SUMMER 2 0 2 1 Contents

2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff

Cover Photo: Gabe Palacio

©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator

Caramoor / 1 Dear Friends,

It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public.

We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. premieres, two New York premieres, and two major experiential, site-specific works. Our summer journey also includes solo recitals by world renowned artists; the return of our annual Jazz Festival, American Roots Music Festival, and Pops & Patriots concert; a special 91st birthday celebration of Stephen Sondheim; and performances by a spectacular lineup of artists and ensembles from near and far.

Caramoor takes seriously the health and safety of our audiences, artists, and staff, and the 2021 season has been designed in accordance with all the latest state and federal guidelines. In addition to enjoying the music, we invite you to explore our newly renovated grounds and gardens. Bring a picnic or take a socially-distant walk, during which you will likely discover some of our Sonic Innovations sound art installations.

Lastly, while the two of us have been part of the Caramoor community for very different lengths of time, we share the thrill and joy of being here at this momentous occasion that will always be remembered – when the magic of live music performance returned and we could finally all enjoy it together again.

Edward J. Lewis III and James Attwood President & CEO / Chairman of the Board

Caramoor / 2

https://caramoor-my.sharepoint.com/personal/liat_caramoor_org/_layouts/15/Doc.aspx?sourcedoc={5d80fbac-3239-4dfc-a61d-a989d14fcda3}&action… 1/2 T A P ON A DATE for SUMMER 2021 PROGRAM DETAILS

THU FRI SAT SUN

JUNE 24 JUNE 25 JUNE 26 JUNE 27 PUBLIQuartet Richard Natu Camara Orchestra of Goode, piano St. Luke’s Tai Murray, violin

JULY 1 JULY 2 JULY 3 JULY 4 Callisto Quartet The Brianna The Forest Pops & Patriots 2020–21 Ernst Thomas Band Performed by Stiefel String Presented in The Crossing Quartet-in-Residence Collaboration with Jazz at Lincoln Center

JULY 8 JULY 9 JULY 10 JULY 11 Amjad Ali Khan Douglas J. Celebrating John Luther & Sharon Isbin Cuomo’s Stephen Adams’ Seven Limbs Sondheim’s Ten Thousand with Nels Cline 91st Birthday Birds and Performed by Aizuri Quartet Alarm Will Sound

JULY 15 JULY 16 JULY 17 JULY 18 Conrad Tao, Verona Quartet Joan Osborne Philharmonia piano David Fung, Presented in Baroque piano Collaboration with Orchestra City Winery

Caramoor / 3 T A P ON A DATE for SUMMER 2021 PROGRAM DETAILS

THU FRI SAT SUN

JULY 22 JULY 23 JULY 24 JULY 25 JIJI, guitar Chanticleer American Roots Sō Percussion Guitar in the Garden Music Festival 2:00pm / Pop-up Presented in performances Collaboration with throughout Caramoor City Winery grounds (FREE)

JULY 29 JULY 30 JULY 31 AUGUST 1 Pekka Kuusisto, The Knights Jazz Festival Apollo’s Fire violin Pekka Kuusisto, Presented in Nico Muhly, violin Collaboration with Jazz at Lincoln Center piano

AUGUST 5 AUGUST 6 AUGUST 7 AUGUST 8 Ljova and the Watkins Nathan & Summer Season Finale Kontraband Family Hour the Zydeco Orchestra of Concert on the Lawn Presented in Cha Chas St. Luke’s Collaboration with Concert on the Lawn Leonidas Kavakos, City Winery violin

Pre-concert Conversation Concert on the Lawn Afternoon Tea

Caramoor / 4 T A P ON A DATE for SUMMER 2021 PROGRAM DETAILS

AFTERNOON TEAS SUNDAYS AT 1:00PM

June 27 July 16 July 30 July 2 July 18 August 1 July 9 July 23 August 8 July 11 July 25

THE MUSIC CONTINUES ON

CONCERTS ON BEGINNER’S EAR THE LAWN

FRIDAY, AUGUST 13 SUNDAY, AUGUST 15 Flor de Toloache Alexi Kenney, violin

FRIDAY, AUGUST 20 SUNDAY, AUGUST 29 Della Mae Layale Chaker, violin Kinan Azmeh, clarinet FRIDAY, AUGUST 27 Shenel Johns SUNDAY, SEPTEMBER 12 Rubén Rengel, violin Jorge Glem, cuatro

All artists and dates are subject to change and cancellation without notice as we work closely with local health experts and officials. Please note that all performances at Caramoor are in compliance with current New York state regulations. Please check our website for updates.

Caramoor / 5 Caramoor / 6 Caramoor / 7 Eat, Drink, & Listen! Complement a perfect trip to Caramoor with culinary delights — whether you come for a performance or to enjoy a tour of the historic house and grounds. Before a performance, choose from picnicking on the lawn with your own food and beverages, visiting our Food + Drink tents, or pre-ordering a picnic box.

2021 Summer Season Food + Drink Availability *

Thursday / Open 1 hour prior to performance Friday – Sunday / Open 2 hours prior to performance Since our concerts this year do not have intermissions, everything will close down at the start of the performance. * Times and days subject to change.

Food + Drink Pre-Order Picnic Boxes Food + Drink offers a variety of Let us pack your picnic for you, organic and locally sourced meals, prepared by our caterer, Great snacks, and beverages provided by Performances. View the menu and Great Performances. At the Tap Tent, order online, or call the Box Office you’ll find a wide range of seasonal at 914.232.1252. Order by Tuesday sandwiches, salads, desserts, and pre- at 4:00pm for the upcoming week’s packaged beverages. performance.

The Call of Caramoor The pre-concert bells were created for us by Brooklyn-based composer/pianist Timo Andres. His piano concerto for Jonathan Biss, The Blind Banister, was co- commissioned by Caramoor and performed here in 2016. “I love being asked to make something with a very specific directive. In the case of the Call of Caramoor, I knew that meant writing a series of short pieces that would be distinctive without being jarring; that would blend into an outdoor setting while remaining distinct from it; and that would incite a mild but purposeful sense of urgency in the listener. The bell sounds are tuned in ‘just intonation’ which is derived from the harmonic series, giving them a pleasantly outdoorsy attitude — landing somewhere between the concert stage and the surrounding forest.”

Caramoor / 8 Playing to Caramoor’s Strengths. Site-specific programs highlight Caramoor’s unique setting By Kathy Schuman, Artistic Director

The Secret Gardener in 2018

hen I started planning my cymbals, and glockenspiels, dispersed first Caramoor summer throughout the landscape. It was Wseason in 2018, I wanted to also a perfect opportunity to throw take advantage of our unique setting open our gates and invite people in and all the possibilities therein. As for free, encouraging audiences to try anyone who has attended a concert at something new. The performance, Caramoor knows, hearing music here is with more than 60 percussionists very different from the experience (on the hottest day of the summer of hearing it in a traditional — approaching 100 degrees), was concert hall. Caramoor was already transcendent and inspiring. programming day-long festivals of jazz That summer we also welcomed and American Roots music around the On Site Opera, who brought a grounds, and we had guitar recitals in marvelous early Mozart opera, The our Sunken Garden. We’ve also been Secret Gardener to our Sunken Garden. exhibiting sound art works around the I read about this inventive company campus (see related article on page 14 ). in The New York Times after they Programming John Luther Adams’ performed the work in a community Inuksuit seemed like a no-brainer – it garden in Manhattan, and thought it calls for the audience to wander outside could be a perfect fit for us. Since then among musicians playing an incredible I’ve attended a number of wonderful array of instruments including conch OSO productions in NYC, and we’re shells, sirens, gongs, bells, drums, planning a return visit for them in 2022.

Caramoor / 9 In 2019, we went all in for birdsong, This summer we’ll present The Forest, presenting Caramoor Takes Wing! performed by The Crossing, a and bringing French pianist 24-voice choir based in Philadelphia. Pierre-Laurent Aimard to perform Created last fall when the choir the complete Messiaen Catalogue members couldn’t sing safely indoors, d’Oiseaux in three concerts over The Forest focuses on the symbiotic relationship between individual trees and the forest – a metaphor for the relationship between each singer and the ensemble. The libretto is made up of the singers’ reflections on their isolation during COVID-Time, overlaid with texts from Scott Russell Sanders’ essay “Mind in the Forest.” Audience members will walk a path through the performance, in which specially- designed individual speakers allow the singers to stand 30 feet from each other and the path. I know this is going to be a very powerful experience for performers and audience alike. Like Inuksuit and songbirdsongs, John Luther Adams’ Ten Thousand Birds explores the connections between nature and music. It’s based on the songs of birds that are native Inuksuit in 2018 to, or migrate through, the area in which the piece is performed. Chamber orchestra Alarm Will Sound, for whom a weekend — two in the Spanish the piece was written, will bring it to Courtyard and one in the Venetian Caramoor’s expansive Friends Field, Theater (the performances were where the performers and audience included in The New York Times’ will move in and around each other roundup of their “Best Classical during the 70-minute work. Music of 2019”). Birds have always participated in concerts here at Caramoor, but this took things to the next level! The weekend also included a performance in our Sunken Garden of John Luther Adams’s songbirdsongs by Sandbox Percussion and two piccolo players, two Sunday morning bird walks led by the Bedford Audubon Society, and clarinetist David Rothenberg improvising live with the birds. Caramoor Takes Wing! in 2019

Caramoor / 10 Finally, we’ve recently introduced two new concert formats: Concerts on the Lawn, casual family- friendly concerts on Friends Field that feature high-energy artists in a variety of genres, and Beginner’s Ear, a Sunday morning series on the East Lawn designed to clear the mind and nourish the spirit through the shared experience of silence and music. I hope to see you in and around the grounds this summer!

Beginner’s Ear in 2020 with Anthony McGill, clarinet, & Nancy Allen, harp.

THE FOREST

Performed by The Crossing Donald Nally, conductor Saturday, July 3 6:00pm Tickets $55

JOHN LUTHER ADAMS’ Ten Thousand Birds

Alarm Will Sound Alan Pierson, artistic director Sunday, July 11 FREE 3:00pm / Pre-concert conversation with Alan Pierson 4:00pm / Performance

Caramoor / 11 Meet Edward J. Lewis III, President & CEO

Please join us in welcoming Edward J. Lewis III as Caramoor’s new President & CEO! With nearly two decades of experience in performing arts leadership, Ed comes to Caramoor from the University of North Carolina School of the Arts, where he served as Vice Chancellor for Advancement since 2015. Prior to that, he served as Senior Director of Development at the Clarice Smith Performing Arts Center at the University of Maryland, College Park. Ed’s interest in Caramoor’s mission is personal. He is an accomplished violist, having earned a Bachelor of Music degree from Northwestern University and a Master of Music degree from the University of Michigan. He is also an alumnus of the University of Maryland School of Music, where he studied chamber music with the Guarneri String Quartet. He has performed as a member of the Dallas Opera Orchestra, the Dallas Chamber Orchestra, Santa Fe Pro Musica, and the Toledo Symphony. Because this is Ed’s first season at Caramoor (and in Westchester!), we asked him a few questions so that our audience members could learn a little bit more about him. Should you see him on the Caramoor grounds, please say hello and welcome him to the area! Edward J. Lewis III at Caramoor

Caramoor / 12 1. What excites you most about Caramoor at this moment? I have been told by many that Caramoor’s summer season is magical. I am really looking forward to being spellbound by the magic of the music and the lovely grounds — reveling in the Caramoor experience! And of course, meeting all of those who attend and support this remarkable institution. 2. How is this role different from your prior professional experiences? The majority of my non-performance career as an educator and arts administrator has been in service to building the future of the arts by ensuring institutions had the resources, financial and material, to support the training and education of the next generation of emerging artists. At Caramoor, I will continue my service to the arts, music in particular, by helping to ensure that one of our nation’s treasured music festivals is more reflective of the communities we serve; expands access in-person and in the virtual space to augment the Caramoor experience; builds on its level of excellence; and is a place where creativity thrives for artists and audiences alike. 3. What has surprised or delighted you about Caramoor that you didn’t know before? I was surprised to learn that Mother Nature sometimes plays a supporting role in performances in the form of bats and toads, not to mention the weather. I should have expected this as we’re an outdoor music venue, after all! However, I am delighted to know that our audiences and artists don’t miss a beat and take all of this in stride. 4. What did you do for culture / entertainment during the pandemic? I attended several virtual galas to support the local arts community and to observe what would work in that new format, as I had several upcoming virtual galas that I would have to produce for my institution. In addition to cooking, which I find very relaxing and an opportunity to be creative in a different way, I was able to catch up on my reading list which included Isabel Wilkerson’s Caste: The Origins of our Discontent, Eddie Glaude, Jr.’s James Baldwin’s America and Its Urgent Lessons for our Own, and Thomas Friedman’s Thank you for Being Late: An Optimist’s Guide to Thriving in the Age of Accelerations. I was also able to get caught up on watching Stranger Things, The Crown, and Pose. 5. What else would you like Caramoor audiences to know about you? My partner Scott Palmer and I were fortunate to be able to travel to Thailand, Cambodia, and Mexico in the first quarter of 2020, before the pandemic stopped just about everything. That said, we love Thai food and welcome recommendations for restaurants in Westchester County. We look forward to bringing our pet cat Sandy (named after the hurricane from which we rescued him) to our new home in Chappaqua. And, spending time at our old home (1850) on the Maine coast when our schedules permit. (Which likely will not be during this event-filled Caramoor summer!)

Caramoor / 13 Introducing in“C” New permanent sound artwork by Trimpin anchors Caramoor’s Sonic Innovations collection.

When Caramoor first asked Trimpin to The push-buttons activate the create a permanent sound art sculpture structure’s chimes to play pre-composed in celebration of its 75th Anniversary, short pieces, each 1—2 minutes long. the world-renowned sound artist In addition to Trimpin’s music, thought about Caramoor’s acoustical Caramoor commissioned pieces from environment: the birds singing, the wind four composers: Christopher Cerrone, in the trees, and the blissful absence of Anna Clyne, Missy Mazzoli, and Nico street noise. He then conceived of in“C”, Muhly. As Caramoor continues to work the interactive kinetic sculpture shaped with composers, the chime-piece library as a 16-foot high double letter C now will grow. located in the entry plaza, welcoming guests as they arrive. When in“C” is in its education mode, a MIDI (Musical Instrument Digital Interface) keyboard enables visitors of any musical ability (or even none!) to make their own chime music, as the chimes respond to the strikes on the keyboard. Sound Art at Caramoor Trimpin’s work first appeared at Caramoor in 2014’s In the Garden of Sonic Delights, Caramoor’s first major sound art exhibition. Curated by Chicago- based sound artist and Northwestern University professor Stephan Moore, the exhibition included the work of 16 sound artists and launched what has, over the past six years, developed Trimpin’s in“C” at Caramoor’s entrance into an integral part of Caramoor’s adventurous programming. From the top of the C’s curve, 24 tuned “That huge infusion of sound art metal bell chimes ranging over two showed everyone that sound art could octaves are suspended. Made out of complement the diverse programming steel and utilizing electromechanical here,” says Moore, who has continued components, in“C” interacts with as the curator of Caramoor’s current visitors through a motion sensor (as sound art program Sonic Innovations. you approach, its melodious chimes “We knew that sound art could add an draw you closer) and through the extra dimension to this place, so you physical activation of a push-button might come to hear the symphony and panel (don’t be shy!). have a picnic, and while exploring the beautiful grounds you would encounter

Caramoor / 14 these other forms of art. There’s a lot of room at Caramoor for permanent sound art that brings out the best of the space and the artists, and brings that to the audience.” While sound art has thrived for decades in cultural venues, museums, and public spaces, Caramoor is unique in the U.S. for having multiple works of sound art Trimpin and Stephan Moore installed in an outdoor concert and The son of amateur musicians, the garden setting as a permanent exhibition. young Trimpin learned to play brass This would certainly be a profound instruments but developed a mysterious source of pride for Caramoor’s founder allergy to metal that forced him to give up Lucie Rosen, who was deeply interested playing. He turned to electro-mechanical in all areas of the arts including engineering. Self-taught, he mastered championing composers of her time how the memory works on a pianola and working with sound and technology. For devised a machine that could transcribe Moore, this ongoing exploration of sound and preserve the piano paper rolls art brings a bit of Lucie’s eclectic set of digitally. He became a leading specialist interests into Caramoor every year. in combining musical compositions with computer technology. Who is Trimpin? Throughout his career he has created Gerhard Trimpin — known since the installations that incorporate complex 1960s by the single moniker Trimpin — technological sculptural elements. On is an internationally acclaimed composer, permanent display in his hometown musician, visual artist, and inventor, area are: If VI was IX, a sound sculpture engaged in commissions and exhibitions composed of 600 electric guitars at at venues around the world. Born in MoPOP (Museum of Pop Culture); 1951 and based in Seattle for the past Hydraulis, an elegant interactive water 25 years, he grew up near the German sculpture at the Seattle Center Key Black Forest, an area that has a history Arena; and On: Matter, Monkeys, and the rich in mechanical music machines King, a multimedia kinetic wind-up-toy (think cuckoo clocks and pianolas, or structure next to the rolling walkway player pianos). in Sea-Tac International Airport. Fascinated with sound exploration In his 2014 In the Garden of Sonic in his early childhood, Trimpin often Delights installation, The Pianohouse, experimented with sound and distance Trimpin wanted to create a piece that in the German woods. Using the tools every visitor could feel free to explore. from a well-stocked cabinetry shop in his What he created was a house-like home (his father was a cabinet maker by structure from the frameworks of six trade), he took apart and reassembled upright pianos. old radios and musical instruments. By age 10, he was inventing his own “I try to use other ways to make the eccentric instruments. sculpture look not so much like a musical instrument, so people will actually play,” Trimpin explains. “For instance, why

Caramoor / 15 is there a wheel here and what happens Annea Lockwood and when you turn it?” He hopes Caramoor Bob Bielecki’s Wild Energy visitors will approach in“C” with that (2014) begins with solar kind of curiosity. oscillations recorded by the SOHO spacecraft, sped up “My work is an ongoing exploration 42,000 times, ending with of the concepts of sound, vision, and ultrasound recorded inside a movement,” he says, “experimenting pine tree, slowed down. (Behind picnic area) with combinations that will introduce (sponsored by Angela and William Haines) our senses of perception to a totally Taylor Deupree’s new experience.” t(ch)ime (2017) turns a quiet, wooded passage A MacArthur Foundation “Genius” into a shimmering sonic Award recipient and a Guggenheim environment. Its sounds Fellow, Trimpin has been commissioned are derived from bell by Lincoln Center, San Francisco’s chimes manipulated to Exploratorium, Merce Cunningham create a sense of time slowing down as one Dance Company, and Seattle Symphony, approaches the middle of the path. (Cedar Walk) (sponsored by his family In Memory among others. of Peter Kubicek) In“C” is sponsored by Nancy S. Offit, Stone Song (2014) by Laureen and David Barber, Ranjit Bhatnagar is a Shanbrom Family Foundation, dry stone structure with and Tina and Ian Winchester. sensors for temperature and barometric pressure laced into it and fed into a drone synthesizer. The tones emanate from the stones, shifting as the weather changes. (Friends Field) (sponsored by Hillary Martin) Listen Ahead by Miya Masaoka (2019) The 2021 Sonic is first encountered through traffic signage Innovations Exhibition that anticipates a space for In“C” is one of six sound art pieces at listening. Later, in a wooden Caramoor this summer. Walk around and hut, the listener rests on a explore them all. bench as sounds from nature create a unique sound experience. (Sunken Garden) Undercurrent by Spencer Topol and Hana Kassin Please click here for more information and (2020) creates a feedback here for a map of the grounds. loop between people and their environment. An Through October 10, 2021, Caramoor orchestration is built up will be streaming the 2009 documentary through the movement of Trimpin: The Sound of Invention on visitors via the activation of small pods in the our website. grass and trees, which come alive with sound. (Center Walk by the Venetian Theater) Filmed over two years, this film follows Trimpin as he designs many of the sound art pieces described above. Watch it here!

Caramoor / 16 Updating the Rosen House for the 2021 Season By Roanne Wilcox, Director of the Rosen House

eyond the imposing 16th-century We also wanted to update our tours Italian gates lies a home, filled based on some of our visitor’s most Bwith amazing treasures, collected commonly asked questions: by a couple with a love for music and art • Who were Lucie and Walter Rosen? and a desire to share it with the world. • Why Katonah? Ask any of our talented docents: giving • How did the music festival begin? a tour of the Rosen House to a first- • What happened to the Rosen family? time visitor is great fun; there’s always that moment of wide-eyed awe when And we gave a lot of thought as to what a visitor realizes what’s actually inside the tour experience is like for our those stucco walls. visitors. After observing hundreds of tours over the past few years, we’ve As we were planning to open the noticed a few things. Some visitors want Caramoor grounds in the summer of to linger a little longer or walk through 2021, we gave a great deal of thought as a little faster than others in their group. to how we could welcome visitors back Some people want to know more about inside the Rosen House while providing the Rosen family, while others want a safe experience for all. Our previous to know more about the Renaissance tour model, where one docent shares tapestries or intricate stained glass. stories about Lucie and Walter Rosen Some just want to be able to sit down for and their collection to a larger group a moment before continuing on. standing shoulder to shoulder, needed some rethinking.

Caramoor / 17 And some of our visitors come to the City home, it was the ideal area to Rosen House to see where Lucie, one of introduce, in a visual way, the stories the theremin’s patron saints, lived and our docents tell to our visitors about the to see the September theremin, the last Rosens and their remarkable legacy. and most powerful instrument Leon Theremin built before he left the U.S. To address these issues and a few more, we’ve made some updates to the Rosen House, while remaining true to the spirit in which Lucie and Walter Rosen created their home, which was to enjoy beautiful things in a beautiful setting. Our overarching guideline was to leave the historic rooms as they were, especially the objects we were The Rosen’s collection of Chinese art is sure Lucie and Walter placed in the displayed for visitors to get a closer look. rooms themselves. We created new areas of Renaissance art and Chinese art, and added a look into our extensive Caramoor archives where we can learn about the Rosen family including the Rosens’ son Walter, a WWII pilot to whom Caramoor is dedicated; Lucie’s brother Johnny Dodge who was WWII’s most famous POW; and Flora Guest, Lucie’s fearless mother who moved to South Dakota in the early 1900’s to divorce her husband. We cleared out a sitting room that had formerly been an office and created a “Welcome to Caramoor” display of how and why Lucie and Walter founded the summer music festival, who they were and how they met, and how they built their dream house in Katonah. On one wall, we’ll show video of the history of Caramoor, along with our vitual House tour videos for guests who are unable Lucie Rosen playing theremin in 1935 to manage the 45-minute walking tour of the entire Rosen House. We also We focused on the New Wing, an area included an overview of the milestones that was added by Anne Bigelow Rosen and great moments of the Caramoor after her mother Lucie passed away in music festival from the past 75 years. 1968. Since this area had historically Theremin lovers will be able to see been a display space for architecture Lucie’s 1938 September Theremin and rooms from the Rosen’s New York and speaker close up, and learn how

Caramoor / 18 Visitors can learn about Lucie and Walter Rosen and the history of Caramoor in the Rosen House.

Lucie was responsible for promoting the instrument, advising Professor Theremin to improve its design, and commissioning works from the current composers of the era. And if you always wanted to try to play a theremin yourself, a modern version will be on hand to test your skill. (It’s not easy!) And to help visitors navigate the House, we’ve added more descriptive and directional signage. Tours will be largely self-paced, but we will still have our amazing docents available for in-depth questions about the Rosens, their House, and their collection.

Lucie Rosen’s 1938 September Following the custom of the great Theremin and speaker European homes that welcomed the public inside, the Rosens were pleased The Rosen House is open for tours Friday – Sunday, 11–3pm. For the summer of 2021, when people asked to see their house advance reservations are required. Please call and collection, and we are grateful to be our box office or reserve on our website. able to continue on the tradition.

Caramoor / 19 The Knights Friday / July 30 / 8:00pm / Venetian Theater

Eric and Colin Jacobsen, Artistic Directors Eric Jacobsen, conductor Colin Jacobsen, violin Alex Gonzalez, violin

JOHANN SEBASTIAN BACH Brandenburg Concerto No. 3 in G Major, (1685–1750) BWV 1048 (1713) I. Allegro II. Adagio III. Allegro ANNA CLYNE Prince of Clouds (2012) (b. 1980) Colin Jacobsen, violin Alex Gonzalez, violin

JESSIE MONTGOMERY Starburst (2012) (b. 1981)

LUDWIG VAN BEETHOVEN String Quartet No. 11 in F Minor, (1770–1827) Op. 95, “Serioso” (1810) Allegretto ma non troppo Allegro assai vivace ma serioso Larghetto Allegretto agitato

Tonight’s concert is being recorded for future broadcast on WQXR. This recording was generously underwritten by Katherine & Peter Kend. This concert was made possible, in part, by the Westchester Community Foundation, a division of The New York Community Foundation.

Help everyone enjoy the music. Please do not take photos or record any part of the performance, and remember to silence your mobile devices. On behalf of the artists and the rest of the audience, we thank you.

Caramoor Summer 2021 About the Music.

A Note from Colin Jacobsen holding down one of the virtuoso violin parts, and then stepping forth As I write this, hope is blooming along to the front of the group and singing with spring in New York: hope that Simon’s song before retreating life is returning to a semblance of back into the circle for the joyous normal; hope that we will indeed be conclusion of Bach’s concerto. back in our favorite garden of musical Encoded in the song itself (born as and horticultural delights with you a Lutheran hymn, to Bach chorale, in person! to American folk/pop song) is a typical American story of inspiration, We were grateful that several months assimilation, and transformation. before the pandemic, we were able to Simon sensed the power of the melody record audio and video of J.S. Bach’s to console; its sense of resignation beloved Brandenburg Concerto No. 3 mixed with hope, and his lyrics reflect in the Music Room at Caramoor. Our those themes. It’s wonderful to finally version features an arrangement of be able to play this live at Caramoor Paul Simon’s American Tune as the for you today! second movement (instead of the two cadential chords that hint at an One of the more memorable moments improvised cadenza at the very least, of the last year for The Knights was if not a full movement that Bach our livestream from the Music Room himself might have inserted). Coming at Caramoor, where we were able to at perhaps “the age’s most uncertain give the world premiere of composer hour” (lyric from American Tune), we Anna Clyne’s Shorthand. That piece, were thankful that it was possible to written for and performed by the share it last year in the dark spring of wonderful Knights cellist Karen 2020. Bach’s music, long lauded for Ouzounian last summer, continues its balance of head, heart, and spirit, a longstanding relationship between gives a sense that joy, suffering, life, The Knights and Anna. Today we and death all have their place in the bring you her double concerto for two universe. It is these themes that may violins and strings, Prince of Clouds, have drawn Paul Simon to borrow featuring Alex Gonzalez and myself on from Bach’s setting of a Lutheran the solo parts. hymn, O Sacred Head, Now Wounded for his meditation on the American Another fruit of The Knights’ work experience. Simon’s American Tune during the pandemic was a virtual was written in 1973, in a deeply audio and video recording of Jessie divided nation, in the midst of the tail Montgomery’s Starburst. Jessie is end of the Vietnam War and the Nixon a long-time friend of many Knights impeachment proceedings. musicians and has played with the group herself numerous times (she’s a American Tune is sung by the wonderful violinist as well as Summer multitalented and courageous 2021 III composer). Our recording of Knights’ violinist Christina Courtin a new version of Starburst for winds, — in this performance you’ll see her piano, and strings was originally

Caramoor conceived as a video project but he organized at Zimmermann’s we were happily surprised by the coffeehouse. Patrons of the popular audio results (of circa 20 people all watering hole regularly saw him recorded remotely), so much so that leading the resident orchestra from the Starburst was recently released on an concertmaster’s stand. album of Jessie’s works. Today we’ll be performing the original piece for About the Work string orchestra. The six concerti grossi that Bach — Colin Jacobsen dedicated to Margrave Christian Ludwig of Brandenburg in 1721 range widely in both style and instrumentation. On the title page of JOHANN SEBASTIAN BACH the presentation copy, the composer (1685–1750) identified them (in French) as “six concerts avec plusieurs instruments,” Brandenburg Concerto No. 3 or “six concertos for several in G Major, BWV 1048 instruments.” Scholars have long debated whether he was referring About the Composer to the varied instrumentation of the collection as a whole (each work calls Although Bach was best known as a for a differently constituted ensemble) virtuoso on the organ and harpsichord, or indicating that the concertos were he was also a highly proficient to be performed with one player to a violinist. He learned to play the string part. Even today, when reduced forces instrument as a child­ — probably are the norm, it is not uncommon to under the tutelage of his father, a town hear the Brandenburgs played by larger piper in Eisenach — and, according orchestras. The basic requirement is to his composer-son Carl Philipp that the contrast between soloists and Emanuel, he developed a “clear and full ensemble — the defining feature penetrating” technique. This dual of the Baroque concerto grosso — be ability was surely a factor in Bach’s first clearly maintained. major appointment as capellmeister, or director of music, to Prince Leopold A Deeper Listen of Anhalt-Cöthen in 1717. The young composer felt lucky to be in the employ Brandenburg Concerto No. 3 is scored of a “a gracious Prince who both loved for strings and continuo, with the and knew music.” Thanks to Leopold’s threesomes of violins, violas, and interest and generosity, he had at his cellos treated as three separate disposal a group of some 16 expert choirs. Bach ingeniously mixes instrumentalists who inspired not and matches these solisti groups to only the Brandenburg Concertos but generate an astonishing variety of also his great unaccompanied works textures and sonorities. The concerto for violin and cello. Years later, when is laid out in the conventional three Bach became director of the Leipzig movements, fast-slow-fast, the Collegium Musicum, the Brandenburgs outer sections characterized by were among the repertoire featured exhilarating motor rhythms and on the public subscription concerts captivating harmonic twists and turns. The central slow movement, the Rooms, a film with choreographer however, is a conundrum: in Bach’s Kim Brandstrup and LA Opera, as manuscript, the Adagio consists in well as Woman Holding a Balance, its entirety of two unadorned chords. a film collaboration with Orchestra Some musicologists contend that he of St. Luke’s and artist Jyll Bradley intended another slow movement (whom Clyne also teamed up with for to be inserted here, while others the filmPardes , commissioned by the interpret the freestanding chords as an Scottish Ensemble). invitation to some sort of collective improvisation. In a similar spirit of Clyne composed a trilogy of free-wheeling creativity, the Knights Beethoven-inspired works, which have chosen to interpolate their take premiered in 2020 for Beethoven’s on Paul Simon’s wistfully affecting 250th anniversary: Stride for string American Tune, itself based on a orchestra, inspired by Beethoven’s plaintive chorale from Bach’s St. Sonata Pathétique, premiered by the Matthew Passion. Australian Composers Orchestra; Breathing Statues, premiered by — Harry Haskell the Calidore String Quartet; and Shorthand for solo cello and string quintet, premiered by The Knights in ANNA CLYNE 2020 at Caramoor. (b. 1980) Clyne is currently the Scottish Chamber Orchestra’s Associate Prince of Clouds Composer through the 2021-2022 season and a mentor composer for About the Composer Orchestra of St Luke’s DeGaetano Composer Institute. London-born Anna Clyne is a Grammy-nominated composer Clyne’s music is represented on the of acoustic and electro-acoustic AVIE Records, Cantaloupe Music, music. Described as a “composer Cedille, MajorWho Media, New of uncommon gifts and unusual Amsterdam, Resound, Tzadik, and methods” in a New York Times profile VIA labels. Both Prince of Clouds and as “fearless” by NPR, Clyne’s work and Night Ferry were nominated for often includes collaborations with 2015 GRAMMY Awards. Her music cutting-edge choreographers, visual is published exclusively by Boosey & artists, filmmakers, and musicians. Hawkes. boosey.com/clyne In October 2020, AVIE Records released Mythologies, a portrait album About the Work featuring Clyne’s works recorded live by the BBC Symphony Orchestra. When writing Prince of Clouds I was contemplating the presence of musical Several upcoming projects explore lineage — a family-tree of sorts that Clyne’s fascination with visual arts, passes from generation to generation. including Color Field for the Baltimore This transfer of knowledge and Symphony Orchestra, inspired by the inspiration between generations is a artwork of Mark Rothko; Between beautiful gift. Composed specifically

Caramoor for Jennifer Koh and her mentor and orchestral works. Some recent at the Curtis Institute of Music, highlights include Shift, Change, Turn Jaime Laredo, this thread was in the (2019) commissioned by the Orpheus foreground of my imagination as a Chamber Orchestra and the Saint Paul dialogue between the soloists and Chamber Orchestra; Coincident Dances ensemble. As a composer, working with (2018) for the Chicago Sinfonietta; such virtuosic, passionate and unique Caught by the Wind (2016) for the musicians is also another branch of Albany Symphony and the American this musical chain. Music Festival; and Banner (2014) — written to mark the 200th anniversary Prince of Clouds was co-commissioned of The Star-Spangled Banner — for by the Chicago Symphony Orchestra, The Sphinx Organization and the IRIS Orchestra, Los Angeles Chamber Joyce Foundation. Orchestra and the Curtis Institute of Music. It premiered in November 2012 Upcoming premieres include I was at the Germantown Performing Arts waiting for the echo of a better day, a Center, TN with conductor Michael full-length dance collaboration with Stern, and subsequent performances the choreographer Pam Tanowitz at Orchestra Hall at Symphony Center, for Bard SummerScape 2021, L.E.S. IL with conductor Harry Bicket; Royce Characters - Concerto for Viola Hall, Los Angeles with conductor and Orchestra with violist Masumi Jeffrey Kahane; and the New York Per Rostad at Grant Park Music Premiere at Miller Theater. Prince of Festival, and Five Freedom Songs, the Clouds was composed at the Hermitage expansion of a song cycle written for Artist Retreat in Summer 2012. soprano Julia Bullock, at Sun Valley Music Festival. — Anna Clyne Since 1999, Montgomery has been affiliated with The Sphinx JESSIE MONTGOMERY Organization, which supports (b. 1981) young African-American and Latinx string players, and she has served as Starburst composer-in-residence for the Sphinx Virtuosi, the Organization’s flagship About the Composer professional touring ensemble.

Jessie Montgomery is an acclaimed She is currently the Mead Composer- composer, violinist, and educator. in-Residence with the Chicago She is the recipient of the Leonard Symphony Orchestra. Bernstein Award from the ASCAP Foundation, the Sphinx Medal About the Work of Excellence, and her works are performed frequently around This brief one-movement work the world by leading musicians originally for string orchestra, and and ensembles. arranged for chamber ensemble by Jannina Norpoth, is a play on imagery Montgomery’s growing body of of rapidly changing musical colors. work includes solo, chamber, vocal, Exploding gestures are juxtaposed with gentle fleeting melodies in an About the Work attempt to create a multidimensional soundscape. A common definition of a In the conventional tripartite division starburst: “the rapid formation of large of Beethoven’s life and works, the numbers of new stars in a galaxy at a Quartet in F Minor of 1810–11 falls at rate high enough to alter the structure the tail end of the middle period, on of the galaxy significantly” lends itself the heels of the three pathbreaking almost literally to the nature of the Razumovsky Quartets, Op. 59, and the performing ensemble who premiered Harp Quartet, Op. 74. In some respects, the work, The Sphinx Virtuosi, and I however, Op. 95 belongs in a category wrote the piece with their dynamic in by itself. Its radical brevity harks back mind. I am delighted that the Knights to Beethoven’s early, Haydn-esque will be performing Starburst on this Op. 18 Quartets rather than to its program today. immediate predecessors. At the same time, the work’s emotional intensity — Jessie Montgomery and idiosyncratic treatment of form and harmony prefigure the composer’s mold-shattering quartets of the mid- LUDWIG VAN BEETHOVEN 1820s. Beethoven himself judged it (1770–1827) suitable for only “a small circle of connoisseurs” and even questioned String Quartet in F Minor, Op. 95, whether it should be performed “Serioso” in public.

About the Composer A Deeper Listen

Beethoven’s 16 string quartets, written Beethoven’s description of the between 1798 and 1826, constitute a F-Minor Quartet as “serioso” may towering achievement that has both or may not reflect his state of mind inspired and intimidated composers after the collapse of his marriage ever since. Robert Schumann, whose plans in 1810. In any case, he gets own quartets are deeply indebted straight down to serious business in to Beethoven’s, declared that the the opening Allegro con brio. A terse, genre had “come to a standstill” since tightly wound motto, played by the the latter’s death; the “immortal four instruments in unison, sets the freshness” of his quartets, along with tone for the entire work; both its those of Mozart and Haydn, continued structure and its emotional content to “gladden the hearts of everyone,” are highly compressed. A persistent but the younger generation had proven undercurrent of turbulence runs incapable of producing anything of throughout the first movement, roiling comparable quality. Indeed, with its lyrical surface. In music as in life, the possible exception of Dmitri the composer often struggled to strike Shostakovich in the 20th century, no a balance between heroic affirmation other composer has so consistently and near-suicidal depression. used the string quartet as a vehicle for working out musical ideas in their With a leisurely descending scale, the most concentrated and intensely cello introduces one of Beethoven’s personal form. most luminous and beguiling slow

Caramoor movements. Very soon, however, the mood darkens as the viola launches a quirkily chromatic fugue, interrupted by a ghostly echo of the cello’s opening stepwise theme.

The Allegretto ma non troppo wends its way toward an apparently tranquil close. Instead of the expected D-major cadence, however, a jarring diminished-seventh chord heralds a return to the home key of F minor and an abrupt transition to a bracing Allegro in ¾ time, marked assai vivace, ma serioso (quite lively, but serious). These contrasting moods are further explored, if never quite reconciled, in the finale. Within its highly condensed span of 175 bars (including a slow introduction), the Allegretto agitato runs the gamut from wistful tenderness to fierce, almost savage despair. Out of nowhere, it seems, a hushed F-major chord once more disperses the prevailing gloom. Whereupon a lighthearted coda, as incongruous as it is brief, brings this enigmatic but richly satisfying masterpiece to an unexpectedly upbeat conclusion.

— Harry Haskell About the Artists.

Eric Jacobsen, Artistic Director Colin Jacobsen, violin and conductor A 2003 Avery Fisher Career Grant recipient, violinist Colin Jacobsen Conductor and cellist Eric Jacobsen first played to critical acclaim at has built a reputation for engaging the age of 14, collaborating with audiences with innovative and Kurt Masur and the New York collaborative projects. As conductor Philharmonic in a performance that of The Knights, Jacobsen has led the was hailed by The New York Times: “consistently inventive, infectiously “Jacobsen was the impressively engaged indie ensemble” (The New accomplished soloist in Bruch’s York Times) at New York venues Scottish Fantasy, sounding as if from Carnegie Hall to Central Park. he were born to the instrument He has appeared in such renowned and its sweet, lyrical possibilities.” international halls as Vienna’s He recently returned to the New Musikverein, Cologne Philharmonie, York Philharmonic in a performance and the Hamburg Elbphilharmonie. of Brahms’ Double Concerto Now in his fourth season as Music with cellist Yo-Yo Ma, and David Director of the Orlando Philharmonic, Zinman conducting. Jacobsen is also much in demand as a guest conductor, having recently led Jacobsen’s wide-ranging musical the Camerata Bern, Detroit Symphony activities are part of a generational Orchestra, Alabama Symphony wave that is taking classical music Orchestra, ProMusica Chamber into a much broader context. As a Orchestra, Deutsche Philharmonie soloist, he continues to play with Merck, and the Silkroad Ensemble, orchestras worldwide, including founded by Yo-Yo Ma. the YouTube Symphony and those of Albany, Charleston, Chicago, San Francisco, Nashville, and Philharmonia Baroque. He has performed with the Chamber Music Society of Lincoln Center, as a member of the Metropolitan

Caramoor Museum Artists in Concert, and has collaborated with musicians such as Emanuel Ax, Joshua Bell, Kim Kashkashian, Mark O’Connor, Phillip Glass, Steven Isserlis, Christian Tetzlaff, Mitsuko Uchida, and Jan Vogler. Jacobsen’s summer festival appearances have included Banff, Caramoor, Marlboro, Mostly Mozart, Ravinia’s Steans Institute, Salzburg, and Tanglewood. Alex Gonzalez, violin As a touring member of the Silk Road Ensemble since its conception Described by the Viborg Folkeblad by Yo-Yo Ma, Jacobsen has been as a ""true virtuoso...[that] left the part of a creative cauldron that has audience almost breathless,” violinist continually pushed him to expand Alex Gonzalez has appeared across his boundaries. Through exposure to the United States and abroad as a musicians like the Persian kemanche chamber musician, ensemble leader, virtuoso Kayhan Kalhor, vocalist Alim and educator. Qasimov, and pipa player Wu Man, he has been inspired to compose and An avid chamber musician, arrange pieces both for the Ensemble Gonzalez was a recipient of the John and for other groups. Jacobsen is a Celentano Award for Excellence in co-founder along with his brother, the Chamber Music upon graduation cellist and conductor Eric Jacobsen, from the Eastman School of Music. of the string quartet Brooklyn Rider He has enjoyed performances at and The Knights. Both ensembles notable venues including Carnegie tour worldwide and have issued Hall, the National Gallery of Art, acclaimed albums featured by NPR Queen Elizabeth Hall, and Oxford as top classical picks for 2008 and University. He has also performed 2012, respectively. In December for broadcast on programs for BBC 2012, Jacobsen was selected, with his Radio 3, Colorado Public Radio, and brother Eric, from among the nation’s the SkyArts Television Network. He top visual, performing, media, and has made appearances at numerous literary artists to receive a prestigious festivals including the Chatsworth United States Artists Fellowship, Arts Festival, Sitka Music Festival, which carries an unrestricted grant Thy Chamber Music Festival, as of $50,000. well as the Thy Festival’s 2019 Autumn Tour.

Gonzalez is a member of The Knights and the Sphinx Virtuosi, performing extensively with both ensembles across the United States and abroad. Outside of these ensembles, he has performed with the Saint Paul Chamber Orchestra, Minnesota Orchestra, and Cabrillo Festival Orchestra, among others. Gonzalez enjoys regular collaborations with the Chineke! Foundation, appearing across the United Kingdom and Europe as both guest concertmaster and chamber musician with various Chineke! ensembles. As a former member of the New World Symphony, he regularly served as concertmaster to Michael Tilson Thomas and other distinguished guests. In addition, he was honored to perform as part of a celebration to MTT at the 2019 Kennedy Center Honors.

As an educator, Gonzalez has served on the faculty of Carnegie Hall's National Youth Orchestra Program, the Sphinx Performance Academy, and as guest faculty for the Iberacademy in Medellín, Colombia. He has also enjoyed giving masterclasses at North Carolina School of the Arts, Montclair State University, and Skidmore College, among others.

Gonzalez completed his formal studies at the Eastman School of Music, Rice University, and Carnegie Mellon University. His principal mentors include Shakeh Ghoukasian, Oleh Krysa, Paul Kantor, and Cyrus Forough. Formal chamber music studies were under Carol Rodland,Mimi Hwang, Norman Fischer, James Dunham, and the Ying Quartet. He performs on a violin made for him by Mario Miralles in 2017.

Caramoor The ensemble evolved out of friendly late-night chamber music sessions at the home of violinist Colin Jacobsen and cellist Eric Jacobsen. Since the orchestra’s incorporation in 2007, the brothers have both served as its artistic directors.

The Knights

Violin The Knights Colin Jacobsen Alex Gonzalez The Knights are a Grammy- Alex Fortes nominated collection of adventurous Guillaume Pirard musicians, dedicated to transforming Christina Courtin the orchestral experience and Michelle Ross eliminating barriers between Emily Daggett Smith audiences and music. Ben Russell Deborah Wong The Knights have performed and recorded with such renowned Viola soloists as Yo-Yo Ma, Dawn Upshaw, Mario Gotoh Béla Fleck, and Gil Shaham, and Kyle Armbrust appeared in venues including Miranda Sielaff Vienna’s Musikverein and New York’s Carnegie Hall. Recent highlights Cello include a thrilling performance as Karen Ouzounian part of the opening season of the Caitlin Sullivan new Hamburg Elbphilharmonie Laura Metcalf and an appearance as the first American orchestra-in-residence Bass at the Festival de Pâques in Aix- Shawn Conley en-Provence, performing multiple concerts throughout the city, Harpsicord including programs with pianist Steven Beck Jean-Yves Thibaudet and violinist Renaud Capuçon. Conductor Eric Jacobsen The Knights recently presented a fully-staged version of Leonard Bernstein’s Candide in honor of his 100th birthday at both the Tanglewood Music Festival and the Ravinia Festival. They gave the premiere of The Head and the Load with international artist William Kentridge at London’s Tate Modern and New York’s Park Avenue Armory. Jazz Festival Presented in Collaboration with Jazz at Lincoln Center Saturday / July 31 / 1:00pm

Closing set at 7:30pm / Venetian Theater

Sean Jones’ Dizzy Spellz featuring Brinae Ali, tap dancer, vocalist

1:00pm / Endea Owens & The Cookout / Friends Field 1:15pm / Christina Carminucci, tap dancer & Leonid Morozov-Vintskevich, guitar / Sunken Garden 2:00pm / Alexa Tarantino Quartet / Venetian Theater 2:00pm / Family Set: Endea Owens / East Lawn 3:00pm / Brandon Goldberg Trio / Friends Field 3:15pm / Godwin Louis & Jonathan Barber / Sunken Garden 4:00pm / Charles Turner & Uptown Swing / Venetian Theater 4:00pm / Nicole Glover & Daniel Duke / East Lawn 5:00pm / Jeremy Bosch & Friends: Salsa Meets Jazz / Friends Field 5:30pm / Larry Grenadier / Sunken Garden 6:15pm / Summer Camargo Trio / Roving on Friends Field The Jazz Festival is made possible by generous support from Peter & Katherine Kend.

Friends Field sponsored by

Caramoor would like to thank our cultural partners:

Help everyone enjoy the music. Please do not take photos or record any part of the performance, and remember to silence your mobile devices. On behalf of the artists and the rest of the audience, we thank you.

Caramoor Summer 2021 About the Artists. Jones has been prominently featured with a number of artists, recording and/or performing with many major figures in jazz, including Illinois Jacquet, Jimmy Heath, Frank Foster, Nancy Wilson, Dianne Reeves, Gerald Wilson, and Marcus Miller. Jones was selected by Miller, Herbie Hancock, and Wayne Shorter for their Tribute to Miles tour in 2011.

Sean Jones, trumpet Jones has also performed with the Cleveland, Pittsburgh, and Music and spirituality have always Youngstown Symphony Orchestras, as been fully intertwined in the artistic well as Soulful Symphony in Baltimore vision of trumpeter, bandleader, and in a chamber group at the Salt Bay composer, educator, and activist Sean Chamber Festival. Jones. Singing and performing as a child with the church choir in his An internationally recognized hometown of Warren, Ohio, Jones educator, Jones was recently named switched from the drums to the the Richard and Elizabeth Case Chair trumpet at the age of 10. of Jazz at John Hopkins University’s Peabody Institute in Baltimore. Before Jones is a musical chameleon and is coming to Peabody, he served as the comfortable in any musical setting, Chair of the Brass Department at the no matter what the role or the genre. Berklee College of Music in Boston. He is equally adept in being a member of an ensemble as he is at being a Brinae Ali, tap dancer / vocalist bandleader. He turned a six-month stint with the Jazz at Lincoln Center Alexandria “Brinae Ali” Bradley, Orchestra into an offer from Wynton born and raised in Flint, Michigan, Marsalis for a permanent position as is a interdiscplinary artist who lead trumpeter, a post he held from believes in using the power of the arts 2004 to 2010. In 2015, Jones was to transform the conditions of the tapped to become a member of the human spirit. When not traveling and SFJAZZ Collective, in which he was a performing, she is giving back to young member until 2018. During this time, people and grassroots organizing. he managed to keep a core group of Currently, Bradley is the Artistic talented musicians together under his Director of Tapology, Inc., a youth leadership, forming the foundation based outreach program in Flint, that for his groups that have produced and seeks to preserve the art of tap and released eight recordings on Mack jazz culture through education and Avenue Records. The latest is his performance. As an educator, she 2017 release Sean Jones: Live from the has collaborated with many other Jazz Bistro. organizations as well. Ali has traveled and performed around the world including with the U.S. Embassy Grenadier’s trademark upright bass for its cultural exchange program work has been a longstanding fi xture in Russia celebrating National Tap in the bands of pianist Brad Mehldau Dance Day. Her Broadway and and guitarist Pat Metheny, and has off -Broadway experiences include graced albums by a broad array of serving as assistant dance captain for prestigious artists, including Paul Shuffl e Along: the 1921 Sensation And Motian, Charles Lloyd, Enrico Rava, All That Followed, choreographed by Danilo Perez, Chris Potter, Joshua Savion Glover and directed by George Redman, and Kurt Rosenwinkel. He’s C.Wolfe; company member of NY also found time to make three albums and Touring cast of STOMP; special with his own acclaimed trio, Fly, and to feature in the Cotton Club Parade, record fi ve more with his wife, noted which later became After Midnight, singer-songwriter Rebecca Martin. under the musical direction of Wynton Marsalis; and much more. “I’m hyper-aware of the balance between a studied approach to music and a more primal, instinctual understanding of the way music works,” Grenadier states. “Having access to technique is useful in being able to communicate and express yourself musically. But music is about intuition and emotion. Compassion, strength, fl exibility, and stamina are all important qualities in playing music, but the most important thing is the ability to listen.”

Larry Grenadier, bass “Even after all these years, playing music is still a learning experience As one of contemporary jazz’s most for me,” he concludes. “I’m always respected and accomplished bassists, working on the technical aspects of my Larry Grenadier has built an expansive playing, but at the same time, I know body of work that encompasses a that what happens on stage between variety of signifi cant projects with musicians isn’t about that. The level of many of the genre’s most inventive telepathy and intuition that exists in and infl uential musicians. Over the music, especially in jazz, is a constant course of a performing and recording reminder of what we’re capable of, career that spans three decades, he’s both inside and outside of music.” earned a far-reaching reputation, for his instrumental talent, instantly recognizable tone, and the sensitivity, imagination, and creative curiosity that have established him as an in-demand sideman and valued collaborator.

Caramoor was featured in The Wallstreet Journal and Billboard Magazine.

In June of 2020, during the midst of the pandemic, she founded The Community Cookout, an organization dedicated to distributing hundreds of hot meals and free music concerts to neighborhoods in NYC. The Community Cookout was featured in The New York Times as well as Pix11 Endea Owens, bass News. To date, her organization has helped feed close to 1,500 New Yorkers Lincoln Center’s Emerging Artist and has hosted over a dozen free of 2019 and Detroit native Endea music concerts. Owens is a vibrant up-and-coming bassist. She has been mentored by Recently, Owens composed an original the likes of Marcus Belgrave, Rodney piece about the life of Ida B. Wells Whitaker, and Ron Carter. She has entitled Ida’s Crusade for the Jazz at toured and performed with Wynton Lincoln Center Orchestra. In addition, Marsalis, Jennifer Holliday, Diana and she has also written for the makeup Rhonda Ross, Jazzmeia Horn, Dee company Glossier, and she has been Dee Bridgewater, Steve Turre, and commissioned to write works for Lea DeLaria from the Netflix Original Poland and Italy. Her debut album Series Orange is The New Black. Owens Feel Good Music is set for release in has taught and performed in Cuba, June of 2021. Trinidad and Tobago, London, and numerous other countries.

Owens is the bassist for Jon Batiste’s Stay Human and the house bassist for The Late Show with Stephen Colbert. Recently, she recorded bass for the film Judas and The Black Messiah as well as recording with the artist H.E.R for her widely acclaimed Super Bowl LV performance. She has been featured and performed on ABC7 News (New York) with Sandy Kenyon, ABC7 “Here and Now:” Live with Kelly and Ryan, The Late Late Show with James Corden, Alexa Tarantino, saxophone Spotify Music Sessions, Pix 11 News, and The Indie Beat with the Manhattan Alexa Tarantino is an award-winning, Neighborhood Network. In addition to vibrant, young jazz saxophonist, graduating from The Juilliard School woodwind doubler, composer, and in 2018, Owens graced the cover of educator. Alexa’s “lovely, ardent Japan’s The Walker’s Magazine and way of improvising,” and “sharply plotted but gracefully unencumbered Rockport, Massachusetts and Co- straight-ahead jazz [compositions]” Founder of A Step Ahead Jazz with (The New York Times) establish her pianist Steven Feifke. In February individual voice which shines through 2021, she launched her new virtual as a dynamic performer and educator. community-style jazz education Tarantino was recently named one platform, The Alexa Approach. of the “Top 5 Alto Saxophonists of 2019” by the JazzTimes Critics’ Poll Tarantino is a Vandoren Artist and and nominated as a “Rising Star - Alto Yamaha Performing Artist. Saxophone” by Downbeat Magazine’s 2020 Critics’ Poll.

She has performed regularly as a leader and sidewoman in a wide variety of ensembles and genres including the Cecile McLorin Salvant Quintet, Cecile McLorin Salvant’s OGRESSE Ensemble, Ulysses Owens Jr.’s Generation Y, LSAT (quintet co- led with baritone saxophonist Lauren Sevian), Arturo O’Farrill and The Afro-Latin Jazz Orchestra, Sherrie Maricle and the DIVA Jazz Orchestra, Brandon Goldberg, piano the Alexa Tarantino Quartet. Dezron Douglas, bass Mark Whitfield, Jr.,drums Firefly, Tarantino’s third record for Posi-Tone Records, was released on Brandon Goldberg, now 15 years old, April 30, 2021. Her previous album, has been playing piano and making Clarity, peaked at #9 on the JazzWeek music since he was three years old. He Charts and landed at #54 for found his passion for jazz by listening JazzWeek’s Top 100 records of 2019. to his favorite artists including Herbie Hancock, Bill Evans, Oscar Peterson, Tarantino is currently on faculty Charlie Parker, Miles Davis, and for Jazz at Lincoln Center’s Youth John Coltrane. Programs (High School Jazz Academy, Let Freedom Swing/Jazz Goldberg has performed at the for Young People) and represents Newport Jazz Festival, Litchfield Jazz the organization as a Clinician Festival, Bravo Niagara Festival of and Educator for various schools, the Arts, as well as some of the most festivals, and workshops. She holds prestigious jazz venues including a Master’s degree in Jazz Studies Jazz at Lincoln Center, Dizzy’s Club, from The Juilliard School and Birdland Theatre, The Blue Note, Bachelor’s degrees in Jazz Saxophone Mezzrow, The Apollo Theater, The Performance and Music Education Side Door in Old Lyme, Keystone from the Eastman School of Music. Korner in Baltimore, and the FAENA Theater in Miami,Florida. Tarantino is Founder and Director of the Rockport Jazz Workshop in

Caramoor He recently finished recording his He has been part of the Fine Arts second album with legendary drummer Concert Series at WDNA Radio and Ralph Peterson, Jr., saxophonist Stacy has performed at the WDNA Miami Dillard, trumpet player Josh Evans, Downtown Jazz Festival and the and the great Luques Curtis on bass. FAENA Summer Jazz Series. This album, featuring mostly original music by Brandon, will be released Goldberg works closely with the Jazz later this year. Foundation of America (JFA) and performed at the JFA annual Gala – Goldberg’s debut album, LET’S PLAY!, A Great Night in Harlem at the famous was released in April 2019 to rave Apollo Theater in New York, where reviews garnering four stars from he presented McCoy Tyner with his Downbeat Magazine and reaching Lifetime Achievement Award in 2016. number seven on the Jazz Week charts. LET’S PLAY! features veteran musicians Ben Wolfe on bass, Donald Edwards on drums, and special guest Marcus Strickland on tenor saxophone. The album has three original compositions and six standards and is imbued with a pure love and joy for the music.

Downbeat Magazine recognized Goldberg as the Student Music Awards winner in the Jazz Soloist and Original Composition categories Godwin Louis, alto saxophone in 2018, 2019, and 2020. In 2020, he also won the Jazz Arrangement Godwin Louis, alto saxophonist, category for his arrangement of was born in Harlem, NY and began Blackbird and most recently, in 2021, playing saxophone at age nine. Louis he received Outstanding Performance grew up in Bridgeport, CT and Port in the Jazz Soloist and Original au Prince, Haiti. He was a finalist in Composition categories. the Thelonious Monk Institute of Jazz Saxophone Competition. He Goldberg had some breakthrough has performed around the world, moments at a young age when he including: Mali, Senegal, Togo, France, appeared on National television in Finland, Spain, United Kingdom, Season 1 and Season 2 of NBC’s Little Italy, Russia, Azerbaijan, United Arab Big Shots, The Steve Harvey Show, and Emirates, Qatar, Venezuela, Colombia, The Harry Connick, Jr. Show. South Korea, Indonesia, and Australia.

In his hometown Miami, FL, he has Louis is a graduate of Berklee been a featured performer with The College of Music and the prestigious Miami Symphony Orchestra and the Thelonious Monk Institute for Jazz Jazz Roots Series at the Adrienne Performance. He has studied and Arsht Center for Performing Arts performed with Herbie Hancock, Clark under the direction of Shelly Berg. Terry, Roger Dickerson, Ron Carter, Al Foster, Jack Dejohnette, Jimmy It was during his formative years Heath, Billy Preston, Patti Labelle, that Bosch had his first professional Toni Braxton, Babyface, Madonna, experience as an artist, playing Gloria Estefan, Barry Harris, Howard alongside Puerto Rican percussionist Shore, David Baker, Mulatu Astakte, legend Giovanni Hidalgo and his All- Mahmoud Ahmed, Wynton Marsalis, Star Band. Suddenly, Bosch knew he and Terence Blanchard, to name just was destined for a career in music. a few. It’s been a long and transformative In addition, Louis has performed road since Bosch’s summers at Berklee. as a sideman, guest soloist, and has He has performed across the globe at conducted clinics and master classes concerts and festivals in Europe, Asia, worldwide. As a composer, he has Africa, South America, North America, received the Jerome Foundation and the Caribbean. Most recently, Emerging Artist Grant, and the Jazz Bosch had the honor of performing Gallery’s New Works Commission. as a bandleader at the European Parliament in Brussels, Belgium. He is As an educator, humanitarian, and currently the lead singer and flutist of ambassador, Louis has traveled from the two-time Grammy Award-winning Benin to China to help promote cross- Spanish Harlem Orchestra. He has also cultural understanding and introduce performed numerous times with salsa thousands to America’s indigenous icon Eddie Palmieri. art form, through public concerts, master classes, and jam sessions. As an artist, Bosch has grown to He is the founder of Experience find inspiration not just in fellow Ayiti, a nonprofit educational, musicians, but also in luminaries multidisciplinary arts organization. from a wide range of artistic paths His debut album as a leader, entitled and disciplines. From actors and Global, was released in February 2019. actresses to writers and athletes, Bosch maintains that a powerful work ethic and dedication to one’s passion is the true source of his artistic influence.

After all , the title Bosch holds goes far beyond that of ‘musician’. A classically trained composer and forward- thinking visionary, he strives to produce music that can be experienced by all the senses.

Jeremy Bosch, vocalist

It didn’t take long for Jeremy Bosch’s musical talent to manifest: at the young age of 17, the prodigy received a full scholarship to attend Berklee College of Music. Charles Turner Nicole Glover

Charles Turner, Brooklyn-based jazz New York-based Saxophonist Nicole vocalist and songwriter, has taken Glover has been described by the the New York City scene by storm. press as a “precocious talent.” Turner has performed at such venues Recently, she has been in bands led by as Dizzy’s Club Coca Cola at Jazz at Reggie Workman, Kenny Washington, Lincoln Center, Birdland, Smoke Renee Rosnes, Billy Hart, Gene Perla, Jazz Club, and thehistoric Minton’s Rodney Green, and Jason Brown, Playhouse in Harlem. International among others. In 2019, she appeared performances include venues in with Latin Grammy-winning Buika, London, Paris, Madrid, Seoul, South Blue Note supergroup ARTEMIS, Korea, and New Zealand. and Rodney Green’s “Jackson Miller.” Additionally, the Nicole Glover Trio Turner’s Sophomore Album, Single & was featured in a weekly residency In Love, produced by Grammy Award at SMOKE Jazz Club, as well as local -winning drummer Ulysses Owens Jr., venues such as Smalls Jazz Club has received critical acclaim. and Fat Cat. Glover also appeared at Minton’s Playhouse in Harlem and A Berklee College of Music Graduate, the Staten Island Jazz Festival with Turner has taught at The American 2020 NEA Jazz Master and 2020 School of Modern Music in Paris Guggenheim Fellowship recipient and in the Jazz for Young People Reggie Workman. program at Jazz at Lincoln Center, and he has conducted masterclasses in Glover has performed at a multitude various high schools and universities of venues in NYC, ranging from clubs including N.Y.U. such as Smalls, Mezzrow, Smoke, Fat Cat, Birdland, Blue Note, Dizzy’s, Through Charles Turner & Uptown Minton’s, Nublu, 55 bar, Zinc, The Swing, Turner continues to bring the Django, and Le Poisson Rouge, to swing and spirit of Harlem to music larger performance venues and lovers around the world. festivals such as SummerStage, Staten Island Jazz Festival, and Winter Jazzfest.

Glover is an experienced educator and clinician. She was involved with Jazz at Lincoln Center’s Jazz For Young People educational outreach program in various NYC schools. Currently on faculty with the New York Jazz Workshop, Glover is a teacher for multiple charter schools through the Jazz Empowers program.

Daniel Duke

Daniel Duke is a jazz bassist and composer who performs regularly in Christina Carminucci, tap dancer New York City and the surrounding area. He has appeared at Smalls, Christina Carminucci, born and Mezzrow, Birdland, Smoke, Dizzy’s, raised in New Jersey, is a New York Minton’s, and other major jazz venues. City based tap dancer. In her youth, He has worked with some of the most she trained as a multidisciplinary renowned jazz bandleaders locally dancer at a local studio seeking and internationally, including Vincent out further tap dance training at Herring, JD Allen, Ray Gallon, and Broadway Dance Center, Steps on Michael Kanan, and played in the Broadway, and the American Tap bands of up-and-coming pianist Dance Foundation (Tap City Youth Davis Whitfield and saxophonist Ensemble). While earning her BBA in Nicole Glover. He has accompanied Arts and Entertainment Management the acclaimed vocalist Jane Monheit, at Pace University, Carminucci and recorded albums with rising star was fortunate enough to study singers Lucy Yeghiazaryan and Cait extensively under the mentorship Jones. Duke has performed alongside of Derick K Grant. She can now be legendary drummer Louis Hayes, and found performing, choreographing, has worked in the rhythm section with producing and teaching. Bill Goodwin, Dave Kikoski, Gerry Gibbs, Jason Brown, and many others. This proud Jacob’s Pillow Tap Born in Baton Rouge, Louisiana, he Program alumna has appeared in grew up in St. Paul, Minnesota and works by many of today’s greats, currently resides in Harlem. including Dormeshia, Derick K Grant, Brenda Bufalino, and Michelle Dorrance (Dorrance Dance). Over the past few years, she has performed throughout the NYC area both in acclaimed venues, including The Joyce Theater, Duke on 42nd, Jazz at Lincoln Center, New Victory Theater, and Brooklyn Academy of Music (BAM), and on reputable award show stages, including the New York City Capezio A.C.E Awards and the 2016 Bessie Awards.

Caramoor “Nucci” has worked internationally as The Mare Nostrum Elements 2019 an ensemble member of Christopher Emerging Choreographer debuted her Erk’s Tap Factor, performing two first self-produced, one-woman show original shows on board the #1 rated When the Smoke Clears at the Triad cruise ship in the world, the MS Theater in NYC (2019). Most recently, Europa 2 of Hapag-Lloyd Cruises. she launched The Solidarity Series, a Interested in creating her own work, virtual and in-person livestreamed Carminucci co-produced On That performance experience geared Note, a full-length evening of tap dance toward connecting tap dance and and live jazz performance in New York jazz music with the world. Passionate City at Feinstein's/54 Below (2018), about sharing her love and knowledge Teatro Sea (2017), and Don’t Tell of the art form, she teaches regularly Mama cabaret club (2016). at Steps on Broadway in NYC and at various workshops around the country and world.

LJOVA and the KONTRABAND Concert on the Lawn

Thursday, August 5 / 7:00pm / Friends Field Tickets start at $55 Drawing influences from seemingly every type of music — Western classical, klezmer, tango, jazz, and Gypsy music — Ljova and the Kontraband defy musical boundaries. The musicians of this ensemble hail from Russia, Lithuania, the U.S., and Switzerland, each bringing their own unique energy and joy to the performance. With family backgrounds steeped in traditional folk music, Ljova and the Kontraband embrace the music of their ancestors while ushering these traditions into the future.

TICKETS / caramoor.org / 914.232.1252 Apollo’s Fire The Cleveland Baroque Orchestra

Sunday/ August 1 / 4:00pm / Venetian Theater

Jeannette Sorrell, Artistic Director Erica Schuller, soprano Brian Giebler, tenor

LOVE IN VENICE

I. Party at the Palazzo

ANTONIO VIVALDI Ciaccona in C, RV 114 (1729) (1678-1741)

CLAUDIO MONTEVERDI Zefiro torna from the Scherzi Musicali (1632) (1567-1643) Erica Schuller, soprano

ANTONIO VIVALDI Concerto in A Minor for Two Violins, RV 522 (1720) Allegro- Larghetto e spiritoso- Allegro Olivier Brault, violin Susanna Perry Gilmore, violin

II. L'Amore è difficile

ANDREA FALCONIERI Passacaglia & Ciaccona, from Canzone & (1585-1656) Sinfonia, Bk 1 (1650)

BARBARA STROZZI Che si può fare? (What Can You Do?) (1619-1677) Erica Schuller, soprano

Caramoor Summer 2021 NICOLA PORPORA Alto Giove (1686-1768) Emi Tanabe, violin Arr. by J. Sorrell Olivier Brault, violin

CLAUDIO MONTEVERDI Pur ti miro from L’incoronazione di Poppea (1643)

Damigella tutta bella from the Scherzi Musicali

Erica Schuller, soprano Brian Giebler, tenor

III. Summer Madness

CLAUDIO MONTEVERDI Ohimè, ch’io cado (Alas, I tumble down) Zefiro torna from the Scherzi Musicali (1632) (1624) Erica Schuller, soprano

ANTONIO VIVALDI Summer from Le Quattro Stagioni (The Four Seasons), Op. 8

Susanna Perry Gilmore, violin

Help everyone enjoy the music. Please do not take photos or record any part of the performance, and remember to silence your mobile devices. On behalf of the artists and the rest of the audience, we thank you. About the Music.

Fire And Love, Italian Style ground basses, or simple repeating bass lines and chord patterns. During In Venice there is an old saying … the period around 1590–1630, these “L’Italiano è la lingua della musica, ground bass tunes were the pop degli angeli, e dell’ Amore.” (“Italian music of Italy and Spain. But they is the language of music, of the angels, also inspired great composers such and of Love.”) as Monteverdi, Strozzi, Corelli, and later Vivaldi to write virtuoso Italians are passionate about art and instrumental and vocal variations love. In a piazza in Tuscany on a hot over the repeating bass lines. Popular summer night, it is not unusual to ground basses included the Ciaccona, see two young men get into a fist fight the Passacaglia, the Romanesca over a girl. The Italian language is (a dance from Rome), the Bergamasca particularly emotional, being full of (a dance from Bergamo), and the Folia strong inflections and accents. Did the (meaning “Madness”). You will hear language develop in this way because some of these tonight. of the emotional temperament of its people? Or vice versa? Whichever is Our program opens with two examples the case, it’s clear that composers from of the lively Ciaccona ground bass, Monteverdi to Vivaldi and beyond with its dance-like and syncopated have always been aware of their rhythms. Monteverdi’s Zefiro torna language’s particular ability to convey (Spring breezes return) makes feelings of love — not to mention the delightful use of the Ciaccona as a jealousy and despair that often goes setting for a poem by the prominent along with amorous adventures. Italian poet Rinuccini. The lyrics celebrate the return of spring and the The beautiful palazzi that line the joys and sorrows of love that tend to grand canal of Venice were the scenes come with it. Vivaldi’s Ciaccona in C of lively music parties for hundreds gives violinists a playful chance to play of years. In the 17th century, Claudio lively variations over the bass. Monteverdi was the Music Director at the great basilica of San Marco, but Monteverdi’s younger colleague, he also provided the aristocrats of Barbara Strozzi, also provided the Venice with plenty of love songs and Venetian aristocrats with music for party music. About 100 years later, their salons. She was a fascinating Antonio Vivaldi walked those same figure — one of the many illegitimate streets, and provided the Venetians daughters of Venetian nobility. Her with passionate operas as well as lively father is thought to have been Giulio instrumental concertos for the city’s Strozzi, an aristocratic poet and famous orchestra of young ladies. librettist who helped Barbara in her career as a singer and composer. As a One of the themes that runs through woman in the 17th century, Barbara had our program is the use of popular very few rights, no support from the renaissance dance tunes that became Church, and no consistent patronage

Caramoor from the nobility. Nevertheless, she “ritornello” means something that became one of the most published returns. The same word is used to composers of her time, with eight mean the refrain in pop music — and volumes of her own music in print. indeed, Vivaldi’s ritornellos convey Strozzi’s many solo songs often evoke the bold and driving sense of rhythm the anguish of a lover mistreated. The and melody that is more commonly haunting song, Che Si Può Fare (What associated with pop music. After all, he can one do?) is based on the passacaglia was writing for teenagers. ground bass — a repeating pattern of four descending notes, often used to One of Vivaldi’s colleagues at the express angst and despair. Pietà was Nicola (Antonio) Porpora, a singing teacher and opera composer. Venice was filled with illegitimate His aria “Alto Giove,” from the children. This led to many orphanages, opera Polifemo, is so beautiful that including one that became very I felt compelled to arrange it as an famous: the Ospedale della Pietà. instrumental piece. Polyphemus, the This large home for the illegitimate giant son of Poseidon, loved the sea- daughters of the nobility provided an nymph Galatea, and wooed her with elite artistic and musical education for no success. A sense of love and longing many bright and talented girls. When rings through Porpora’s beautiful the Church leaders decided in 1704 harmonies. In my arrangement, the that a certain priest named Antonio vocal line is given to a solo violinist, Vivaldi was not actually suited for the who is eventually answered by a priesthood, they sent him to become companion violinist in a possibly the music teacher at the Ospedale. flirtatious encounter.

For the next 30 years, Vivaldi served In 1725 Vivaldi published a collection as music-master to the elite top-level of 12 concertos titled Il cimento orchestra of the orphanage — the dell’Armonia e dell’Inventione (The showcase ensemble. In this role, he Contest Between Harmony and composed about 500 concertos for his Invention). With this curious title, he young female protégés. Since Vivaldi’s unleashed a revolutionary question: concertos were written primarily to should music simply be about be played by teenage girls, he infused harmony, or could it serve to illustrate them with youthful energy and a kind inventive ideas, events, moods, natural of rhythmic drive that, in my opinion, scenes, etc? Vivaldi set out to prove often resembles rock n’ roll. Vivaldi that it could do both. The first four had a meteoric career, achieving concertos of the collection, titled Le Beatles-level popularity. It is not Quattro Stagioni (The Four Seasons), surprising that his concertos are by are virtuoso demonstrations of music far the most popular pieces in the in the service of storytelling — in classical repertoire. this case, the story of Nature and her various moods. Vivaldi was the great developer of ritornello form — the form that became The “Summer” concerto is a brilliant the model for concerto-writing by all evocation of those hot summer days European composers of the century, in Italy, when young men get into including J.S. Bach. The Italian word fights over a beautiful girl… We hear the sighing in the heat, the lazy We hope this evening of Italian buzzing of fl ies and wasps, and a romance sends you home inspired. stunning depiction of a thunderstorm. Anyone who has been in Italy during — Jeannette Sorrell a summer storm will appreciate how the torrent of cascading violin scales Cleveland 2021 evokes the onslaught of rain when the clouds burst.

WATKINS FAMILY HOUR Presented in Collaboration with City Winery

Friday, August 6 / 8:00pm / Venetian Theater Tickets start at $40 What began in 2002 as a musical variety show produced by siblings Sean and Sara Watkins, Watkins Family Hour has grown into a bluegrass collective embracing the power of shared music. In the duo’s latest project, they delve into the magic that can only come from creating as brother and sister.

TICKETS / caramoor.org / 914.232.1252

Caramoor Texts and Translations. CLAUDIO MONTEVERDI (1567­–1643)

Zefiro torna from the Scherzi Musicali

Poem by Ottavio Rinuccin

Zefiro torna e di soavi accenti Zephyr returns and with sweet accents l'aer fa grato e'il pié discioglie a l'onde Makes the air pleasant and ruffles the waves, e, mormoranda tra le verdi fronde, And, murmuring among the green boughs, fa danzar al bel suon su'l prato i fiori. Makes the flowers on the meadow dance to the sweet sound.

Inghirlandato il crin Fillide e Clori With garlanded tresses Phyllis and Cloris note temprando lor care e gioconde; Sing sweet and joyful notes of love; e da monti e da valli ime e profond And from the high mountains and deep raddoppian l'armonia gli antri canori. valleys The singing caverns redouble their strains.

Sorge più vaga in ciel l'aurora, e'l sole, Yet fairer the dawn rises in the sky, and the sparge più luci d'or; sun Più puro argento sheds more golden light; fregia di Teti il bel ceruleo manto. Purer silver adorns Thetis’s fair cerulean cloak.

Sol io, per selve abbandonate e sole, Only I, in deserted and lonely woods, l'ardor di due begli occhi e'l mio Tormented by the ardor tormento, of two lovely eyes, come vuol mia ventura, By turns, as fortune turns, hor piango hor canto. I cry and sing.

BARBARA STROZZI (1619–1677)

Che si può fare? (What Can You Do?)

Lyrics by Gaudenzio Brunacci

Che si può fare What can one do le stelle rubelle non hanno pietà, if the rebel stars have no pity; che s'el cielo non da what can be done un influso di pace al mio penare if heaven has no peaceful influence che si può fare. to soothe my sorrows? Che si può dire da gl'astri disastri What can one say? mi piovano ogn'or; From the stars, disasters che si può dire che le perfido rain upon me at all hours; amer un respiro what can be said if perfidious love di niega al mio martire? denies the slightest repose Che si può dire. to my martyrdom? What can be said?

CLAUDIO MONTEVERDI

Pur ti miro from L’incoronazione di Poppea

Pur ti miro, pur ti godo, I adore you, I embrace you, Pur ti stringo, pur t'annodo, I desire you, I enchain you, Più non peno, più non moro, no more grieving, no more sorrow, O mia vita, o mi tesoro. O my dearest, O my beloved.

Io son tua... tuo son io... Speme mia, I am yours, O my love, tell me so, dillo, dì, Tu sei pur, speme mia You are mine, mine alone, L'idol mio, dillo, dì, O my love. Tu sei pur, sì, mio ben, Feel my heart, yes my love, Sì, mio cor, mia vita, sì. Yes, my heart, my life, yes. Pur ti miro, pur ti godo… I adore you, I embrace you…

CLAUDIO MONTEVERDI

Damigella tutta bella from the Scherzi Musicali Beautiful damsel, Damigella tutta bella pour that sweet wine. Versa versa quel bel vino Make fall the dew Fa che cada la rugiada distilled from rubies. Distillata di rubino. In my breast there is wicked poison Ho nel seno Rio veneno that love placed deeply there, but I Che vi sparse Amor profondo, cast it out and leave it submerged in Ma gittarlo e lasciarlo these depths. Vo’ sommerso in questo fondo. Beautiful damsel, Damigella tutta bella with that wine you do not satisfy me. Di quel vin tu non mi sazi, Pour for me instead Fa che cada la rugiada the rum distilled from topaz! Distillata da Topazi. (Topatij)

Caramoor Nova fiamma più m’infiamma The new flame inflames me more. Arde il cor foco novello, My heart burns with new fire. Se mia vita non s’aita If my life doesn’t get better, Ah! ch’io vengo un Mongibello. I will erupt like Mt. Etna.

Ma più fresca ogn’hor cresca But every hour, dentro ne si fatt’arsura, fresh heat grows within me, Consumarmi e disfarmi I am fated in this way per tal modo ho per ventura. to be consumed and undone.

CLAUDIO MONTEVERDI

Ohimè, ch’io cado (Alas, I tumble down)

Lyrics by Carlo Milanuzzi

Ohimè ch'io cado, Alas, I am falling, ohimè ch'inciampo ancor il piè Alas, my foot trips and stumbles Pur come pria, just like before. E la sfiorita mia caduta speme. And my crushed hope withers. Pur di novo rigar Must I now once again Con fresco lagrimar water my sorrow Hor mi conviene. with fresh tears?

Lasso, del vecchio ardor I am weary, yet still feel Conosco l’orme ancor in my heart Dentro nel petto; the scars of this former passion. Ch’ha rotto il vago aspetto For your beautiful face E i guardi amati and beloved looks Lo smalto adamantin have broken my enamel defense Ond’armaro il meschin behind which I had armed myself Pensier gelati. with cold thoughts.

Folle, credev’io pur I foolishly believed D’aver schermo sicur I had a solid shield Da un nudo arciero; against the naked archer. E pur io sí guerriero Yet I, once so warlike, Hor son codardo am now a coward Ne vaglio sostener and cannot defend myself Il colpo lusinghier D against the flattering blow ’un solo sguardo. of a single glance.

O Campion immortal O immortal champion, – Sdegno; come sí fral Disdain; you have fled! Hor fuggi indietro; You ran away. A sott’armi di vetro With weapons of glass Incanto errante have you led me, M’hai condotto infedel faithless one, to face Contro spada crudel a fierce sword D’aspro diamante. as hard as diamond.

O come sa punir Oh, tyrannous Tirann’amor l’ardir Love knows how to punish D’alma rubella! the boldness of a rebellious soul – Una dolce favella, a soft word, Un seren volto a pretty face, Un vezzoso mirar, a gentle look… Sogliono rilegar These things know how to bind a Un cor disciolto. melted heart.

Occhi belli, ah se fu Eyes, lovely eyes! Sempre bella virtù Ah, if only virtue Giusta pietate! were justly rewarded. Deh voi non mi negate Don’t deny me your gaze Il guardo e’l riso and lovely smile! Che mi sa la prigion For the sake of those eyes, Per sí bella cagion I am imprisoned – Il Paradiso. but it is paradise to me.

Caramoor About the Artists CDs, including eight bestsellers on the Billboard classical chart and a 2019 Grammy Award-winner. Her recordings include the complete Brandenburg concerti and harpsichord concerti of Bach; Bach’s St John Passion; Handel’s Messiah; and the Monteverdi Vespers, among others.

In demand with symphony orchestras and period groups alike, Sorrell has Jeanette Sorrell, Artistic Director repeatedly conducted the Pittsburgh Symphony, St. Paul Chamber Grammy Award-winning conductor Orchestra, Utah Symphony, and New and harpsichordist Jeannette Sorrell World Symphony, and has also led the is recognized internationally as one of National Symphony at the Kennedy today’s most compelling interpreters Center, the Los Angeles Chamber of Baroque and Classical repertoire. Orchestra, Seattle Symphony, Opera St. Louis with the St. Louis She studied conducting under Leonard Symphony, Philharmonia Baroque Bernstein and Roger Norrington at (San Francisco), the Florida Orchestra, the Tanglewood and Aspen music Calgary Philhamonic, North Carolina festivals, and harpsichord with Symphony, and the Royal Northern Gustav Leonhardt in Amsterdam. Sinfonia (U.K.), among others. She won both First Prize and the Upcoming debuts include the Royal Audience Choice Award in the Liverpool Philharmonic. Spivey International Harpsichord Competition, competing against over Sorrell is the subject of the 2019 70 harpsichordists from Europe, documentary by Academy award- Israel, the U.S., and the Soviet Union. winning director Allan Miller, titled Playing With Fire. She has attracted She is the founder and artistic national attention and awards for director of Apollo’s Fire, and has led her creative programming, which has the renowned period ensemble in brought many new listeners to early sold-out concerts at Carnegie Hall, music through the use of contextual London’s BBC Proms, Madrid’s and dramatic elements. She received Royal Theatre, the Tanglewood and an honorary doctorate from Case Ravinia festivals, Boston’s Early Music Western University and an award from Festival, the Library of Congress, and the American Musicological Society. the Metropolitan Museum of Art (New York), among others. She and her ensemble have built one of the largest audiences of any Baroque orchestra in North America. Sorrell and Apollo’s Fire have released 26 commercial Recent projects of note include performances with The Boston Early Music Festival, Ars Lyrica Houston, New Trinity Baroque Orchestra, Great Lakes Baroque, and The Lincoln Trio. She also joined Apollo’s Fire on their 2018 tour of Monteverdi’s Orfeo, singing the roles of La Musica and Euridice. Her performances were praised as “powerful” and “radiant.”

Erica Schuller, soprano

Erica Schuller, soprano, has been praised for her “lively personality, abundant charm, and luscious vocalism” and “crystalline voice,” and is recognized for bringing committed artistry to a broad musical repertory. Her affinity for Baroque repertoire has brought her increasing attention from some of the country’s finest early music ensembles. Brian Giebler, tenor This past season, Schuller reprised her role as Vespetta in Telemann’s Brian Giebler, tenor, praised for his Pimpinone with Haymarket Opera “lovely tone and deep expressivity” to great acclaim. Her performance by The New York Times, established was described as “show stealing” by an impressive career singing virtuosic Chicago Classical Review. She joined and eclectic repertoire “with shine Odyssey Opera in Boston, performing and clarity” (Opera News). Whether the role of Erasto/Amore in Gluck’s performing Handel’s Semele with Paride ed Elena, and was hailed as Harry Bicket and The English Concert “brilliant” by The Boston Music or Stravinsky’s Threni with Franz Intelligencer and “an absolute delight” Welser-Möst and The Cleveland by Edge Media Network. She also made Orchestra, “Giebler use[s] his her debut performance with Chicago’s high-placed tenor with great skill” Third Coast Baroque Ensemble, (Opera Magazine). presenting the wickedly difficult cantata Lucrezia by G.F. Handel. He has been heard recently with The Cleveland Orchestra, The English Future engagements include returning Concert, Boston Baroque, Boston to Haymarket Opera in Chicago, where Early Music Festival, Grand Rapids she will perform the role of Poppea Symphony, Virginia Symphony in Monteverdi’s L’incoronazione Orchestra, Syracuse Symphoria, di Poppea opposite countertenor Charlottesville Opera, Boston Modern Kangmin Justin Kim. Orchestra Project, Mark Morris Dance Group, Handel and Haydn

Caramoor Society, and regularly with the Trinity Proms in London (with live broadcast Baroque Orchestra. across Europe), the Aldeburgh Festival (U.K.), Madrid’s Royal Theatre, This season, he makes debuts with Bordeaux’s Grand Théàtre de l’Opéra, Santa Fe Pro Musica, the National and major venues in Lisbon, Metz Cathedral Choral Society, and in (France), and Bregenz (Austria); as Handel’s Messiah with both the Naples well as concerts at the Irish National Philharmonic and the Oratorio Society Concert Hall (Dublin), the Irish of New York (Carnegie Hall). Giebler National Opera House (Wexford), took second-place in the 2018 Lyndon the Birmingham International Series Woodside Oratorio-Solo Competition (UK), the Tuscan Landscapes Festival at Carnegie Hall, and won a People’s (Italy), and Belfast Castle with a live Choice Award at the 2018 American broadcast carried by the Associated Traditions Vocal Competition. Press of Europe.

Apollo’s Fire’s London 2014 concert was chosen by the Daily Telegraph as one of the Best 5 Classical Concerts of 2014, with their critic writing, “An evening of superlative music- making … the group combines European stylishness with American entrepreneurialism.”

North American tour engagements include sold-out concerts at Carnegie Hall (2018), the Tanglewood Festival Apollo’s Fire (2015 and 2017), the Ravinia Festival (2017 and 2018), the Metropolitan Named for the classical god of music, Museum of Art in NY (2013, 2014, and healing and the sun, Apollo’s Fire is a 2015), the Boston Early Music Festival Grammy Award-winning ensemble. series, and the Library of Congress, The period-instrument orchestra as well as concerts at Caramoor, the was founded by award-winning Aspen Music Festival, and major harpsichordist and conductor venues in Toronto, Los Angeles, and Jeannette Sorrell, and is dedicated San Francisco. The ensemble has to the Baroque ideal that music performed two major U.S. tours of should evoke the various Affekts or the Monteverdi Vespers (2010 and passions in the listeners. Apollo’s 2014) and a nine-concert tour of the Fire is a collection of creative artists Brandenburg concertos in 2013. who share Sorrell’s passion for drama and rhetoric. At home in Cleveland, Apollo’s Fire frequently enjoys sold-out Hailed as “one of the pre-eminent performances at its subscription period-instrument ensembles” (The series, which has drawn national Independent, London), Apollo’s Fire attention for creative programming. has performed five European tours, With about seven million views (total) with sold-out concerts at the BBC of its YouTube videos, Apollo’s Fire is one of the most popular Baroque 30 years. Baroque violin teacher at orchestras on the worldwide internet. McGill University, he is the director The ensemble also launched a of Sonate 1704 (Québec) and of Worldwide Watch-at-Home Series the ensemble Les Goûts Réunis in October 2020, bringing its (Luxembourg), and principal violin subscription concerts into the homes with the Four Nations Ensemble (New of patrons around the world. York) and Les Boréades de Montréal. In 2007, he completed a doctorate at Apollo’s Fire has released 26 the Université de Montréal on 18th- commercial CDs and won a Grammy century French music for violin and Award in 2019 for the album Songs of figured bass, an expertise that leads Orpheus with tenor Karim Sulayman. him to give lectures and masterclasses Apollo’s Fire’s recordings have won in prestigious institutions such as the rave reviews in the London press: “a Conservatoire royal de musique de swaggering version, brilliantly played” Bruxelles and the Conservatoire de (The Times) and “the Midwest’s best- musique et de danse de Paris. He has kept musical secret is finally reaching participated in over 65 recordings, British ears” (The Independent). Eight many award-winning. In 2011, of the ensemble’s CD releases have he was awarded the medal of the become best-sellers on the classical Assemblée Nationale du Québec. In Billboard chart: the Monteverdi 2016, an article from the Canadian Vespers, Bach’s Brandenburg Concertos Broadcasting Corporation placed him and Harpsichord Concertos, a disc of among the 10 Canadian violinists that Handel arias with soprano Amanda “must be known.” Forsythe titled The Power of Love (Billboard Classical #3, 2015), and Susanna Perry Gilmore, violin Jeannette Sorrell’s four crossover programs — Come to the River Susanna Perry Gilmore enjoys a — An Early American Gathering multifaceted career as solo artist, (Billboard Classical #9, 2011); Sacrum chamber musician, and orchestral Mysterium — A Celtic Christmas concertmaster. Performing on both Vespers (Billboard Classical #11, modern and period instruments 2012); Sugarloaf Mountain — An and versatile in diverse styles from Appalachian Gathering (Billboard classical to fiddling, she is hailed as Classical #5, 2015); and Sephardic a player who is both “thrilling and Journey — Wanderings of the Spanish sensitive” by the Memphis Commercial Jews (Billboard World Music Chart Appeal, “luminous and hypnotic” #2 and Billboard Classical #5, Feb. by the Omaha World-Herald, and 2016); and Songs of Orpheus (Billboard “authentic with exquisite good taste” Classical #5, 2018). and “rich in tone, bringing musical depth and a human touch” by the Olivier Brault, violin Cleveland Plain Dealer.

Olivier Brault hails from Terrebonne As concertmaster of the Omaha in Québec and has brought Symphony, she frequently appears as communicative enthusiasm and a soloist. Her recent performances scholarship to concerts throughout include the Scottish Fantasy by Max North America and Europe for almost Bruch, Tzigane by Ravel, Berg Violin

Caramoor Concerto, Prokofiev Violin Concerto Apollo’s Fire No. 1, Vivaldi’s Four Seasons, Mozart Concerto No. 5, and the Korngold Violin Violin Concerto, as well as major Olivier Brault, concertmaster concertmaster solos such as Rimsky Korsakov Scheherazade and Strauss Susanna Perry Gilmore, asst. Ein Heldenleben. She holds degrees concertmaster from Oxford University and the New Emi Tanabe principal England Conservatory and is the Aniela Eddy violinist on Apollo’s Fire’s best-selling Chloe Fedor CD recordings Sugarloaf Mountain and Andrew Fouts Sephardic Journey. Holly Piccoli Chiara Fasani Stauffer Emi Tanabe, violin

Emi Tanabe enjoys a multi-faceted Viola career as a Baroque violinist and a solo Nicole Divall crossover artist. In addition to being Kristen Linfante a core member of Apollo’s Fire, she Yael Semanaud Cohen performs with the Haymarket Opera Company and Third Coast Baroque Cello in Chicago. With Apollo’s Fire, she René Schiffer,principal has performed on tour across the U.S. Rebecca Landell Reed and Europe. Her facility with world Sarah Stone music styles and improvisation has led to many solo violin performances with Tango, Flamenco, Celtic, and Contrabass Jazz ensembles across the country. Sue Yelanjian She has appeared with such groups as the renowned Surabhi Ensemble, the Lute Grammy-nominated children’s music William Simms band Wendy&DB, and the theater/ Brian Kay dinner production Teatro ZinZanni. Harpsichord Tanabe is a native of Japan, and holds degrees in violin performance from Jeannette Sorrell the University of North Texas and Roosevelt University.

Apollo’s Fire and Jeannette Sorrell appear by arrangement with:

Opus 3 Artists David V. Foster, President & CEO 348 West 57th Street, Suite 282 New York, NY 10016 opus3artists.com Highlights of Our Recent Special Events.

An Evening of Wine performance on Pavilion Plaza.

aramoor’s special events play a vital role in raising funds for our core programming and are a great opportunity to thank our donors who help Cfoster musical inspiration. We appreciate the support of our event donors especially in this strange year. The Evening of Wine in May 2021 was our fi rst event at Caramoor since December 2019, and it was a colorful and energetic success! Guests celebrated on our new Pavilion Plaza and celebrated the great vintages of the 1960s and 1970s, all while raising funds for our education and community programs. We were thankful to kick off our Summer Season with our Opening Night Gala and we look forward to the return of a live Cabaret in the (actual) Music Room in the fall. Caramoor is grateful to the event committees and patrons that helped guide us in making sure these occasions were memorable and successful.

For our Cabaret benefi t, Laura Osnes and Laura Osnes serenaded audiences in their Tony Yazbeck celebrated Gershwin in a homes with a favorite Gershwin song livestream from the Music Room. during our livestream Cabaret.

Caramoor / 20 Keeley Peckham & Mykola Ianchenko and Amy Parsons and Paul Bird in their Hillary Peckham & Maren Hall-Wieckert finest hint of hippie attire. enjoying cocktails at the Wine Dinner.

Bob Wyckoff receives the first pour of Grooving the night away. the champagne.

SAVE THE DATES!

October 23, 2021 Cabaret in the Music Room Jim Attwood and Leslie Williams with their guests at the WIne Dinner.

December 4, 2021 Benefit Dinner in the Rosen House

[email protected] / 914.232.1492

Pat and Ian Cook perusing items at the auction table.

Caramoor / 21 Your generosity helps to keep the music playing at Caramoor!

Become a Member and support Music Performance, Education, and Mentoring at Caramoor. In return for making a charitable contribution, Membership level donors ($100 and above) receive a collection of “thank you” perks— including access to the best seats first during our Members’ pre-sales. Support our music community and elevate your Caramoor experience all year long. caramoor.org/support

Caramoor / 22 Leave a Legacy.

aramoor Center for Music and joining with the Rosens in growing and the Arts was established your legacy. You can help ensure a by Walter and Lucie Rosen bright future for Caramoor. to operate their estate in Generosity comes in many forms, Cperpetuity as a home for art, music, and and it is often the best way for you to inspiration. The Rosens were touched support causes that matter the most by the pleasure their friends took while to you. When you give to Caramoor, visiting Caramoor, and they decided to you help us to make a diff erence. One leave their home as a legacy for all to long-term way is to Leave a Gift in enjoy. It is thanks to the vision, energy, Your Will. If this is appealing, please and estate planning of this inspirational contact us for suggested language couple that we enjoy Caramoor today. to review with your attorney and/or The Rosens had the forethought to fi nancial planners. When you have make plans for Caramoor’s future, and made these arrangements, please let we hope you will think of Caramoor us know you have done so. We will be when considering your future. We happy to welcome you to our Encore would be so honored if you would Society with other like-minded consider adding us to your estate plans Caramoor donors.

If you would like more information about planned giving at Caramoor, or to notify us of your intention to include Caramoor in your estate planning, please contact Nina Curley, VP/Chief Development Offi cer, atnina@ caramoor.org or call 914.232.3681.

Caramoor / 23 Cecilia Tay Kellie-Smith & Sam Kellie-Smith Caramoor/Support. National Endowment for the Arts Sarah & Howard Solomon Caramoor is appreciative of all donors Nina & Michael Stanton and their support of our mission to create Audrey & Richard Zinman inspiring artistic experiences. Space limitations do not allow us to publicly $25,000 to $49,999 acknowledge the many individuals and Aundrea & James Amine organizations who have made gifts in the Anonymous (1) past year; however, we are grateful to all ArtsWestchester contributors as every dollar contributed Mr. & Mrs. Jonathan M. Clark positively impacts Caramoor. Jane & William Donaldson Angela & William Haines / We have made every effort to ensure the The Haines Family Foundation accuracy of this listing. If you think you The Marc Haas Foundation have found an inaccuracy, please accept our The Maximilian E. & apology and alert us by calling 914.232.5035 Marion O. Hoffman Foundation ext. 409. Tracy & Stephen Limpe New York State Council on the Arts The following is a list of individuals, Nancy & Morris W. Offit households, and organizations who The Ohnell Family Foundation donated to the Annual Fund (general Phyllis & David Oxman contributions) during the period Amy Parsons & Paul Bird January 1, 2020 through December 31, Amy & John Peckham / 2020. Dollar-level listings reflect Peckham Family Foundation cumulative gifts to the Annual Fund Mr. & Mrs. Andrew Saul (general contributions) totaling $250+ Ms. Lucille Werlinich during that 12-month period. Special Mr. & Mrs. Ian Winchester Events ticket-buyers are included in Judi Wolf & Alden L. Toevs this list, as are the individuals who may have donated their tickets back to $10,000 to $24,999 Caramoor in exchange for a charitable Andree Wildenstein Dormeuil & contribution. Please note that Special Roger Dormeuil Foundation Events ticket purchases or contributions Adela & Lawrence Elow do not count towards Membership but Charles A. Frueauff Foundation are reflected in these cumulative totals. Maggie Grise & Adam Silver Olga & Michael Kagan $100,000+ Sylvia & Leonard Marx, Jr. Nancy & Jon Bauer Tracy & Ted McCourtney Pat & Ian Cook Susan & Robert Morgenthau Mr. & Mrs. Anthony B. Evnin Mr. Raj K. Nooyi & Ms. Indra K. Nooyi Susan§ & Peter Gottsegen Susan & Richard O’Leary Katherine & Peter Kend Yvonne Pollack, Pollack Family Foundation Leslie Williams & Jim Attwood Faith Rosenfeld & Jaime Castro Elaine & Larry Rothenberg $50,000 to $99,999 Mr. Stephen Ucko Mimi & Barry J. Alperin Elaine & Alan G. Weiler Laureen & David Barber Lisa & Paul Welch Gail A. Binderman - The Norman E. Alexander Family G Foundation, Inc. $5,000 to $9,999 Sandra & William Cordiano Nancy Adelson & Lewis R. Clayton Jackie Dzaluk & Francis Goldwyn Anonymous (1) Mr. & Mrs. John H. Freund Judy & Gordon Aydelott Mrs. Robert D. Hodes Janet Benton & David Schunter Mr. & Mrs. David S. Joys Bloomberg L.P. Corporate Giving Program Floy & Amos Kaminski

Caramoor / 24 Patricia Butter & Ted Sabety Mr. David C. Hochberg Mr. & Mrs. Woodson Duncan Anda & John Hutchins Nancy & Edmund Dunst Alexia & Jerry Jurschak Edmée & Nicholas Firth Mr. & Mrs. W. Wallace McDowell Penny & Ray Foote The New York Community Trust Mr. & Mrs. William G. Foulke The Pasculano Foundation Fribourg Family The Perlmutter Family Foundation Ms. Joan S. Gilbert Mary Prehn & John Scacchia Virginia Gold Sheila & David Reichman Isabelle Harnoncourt Feigen Christie C. Salomon Mrs. Betty Himmel Mr. & Mrs. Norman Slonaker Dr. & Mrs. Henry Kaufman Deborah F. Stiles Georgia & David Keidan Mr. & Mrs. James E. Thomas Mr. § & Mrs. Donald M. Kendall The Watt Family Foundation Stanley Kogelman & Lucy Huang Kate & Seymour Weingarten Drs. Melissa & Lewis Kohl Mr. & Mrs. Herbert S. Winokur / Mrs. Barbara Kushnick The Winokur Family Foundation, Inc. Nita & Stephen Lowey Judy Francis Zankel Mr. & Mrs. Lester S. Morse, Jr. Diane & Robert Moss $1,500 to $2,499 New Music USA Karen Adler & Laurence Greenwald Rebecca Patterson & Robert Frank Anonymous (2) Christine E. Petschek Mr. G. Thomas Aydelotte Laura & Edward Pla Gini & Randy Barbato Varner & John Redmon Wendy Belzberg & Strauss Zelnick Mr. & Mrs. Frank E. Richardson Mr. & Mrs. Jeff Bijur Mr. Lawrence Rogow Mr. & Mrs. Thomas A. Cohn Susan & Elihu Rose Mr. & Mrs. James K. Coleman Rebecca & Arthur§ Samberg Margaret Downs & Henry Zachary Sara Lee & Axel Schupf Rebecca & Marty Eisenberg Sara & Joshua Slocum Nancy Eppler-Wolff & John Wolff Westchester Community Foundation Rosa & Robert Gellert Alicia & Bob Wyckoff Barbara & E. Robert Goodkind Carmela & Paul Haklisch $2,500 to $4,999 Maureen Hanagan & Victor Marrow§ Photo Anagnostopoulos & Jim Stynes Angela & Richard Kessel Anonymous (3) Eduard & Rayanne Kleiner Foundation Ms. Christina Briccetti Mrs. Patricia D. Klingenstein Susan & David Brownwood Laura & Lewis Kruger Anne & Joe Citrin Mrs. Edith Kubicek Alexandra H. Coburn & Nancy Maruyama & Chuck Cahn Christopher Schroeder Nicole & Gerard Mayer Mr. & Mrs. James B. Cowperthwait Mr. Bruce Mekul Mr. & Mrs. Michael Danziger Ms. Linda Merrill & Dr. William B. Nolan Mr. Thomas A. Dieterich Ms. Petra Mohrer Ms. Kathryn E. Dysart & Vivian & David Moreinis Mr. Jeffrey L. Schwartz Melissa H. Mulrooney Mr. & Mrs. Robert H. Eder Dr. Richard Fischer Olson Melissa Eisenstat & Jonathan Blau Carol & Steven Parker Kelly & Matthew Fairweather The Perakis Family Naomi & Joel Freedman Margaret & Dan Petri Ashley Garrett & Alan Jones Mrs. Sascha M. Rockefeller Mary & Michael Gellert Vicki Roosevelt & Rob Jorgensen Laureine and David Greenbaum Ms. Elizabeth A. Sarnoff & Mr. Andrew S. Cohen Family Foundation Manita & Scoci§ Scocimara

Caramoor / 25 Sylvia Smolensky Mrs. Judith T. Hunt Betty & Frank Stern Ms. Deborah Innes Mr. & Mrs. Thomas W. Strauss Rory & David Jones Mr. & Mrs. William R. Ziegler Mr. & Mrs. Edward W. Kelly JoAnne Kennedy & Bill Bowers $500 to $1,499 Mr. & Mrs. Arthur Klausner Marie Pantuosco Alpert Ms. Lisa Kolba / JMC LLC Anonymous (9) Mrs. Birgit Kovacs Adrienne & Bernard Ascher Dr. Lois F. Kral Dr. Lisa R. Barr Joann Lang Mr. & Mrs. John D. Barrett II Dr. Morton Linder Sally & David Beckett Mr. & Mrs. Robert D. Long Froma & Andrew Benerofe Dr. Darrell Lund Mr. & Mrs. Roger S. Berlind Barbara & J. Robert Mann, Jr. Nadia & Robert Bernstein Ms. Beth Ann Manners Helena & Peter Bienstock Harriet Mazer Laura Blau & Michael Citro Ms. Deborah McCarthy Allison M. Blinken Dr. Jennifer McQuaid & Dr. Jorge Pedraza Margot & Jerry Bogert Janis & Alan Menken Charity Fund Ms. Christine Bosco Miriam Messing & John Curtin Ms. Susan Brenner & Mr. Teed Welch Ms. Betsy Mitchell Grace & Vincent Briccetti Mr. Ben Nathanson Sonia & Miguel Calderon Hannah & Frank Neubauer Mr. & Mrs. Matthew Carpenter Mina & Lawrence Nokes Ms. Leslie Cecil & Mr. Creighton Michael Ms. Anita M. Nordal & Mr. Kevin J. Conroy Nina & Tom Curley Mary Lou & Mike Pappas Catherine & George Daubek Michelle & Clark Petschek Roberta & Steven Denning Betty & Carl Pforzheimer Ms. Victoria de Toledo & Mr. Stewart Casper Libbie & David Poppick Mr. Kevin Durkin Charmaine & Brian Portis Mrs. Anita M. Dye Virginia & Jonathan Powers Julie & Todd Eagle Lolly H. Prince Pamela & Ray Endreny Brenda & Gerry Prothro Olivia & John Farr Kathy L. & Marc F. Pucci Jeanne Donovan Fisher Vivian Pyle & Tony Anemone Mrs. Virginia M. Flood Vicki & Charles Raeburn Karen & Gerry Fox Dr. Monique Regard & Rick Duffy Nina Freedman & Michael Rosenbaum Ms. Denise A. Rempe & Mr. Mark L. Wilson Mr. & Mrs. Joseph C. Gallo Angela & Gary Retelny Marguerite & Peter Gelfman Mr. Jason Rockland Sandriel & Kevin Gentzel Ms. Ellen Sargent & Dr. Stephen Nicholas Ms. Marilyn Glass Merryl Schechtman, M.D. Carol & Ward Glassmeyer Kathy Schuman Kate & Martin Glynn Jill Schwab & Peter Albert Dr. & Mrs. Lawrence Goettisheim Jill & Robert Serling Carol & Jesse Goldberg Mrs. Joan M. Sharp Mr. & Mrs. Alfred H. Green Madeline & George Shepherd Ellen & Robert Grimes Ms. Eve Silver Jennifer & Bud Gruenberg Dr. Richard Slutsky Mr. & Mrs. Peter O. Hanson Vivian Song & Ricardo Pou Peggy & Ed Harding Mr. & Mrs. Louis S. Sorell Ms. Callistheni S. Hayes Beth & Jason Spector Ms. Ursula Heinrich Traci & Joseph Stark Mrs. Gisela R. Hobman Catherine & Keith Stevenson Ms. Karen K. Hoyt-Stewart & Stephanie Stiefel & Robert S. Cohen Mr. William J. Stewart

Caramoor / 26 Dr. & Mrs. Paul Striker Ms. Patricia Johansmeyer Sybil & Adam Strum Mr. David Johnson Ms. Marcy Syms Mr. & Mrs. Frederick Jones Melissa Vail & Norman Selby Ms. Kathryn Jones Mr. & Mrs. Polyvios Vintiadis Connie & Jack Kamerman Mrs. John L. Weinberg Ms. Joanna Kang Margot & Gary Weinstein Renée & Daniel Kaplan Roanne & Charles C. Wilcox Beth Kaufman & Charles Updike Ms. Ellen King $250 to $499 Mr. & Mrs. Robert W. Knorr Ms. Nancy Albertson Alison M. Koppelman Anonymous (11) Sandra & Eric Krasnoff Nancy & Jim Barton Esme & Paul Laubscher Ms. Emily Bestler Mr. Bruce Levy Mrs. Debbie Buffum Ms. Carolyn Liebling Cammie & John Cannella Robin Liebowitz & Philippe Sandmeier Ms. Theresa Carroll Angelina & Monte Lipman Ms. Beatrice Chastka Ms. Anne R. Lowy & Mr. Thomas R. Glum Nancy & Edward Clifford Laura & Gary Lynch Mr. & Mrs. Daniel H. Cohen Mrs. Deanna B. MacLean Mr. Alan G. Cole Mr. Robert Magni Ms. Susan Courtney-Sinha Mrs. Francesca Maltese & Dr. Sandy Blount Barbara & Christopher Dee Dr. Pamela Marron Mr. & Mrs. Gary Dienst Mr. & Mrs. Paul J. Mas Mr. & Mrs. John Doran Virginia & Joe Maybank Ms. Elizabeth Einstein & Mr. Chris Cormier Mary & Paul McConville Audrey & Jeffrey Elliott Ms. Christina McGann Mr. Mark Epstein Mr. & Mrs. Douglas M. McGraime Ms. Fleur Eshghi & Mr. Nathan C. Dickmeyer Anne & Victor Modugno Mrs. Arlene Fischer Mr. & Mrs. Jeffrey Moriber Susan H. Fisher Abigail & Sundip Murthy Mr. Mark Franzoso Margot & James Mustich Nancy & Donald Fried-Tanzer Leslie & Mitchell Nelson Mr. Bruce D. Garrison Mr. Erik Nicolaysen Cathy & Tom Giegerich Ms. Patricia O’Connor Ms. Vicki Gillespie The O’Keefe Family Susan & Galen Gisler Ruth & Harold Ossher Mrs. Jeanne Gnuse Linda & Glenn Ostrander Enid & Marv Goldsmith Anna & Frederick Ostrofsky Helen & Bill Gore Lorie Paulson & Maurice Krasnow The Goyal Family Anita & Neal Pilzer Ms. Jane Gross Dr. & Mrs. Donald J. Pinals Mr. George B. Hardman Dr. & Mrs. Joseph Plummer Nicole & Larry Heath Andrea & Andy Potash Judy & Flemming Heilmann Betty Robbins & Moses Silverman Ms. Eileen Herbert Elissa & Brian Robinson Mr. Peter Herbert Virginia & Michael Robinson Anne Hess & Craig Kaplan Patty & Tom Roesch Libby & Tom Hollahan Suzanne & Victor Rosenzweig Mr. Paul H. Hondorf Mr. & Mrs. Ray Scanlan Ms. Christina M. Horzepa & Mr. Gary Dearborn Mr. Jonathan Schaffzin Gail & Mark Imowitz Roberta & Arthur§ Schmidt Patricia & Robert Ivry Mr. Eric Schwartz Ms. Diane P. Jane Ms. Betsy Seeley Mr. & Mrs. Erik P. Jensen Susan & William Shine

Caramoor / 27 Amy Siebert & Markel Elortegui Gifts of Membership. Ms. Janet Sikirica Th e following is a list of individuals, families, Ms. Nancy K. Simpkins and/or households who received the Sabina & Walter Slavin Gift of Membership during the period Lynn & Eric Sobel January 1, 2020 through December 31, 2020 and Ms. Alison Stabile thus may not be included in the previous list. Mr. Arthur H. Stampleman Maureen & Charles Steele Dana & Robert Bos Katie & James Stewart Ms. Francheska Calderon Ms. Margaret Swinger Kayce & John Carey Ms. Merry Th ornton & Mr. Brian V. Murphy David Ellis & Ann Greenawalt Ms. Linda Th ung-Ryan Ms. Christie Fitzpatrick Antoinette & Carl Van Demark Carolyn & David Goodman Mr. Jacobus Van Heerden Ms. Cynthia Haupt Jane & James D. Waugh Mrs. Cynthia Herbert Ms. Roberta Weiner & Mr. Ronald Arron Jennifer & Julio Herrera Maureen Whelan & John Bast Debbie & Manny Hochadel Ms. Laurice H. Whitfi eld Mr. Timothy Horan Victoria Wooters & Matthew Mattoon Ms. Mary Judge Seung & Yi Yoo Katherine & Albert Kim Susan & Marks Lachs § deceased Mr. Jonathan Larsen Daniella Mini & Cesar Rabellino Thank you again for your generosity. Ms. Jane Minnis Ms. Bärli Nugent Dawn & Richard Papalian Mrs. Amy Passman Jennifer & John Roach Dillon Smith Maureen & Charles Steele Ms. Brigitte St. John Ms. Amelia D. Wierzbicki Ms. Gwenn S. Winkhaus Ms. Manja Wurschke

For more information about Membership benefi ts, or to give the Gift of Membership, please contact Jennifer Pace, Director of Individual Gift s, at [email protected] or call 914.232.5035 ext. 412.

All concerts made possible, in part, The 2021 Summer and 2021 Fall Seasons All concerts made possible by by ArtsWestchester with funds from were supported in part by an award from the New York State Council on the Arts the Westchester County Government. the National Endowment for the Arts. with the support of Governor Andrew M. Cuomo and the New York State Legislature.

Caramoor / 28 Honor / Memory. Those of our Caramoor Community From January 1, 2020 through December 31, lost to Covid19 2020, generous contributions to Caramoor were Martha Dinerstein made in honor of the following individuals, Lauren Finster organizations, programs, or Caramoor Susan (Sue) McPherson Gottsegen departments, or to note special celebrations or Robert D. Hodes causes, and/or in memory of special individuals Peter Kubicek by his family or couples: Joan Lynton Victor Marrow In Honor of Grace Helen McCabe Anonymous Eva Petschek Newman Estelle F. Baum Terrance W. Schwab Lucienne & Max Bissainthe John Eugene Sharp Michael Brown Elie Siegmeister Caramoor’s amazing staff Marion & Herbert Sineck Caramoor Staff Caramoor’s Staff, with admiration In-Kind Donations. Jonathan Clark Caramoor gratefully acknowledges the following Sandy & Bill Cordiano individuals and organizations that made in-kind Tahra Delfin contributions (gifts other than cash or stock) Judy Evnin from January 1, 2019 through December 31, Judy & Tony Evnin 2020. Certain gifts of products or services that Susan W. (Susie) Freund can be used by Caramoor enable us to further Josh Groban our mission of presenting exciting concerts, Jeff Haydon mentoring young musicians, and providing arts Gerry Hodes education to school children. The Kend Family Kate & Peter Kend’s 30th Anniversary Aundrea & James Amine Peter Kend Anonymous (2) Felix Kleinman Nancy & Jon Bauer Siena Licht Miller Mr. Albert Carbonell Stephen Limpe Mrs. Marcy Carlson In thanks for the Livestream Pat & Ian Cook [Our] Grandfather Adolph Loewi Mr. & Mrs. William Cordiano Zoë Martin-Doike Nina & Tom Curley Susan & Richard O’Leary Ms. Kathryn E. Dysart & Phyllis & David Oxman Mr. Jeffrey L. Schwartz C. Pace & R. Pace Mr. Tom Eirman Dan Rader Mr. & Mrs. Anthony B. Evnin Tina Salierno Ms. Jane Gladstone Olivia Schectman Great Performances Laura Schiller Mr. & Mrs. Matthew Greif Mildred Skolnick Cecilia Tay Kellie-Smith & Sam Kellie-Smith The Unicorns! Katherine & Peter Kend Leslie Williams & James Attwood Katherine & Marc Lazar Tracy & Stephen Limpe In Memory of Betsy Mitchell William T. Appling Orchestra of St. Luke’s Helen-Mae Askin Mary Lou & Mike Pappas Hilton Bailey Pepsi-Cola Bottling Company of New York Elaine Barath Kathy Schuman Steven Bloom Storm King Art Center Emanuela Briccetti Mr. Gary Taratunio Dr. Solomon & Edith Brizer Leslie Williams & Jim Attwood by their daughter Diane Brizer WineBid Audrey & Richard Zinman

Caramoor / 29 Matching Gifts. Encore Society (Planned Giving). Caramoor gratefully recognizes the support The Encore Society recognizes dedicated of the many companies and foundations that individuals and couples who have indicated make matching gifts. Employees can maximize their intent to include Caramoor in their estate their contributions to Caramoor by taking planning. Planned giving is a wonderful to advantage of their employer’s matching gift establish a legacy at Caramoor and make a programs. The following organizations made lasting impact on the organization. matching contributions from January 1, 2019 through December 31, 2020. Caramoor thanks the following thoughtful individuals who have designated Caramoor AmazonSmile Foundation Center for Music and the Arts in their Bank of America estate plans. Bank of America Charitable Gift Fund The Benevity Community Impact Fund Anonymous The Blackbaud Giving Fund An Anonymous Couple § Bloomberg L.P. Corporate Giving Program An Anonymous Couple (2) Broadridge Laura B. Blau Credit Suisse Americas Foundation Catherine A. M. Cavanaugh Debevoise & Plimpton LLP Catherine & George Daubek Fidelity Charitable Gift Fund Mr. Robert C. Dinerstein GE Foundation Ralph P. & Barbara J. DuPont Goldman Sachs Gives Judy & Tony Evnin Goldman, Sachs & Co. Annette & Len§ Gilman Greenlight Capital Dr. Susan Harris & Mr. Thomas Molnar§ IBM Corporation Matching Grants Program Mrs. Betty Himmel J.P. Morgan Charitable Giving Fund Olga Kagan JPMorgan Chase’s Good Works Employee Ms. Deborah A. Kempe & Mr. Andre M. Hurni Giving Program Nancy S. Offit Morgan Stanley GIFT Susan & Richard O’Leary Network for Good Marie C. Rolla§ Pfizer Foundation Eileen Caulfield Schwab Sy Syms Foundation Ilse L. Schweizer§ Vanguard Charitable Lucille Werlinich YourCause, LLC Leslie Williams & Jim Attwood

§ deceased

If you would like more information about planned giving at Caramoor, or to notify us of your intention to include Caramoor in your estate planning, please contact Nina Curley, VP/Development Officer, at nina@caramoor. org or 914.232.3681. Additional information may be found at: plannedgiving.caramoor.org

Caramoor / 30 Endowments.

Philanthropic gifts to Caramoor’s permanent endowment(s) allow the use of Annual income to ensure program continuity and organizational strength in perpetuity. Investments in Caramoor’s endowment(s) support concerts of the highest quality, help bring creative and significant projects to our campus, and provide income to our education and mentoring programs. Gifts to Caramoor’s endowment(s) help ensure this organization’s strength and vitality far into the future.

The following is a list of all endowments currently established at Caramoor.

Named Endowment Funds Marjorie Carr Adams Fund for Young Vocal Artists Marjorie Carr Adams Sense Circle Fund Mimi & Barry Alperin Rising Stars Fund Albert Berol Rising Stars Fund Jonathan and Priscilla Clark Fund for Classical Music The Adela and Lawrence Elow Fund for The Great American Songbook: 1900 to 1960 Susan and John Freund Piano Fund Carmela S. Haklisch Rising Stars Fund Susan & Joseph Handelman Fund for Evnin Rising Stars Mentors Susan & Joseph Handelman Rising Stars Fund Robert D. Hodes Rising Stars Fund Maximilian E. & Marion O. Hoffman Foundation Rising Stars Fund Tondra & Jeffrey Lynford Rising Stars Fund Enid & Lester Morse Fund for Classical Music Eva Petschek Newman Fund for Young Artists Anne S. Nichols Rising Stars Fund Nancy S. Offit Fund for the Performance of Classical Music and Opera* Edna B. Salomon Rising Stars Fund Terrance W. Schwab Fund for Young Vocal Artists Marilyn M. Simpson Opera Fund William Kelly Simpson Fund The Ernst C. Stiefel String Quartet-in-Residence Fund Texaco Rising Stars Fund The Lucille Werlinich Fund for Caramoor’s Gardens*

*future bequest

Other Endowment Funds Bel Canto at Caramoor Caramoor General Fund Caramoor Virtuosi Chamber Music Fund Children’s Performances Education and Community Outreach Fund Gardens & Estates Innovation Fund Piano Performance Renaissance Days Rosen House Concert Fund Rosen House Stewardship Sense Circle

If you are interested in discussing a gift to Caramoor’s permanent endowment(s), or establishing a dedicated endowment like the ones listed above, contact Nina Curley, VP/Chief Development Officer, at [email protected] or 914.232.3681.

Caramoor / 31 Thank You to Our Caramoor Volunteers.

Our volunteer docents lead tours telling the story of the historic Rosen House, the furnishings and architecture, and the family that lived here. Thank you to our wonderful docents.

Sandy Adelman Mary Farley Oliver Lednicer Judy Rath Andrea Becker Grethe Griffin Matthew Mattoon Clifford Ray Marie Bosch Randy Hans Sylvia Mills Elizabeth Ross Miriam Messing Lois Intravio Anne Modugno Judy Rubin Curtin Barbara Jacobi Esther Natter Dale Schlein Tess Dennis Antoinette Kish Eleanor Raheem Jackie Silkowitz Joyce Dupee Heidrun Kreuziger Jehan Raheem Lanette Spalding

We wish to thank all of the wonderful volunteers who have offered their time to Caramoor.

Mickey Amdur Donald Fried-Tanzer Charlotte Lang Marion Rosley David Amerling Nancy Fried-Tanzer Frances Lang Elizabeth Ross Galina Bakhtiarova Thea Fry Genevieve Larkin Bert Rothman Jane Banza Suchitra Ganesh Scott Lichtman Ellen Saltzman Patricia Bartlett Sheila Garelik Tamra Lichtman Susan Sarch Andrea Becker Zane Garfein Wendy Loveless Alfreda Savarese Virginia Bender Michele Garrison Anne Macrae Joan Schildwachter Judith Benjamin Roger Garrison William Macrae Robert Schloss Gail Blumenfeld Anneliese Gastrich Lois Mallin Stephanie Schwartz Nucene Blumenthal Paul Gherson Meryl Marcus Rosalyn Segner Gretchen Bock Patricia Giacalone Elaine Markfield Anna Sheridan Arlyne Boxenhorn Kate Glynn Matthew Mattoon David Shields Lynne Brennan Marie Goldberg Andrea Maurizio Karin Shields Diane Brizer Laurence Goodwin Ann McIntyre Marilyn Short Florence Brodley Susan Gould Eve Mencher Susan Siegel Vicci Buchman Allen Gutkin Susan Miles Jacqueline Silkowitz Carolyn Chiarieri Marianne Haggerty Jane Miller Brenda Snyder Carol Christian Carol Harrigan Marc Miller Carol Sofia Deborah Cohen Nancy Harrison Marjorie Miller Judith Spar Kathleen Cook Ursula Heinrich Richard Mills Martin Spar Dorothy Cooper Elaine Hennessey Jennifer Millman Joetta Stanley Marion Coughlin Mindy Hermann-Zaidins Andrea Minoff John Stanley Tom Curley Elfi Herrmann Stella Mitchell Peter Steiner Elaine Desimone Patricia Higgins Barbara Mitchell Marianne Sternkopf Walter Dietrich Audrey Hoffnung Andrea Moffett Lisa Tabs Frances DiMase Lois Intravio John Morris Mark Tabs Dorothy Dinhofer Bhavani Iyer Loretta Neuhaus Lindley Thomasset Jane Dorian Patricia January Elinor Parsont Marilyn Tinter Judy Edison Marjie Kern Amy Passman Bernard Tolpin Sally Factor Veronica Kimball Lewis Levi Pearson Diane Tully Gennaro Grace Falco Harriette Kindle Rhoda Perkis Stephen Ucko Barbara Feibelmann Shirley Kipnis Jeff Platt Cigdem Usekes Lois Fermann Charlie Koenig Lynn Platt Rosemary Uzzo Luis Fernandez Helen Kozupsky Lucille Plesco Judy Voss Marilyn Fisher Marilyn Krantz Ramaa Purushothaman Esther Weiss Paul Fisher Jacob Krasikov Judy Rath Harriet Zeller Marlene Frank Sophia Krasikov Beatrice Rieser Robert Fried Mark Lang Sal Rosati

We honor the following volunteers no longer with us who have graciously given their time and talents to Caramoor:

John Baker Norma Gray Susan Taylor

Caramoor / 32 Caramoor’s Leadership As of January 5, 2021

Board of Trustees Advisory Council James A. Attwood, Jr., Chairman* Judy Aydelott Peter Kend, Vice Chairman* Laura Blau Paul S. Bird, Treasurer* Jonathan Clark Angela Haines, Secretary* Kevin Conroy Judy Evnin, Chairman Emerita* Effie Fribourg Joan Gilbert Barry J. Alperin* Marilyn Glass James L. Amine* Virginia L. Gold David Barber Hélène Grimaud Jon Bauer* Maureen Hanagan Gail A. Binderman Betty Himmel Ian Cook* Kevin Howat William Cordiano* Frederick Jones Jane Donaldson Olga Kagan Lawrence Elow Bim Kendall Susan W. Freund* Stanley Kogelman Michael E. Gellert* Dr. Lewis Kohl Francis Goldwyn Linda Merrill Sandra S. Joys* Susan Morgenthau Floy B. Kaminski* David C. Oxman Cecilia Tay Kellie-Smith Edward Pla Stephen Limpe* Yvonne Pollack Nancy Offit* Faith Rosenfeld Richard H. O’Leary Debbie Stiles Lawrence Rothenberg Alden L. Toevs Mrs. Andrew Saul Lucille Werlinich Nina Stanton Lisa Welch Ian Winchester Richard Zinman*

*Executive Committee Member

Caramoor / 33 Staff and Contractors

Executive Office Gardens & Grounds Edward J. Lewis, III, President Milton Alvarez, Facilities Superintendent and Chief Executive Officer Rosa Alvarez, Facilities Housekeeping Liat Greif, Executive Assistant & Board Liaison Assistant Lucio Alvarez, Facilities Crew Artistic Programming Jose Cardenas, Facilities Crew Kathy Schuman, Vice President Saul Jarrin, Housekeeping Assistant & and Artistic Director Facilities Crew Ellie Gisler Murphy, Senior Artistic Planning Manager Agencies/Consultants Tim Coffey,Artistic Planning Manager 21C Media Group, Public Relations AAN Studio, Graphic Designer Artistic Partners Blenderbox, Website Management Jazz at Lincoln Center Capacity Interactive, Digital Marketing City Winery Gabe Palacio, Principal Photographer Orchestra of St. Luke’s, Orchestra-in-Residence Barbara Prisament, Media Relations Stephan Moore, Sonic Innovations & Outreach Consultant Steven Blier, Terrance W. Schwab Progressive Computing, IT Consultant Vocal Rising Stars Spektrix, Ticketing Service & Support Pamela Frank, Evnin Rising Stars Technical Direction & Production Development Ed Greer, Technical Director Nina Curley, Vice President & Pete F. Petrino, Lighting Designer Chief Development Officer DJ Grant, Chief Audio Engineer Christina Horzepa, Grants Manager Pete Weigand, Lighting Programmer Brittany Knapp, Membership Assistant Michael Campbell, Master Electrician and Donor Concierge Jesse Jardon, Stage Manager Junetta Maxfield,Director of Sue Hoferichter, Hospitality Manager Development Operations Jennifer Pace, Director of Individual Gifts Technical Crew Gayle Schmidt Greves, Director Mike Alvarez, Jesse Barone, Kaitlyn Chen, of Special Events Matthew Ficinus, Lorin Francis, Caroline Jannace, Samuel Johnson, Phil Manzi, Finance and Human Resources Jay McCarthy, Carleigh Meyer, Erik Oliva, Tammy Belanger, Vice President & Christina Payson, Matthew Rodriguez, Chief Financial Officer Adam Romano, Jason Spoor Tina Salierno, Bookkeeper Andrea Assenzio, Assistant Bookkeeper Summer Parking Coordinators Karla Stewart, Human Resources Coordinator Jack Bouffard, Corey Travis

Marketing Summer Box Office Staff Tahra Delfin, Vice President & Jools Dembo, Lexi Dembo Chief Marketing Officer Brittany Laughlin, Director of Marketing & Summer Assistant House Managers Communications Eamon Fernandez, Marianna Ceccatti Alex Cutrone, Director of Ticketing & Guest Relations Summer Guest Relations Staff Aarti Gilmore, Event Operations Manager Stuart Betheil, Lucas Colleluori, Leah Cunningham, Sean Jones, Marketing Coordinator Jonah Da Silva, Nina Foster, Tristan Galler, Olivia Ottinger, Box Office Coordinator Katie Gebbia, Luc Giner, Riley Henshaw, Laura Schiller, Publications Editor Alexander Hooper, Tyra Kushner, Jack Loeffler, Roslyn Wertheimer, Marketing Manager Caroline Malley, Sasha Medile, Carmen Mickelson, Roanne Wilcox, Director of the Rosen House Sarah Morea, John Myers, Lily Oyen, Troy Panek, Christopher Thomas, Archive Coordinator Owen Rabii, Willa Roberts, Robin Rockwell, Marcelle Carpentieri, Rosen House Assistant Joelle Sacks, Dayanara Salinas, Holly Solomon, Germania Alvarez, Housekeeping Manager & Bennett Tropiano, Maya Van Rosendaal, Casey Collections Assistant Wilcox, Harrison Wyckoff, Daniel Zitomer Erin Hurley, Event Operations Assistant

Caramoor / 34 ENTER FOR A CHANCE TO WIN DINNER FOR TWO AT BLUE HILL AT STONE BARNS COMPLIMENTS OF T-MOBILE

T-Mobile is a proud sponsor of Caramoor’s Friends Field Concerts— Concerts on the Lawn and Festival days.

SCAN TO ENTER OR VISIT https://bit.ly/3gPYteN

T-Mobile, the T logo, Magenta and the magenta color are registered trademarks of Deutsche Telekom AG. ©2021 T-Mobile USA, Inc.

NO PURCHASE NECESSARY. A PURCHASE WILL NOT INCREASE YOUR CHANCES OF WINNING. VOID WHERE PROHIBITED. Legal residents of US/DC/PR, age 18+. Entry Period: Multiple, between 12:01 a.m. ET on 6/26/21-11:59 a.m. ET on 8/30/21. Limit one entry per person per Entry Period. Odds of winning depend on number of eligible entries received. See complete Official Rules available at https://www.tmoevents.com/participants/public/register/ FINAL. Sponsor: T-Mobile USA, Inc., 12920 SE 38th St., Bellevue, WA 98006.

Caramoor

More to Come! Fall-Spring 2021-2022

Announced July 20 / Members Pre-sale* July 27 / General public August 3

Call the Box Offi ce at914.232.1252 or order online at caramoor.org

*Become a Member and gain access to the best seats available fi rst! Visit caramoor.org/membership