The Power of Public Memory
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Power Sport Batteries
Power Sport Batteries Power Sports Battery & Charger Guide Adventure Power Power Sport Batteries Blue - Low Maintenance Conventional Red - High Performance Conventional HARLEY-DAVIDSON CONT. All Models All Years UTX20L UTX20L-BS Aia, Azzurra Blance, Ala Oro, UBVT-4 All Years 6N11A-1B Rossa, Verde 1200 X1 Lightning 99-'02 UBVT-4 UTX20L 250 SS250, SX250 75-'78 UB7L-B , 12N7-3B S1 Lightning 96-'99 UBVT-8 UTX14 UTX14-BS Aia, Azzurra, Blance All Years 6N11A-1B S3, S3T Thunderbolt 97-'02 UBVT-4 UTX20L UTX20L-BS Chimera All Years B39-6 (HP) M2 Cyclone 97-'02 UBVT-4 UTX20L UTX20L-BS 175 SS175, SX175 74-'78 UB7L-B , 12N7-3B S2, S2T Thunderbolt 94-'96 UBVT-5 UTX20 UTX20-BS UB16-B-LM 125 SS125, SX125 74-'78 UB7L-B , 12N7-3B RR1200 88-'90 UBVT-5 UTX20 UTX20-BS UB16-B-LM SXT125 75-'78 UB7L-B , 12N7-3B RS1200 89-'93 UBVT-5 UTX20 UTX20-BS UB16-B-LM TX125 73-'78 UB7L-B , 12N7-3B RSS1200 91-'93 UBVT-5 UTX20 UTX20-BS UB16-B-LM 90 Z90 73-'76 UB7L-B , 12N7-3B XB12R Firebolt, XB12S Lightning 04-'08 UBVT-8 UTX14 HONDA XB12X Ulysses 06-'09 UBVT-8 UTX14 1800 GL1800 Gold Wing 01-'09 UBVT-4 UTX20L UTX20L-BS 1125 1125R 08 UBVT-3 UTX14L VTX1800C, F, N, R Retro, S 02-'07 UBVT-1 UTX20HL UTX20HL-BS 1000 RR1000 87 UBVT-5 UTX20 UTX20-BS UB16-B-LM NRX1800 Valkyrie Rune 04-'05 UBVT-1 UTX20HL UTX20HL-BS 984 XB9R Firebolt, XB9S Lightning 02-'09 UBVT-8 UTX14 1500 GL1500 Gold Wing 88-'00 UBVT-6 UTX24HL UTX24HL-BS U50-N18L-A3 500 Blast 00-'09 UBVT-8 UTX14 UTX14-BS GL1500 Valkyrie 97-'03 UBVT-8 UTX14 UTX14-BS 1300 ST1300, A, P 03-'09 UTZ14S UTZ14S-BS 990 Spyder 08-'09 UBVT-6 -
3-8 Lower Polk CBD-Fern Street Mural Project-2021.Pdf
Mural Design Information Form LEAD ARTIST ADDRESS CITY STATE ZIP CODE EMAIL PHONE PROJECT COORDINATOR ADDRESS CITY STATE ZIP CODE EMAIL PHONE SPONSORING ORGANIZATION ADDRESS CITY STATE ZIP CODE EMAIL PHONE FUNDING SOURCES PROPOSED SITE (address, cross street ) DISTRICT District numbers can be found at http://sfgov.org/elections/district-citywide-maps MURAL TITLE DIMENSIONS ESTIMATED SCHEDULE (start and completion dates) 1. Proposal (describe proposed design, site and theme. Attach a separate document if needed). 2. Materials and processes to be used for wall preparation, mural creation and anti-graffiti treatment. 3. List individuals and groups involved in the mural design, preparation and implementation. Attach the following documents to this form: 1. Lead artist's resume/qualifications and examples of previous work 2. Three (3) letters of community support 3. Letter or resolution approving proposal from city department or; 4. Letter of approval from private property owner along with Property Owner Authorization Form 5. Signed Artist Waiver of Property Rights for artwork placed upon city property or; 6. Signed Artist Waiver of Proprietary Rights financed in whole or in part by city funds for artwork placed upon private property 7. Maintenance Plan (including parties responsible for maintenance) 8. Color image of design 9. One image of the proposed site and indicate mural dimensions Elaine Chu [email protected] 1639 MacArthur Blvd, Oakland CA 94602 (267) 975-4631 www.twinwallsmuralcompany.com Education Maryland Institute College of -
Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
American Culture: Fashion and Sustainability
AMERICAN CULTURE: FASHION AND SUSTAINABILITY A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for Departmental Honors by Kelsey Merritt May, 2018 Thesis written by Kelsey Merritt Approved by _____________________________________________________________________, Advisor _____________________________________________________________________, Co Advisor ______________________________________________, Director of Fashion Accepted by ___________________________________________________, Dean, Honors College ii TABLE OF CONTENTS LIST OF FIGURES…..……………………………………………...……………………iv LIST OF TABLES………..………………………………………………………………vi ACKNOWLEDGMENT………………………………………….……………………..vii CHAPTERS I. INTRODUCTION……………………………………………….………..1 Delimintations……………………………………………………………..4 II. LITERATURE REVIEW………………………………………….………6 III. DATA COLLECTION METHODS……………………………………..12 IV. FINDINGS AND DISCOVERINGS…………………………………….42 V. RECOMMENDATIONS………………………………………………...48 REFERENCES……………………………………………………………………...…...54 APPENDIX 1. Appendix A………………………………………………………………58 2. Appendix B………………………………………………………………60 3. Appendix C………………………………………………………………63 4. Appendix D………………………………………………………………66 iii LIST OF FIGURES Figure 1: Inside Stoll knit factory………………………………………………………..15 Figure 2: Stoll’s knit factory entrance…………………………………………………...16 Figure 3: Sample garments created………………………………………………………16 Figure 4: Ka de We shoe floor…………………………………………………………...18 Figure 5: Rug maker……………………………………………………………………..20 Figure 6: Testing rug making myself…………………………………………………….20 -
Breeze April 2006
ALLIE BLECHER AND TEAM CYC LINDA ELIAS MEMORIAL WOMEN’S ONE-DESIGN CHALLENGE DECEMBER 2019 From the Commodore Together We Reached For the Stars – general manager, Michele Underwood, in Let’s Keep Reaching August, and my beloved mother earlier in the year. We all felt the harrowing sinking of John hat a year we shared! We Reached Sangmeister’s OEX in this year’s Transpacific for the Stars, honored CYC Stars, Yacht Race, and celebrated the rescue of her Wsailed Stars, star-gazed, and crew by CYC member Roy P. Disney and his recently danced Under the Stars. 2019 has Pyewacket team. As I write this, firefighters flown by, and it’s nearly time to welcome the are heroically fighting horrific fires close to new year and our incoming Bridge. I’ve home, in neighboring communities, and up enjoyed my year as Commodore, and am and down California. Beyond our local looking forward to continuing to serve our environs, there is chaos aplenty – you know Club even after I give up my prime parking what I mean no matter where or how you space. receive national or international news. Before reminiscing and pondering what’s The best way I know to deal with next, I will salute a trio of CYC Stars for their Commodore adversity or any challenge, large or small, is significant multi-year contributions to our Debbie Feinerman to do something. If the issue is too substantial Club. Breeze Editor-in-Chief Paula Cameron to tackle at once, I break it into bite-size tasks. knocks it out of the park each month with our fantastic CYC Doing something small is far better than doing nothing. -
Leonardo Reviews Quarterly 2.02 | 2012
L|R|Q Leonardo Reviews Quarterly 2.02 | 2012 Executive Editor: Roger Malina Editor-in-Chief: Michael Punt Associate Editor: Claudy Op den Kamp www.leonardo.info © ISAST L|R|Q Leonardo Reviews Quarterly 2.02 | 2012 Science, Spectacle and Imagination Executive Editor: Roger Malina Editor-in-Chief: Michael Punt Associate Editor: Claudy Op den Kamp www.leonardo.info © ISAST Leonardo Reviews Leonardo Reviews Reviews Panel Leonardo Reviews is the work of an international Allan Graubard, Amy Ione, Anastasia Filip- panel of scholars and professionals invited from poupoliti, Annick Bureaud, Anna B. Creagh, a wide range of disciplines to review books, exhi- Anthony Enns, Aparna Sharma, Boris Jardine, bitions, DVDs, CDs, websites, and conferences. Brian Reffin Smith, Brigitta Zics, Catalin Brylla, Collectively they represent an intellectual commit- Chris Cobb, Chris Speed, Claudia Westermann, ment to engaging with the emergent debates and Claudy Op den Kamp, Craig Harris, Craig Hilton, manifestations that are the consequences of the Dene Grigar, David Bering-Porter, Dene Grigar, convergence of the arts, science and technology. Eduardo Miranda, Elizabeth McCardell, Ellen Pearlman, Enzo Ferrara, Eugene Thacker, Flor- Leonardo Reviews publishes all reviews received ence Martellini, Flutor Troshani, Franc Cham- from the panel monthly at www.leonardo.info. In berlain, Fred Andersson, Frieder Nake, George addition, four times a year a selection of reviews Gessert, George K. Shortess, Giovanna Cos- is printed in Leonardo and now Leonardo Reviews tantini, Hannah Drayson, Hannah Rogers, Har- Quarterly will be publishing an even larger selec- riet Hawkins, Ian Verstegen, Jac Saorsa, Jack tion as a PDF together with introductory material Ox, Jacques Mandelbrojt, Jan Baetens, Jennifer and overview essays. -
2 3 Fashion Council Germany
FASHION COUNCIL GERMANY Steinrohner x Laurèl presentation at FCGFIREDSIDECHATBerlin, July 2nd 2018. 2 3 FASHION COUNCIL GERMANY Fashion Council Germany Pop Up Shop at Bikini Berlin. 4 5 FASHION COUNCIL GERMANY FASHION NETWORK creation is value of industry, fashion designers and start-ups MENTORING with branch experts COORDINATION of trade fairs and event appointments LOBBY for German fashion in politics, the economy and culture POSITION German fashion as a cultural and economic commodity PRESENTATION of German fashion and designers in the international market SUPPORT of young designers MEDIATOR between politics, media, culture and industry 6 7 FASHION COUNCIL GERMANY | PREFACE Fashion as a twice yearly show event is nice, but, fashion 365 days a year, enriching our everyday culture is even better. That’s exactly our issue: with the Fashion Council Germany we want to raise awareness by making fashion design in and from Germany a matter of fact. Something that broadens our horizons just like a thrilling novel, exciting book or a fine painting. A positive development is already noticeable. Young and exciting talents are being recognised and supported, their designs are being bought - that being the main goals, but, it is not enough. CHRISTIANE ARP President of the Fashion Council Germany & Editor in Chief of the German Vogue Christiane Arp with Karen Jessen of Benu Berlin 8 9 FASHION COUNCIL GERMANY THE 1 2 FASHION EDUCATION BUSINESS The advanced training for designers and young The importance of economics is emphasised designers is a central issue of the FASHION as a central point by the FASHION COUNCIL COUNCIL COUNCIL GERMANY. -
T E L L T a L E S a R a T O G a L a K E S a I L I N G C L U B
What's Inside? T e l l t a l e S a r a t o g a L a k e S a i l i n g C l u b Web page: sailsaratoga.org May, 2016 Commodore’s Corner SLSC By Mark Welcome Annual Memorial Day It’s time to go sailing! Champagne Brunch The Club is in great shape and the docks are all in as of the Monday, May 30 April 30th work party. We had 120 memberships 10:00 AM - Noon represented at the first work party and were able to accomplish almost everything that was on our lists. Not to Adults $10 - Kids (12 and under) $5 worry, we have more than enough work to add to our lists th Champagne market price per bottle for Work Party #2 which will be on Saturday May 7 . Planned work details include getting the mooring field ready, Reservations no later than May 22 to more house cleaning, additional work on school boats and any number of projects on the grounds. We look forward to seeing many of you who couldn’t make the first work party at [email protected] the second work party so we can finish opening up the club Email reservations are preferred, and will be and start the sailing season off right. If you are unable to acknowledged! participate in the work parties, please contact John Smith, Melissa Tkal, Greg Tkal, JT Fahy, David Hudson or myself or call to see if they need help with additional projects. Given that Kathleen & Vic Roberts we are a volunteer run organization, there are always 399-4410 projects to do and we appreciate the help of all the members. -
NS14 ASSOCIATION NATIONAL BOAT REGISTER Sail No. Hull
NS14 ASSOCIATION NATIONAL BOAT REGISTER Boat Current Previous Previous Previous Previous Previous Original Sail No. Hull Type Name Owner Club State Status MG Name Owner Club Name Owner Club Name Owner Club Name Owner Club Name Owner Club Name Owner Allocated Measured Sails 2070 Midnight Midnight Hour Monty Lang NSC NSW Raced Midnight Hour Bernard Parker CSC Midnight Hour Bernard Parker 4/03/2019 1/03/2019 Barracouta 2069 Midnight Under The Influence Bernard Parker CSC NSW Raced 434 Under The Influence Bernard Parker 4/03/2019 10/01/2019 Short 2068 Midnight Smashed Bernard Parker CSC NSW Raced 436 Smashed Bernard Parker 4/03/2019 10/01/2019 Short 2067 Tiger Barra Neil Tasker CSC NSW Raced 444 Barra Neil Tasker 13/12/2018 24/10/2018 Barracouta 2066 Tequila 99 Dire Straits David Bedding GSC NSW Raced 338 Dire Straits (ex Xanadu) David Bedding 28/07/2018 Barracouta 2065 Moondance Cat In The Hat Frans Bienfeldt CHYC NSW Raced 435 Cat In The Hat Frans Bienfeldt 27/02/2018 27/02/2018 Mid Coast 2064 Tiger Nth Degree Peter Rivers GSC NSW Raced 416 Nth Degree Peter Rivers 13/12/2017 2/11/2013 Herrick/Mid Coast 2063 Tiger Lambordinghy Mark Bieder PHOSC NSW Raced Lambordinghy Mark Bieder 6/06/2017 16/08/2017 Barracouta 2062 Tiger Risky Too NSW Raced Ross Hansen GSC NSW Ask Siri Ian Ritchie BYRA Ask Siri Ian Ritchie 31/12/2016 Barracouta 2061 Tiger Viva La Vida Darren Eggins MPYC TAS Raced Rosie Richard Reatti BYRA Richard Reatti 13/12/2016 Truflo 2060 Tiger Skinny Love Alexis Poole BSYC SA Raced Skinny Love Alexis Poole 15/11/2016 20/11/2016 Barracouta -
First Century German Literature and Film
Abstract Title of Document: AMERICAN BLACKNESS AND VERGANGENHEITSBEWÄLTIGUNG IN TWENTY- FIRST CENTURY GERMAN LITERATURE AND FILM Christina Wall, Doctor of Philosophy, 2014 Directed by: Professor Elke P. Frederiksen, Department of Germanic Studies This study represents a unique examination of the convergence of constructs of Blackness and racism in twenty-first century novels and films by white Germans and Austrians in order to demonstrate how these texts broaden discourses of Vergangenheitsbewältigung. The increased prominence of minority voices demanding recognition of their national identity within Nazi successor states has transformed white German perceptions of “Germanness” and of these nations’ relationships to their turbulent pasts. I analyze how authors and directors employ constructs of Blackness within fictional texts to interrogate the dynamics of historical and contemporary racisms. Acknowledging that discourses of ‘race’ are taboo, I analyze how authors and directors avoid this forbidden discourse by drawing comparisons between constructs of American Blackness and German and Austrian historical encounters with ‘race’. This study employs cultural studies’ understanding of ‘race’ and Blackness as constructs created across discourses. Following the example of Toni Morrison’s Playing in the Dark (1992), my textual analyses show how these constructs create a “playground for the imagination” in which authors confront modern German racism. My study begins with a brief history of German-African American encounters, emphasizing the role American Blackness played during pivotal moments of German national identity formation. The subsequent chapters are divided thematically, each one comprised of textual analyses that explore discourses integral to Vergangenheitsbewältigung. The third chapter examines articulations of violence and racism in two films, Oskar Roehler’s Lulu & Jimi (2008) and Michael Schorr’s Schultze gets the blues (2008), to explore possibilities of familial reconciliation despite historical guilt. -
Questions of Fashion
http://www.jstor.org/stable/10.1086/677870 . Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Bard Graduate Center are collaborating with JSTOR to digitize, preserve and extend access to West 86th. http://www.jstor.org This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Questions of Fashion Lilly Reich Introduction by Robin Schuldenfrei Translated by Annika Fisher This article, titled “Modefragen,” was originally published in Die Form: Monatsschrift für gestaltende Arbeit, 1922. 102 West 86th V 21 N 1 This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Introduction In “Questions of Fashion,” Lilly Reich (1885–1947) introduces readers of the journal Die Form to recent developments in the design of clothing with respect to problems of the age.1 Reich, who had her own long-established atelier in Berlin, succinctly contextualizes issues that were already mainstays for the Werkbund, the prominent alliance of designers, businessmen, and government figures committed to raising design standards in Germany, of which she was a member. -
A University of Sussex Phd Thesis Available Online Via Sussex
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details The German colonial settler press in Africa, 1898-1916: a web of identities, spaces and infrastructure. Corinna Schäfer Submitted for the degree of Doctor of Philosophy University of Sussex September 2017 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature: Summary As the first comprehensive work on the German colonial settler newspapers in Africa between 1898 and 1916, this research project explores the development of the settler press, its networks and infrastructure, its contribution to the construction of identities, as well as to the imagination and creation of colonial space. Special attention is given to the newspapers’ relation to Africans, to other imperial powers, and to the German homeland. The research contributes to the understanding of the history of the colonisers and their societies of origin, as well as to the history of the places and people colonised.