. Okay. Speaker 1: [inaudible 00:07:46]. Police Commission Meeting 6/27/19 (Completed 07/03/19) Page 1 of 101 Transcript by Rev.com Regina Jackson: Okay. Sorry about that. Okay, for open forum, speakers may show up in any order. Oscar Fuentes, Maureen Benson. Two? Okay. Okay. Michelle Lazania. Forgive me if I'm mispronouncing any. And Ann Janks. Speaker 2: Hello. So I want to just to draw people's attention to the fact that the information provided in the OPD's budget is from June 5th. It's out of date. Well, they passed the budget anyway. -
6 Civil Rights Lawyers Reflect on Racial Justice Movement
AppalReD Legal Aid Providing free legal services to the low-income and vulnerable in eastern and south central Kentucky. We do not charge. www.ardfky.org 6 Civil Rights Lawyers Reflect on Racial Justice Movement Is this a moment or a movement? 6 civil rights lawyers reflect on recent demands for racial justice By Blair Chavis, Kevin Davis and Liane Jackson From the American Bar Association Journal. Lawyers have a long tradition of supporting efforts to bring racial and social justice to this country. They’ve argued important civil rights cases, demanded police accountability and advocated for public policies to address systemic and institutional racism. Recent killings of unarmed Black people by police have sparked a new wave of protests and demonstrations on a scale not seen in decades. Once again, the nation has been forced to pay attention. Public support of Black Lives Matter has surged, and one poll found that 67% of Americans believe racial discrimination is a big problem in the U.S., up 16 percentage points from five years ago. Does the increased support suggest meaningful change is coming? The ABA Journal interviewed six lawyers who have worked on the front lines of civil rights and social justice to get perspective on what has changed since the 1960s and what the future may hold. Bill Robinson: Advocating for civil rights since the summer of ‘64 Bill Robinson: “During the ’50s, you had to read your Jet magazine. Thurgood Marshall often had a column at the end.” Photo by David Hills Photography/ABA Journal. For many young volunteers, the long hot summer of 1964 marked the beginning of a lifelong commitment to social justice. -
Plaintiffs' Motion for Attorneys' Fees
Case3:03-cv-02962-TEH Document65 Filed05/27/05 Page1 of 44 1 JAMES B. CHANIN (SBN# 76043) 2 JULIE M. HOUK (SBN# 114968) Law Offices of James B. Chanin 3 3050 Shattuck Avenue Berkeley, California 94705 4 (510) 848-4752; FAX (510) 848-5819 5 JOHN L. BURRIS, SBN 69888 6 7677 Oakport Street, Suite 1120 Oakland, CA 94621 7 (510) 839-5200; FAX (510) 839-3882 8 ALAN L. SCHLOSSER, SBN 49957 RACHEL LEDERMAN, SBN 130192 MARK SCHLOSBERG, SBN 209144 9 NATIONAL LAWYERS GUILD and AMERICAN CIVIL LIBERTIES UNION Law Offices of Rachel Lederman FOUNDATION OF NORTHERN 10 and Alexsis C. Beach CALIFORNIA, INC. 558 Capp Street 1663 Mission Street, Suite 460 11 San Francisco, CA 94110 San Francisco, CA 94103 12 (415) 282-9300; FAX (415) 285-5066 (415) 621-2493; FAX (415) 255-8437 13 (Additional counsel on next page) 14 Attorneys for Plaintiffs 15 UNITED STATES DISTRICT COURT 16 NORTHERN DISTRICT OF CALIFORNIA 17 18 LOCAL 10, INTERNATIONAL LONGSHORE Case No. C-03-2962 TEH (JL) 19 AND WAREHOUSE UNION, et al., LOCAL 10 PLAINTIFFS’ NOTICE OF AND 20 Plaintiffs, MOTION FOR AN AWARD OF vs. ATTORNEYS’ FEES AND COSTS; 21 MEMORANDUM OF POINTS AND CITY OF OAKLAND, et al., AUTHORITIES THEREON 22 23 Defendants. Date: July 11, 2005 ________________________________________ Time: 10:00 a.m. 24 AND RELATED CASE Courtroom: No. 12, 19th Floor Judge: Hon. Thelton E. Henderson 25 26 27 28 PDF created with pdfFactory trial version www.pdffactory.com Case3:03-cv-02962-TEH Document65 Filed05/27/05 Page2 of 44 1 BOBBIE STEIN (SBN# 113239) 503 Dolores Street, #201 2 San Francisco, CA 94110-1564 3 (415) 255-0301; FAX (510) 601-5780 4 OSHA NEUMANN (SBN#127215) 1840 Woolsey Street 5 Berkeley, CA 94703 6 (510) 644-2429; FAX (510) 540-4821 7 Attorneys for Plaintiffs 8 ROBERT REMAR (SBN# 100124) 9 LEONARD CARDER LLP 10 1188 Franklin Street, #201 San Francisco, CA 94109 11 (415) 447-0403; FAX (415) 771-7010 12 Attorney for Local 10, ILWU Only 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 LOCAL 10 PLAINT. -
The Police Execution of Oscar Grant (PDF)
Historical Moments of Policing, Violence, and Resistance Series – Volume 5 The Police Execution of Oscar Grant By Olivia Perlow and Lakeesha J. Harris Designed by Antonia Clifford Cover Image by Chris Stain Series Conceived and Published by Project NIA (www.project-nia.org) and Chicago Prison Industrial Complex (PIC) Teaching Collective (http://chicagopiccollective.com) ABOUT THIS SERIES In the last few months of 2011 into early 2012, the issue of police violence once again burst into the mainstream with the treat- ment of Occupy protesters. While we were appalled at the violence directed at peaceful pro- testers by law enforcement, we were also dismayed that this phe- nomenon was treated as a novel one. The incidents were dis- cussed in a way that was divorced from historical context. After all, the black and white images of police dogs being unleashed on peaceful protesters during the black freedom movement of the 1950s and 60s would not have been alien to the young people who were abused by law enforcement in New York and Oakland at the Occupy protests. Police violence is unfortunately not new. In an attempt to inject some historical memory into the current considerations of police violence, Project NIA and the Chicago Prison Industrial Complex (PIC) Teaching Collective decided to develop a series of pamphlets to inform and educate the broader public about the longstanding tradition of oppressive policing toward marginalized populations (including some activists and orga- nizers). This series titled “Historical Moments of Policing, Violence & Resistance” features pamphlets on various topics including: Oscar Grant, the Missis- sippi Black Papers, Slave Patrols, the Young Lords, the 1968 Democratic Convention, the Danzinger Bridge Shootings, Black Student Protests on College Campuses, Timothy Thomas, Resistance to Police Violence in Harlem, and the 1937 Memorial Day Massacre, among others. -
THREAT and HUMILIATION Racial Profiling, Domestic Security, and Human Rights in the United States
THREAT AND HUMILIATION Racial Profiling, Domestic Security, and Human Rights in the United States U.S. Domestic Human Rights Program Amnesty International is a worldwide human rights activist movement with more than 1.8 million members in more than 150 countries and territories, including nearly 350,000 members in the United States. Amnesty International’s vision is of a world in which every person enjoys all of the human rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. Amnesty International undertakes research and action focused on preventing and ending grave abuses of the rights to physical and mental integrity, freedom of conscience and expression, and freedom from discrimination, within the context of its work to promote all human rights. Amnesty International is independent of any government, political ideology, or religious creed. It does not support or oppose any government or political system. It is concerned solely with the impartial protection of human rights. Amnesty International is funded largely by its worldwide membership and by donations from the public. Second printing (October 2004) First published in September 2004 by Amnesty International USA 5 Penn Plaza New York, NY 10001 www.amnestyusa.org © Copyright Amnesty International USA Publications 2004 ISBN: 1-887204-43-1 Original language: English Printed by: Globe Litho One Teaneck Road Ridgefield Park, NJ 07660 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording and/or otherwise without the prior permission of the publishers.