STAR TREK: the NEXT GENERATION "Datalore" #40271
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Defining Humanity Through an Examination of Asimovian Robots By
A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots by Abigail Bernasconi A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health (Honors Associate) Honors Baccalaureate of Arts in German (Honors Associate) Presented May 27, 2021 Commencement June 2021 AN ABSTRACT OF THE THESIS OF Abigail Bernasconi for the degree of Honors Baccalaureate of Science in Public Health and Honors Baccalaureate of Arts in German presented on May 27, 2021. Title: A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots. Abstract approved:_____________________________________________________ Diana Rohlman Being human is often portrayed as desirable in fiction. Many fictional beings, particularly robots and androids, seek out being human as a goal. Although current robotics is not advanced enough for robots and androids to be deemed sentient, the world of fiction is quickly becoming reality. With the integration of robots into society, we are confronted not only with how society views robots, but how, through the eyes of fictional robots, society and humanity are defined. This thesis seeks to explore the definition of humanity and what it means to be human. The fictional works of the Star Trek universe and those of Isaac Asimov suggest that relationships, those of friendship and antagonism, and mortality, may also define humanity. Understanding what makes us human better prepares us for the eventual integration of intelligent robots into humanity as well as to imagine what their place in our society will look like. -
Gene Roddenberry and Art Wallace Copyright
(Pilot Spin–Off) Teleplay by: Art Wallace Story by: Gene Roddenberry and Art Wallace Copyright © 1967 REVISED FIRST DRAFT December 20, 1967 Prod. No. 60355 Series Created by Gene Roddenberry Desilu Productions, Inc. 1. CAST LIST CAPTAIN JAMES KIRK MISTER SPOCK DOCTOR MCCOY ENGINEER SCOTT LT. CHEKOV LT. UHURA LT. SULU SECURITY CHIEF GARY SEVEN ROBERTA LONDON COLONEL NESVIG LAUNCH DIRECTOR CROMWELL SECURITY SERGEANT ENTERPRISE CREWMEN SECURITY GUARDS BLOCKHOUSE TECHNICIANS VARIOUS AIR FORCE PERSONNEL SET LIST INTERIORS: INT. BRIDGE INT. TRANSPORTER ROOM INT. BRIEFING ROOM INT. BRIG INT. SEVEN’S LIBRARY INT. SEVEN’S OFFICE INT. APARTMENT BUILDING HALLWAY INT. WHITE CAR INT. GANTRY ELEVATOR (PROCESS) INT. BLOCKHOUSE COMMAND SECTION (PROCESS OR MATTE) EXTERIORS: EXT. SEVEN’S APARTMENT BUILDING EXT. ROCKET BASE STREET (INCLUDING MATTE ANGLE) EXT. ROCKET BASE ROOFTOPS EXT. BASE OF GANTRY (INCLUDING MATTE ANGLE) EXT. SIDE OF ROCKET (AT REMOVAL HATCH) (ALSO MATTE) STOCK – VARIOUS Star Trek · Assignment: Earth · Revised First Draft 2. TEASER FADE IN: 1 EXT. SPACE ORBITING SHOT - ENTERPRISE 1 The Enterprise is in orbit around the Earth. KIRK’S VOICE Captain’s Log. Using the light speed squared factor, the Enterprise has moved back through time to the 20th Century. We are now… 2 EXT. SPACE CLOSER ANGLE ON EARTH - (NASA FILM) 2 The Earth as actually seen from orbit. KIRK’S VOICE (continuing) … in high orbit around Earth, using our ship’s deflector shields to remain unobserved. 3 INT. BRIDGE - ANGLES ON CREW 3 SULU, CHEKOV, UHURA, and n.d. bridge personnel watching the o.s. main viewing screen - deeply absorbed, intense interest on their faces as if, indeed, a major 20th Century enigma is being examined at this moment. -
Episode 139: O Captain, My Captain (Janeway) SUE: Hi and Welcome to Women at Warp: a Roddenberry Star Trek Podcast. Join Us As A
Episode 139: O Captain, My Captain (Janeway) SUE: Hi and welcome to Women at Warp: A Roddenberry Star Trek podcast. Join us as a crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name is Sue and thanks for tuning in. With me today are crew members Jarrah. JARRAH: Hello! SUE: and Grace. GRACE: Ayyy! SUE: And our guest Char. CHAR: Hello! SUE: Char is back with us, I think, for the first time since we talked about Year Of Hell. Right? CHAR: It's been a long time and it's very good to be back. So thanks for having me. SUE: Absolutely. You are one of our go-to’s when it comes to Voyager and Janeway. CHAR: I am always down to talk Voyager and Janeway. SUE: Do you want to give a short introduction of yourself? CHAR: Sure I can do that. Well, speaking of Voyager if you know who I am it's probably because I hosted a podcast about Voyager for four years called To The Journey- CREW: To the journey! CHAR: Nice. My co-host Tristan Riddell and I, we did one hundred ninety episodes and four years of that show and when we started feeling like we were broken records we decided to wrap it up and go on to other things but I still love Voyager. I'm still down to talk about it all the time. Lot of love for that show. It's the one that I watched from start to finish from beginning to end as it aired. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -