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Quartetto Dàidalos
QUARTETTO DÀIDALOS Anna Molinari – violino Tina Vercellino – Violino Lorenzo Lombardo – Viola Lucia Molinari – Violoncello Il Quartetto d'archi Dàidalos nasce a Novara nell'ottobre 2014 dal desiderio di quattro amici di fare musica da camera. Pur formato da giovani strumentisti, il Quartetto Dàidalos ha già al proprio attivo un cospicuo numero di concerti in molte città italiane, tra cui Milano (Casa Verdi, Villa Crespi e Villa Necchi per la Società del Quartetto), Messina (Filarmonica Laudamo), Genova (Associazione Amici di Paganini, Palazzo Rosso), Cremona (Teatro Ponchielli e Auditorium Arvedi), Como (Teatro Sociale) e Novara (Teatro Faraggiana, Auditorium F.lli Olivieri). Nell’estate 2017 è stato quartetto in residence alla 27a edizione del Piedicavallo Festival, suonando in più di una decina di concerti sia come quartetto che in quintetto e sestetto, collaborando con altri musicisti invitati al Festival. Nel 2016 l’ensemble ha ricevuto una borsa di studio dell'Associazione Piero Farulli (“La Pépinière del Quartetto d'Archi”) e nel 2017 una assegnata dalla Gioventù Musicale d’Italia, che ha determinato numerosi concerti premio in città italiane. Nella stagione 2017-2018, il Quartetto Dàidalos si è esibito per prestigiose società ed associazioni concertistiche, tra cui il Paganini Genova Festival, l’Associazione Musica con le Ali, la Società del Quartetto di Milano (Musica nel Tennis), la Società del Quartetto di Bergamo. Ha inoltre avuto il privilegio di suonare in quintetto con Simone Gramaglia (Quartetto di Cremona) ad Helsinki e a giugno 2018 ha tenuto una serie di concerti a San Francisco per le celebrazioni della Festa della Repubblica, in collaborazione con l’Istituto Italiano di Cultura della città statunitense. -
Soundboardindexnames.Txt
SoundboardIndexNames.txt Soundboard Index - List of names 03-20-2018 15:59:13 Version v3.0.45 Provided by Jan de Kloe - For details see www.dekloe.be Occurrences Name 3 A & R (pub) 3 A-R Editions (pub) 2 A.B.C. TV 1 A.G.I.F.C. 3 Aamer, Meysam 7 Aandahl, Vaughan 2 Aarestrup, Emil 2 Aaron Shearer Foundation 1 Aaron, Bernard A. 2 Aaron, Wylie 1 Abaca String Band 1 Abadía, Conchita 1 Abarca Sanchis, Juan 2 Abarca, Atilio 1 Abarca, Fernando 1 Abat, Joan 1 Abate, Sylvie 1 ABBA 1 Abbado, Claudio 1 Abbado, Marcello 3 Abbatessa, Giovanni Battista 1 Abbey Gate College (edu) 1 Abbey, Henry 2 Abbonizio, Isabella 1 Abbott & Costello 1 Abbott, Katy 5 ABC (mag) 1 Abd ar-Rahman II 3 Abdalla, Thiago 5 Abdihodzic, Armin 1 Abdu-r-rahman 1 Abdul Al-Khabyyr, Sayyd 1 Abdula, Konstantin 3 Abe, Yasuo 2 Abe, Yasushi 1 Abel, Carl Friedrich 1 Abelard 1 Abelardo, Nicanor 1 Aber, A. L. 4 Abercrombie, John 1 Aberle, Dennis 1 Abernathy, Mark 1 Abisheganaden, Alex 11 Abiton, Gérard 1 Åbjörnsson, Johan 1 Abken, Peter 1 Ablan, Matthew 1 Ablan, Rosilia 1 Ablinger, Peter 44 Ablóniz, Miguel 1 Abondance, Florence & Pierre 2 Abondance, Pierre 1 Abraham Goodman Auditorium 7 Abraham Goodman House 1 Abraham, Daniel 1 Abraham, Jim 1 Abrahamsen, Hans Page 1 SoundboardIndexNames.txt 1 Abrams (pub) 1 Abrams, M. H. 1 Abrams, Richard 1 Abrams, Roy 2 Abramson, Robert 3 Abreu 19 Abreu brothers 3 Abreu, Antonio 3 Abreu, Eduardo 1 Abreu, Gabriel 1 Abreu, J. -
Giovedì 5 E Venerdì 6 Dicembre, Ore 21 Palazzo Chigi
MICAT IN VERTICE PROSSIMI CONCERTI 13 DICEMBRE VENERDÌ PALAZZO CHIGI SARACINI ORE 21 La Micat in Vertice (dal motto della famiglia Shahram Nazeri, Hossein Alizadeh, Pejman Hadadi. Chigi, che significa “Splende sulla cima”) è The Masters of Persian Music SHAHRAM NAZERI voce / HOSSEIN ALIZADEH tar e setar uno tra i più longevi cartelloni del panorama PEJMAN HADADI tombak nazionale. Con questo motto il Conte Guido 14 DICEMBRE SABATO TEATRO DEI ROZZI ORE 21 Chigi Saracini il giorno di Santa Cecilia del Integrale dei concerti per pianoforte 1923 aprì le porte del suo Palazzo di via e orchestra di Beethoven (I) ORCHESTRA GIOVANILE ITALIANA di Città inaugurando la prima delle sue LEONORA ARMELLINI pianoforte “creature musicali”, destinata a qualificare FRANCESCO MARIA NAVELLI pianoforte ROMAN LOPATINSKY pianoforte le stagioni concertistiche invernali. DANIELE RUSTIONI direttore 15 DICEMBRE DOMENICA TEATRO DEI ROZZI ORE 21 Integrale dei concerti per pianoforte The Micat in Vertice (from Latin motto of the e orchestra di Beethoven (II) Chigi’s Family’s coat of arms, which means ORCHESTRA GIOVANILE ITALIANA TAKESHI SHIMOZATO pianoforte NOI ADERIAMO alla nuova carta universitaria “The Star shines on the top”) is among the WATARU MASHIMO pianoforte / DANIELE RUSTIONI direttore Studente della oldest and most prestigious Italian concert Toscana 20 DICEMBRE VENERDÌ CATTEDRALE ORE 21 SERVIZI e AGEVOLAZIONI per gli studenti universitari festivals. It was inaugurated on 23 november INGRESSO GRATUITO della nostra regione Lux fulgebit, le sfumature della luce www.regione.toscana.it/cartastudenteuniversitario 1923 by Count Guido Chigi Saracini in his own CORO DELLA CATTEDRALE DI SIENA “GUIDO CHIGI SARACINI” Palace in the City of Siena, so as to found a LORENZO DONATI direttore La sede storica dell’Accademia Musicale new winter concert season. -
Leden Van Het Artemis Quartett & Elisabeth Leonskajapiano
deSingeldeSingeldeSingeldeSingel Leden van het Artemis Quartett & Elisabeth Leonskaja piano In memoriam Friedemann Weigle wo 30 sep 2015 inleiding 19.15 uur Blauwe Zaal Mark Delaere Grote Podia Blauwe foyer 20 uur 21.45 uur pauze ± 20.45 uur 2015-2016 kwartet Leden van het Artemis Quartett & Elisabeth Leonskaja piano Herdenkingsconcert Friedemann Weigle wo 30 sep 2015 quartet-lab vr 20 nov 2015 Quatuor Modigliani & Eric Le Sage piano wo 20 jan 2016 Pavel Haas Quartet & Boris Giltburg piano wo 13 apr 2016 Julia Fischer Quartett do 28 apr 2016 teksten programmaboekje Mark Delaere coördinatie programmaboekje deSingel 3 Gelieve uw GSM uit te schakelen. Leden van het Artemis De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/ concert/tentoonstelling van uw keuze. Quartett Reageer en win Vineta Sareika, Gregor Sidl viool Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … betreffende het programma van Eckart Runge cello deSingel met andere toeschouwers delen. Selecteer hiervoor voorstelling/ concert/tentoonstelling van uw keuze. Elisabeth Leonskaja piano Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Grand café deSingel open alle dagen 9 24 uur informatie en reserveren +32 (0)3 237 71 00 www.grandcafedesingel.be drankjes / hapjes / snacks / uitgebreid tafelen Johann Sebastian Bach (1685-1750)/ Bij onze concerten worden occasioneel Astor Piazzolla (1921-1992) cd’s te koop aangeboden door La Boite à Musique Coudenberg 74 | Brussel +32 (0)2 513 09 65 Partita -
Passion and Intellect in the Music of Elizabeth Maconchy DBE (1907–1994)
Passion and Intellect in the Music of Elizabeth Maconchy DBE (1907–1994) Ailie Blunnie Thesis submitted to the National University of Ireland, Maynooth for the degree of Master of Literature in Music Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare July 2010 Head of Department: Professor Fiona Palmer Supervisor: Dr Martin O’Leary Contents Acknowledgements i List of Abbreviations iii List of Illustrations iv Preface ix Chapter 1 Introduction 1 Chapter 2 Part 1: The Early Years (1907–1939): Life and Historical Context 8 Early Education 10 Royal College of Music 11 Octavia Scholarship and Promenade Concert 17 New Beginnings: Leaving College 19 Macnaghten–Lemare Concerts 22 Contracting Tuberculosis 26 Part 2: Music of the Early Years 31 National Trends 34 Maconchy’s Approach to Composition 36 Overview of Works of this Period 40 The Land: Introduction 44 The Land: Movement I: ‘Winter’ 48 The Land: Movement II: ‘Spring’ 52 The Land: Movement III: ‘Summer’ 55 The Land: Movement IV: ‘Autumn’ 57 The Land: Summary 59 The String Quartet in Context 61 Maconchy’s String Quartets of the Period 63 String Quartet No. 1: Introduction 69 String Quartet No. 1: Compositional Procedures 74 String Quartet No. 1: Summary 80 String Quartet No. 2: Introduction 81 String Quartet No. 2: Movement I 83 String Quartet No. 2: Movement II 88 String Quartet No. 2: Movement III 91 String Quartet No. 2: Movement IV 94 Part 2: Summary 97 Chapter 3 Part 1: The Middle Years (1940–1969): Life and Historical Context 100 World War II 101 After the War 104 Accomplishments of this Period 107 Creative Dissatisfaction 113 Part 2: Music of the Middle Years 115 National Trends 117 Overview of Works of this Period 117 The String Quartet in Context 121 Maconchy’s String Quartets of this Period 122 String Quartet No. -
IV. Kammermusik
IV. Kammermusik Abe, Keiko Martin Grubinger jun. / Martin Grubinger sen. / The Wave Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) The Percussive Planet Ensemble, Martin 8. Dez. 2013 Grubinger (Mulitpercussion) Martin Grubinger jun. / Martin Grubinger sen. / Prism Rhapsody Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) Abreu, Zequinha de Tico Tico (Arr.: Enrique Crespo) German Brass 27. Mai 2009 Albéniz, Isaac Granada aus Suite española, German Brass 27. Mai 2009 op. 47 (Arr.: Enrique Crespo) Tango , op. 165/2 Mischa Maisky (Violoncello), Lily Maisky 10. März 2011 (Klavier) Albioni, Tommaso Sonate in h-Moll, op. 1/8 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Concerto Italiano Bach, Johann Sebastian Sinfonia aus Wir danken dir, Gott, wir danken dir, BWV 29 German Brass 27. Mai 2009 (Arr.: Matthias Höfs) German Brass 14. Juni 2012 Suite Nr. 2 f. Flöte u. Streicher in h-Moll, BWV 1067 London Baroque 12. März 1991 Suite Nr. 5 f. Streicher in g- London Baroque 12. März 1991 Moll, BWV 1070 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Sonate in C-Dur, BWV 1037 Concerto Italiano Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/1 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/3 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/4 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/10 Triosonate Nr. -
Giacomo Puccini’S Chamber Music Is Perhaps Less Familiar to the Wider Audience
BIOGRAPHY Noûs (nùs) is an ancient greek word whose meaning is mind and therefore rationality, but also inspiration CONWAY and creativity. THE QUARTETTO NOÛS, composed of four young Italian musicians, was founded in 2011 at the Conservatorio della Svizzera Italiana in Lugano. The quartet received its training at HALL the Accademia “Walter Stauffer” in Cremona in the class of the Quartetto di Cremona, at the Musik SUNDAY Akademie in Basel in the class of Professor Reiner Schmidt (Hagen Quartet) and also studied with internationally renowned Professors like Hatto Beyerle (Alban Berg Quartet) and Aldo Campagnari CONCERTS (Quartetto Prometeo). It is currently attending the Musikhochschule Lübeck in the class of Professor Heime Müller (Artemis Quartet) and the Escuela Superior de Música “Reina Sofia” in Madrid in the Günter Pichler’s class (Alban Berg Quartett). The quartet won the first prize at the “Luigi Nono” International Competition in Venaria Reale, Turin, and at the XXI “Anemos International Competition” in Rome. In Patrons 2014 it was awarded an honorable mention at the “Sony Classical Talent Scout” in Madesimo, Italy. - Stephen Hough, Laura Ponsonby AGSM, Prunella Scales CBE, Roderick Swanston, Hiro Takenouchi and Timothy West CBE It received from La Fenice Theatre in Venice the “Arthur Rubinstein - Una Vita nella Musica 2015” Artistic Director - Simon Callaghan Award for revealing itself in a few years as one of the most promising Italian chamber music group and for showing in his still brief career to be able to approach the great literature for string quartet in a mature manner, seeking a reasoned and not ephemeral interpretation in the masterpieces of the classic- romantic period and of the twentieth century, continuing at the same time a serious and not episodic research even within the language of the contemporary music. -
Quartetto Noûs 16.2.2018.Pub
Noûs (nùs) è un antico termine greco il cui significato è mente e dunque razionalità, ma anche ispirazione e capacità creativa. Il QUARTETTO NOÛS, formato da quattro giovani musicisti italiani, nasce nel 2011 all’interno del Conservatorio della Svizzera Italiana di Lugano. Frequenta l’Accademia “Walter Stauffer” di Cremona nella classe del Quartetto di Cremona, e la Musik Akademie di Basilea studiando con Rainer Schmidt (Hagen Quartett); si perfeziona con Aldo Campagnari (Quartetto Prometeo), Hatto Beyerle (Alban Berg Quartett) e in seguito presso l’Escuela Superior de Música "Reina Sofia" di Madrid e l'Accademia Musicale Chigiana di Siena con Günter Pichler (Alban Berg Quartett), e presso la Musikhochschule di Lubecca nella classe di Heime Müller (Artemis Quartett). Vincitore di premi in concorsi internazionali (“Luigi Nono” di Venaria Reale nel 2011, e XXI "Concorso Internazionale Anemos" di Roma), nel 2014 gli viene conferita la menzione d'onore nell'ambito del "Sony Classical Talent Scout" di Madesimo. Nel 2015 si aggiudica il Premio “Piero Farulli”, assegnato alla migliore formazione cameristica emergente dell’anno in corso, nell’ambito del XXXIV Aula Magna del Liceo “P.Verri” Premio “Franco Abbiati”, il più prestigioso riconoscimento della critica musicale italiana; riceve inoltre dal Teatro La Fenice di Venezia il Premio LODI - via S.Francesco, 11 internazionale "Arthur Rubinstein - Una Vita nella Musica". È vincitore di una borsa di studio per l'anno 2015 grazie all'Associazione “Le Dimore del Quartetto” e all'Associazione Dimore -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Beethoven Bridge Chin Esmé Quartet
BEETHOVEN BRIDGE CHIN ESMÉ QUARTET TO BE LOVED MENU › TRACKLIST › TEXTE FRANÇAIS › ENGLISH TEXT › DEUTSCH KOMMENTAR LUDWIG VAN BEETHOVEN (1770-1827) STRING QUARTET OP.18 NO.1 IN F MAJOR 1. I. ALLEGRO CON BRIO 9’25 2. II. ADAGIO AFFETTUOSO ED APPASSIONATO 8’27 3. III. SCHERZO. ALLEGRO MOLTO 3’31 4. IV. ALLEGRO 6’53 UNSUK CHIN (*1961) PARAMETASTRING FOR STRINGS QUARTET AND TAPE WORLD PREMIERE RECORDING 5. I. ALLEGRO 4’55 6. II. ANDANTE 4’40 7. III. ANDANTINO 5’41 8. IV. MODERATO – ALLEGRO 5’43 FRANK BRIDGE (1879-1941) NOVELLETTEN, H.44 9. I. ANDANTE MODERATO 5’07 10. II. PRESTO. ALLEGRETTO 3’07 11. III. ALLEGRO VIVO 5’13 TOTAL TIME: 62’50 › MENU ESMÉ QUARTET WONHEE BAE VIOLIN I YUNA HA VIOLIN II JIWON KIM VIOLA YEEUN HEO CELLO › MENU QUATUORS, OPUS 1 PAR LUCA DUPONT-SPIRIO Plus libres que les doigts du pianiste, les instruments du quatuor peuvent tout. Leurs voix virtuoses, lyriques, se mêlent ou se distinguent à l’envi. Pas une nuance d’intonation, d’intensité, de timbre qui leur échappe dans le jeu infi ni des textures. Au compositeur, aux interprètes, ils ouvrent un monde aussi riche qu’impressionnant. Pour cet album inaugural, les musiciennes du Quatuor Esmé suivent trois auteurs dans leurs premières œuvres à seize cordes. Fraîcheur et audace donc, sur la page comme au pupitre. Quand Beethoven arrive à Vienne, l’année de ses 22 ans, le quatuor possède déjà une histoire. Depuis le milieu du XVIIIe siècle, bourgeois et aristocrates s’y livrent en amateurs. -
Journal of the American Viola Society Volume 13 No. 2, 1997
JOURNAL ofthe AMERICAN ViOLA SOCIETY Section of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion ofViola Performance and Research Vol. 13 No.2 1997 OFFICERS Thomas Tatton President 7511 Park Woods Stockton, CA 95207 (209) 952-9367 Pamela Goldsmith Vice-President 11640 Amanda Drive Studio City, CA 91604 Donna Lively Clark Secretary jCFA, Butler University 4600 Sunset Indianapolis, IN 46208 Mary I Arlin Treasurer School ofMusic Ithaca College Ithaca, NY14850 Alan de Veritch Past President School ofMusic Indiana University Bloomington, IN 47405 BOARD Atar Arad Victoria Chiang Ralph Fielding john Graham Lisa Hirschmugl jerzy Kosmala jeffrey Irvine Patricia McCarty Paul Neubauer Karen Ritscher Christine Rutledge Pamela Ryan I I William Schoen _J I EDITOR, ]AVS ............~/. ._----- -"~j~~~ ! ___i David Dalton Brigham }Dung University Provo, UT 84602 PASTPRESIDENTS (1971-81) Myron Rosenblum -_._--------_.- ------------ Maurice W Riley (1981-86) David Dalton (1986-91) t=====~====---============-=======--==~ HONORARYPRESIDENT William Primrose (deceased) ~wSection of the Internationale Viola-Gesellschaft The Journal ofthe American Viola Society is a peer-reviewed publication ofthat organization and is produced at Brigham Young University, ©1985, ISSN 0898-5987. JAVSwelcomes letters and articles from its readers. Editorial Office: School ofMusic Harris Fine Arts Center Brigham Young University Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 [email protected] Editor: David Dalton Associate Editor: David Day Assistant Editor for Viola Pedagogy: Jeffrey Irvine Assistant Editorfor Interviews: Thomas Tatton Production: Bryce Knudsen Advertising: Jeanette Anderson Advertising Office: Crandall House West (CRWH) 'Brigham Young University Provo, UT 84602 (801) 378-4455 [email protected] JAVS appears three times yearly. Deadlines for copy and artwork are March 1, July 1, and November 1; submissions should be sent to the editorial office.