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Defining Humanity Through an Examination of Asimovian Robots By
A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots by Abigail Bernasconi A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health (Honors Associate) Honors Baccalaureate of Arts in German (Honors Associate) Presented May 27, 2021 Commencement June 2021 AN ABSTRACT OF THE THESIS OF Abigail Bernasconi for the degree of Honors Baccalaureate of Science in Public Health and Honors Baccalaureate of Arts in German presented on May 27, 2021. Title: A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots. Abstract approved:_____________________________________________________ Diana Rohlman Being human is often portrayed as desirable in fiction. Many fictional beings, particularly robots and androids, seek out being human as a goal. Although current robotics is not advanced enough for robots and androids to be deemed sentient, the world of fiction is quickly becoming reality. With the integration of robots into society, we are confronted not only with how society views robots, but how, through the eyes of fictional robots, society and humanity are defined. This thesis seeks to explore the definition of humanity and what it means to be human. The fictional works of the Star Trek universe and those of Isaac Asimov suggest that relationships, those of friendship and antagonism, and mortality, may also define humanity. Understanding what makes us human better prepares us for the eventual integration of intelligent robots into humanity as well as to imagine what their place in our society will look like. -
Sibling Communication In" Star Trek: the Next Generation": Conflicts
DOCUMENT RESUME ED 364 932 CS 508 412 AUTHOR Fuss-Reineck, Marilyn TITLE Sibling Communication in "Star Trek: The Next Generation": Conflicts between Brothers. PUB DATE Nov 93 NOTE 23p.; Paper presented at the Annual Meeting of the Speech Communication Association (79th, Miami, FL, November 18-21, 1993). PUB TYPE Speeches/Conference Papers (150) Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Class Activities; Conflict; *Conflict Resolution; Cultural Influences; Higher Education; *Intercultural Communication; *Interpersonal Communication; *Sibling Relationship; Siblings IDENTIFIERS *Communication Behavior; Family Communication; *Star Trek (The Next Generation) ABSTRACT "Star Trek: The Next Generation" depicts sibling relationships between Data and Lore (android), Worf and Kurn (Klingon) and Jean-Luc and Robert (human) that illustrate conflictual communication and suggest teaching applications. The most disturbing empirical communication research on conflict between brothers reports that male sibling pairs are consistently more violent than female sibling pairs. The relationship between Data and Lore is introduced in "Datalore," further developed in "Brothers," and concluded in "Descent II." Despite the almost identical "genetic" similarities between the brothers and the fact that they share the same parent and home, their values are dissimilar. Worf and Kurn's relationship is introduced in "Sins of the Father" and continued in "Redemption I and II." Even though the Klingon culture is violent, arguments between brother are not settled by physical attack because the hierarchy contributes to smooth functioning. In the episode "Family," captain Jean-Luc is able to reveal his frailties to his brother Robert, who is placed in his once familiar role of giving advice and protecting his younger brother. -
Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc. -
Star Trek 2 Starfleet
GURPS Fourth Edition Star Trek 2 Starfleet By Captain Joy CONTENTS KIRK: Then we're dealing with more than one creature, expedition. Maintain a constant reading on the creature. despite your tricorder readings, or we have a creature If we have to, we'll use phasers to cut our own tunnels. with an extremely long life span. We'll try to surround it. I'm sorry, Mister Spock, but I'm SPOCK: Or it is the last of a race of creatures which made afraid the creature must die. these tunnels. If so, if it is the only survivor of a dead SPOCK: I see no alternative myself, Captain. It merely race, to kill it would be a crime against science. seems a pity. KIRK: Mister Spock, our mission is to protect this colony, –"The Devil in the Dark", TOS episode 1x26. to get the pergium moving again. This is not a zoological Contents................................. 2 Officer Template........................ 5 Medical Doctors........................ 7 Medical Doctors........................ 5 Introduction.......................... 3 Buying Off Officer Template 2. Promotion.......................... 9 Campaign Assumptions............. 3 Disadvantages........................... 6 Rank Expectations................... 10 Using This Book........................ 3 Degree Lens.............................. 6 3. Gear................................. 11 About Captain Joy..................... 3 Medical Doctors........................ 6 Disclaimers................................ 3 Extracurricular Activities.......... 6 Appendix............................. 12 1. Officer Template............... 4 Double Major or Minor............ 7 GURPS Character Sheet Medical Doctors........................ 7 Random Department................. 5 Program................................... 12 First Department Certification... 7 Last updated Sunday, May 17, 2020 Contents 2 of 12 INTRODUCTION Captain Joy's Star Trek is a GURPS (4th ed.) science start with your species template and background lens. fiction campaign set in the original series era of Star Trek. -
Star Trek and Gene Roddenberry's “Vision of the Future”: the Creation of an Early Television Auteur
Volume 5, Issue 2 September 2012 Star Trek and Gene Roddenberry’s “Vision of the Future”: The Creation of an Early Television Auteur MICHAEL KMET, University of California Los Angeles ABSTRACT Gene Roddenberry propagated a narrative of himself as a “visionary” writer-producer and the primary author of Star Trek in the 1960s. From the 1970s onwards, Paramount Pictures (and later, CBS) co-opted that narrative to market what would become the Star Trek franchise. This paper will examine to what extent this narrative can be substantiated, and to what extent certain aspects can be contested. KEYWORDS Authorship, auteur, Gene Roddenberry, Science Fiction, Star Trek. Telefantasy, Television, visionary. Introduction When Gene Roddenberry died on October 24, 1991, obituary writers frequently mentioned the “vision of the future” presented in Star Trek (1966-1969) and Star Trek: The Next Generation (1987-1994), the two longest-running television programs to credit Roddenberry as their creator1 (Roush, 1991; Anon., 1991, October 25). Some went even further, proclaiming the late writer-producer an outright ‘visionary, a man who created a cultural phenomenon’ (Anon., 1991, October 26). These were not new labels for Gene Roddenberry, who had been described in such lofty terms since he began attending Star Trek conventions in the early 1970s (Engel, 1994, p.142). In the two decades since Roddenberry’s death, similar descriptions of the writer-producer have continued to appear in Star Trek-related press coverage (Thompson, 1996), value-added content on home video, and nonfiction books (Greenwald, 1998). Although a few books and articles have been written since Roddenberry’s death that have questioned some of his more grandiose claims about Star Trek, many more have perpetuated them, and few have deviated from the narrative of Gene Roddenberry as visionary. -
Live Long and Evolve: What Star Trek Can Teach Us About Evolution
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. CHAPTER 1 “TO SEEK OUT NEW LIFE . .” The opening sequences of both TOS and TNG mention that their mission is “to seek out new life.” While many viewers think of this mission in the context of other humanoid life forms depicted in the series, such as the Vulcans or Klingons or An dorians, fewer think of it in the context of entirely unfamiliar forms. Is such unfamiliar life likely, and what might a “new life form” look like? The first section of this chapter examines briefly the question of what “life” actually means and begins to exam ine its probability of occurrence. Many biology textbooks pro vide lists of characteristics of living organisms, but exceptions to some items in these lists abound even on our own planet. Might we expect similar forms to have arisen elsewhere in the universe? Furthermore, these lists are artificial in the sense that they were made based on observations of known organisms on Earth rather than derived from fundamental principles of bi ology and chemistry. Much of life is, for example, water and carbon based, but are these properties general to life or idiosyn cratic to the observed single set of related life forms on Earth? The second section of the chapter goes into several properties as sociated with life on Earth, and considers what alternatives may be possible. For general queries, contact [email protected] © Copyright, Princeton University Press. -
Breaking Binary Being in the Future Fiction of Star Trek
Portland State University PDXScholar University Honors Theses University Honors College 11-16-2018 Breaking Binary Being in the Future Fiction of Star Trek Jeremiah D. Ackerman Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Ackerman, Jeremiah D., "Breaking Binary Being in the Future Fiction of Star Trek" (2018). University Honors Theses. Paper 644. https://doi.org/10.15760/honors.659 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. 1 Breaking Binary Being in the Future Fiction of Star Trek by Jeremiah D. Ackerman An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in University Honors and Philosophy Thesis Adviser Brenda Glascott Portland State University 2018 2 “It is good to have an end to journey toward; but it is the journey that matters, in the end.” - Ursula K. Le Guin, The Left Hand of Darkness ( Set Phasers To Stun ) When I was a kid, I read comic books like the “X-men” that dealt with how a group of people with mutant abilities sought to utilize their potential and exist peacefully alongside the rest of human society. In these stories, the mutant characters faced discrimination, prejudice, and termination often associated with the fears society had about their differences from the normal features of everyday people (non-mutants). -
Gender, Sexuality and Science Fiction in Star Trek
Gender, Sexuality and Science Fiction in Star Trek Brendan, Joey, Kat, Aditya, Idia Homosexuality in Star Trek’s “The Host” Background on homosexuality in the United States (approval of homosexuality) ● 1970s-1980s, rate of homosexual disapproval was 70% ● In 1991 (year that The Host was aired) 71% of Americans believed that sexual relations between two adults of the same sex was always wrong ○ Only 14% answered ‘not wrong at all’ ● 1989, 34% considered homosexuality to be an acceptable alternative lifestyle Yang, Alan S. “Trends: Attitudes Toward Homosexuality.” The Public Opinion Quarterly, vol. 61, no. 3, 1997, pp. 477–507. JSTOR, JSTOR, www.jstor.org/stable/2749583. Survey Results of the Legality of Homosexuality ● 1991, ≈ ⅓ of Americans believe that homosexual relations between consenting adults should be legal ○ 50% believe that homosexual relations between consenting adults in the privacy of their own homes should be legal ● 1992, 54% of Americans believe that homosexuals should not be hired as elementary school teachers ○ 40% of Americans believed that school boards should have the right to fire teachers who are known homosexuals The Host ● Odan and Dr. Crusher fall in love with each other ● Odan is a Trill ○ A species that lives within its host’s body ● Trailer Ending scene: 41:35-end Discussion: What is this episode trying to say about American society in 1991? "Perhaps it is a Human failing, but we are not accustomed to these kinds of changes” “Perhaps, someday, our ability to love won't be so limited." “Odan, I do love you. -
STAR TREK: the NEXT GENERATION "Datalore" #40271
STAR TREK: THE NEXT GENERATION "Datalore" #40271-114 Story by Robert Lewin and Maurice Hurley Teleplay by Robert Lewin and Gene Roddenberry Directed by Rob Bowman Copyright 1987 Paramount Pictures Corporation. All Rights Reserved. This script is not for publication or reproduction. No one is authorized to dispose of same. If lost or destroyed, please notify the Script Department. REVISED FINAL DRAFT OCTOBER 26, 1987 STAR TREK: "Datalore" - 10/26/87 - CAST STAR TREK: THE NEXT GENERATION "Datalore" CAST PICARD RIKER BEVERLY DATA (plus DATA as LORE) DATA/LORE (PHOTO-DOUBLE) TASHA WORF GEORDI WESLEY CHIEF ENGINEER ARGYLE COMPUTER VOICE (MAJEL BARRETT) STAR TREK: "Datalore" - 10/26/87 - SETS STAR TREK: THE NEXT GENERATION "Datalore" SETS INTERIORS EXTERIORS USS ENTERPRISE USS ENTERPRISE Main bridge Data's Quarters DATA'S PLANET Sickbay Observation Lounge CRYSTAL ENTITY Corridor Captain's Ready Room turbolift Cargo Room Transporter Three DATA'S PLANET Underground Complex Colony Laboratory Storage Area corridor STAR TREK: "Datalore" - 10/26/87 - TEASER 1. STAR TREK: THE NEXT GENERATION "Datalore" TEASER FADE IN: 1 EXT. SPACE - THE ENTERPRISE (OPTICAL) traveling at high warp against an array of stars. PICARD (V.O.) Captain's log, stardate 41242.4. Our last assignment has taken us into the remote Omicron Theta star system, home of our android crewmember Lieutenant Commander Data. Although we are due... 2 INT. MAIN BRIDGE (OPTICAL) Everyone at his regular station with the exception of Data whose station is manned by WESLEY. PICARD (V.O.) (continuing) ... at our next assignment, I have decided to increase velocity to warp eight to visit Data's home planet for a few hours in the hopes of unraveling some of the mystery of his beginnings. -
Mai 2004 - Seite 3 :: Borg Invasion 4D :: Designing the U.S.S
SHIP‘S SECTIONS Hailing Frequencies open 4 News 4 „Voyager“ History Tapes: „Jetrel“ 11 GF-Clubshop 18 Humor 20 Termine 22 Impressum: Stardate ist die Clubzeitschrift des Vereins „Galactic Friendship“. Verlagsort: 1180 Wien, Staudgasse 3/5 Redaktion: Reinhard Ullmer, Günter Leitner, Manfred Stefanek, Ulrich Kiermayr, Maria Nausch. Editor und Bildbearbeitung: Reinhard Ullmer Front-, Rückencover: Quelle: Internet Innencover vorne und hinten: Quelle: Internet Beiträge für den Newsletter (in PC-Formaten) als E-Mail an [email protected]; Auf Diskette oder Papier an 1180 Wien, Staudgasse 3/5. Für die Retournierung der Disketten legt bitte das Rückporto bei, bzw. wenn möglich werden wir sie bei Meetings etc. persönlich zurückgeben. Vorstandsangelegenheiten an Reinhard Ullmer, E-Mail: [email protected] Bestellungen aus dem Clubshop an Karin Embacher, Tel 29 00 686 oder E-Mail: [email protected] Nachdruck, auch auszugsweise, nur mit Genehmigung der Redaktion. Anm d. Red: Die in „Stardate“ veröffentlichten Artikel geben nicht unbedingt die Meinung der Redaktion wieder. Ehrenmitglieder: Marc Alaimo, Richard Arnold, Robin Curtis, Lolita Fatjo, Max Grodenchik, Walter Koenig, Judy Lewitt, Barbara March, Chase Masterson, Leo Moser, Robert O‘Reilly, Majel Barrett Roddenberry, George Takei, Gwynyth Walsh Ofzielle Homepage: http://beam.to/galactic-friendship oder http://www.galactic-friendship.at Jahresmitgliedsbeitrag: Inland € 30,--; Ausland € 33,--; Anschluß-/Onlinemitglied € 9,-- Bankverbindung: Volksbank, BLZ 43000, Ktonr.: 45500024000 Star Trek ist eine eingetragenes Warenzeichen von Paramount Pictures Corporation Galactic Friendship Stardate Mai 2004 - Seite 3 :: Borg Invasion 4D :: Designing the U.S.S. Voyager Leider ist der von mir in der letzten Ausgabe erwartete neue Schwung ausgeblieben, stattdes- Ein tiefer Einblick in die Designarbeit des Raumschiffes mit „Star Trek“-Veteran Rick Sternbach. -
Star Trek: the Next Generation 25Th Anniversary Event Hits Cinemas
Star Trek: The Next Generation 25th Anniversary Event Hits Cinemas NCM Fathom Events, CBS Home Entertainment and Paramount Home Media Distribution Present One Night Event Celebrating Legendary Series with Fan Favorite Episodes, Never-Before-Seen Content and More in Select Movie Theaters Nationwide July 23 Special Event Will Precede the Blu-ray Debut of “Star Trek: The Next Generation – The First Season” on July 24, Available at Best Buy™ Centennial, Colo. – June 6, 2012 – This summer, Trekkers across the country can ‘boldly go where no one has gone before’ with “Star Trek: The Next Generation 25th Anniversary Event,” a one night in-theater celebration on Monday, July 23 at 7:00 p.m. local time, with an additional 10:15 p.m. showing in select theaters. Painstakingly retransferred from the original source material during its ongoing multimillion dollar restoration, this special anniversary event celebrating the debut of “Star Trek: The Next Generation – The First Season” Blu-ray on July 24 will feature two of the most popular episodes from the storied first season, “Where No One Has Gone Before” (Ep. 106) and “Datalore” (Ep. 114). The episodes were handpicked by well-known “Star Trek” experts and restoration consultants, Mike and Denise Okuda, who chose “Where No One Has Gone Before” for its beautiful space imagery and the Data-centric “Datalore” because the character played by Brent Spiner has long been a fan favorite. In addition to the two episodes, which will be introduced by the Okudas, fans will also be among the first to get a glimpse of the brand-new special features including interviews with the team behind the restoration as they discuss the process and countless man-hours dedicated to the upgrade of “The Next Generation.” The evening will conclude with an extended preview of the Season 2 Blu-Ray, which will be released later this year. -
THE NEXT GENERATION® on DVD
Star Trek: THE NEXT GENERATION® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc 11001001 116 1/1988 1/4 Elementary, Dear Data 129 2/1988 2/1 All Good Things..., Part I 277 7/1994 Emergence 275 7/1994 7/6 747 M/5, 7/7 All Good Things..., Part II 278 7/1994 Emissary, The 146 2/1989 2/5 Allegiance 166 3/1990 3/5 Encounter at Farpoint, Part I 101 1/1987 721 M/1, 1/1 Angel One 115 1/1998 1/4 Encounter at Farpoint, Part II 102 1/1987 Aquiel 239 6/1993 6/4 Enemy, The 155 3/1989 3/2 Arsenal of Freedom, The 121 1/1998 1/6 Ensign Ro 203 5/1991 5/1 Attached 260 7/1993 7/2 Ensigns of Command, The 149 3/1989 3/1 Battle, The 110 1/1987 1/3 Ethics 216 5/1992 5/4 Best of Both Worlds, The, Part I 174 3/1990 3/7 Evolution 150 3/1989 3/1 M/1 Best of Both Worlds, The, Part II 175 4/1990 4/1 Eye of the Beholder 270 7/1994 7/5 Big Goodbye, The 113 1/1988 1/3 Face of the Enemy 240 6/1993 6/4 Birthright, Part I 242 6/1993 6/4 Family 178 4/1990 4/1 M/4 Birthright, Part II 243 6/1993 6/5 Final Mission 183 4/1990 4/3 Bloodlines 274 7/1994 7/6 First Contact 189 4/1991 4/4 Bonding, The 153 3/1989 3/2 First Duty, The 219 5/1992 5/5 Booby Trap 154 3/1989 3/2 Firstborn 273 7/1994 7/6 Brothers 177 4/1990 4/1 Fistful of Datas, A 234 6/1992 6/2 Captain's Holiday 167 3/1990 3/5 Force of Nature 261 7/1993 7/3 Cause and Effect 218 5/1992 5/5 Frame of Mind 247 6/1993 6/6 Chain of Command, Part I 236 6/1992 6/3 Future Imperfect 182 4/1990 4/2 M/3 Chain of Command, Part II 237 6/1992 6/3 Galaxy's Child 190 4/1991 4/4 Chase, The 246 6/1993 6/5