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Department of English and American Studies Another
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature & Teaching English Language and Literature for Secondary Schools Bc. Ondřej Harnušek Another Frontier: The Religion of Star Trek Master‘s Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature Acknowledgements There are many people, who would deserve my thanks for this work being completed, but I am bound to omit someone unintentionally, for which I deeply apologise in advance. My thanks naturally goes to my family, with whom I used to watch Star Trek every day, for their eternal support and understanding; to my friends, namely and especially to Vítězslav Mareš for proofreading and immense help with the historical background, Miroslav Pilař for proofreading, Viktor Dvořák for suggestions, all the classmates and friends for support and/or suggestions, especially Lenka Pokorná, Kristina Alešová, Petra Grünwaldová, Melanie King, Tereza Pavlíková and Blanka Šustrová for enthusiasm and cheering. I want to thank to all the creators of ―Memory Alpha‖, a wiki-based web-page, which contains truly encyclopaedic information about Star Trek and from which I drew almost all the quantifiable data like numbers of the episodes and their air dates. I also want to thank to Christina M. Luckings for her page of ST transcripts, which was a great help. A huge, sincere thank you goes to Jeff A. Smith, my supervisor, and an endless source of useful materials, suggestions and ideas, which shaped this thesis, and were the primary cause that it was written at all. -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
___... -.:: GEOCITIES.Ws
__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ | _/ / / / / __/ / ____) ) / / / /_/ / / / \ \ / / /_/ /_/ /____/ /_____/ /_/ (_____/ /_/ /_/ /_/ _____ _____ _____ __ __ _____ / __ ) / ___/ /_ _/ / / / / / ___/ / / / / / /__ / / / /__/ / / /__ / / / / / ___/ / / / ___ / / ___/ / /_/ / / / / / / / / / / /___ (_____/ /_/ /_/ /_/ /_/ /_____/ _____ __ __ _____ __ __ ____ _____ / ___/ / / / / /_ _/ / / / / / _ \ / ___/ / /__ / / / / / / / / / / / /_) / / /__ / ___/ / / / / / / / / / / / _ _/ / ___/ / / / /_/ / / / / /_/ / / / \ \ / /___ /_/ (_____/ /_/ (_____/ /_/ /_/ /_____/ A TIMELINE OF THE MULTIVERSE Version 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. -
Women at Warp Episode 38: Disability and Ableism in Star Trek [Bumper] Hi, This Is Melinda Snodgrass and You're Listening to W
Women at Warp Episode 38: Disability and Ableism in Star Trek [bumper] Hi, this is Melinda Snodgrass and you’re listening to Women at Warp. [end bumper] [audio of LeVar Burton] It was really difficult on a weekly basis for the audience to see what Geordi saw. In fact, we never really successfully did it, in the seven years that we did Next Generation. In fact, the audience has never seen it in any of the movies, the audience has never seen what Geordi sees. Geordi sees all of the electromagnetic spectrum. That means he sees everything from infrared to x- ray. Geordi sees sound, ok? [end audio clip] JARRAH: Hi and welcome to Women at Warp. Join us as our crew of four women Star Trek fans boldly go on our bi-weekly mission to explore our favourite franchise. My name is Jarrah. Thanks for tuning in. Today, with us we have crewmembers Andi−− ANDI: Hello JARRAH: And Sue. SUE: Hi, everybody. JARRAH: We also have a very special guest, Kari. And I’m going to get you to introduce yourself and maybe tell us a bit about how you first got into Star Trek. KARI: Yeah, sure. So as you mentioned, my name is Kari. I’ve loved Star Trek since early high school. I started with Voyager because I was particularly inspired by the strong female role models. I loved Janeway. I’m also planning to get my PhD in sociology. So because of that and my analytical nature, Star Trek has always been a very deep well for me to dig into, in terms of having interesting things to analyze. -
The Mutual Influence of Science Fiction and Innovation
Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel. -
The Man from Syracuse” (Season 3, Episode 6) by James Heaney
1 Starship: Excelsior 1 “The Man From Syracuse” (Season 3, Episode 6) by James Heaney Transcribed by Peter Stine 1 Note: Lines in brackets were recorded but interrupted. The complete line is left here for fuller context: 2 306 RECAP NARRATOR: Previously on Star Trek... LOCATION: ENTERPRISE-D MAIN BRIDGE (TNG: 1x26 - ACT 4 “The Neutral Zone”) PICARD: Captain's log, supplemental. We have arrived at the edge of the Neutral Zone, where we will now have an opportunity to learn firsthand what happened to our distant outpost. DATA: Captain, there is nothing left of Outpost Delta Zero Five. LAFORGE: Must have been one hell of an explosion. DATA: Sensors indicate no evidence of conventional attack. PICARD: Can you determine what happened? WORF: The outpost was not just destroyed. It's as though some great force just scooped it off the face of the planet. LOCATION: MINING TUNNEL, DYTALLIX B (TNG: 1x25 - ACT 1 “Conspiracy”) PICARD: Tryla Scott. It's said you made Captain faster than anyone in Starfleet history, present company included. Are you that good? TRYLA: Yes, I am. PICARD: Starfleet's finest. Fancy meeting you here. RIXX: We all came secretly, Picard. To discuss the threat. PICARD: What threat? 3 LOCATION: ENTERPRISE-D ADMIRAL QUINN'S QUARTERS (TNG: 1x19 - ACT 4 “Coming of Age”) QUINN: Some of us at Starfleet Command became suspicious of certain problems in the Federation. PICARD: What kind of problems? QUINN: Something or someone is trying to destroy the fabric of everything we've built up in the last two hundred years. LOCATION: ENTERPRISE-D HALLWAY (TNG: 1x25 - ACT 4 “Conspiracy”) PICARD: Remember what you told me back at Relva Seven, about the threat that you perceived to the very fabric of the Federation? QUINN: Jean-Luc, you took me far too literally. -
Simulation Scenarios.Pdf
Feature 101 etc. inevitably make us pause, wonder and reconsid- er. Indeed, it has been speculated that this universe Simulation Scenarios in the Star of ours is some form of computer simulation since Trek Universe Reject Solipsism forecasts by serious technologists and futur- ologists predict that enormous amounts of Victor Grech computing power will be available in the fu- ture [...] (t)hen it could be the case that [...] Introduction minds like ours do not belong to the original WE RARELY THINK to question the true nature of race but rather to people simulated by the reality, which seems unambiguous and clear to our advanced descendants of an original race. senses – a Materialist viewpoint. However, since (Bostrom 1) that which we sense and come to know comes about through a potentially fallible sensory interface, it The possibility of the mind being fooled into believ- may well be that the nature of reality is different ing in a false reality is an old SF trope, as famously to that which we perceive, experience, and take as depicted in Gunn’s The Joy Makers and more recently given. The Matrix Many thinkers have attempted to come to grips and Weir’s The Truman Show. with this contentious issue, and a short list includes inJones film suchet al haveas the posited Wachowski six hypothetical brothers’ simulation Plato, Descartes, Locke, Berkeley, Mill, Heidegger scenarios – that is, theoretical alternative constructs and many others. The essential questions are: what of simulated reality: physical presence, intercept, constitutes reality? Is reality comprised of objective matter and energy that are directly accessible to our In Star Trek (ST), reality can be altered in two ways: mind through our senses? Does this then provide throughavatar, android, non-Federation infinite regression, techniques and and monism. -
Literariness.Org-Barbara-Gurr-Eds.-Race-Gender-And-Sexuality-In-Post-Apocalyptic-TV-And
Race, Gender, and Sexuality in Post-Apocalyptic TV and Film Also by Barbara Gurr Reproductive Justice: The Politics of Healthcare for Native American Women Race, Gender, and Sexuality in Post-Apocalyptic TV and Film Edited by Barbara Gurr RACE, GENDER, AND SEXUALITY IN POST-APOCALYPTIC TV AND FILM Selection and editorial content © Barbara Gurr 2015 Individual chapters © their respective contributors 2015 Softcover reprint of the hardcover 1st edition 2015 978-1-137-50150-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission. In accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 2015 by PALGRAVE MACMILLAN The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire, RG21 6XS. Palgrave Macmillan in the US is a division of Nature America, Inc., One New York Plaza, Suite 4500, New York, NY 10004-1562. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. -
Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc. -
Popular Culture and Philosophy 2016-2017 Group Leader
Popular Culture and Philosophy A Book and Video Group Hosted by the Unitarian Fellowship of Houston 2016-2017 Star Trek and Philosophy: The Wrath of Kant Jason T. Eberl & Kevin S. Decker, eds. Group Leader Kate Van Cleef Each session will be offered twice, first on a Sunday at 9:45am and again the following Friday at 7:00pm. Simply choose the day and time that’s most convenient for you. The Sunday session will run one hour. The Friday session will run closer to two hours, which will allow us time to watch clips during the session and discuss the topic in more depth. Although the conversation is sure to build on itself through the discussion series, each session will focus on a single, specific subtopic, and we’ll love to have you even if you’re unable to complete the reading or viewing for a particular session. Please feel free to join us as you find us, and as you are willing and able. I have set up a group page at MeWe.com. You will be able to find all readings and links to videos there, and I hope we will also be moved to discuss the topics and share related videos, articles, and so on between sessions. Use the link below to join the group. https://mewe.com/join/popcultureufh1 Sun. 10/16 & Fri 10/21 ST&P Reading • Intro • Ch. 1 “From Shakespeare to Wittgenstein: “Darmok” and Cultural Literacy” Viewing • Next Gen Season 5, Ep. 2 “Darmok” Optional Reading & Viewing • Star Trek VI: The Undiscovered Country (1991) • Henry V, Act III, Scene 4 by William Shakespeare • “Shakespeare in the Original Klingon: Star Trek and the End of History” Sun. -
ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29.