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Class Large Exploratory Cruiser
Second Class U.S. Postage STARFLEET Paid Permit No. 240 Belleville, IL P.O. Box 836 St. Charles, MO 63302-0836 United States of America Address Correction Requested Note your Expiration date 9510-11 The International STAR TREK Fan Association, Inc. STARFLEET is the fan organization with something for everyone. Members the world over are united in appreciation of the human adventure of STAR TREK. Hundreds of chapters spread around the planet link members into local fandom and the central organization. Annual membership in STARFLEET begins with a package containing a membership card, membership certificate, handbook, memo pad, and a listing of chapters throughout the world, including the one nearest you! The membership handbook will introduce you to STARFLEET’s unique infrastructure that offers two membership options. One allows you to be an Associate Member with no obligation other than receiving membership materials and magazines. The other option provides a more futuristic atmosphere for those fans intrigued by the fleet structure within the STARTREK universe. After receiving the membership package, a new member will have the opportunity to sign aboard the starship (chapter) of their choice, hold a fictional rank and position and take part in the chapter’s STAR TREK related activities and community service projects. Another element of your STARFLEET membership is your subscription to six issues of the Communiqué, our bi-monthly magazine. The Communiqué contains current information on STARFLEET operations and chapter activities, list of upcoming conventions, news and information on STAR TREK media and articles on the space To Join STARFLEET, simply complete this form program in related areas. -
Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
___... -.:: GEOCITIES.Ws
__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ |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ersion 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. -
The Question of Algorithmic Personhood and Being
Article The Question of Algorithmic Personhood and Being (Or: On the Tenuous Nature of Human Status and Humanity Tests in Virtual Spaces—Why All Souls Are ‘Necessarily’ Equal When Considered as Energy) Tyler Lance Jaynes Alden March Bioethics Institute, Albany Medical College, Albany, NY 12208, USA; [email protected] Abstract: What separates the unique nature of human consciousness and that of an entity that can only perceive the world via strict logic-based structures? Rather than assume that there is some potential way in which logic-only existence is non-feasible, our species would be better served by assuming that such sentient existence is feasible. Under this assumption, artificial intelligence systems (AIS), which are creations that run solely upon logic to process data, even with self-learning architectures, should therefore not face the opposition they have to gaining some legal duties and protections insofar as they are sophisticated enough to display consciousness akin to humans. Should our species enable AIS to gain a digital body to inhabit (if we have not already done so), it is more pressing than ever that solid arguments be made as to how humanity can accept AIS as being cognizant of the same degree as we ourselves claim to be. By accepting the notion that AIS can and will be able to fool our senses into believing in their claim to possessing a will or ego, we may yet Citation: Jaynes, T.L. The Question have a chance to address them as equals before some unforgivable travesty occurs betwixt ourselves of Algorithmic Personhood and Being and these super-computing beings. -
Star Trek STAG NL 28 (STAG Newsletter 28).Pdf
/ April 1978 NEWSLETTER No. 28 President/Secretary, Janet Quarton, 15 Letter Daill, Cairnbaan, Lochgi Iphe ad , hrgyll, Sootland. Vioe PreSident/Editor, Sheila Clark, 6 Craigmill Cottages, Strathmartine, by Dundee, Sootland. Sales Seoretary' Beth Hallam, Flat 3, 36 Clapham Rd, Bedford, England. Membership Seoretary' Sylvia Billings, 49 Southampton Rd, Far Cotton, Northampton, England. Honorary Members> Gene Roddenberry, Mejel Barrett, William Shatner, James Doohan, George Takei, Susan Sackett, Anne MoCaffrey, 1,nne Page. ***************** DUES U.K. £1.50 per year. Europe £2 printed rate, £3.50 idrmail letter rate. U.S.A. ~6.00 l.irmail, ~4.00 surfaoe,' ],ustralia & J~pan, £3 airmail, £2 surface. ***************** Hi, there, I'm sorry this newsletter is a few days late out but I hope you agree that it was worth waiting so that we could give you the latest news from Paramount. It is great to hear, that the go-ahead has finally been given for the movie and that Leonard Nimoy will be back as Spock. SThR TREK just wouldn't have been the same without him. We don't know how things between Leonard and Paramount, etc, were eventually worked out, we are just happy to hear that they have been. 'jle sent out copies of the telegram we received from Gene on Maroh 28th to those of you who sent us S;.Es for info, as we weren't sure how long the newsletter would be delayed. ,Ie guessed you would hear ru:wurs and want confirmation as soon as possible. If any of you want important news as we receive it just send me an SAE and 1'11 file it for later use. -
The Big Goodbye
Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in. -
April 2012 PADD
1 From the Editor Greetings one and all! It's been another fun-filled year at the United Space Federation, and another step closer to the big two-oh coming up in just another three years. For now, the USF PADD is happy to celebrate the 17th Anniversary of the USF. 17 years of simming, yes! Seems rather surreal. And to think that some people that are still around our little group today have been here for just as long as it has been existing, that's amazing! I had to ask what's so special about the USF in a poll, and you'll get the answers in this issue. I also felt like taking a good look at the Sector001.com website and bring out a few less known and used pages of it. And to my delight, several things I found on them lend themselves very well to connecting with the second part of the species creation article. As well as the contest I wanted to run this year! We also have a few funny things, like the ever popular Ad-Lib section and an exclusive PADD special, the “Star Trek Swimsuit Issue” section. Plus, another humorous episode from the USF Retirement Wing. Will Commodore Booker win the battle of the minds with the robo-rats? Last, but not least, keep yourself updated on Trek, STO, and the Sciences via the ever-reliable, and entertaining, News section. Raise your glasses in a salute to the USF, and enjoy the read! CHEERS!! Lori Wanted: Ads Consider advertising for your Sim in the USF PADD All USF hosts are warmly invited to submit GRAPHIC or TEXT ADS to be displayed in various sections of this magazine. -
Star Trek STAG NL 19
NBWS1ETTER NQ. 19 * * * * * * * ** * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * -)(- * * * ~SPlC'AL"":.; A~\NI\J1- RSAR\ISSUF * * * *. * -)(- *, *.~.. * * i<: *. * * * "*t:'"\*H~:.~:J<}. -~ ..\,*:, ,}~,:,);)!;,,,(>s(: -x- -)Ie· * '*, -)(-, * **-*..* * * * -)(- . 'Presi'dent,:· ."J8net'Q,u8r'toh" 15 1et ter ])8 ill, C8 irnb88n, Lochgilphe8 d, Argylli Scotl~nd. Secret8ry: Beth Hsllem, FIst 3, 36 Clephs.m Rd., Bedford, Eng18nd. Edi to'r:' Shei18 C18rk,6 Crei,gmill Cott., St'r8thm8riiine, by ])undee, 'Scotlend. : ," Honor8ryme~bers: fiene Roddenbe+r,Y, l'.18j el Bs rrett" Jemes ])ooh8n, . Goorge T8kei, SuSen Seckett. *-)(-';".i<·."k-7;,**,;(-*******-)(- ])UES U.K. £1.50 per ye8r. U .:S ~A~ %6.00 eirme iI, 114surfe cs .. Jms-treli8 8nd West: Germ8ny £3 sirm8j,l,' £2 surfece"" 'Your membership expires with th:Lsnewsletter ..... " (If ,the sp8ceElbove is' blen:kl . ignore .i ~). *************'*,)(-** Welcome to our enni~ers8ry issue. We decided to put out this' specrel issue to celebr8te STAR TREK'S 10th Anniversery, which 8S most of you know,f.1311s this September:;~ it wssinSeptenber 1966 thatSTJ\R TREK first appeared on the Americsn TV screens. 'Il m sure that you 811 wish to"j,oin me' in' thElXiking G.orte Roddenbe'rry, the production crew and C.8st for giving us so much enJoyment this last t.en years.' Un,fortun8te1y, due. to theBBC b eingslow offthehlElrk.es usu81 , we hElve only h8d ST1\R TRjKo'h"''the':sd're0h ''in' Bri tsin for seven yesrs insteed of tun. ])uring these.s even ye8rs,' the J3BC hes shown 75 episodes of ST 3 tim8S. Miri W8S onl'y . shown once, end of· .. cours e they never showed; the other three (:'1t 811; Whether we get . -
Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc. -
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE the World According to Gene Rodenberry. PUB DATE NOTE PUB TYPE
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE The World according to Gene Rodenberry. PUB DATE [93] NOTE 20p. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS English Instruction; Higher Education; Instructional Innovation; *Mass Media Role; Mathematics Instruction; *Popular Culture; Science Instruction; Secondary Education; Time IDENTIFIERS Deep Space 9; *Star Trek; Star Trek the Next Generation; Story Concepts ABSTRACT A teacher of reading across the curriculum uses stories, many based on the television show "Star Trek"or its derivatives "Star Trek: The Next Generation" (STNG) and "Deep Space 9," to illustrate educational theories and practice,. Theteacher began a discussion of the nature of language, meaning and the significance of literacy by discussing an episode of STNG entitled "Darmok" in which an alien race spoke only in metaphor. Humor is present in many episodes of "Star Trek," as wellas concepts like the power of fear. Cultural differences are explored in a number of episodes of STNG. The teacher uses "Star Trek"as an introduction to a lesson and as an impetus for story writing. One of the most enduring qualities of the three series is their focuson problem solving, which can serve as demonstrations for students. The series are also used for teaching the technique of role playing. Episodes of STNG and of "Deep Space 9" can be used to teach contentareas such as English, mathematics, history, physics, chemistry, and biology: "Clues" involves an examination ofspace and time; "Drumhead" involves a Joe McCarthy-like investigator; "Cause and Effect" involves a time loop; "Time's Arrow," involving backward timetravel and Mark Twain; "Emissary" deals with guilt, responsibility,and explaining the nature of time to an immortal-ace; and "The Forsaken" which involves a "shape-shifting" character. -
Representing History
Representing History The Pianist To Kill A King Why use film? History is currently `in vogue’ with the media. Documentaries cover the five terrestrial channels, historical non-fiction tops the best selling charts and Simon Schama, Michael Wood and David Starkey are now superstar presenters. Time Team and Restoration positively encourage us to take a `hands on’ approach – we can now affect what happens to our heritage directly. Historical films are also as popular as ever, with Pirates of the Caribbean currently topping the UK Box Office (although historians may argue exactly which historical period it is from!) and there are still many costume drama classics that draw in audiences across the world. Films that attempt to show history are sometimes derided by historians and critics for their lack of accuracy and sometimes hilariously bad casting - John Wayne as Genghis Khan anyone? However, if we view historical films as documents to begin an investigation, and if we look at how the film itself works, as well as examining how it purports to tell us about the past, the result can be a rewarding and enjoyable journey. A film can capture a feeling for a time; can create a mood and a picture of the past that perhaps, with further historical research and examination of the other contemporary art forms (drama, literature, painting, music etc.) can make that world come to life. © Film Education 2003 1 Curriculum Links The case study films below have been chosen both for their specific links to historical topics but also because of their filmic interest, either as a new take on a particular subject or an innovative way of telling a story. -
Philosophy Looks at Chess 5/27/08 1:47 PM Page I
Philosophy Looks at Chess 5/27/08 1:47 PM Page i Philosophy Looks at Chess Philosophy Looks at Chess 5/27/08 1:47 PM Page iii Philosophy Looks at Chess Edited by BENJAMIN HALE OPEN COURT Chicago and La Salle, Illinois Philosophy Looks at Chess 5/27/08 1:47 PM Page iv To order books from Open Court, call 1-800-815-2280, or visit our website at www.opencourtbooks.com. Open Court Publishing Company is a division of Carus Publishing Company. Copyright © 2008 by Carus Publishing Company First printing 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher, Open Court Publishing Company, a division of Carus Publishing Company, 315 Fifth Street, P.O. Box 300, Peru, Illinois, 61354. Printed and bound in the United States of America. n: Joan Som Library of Congress Cataloging-in-Publication Data Pink Floyd and philosophy : careful with that axiom, Eugene! / edited by George A. Reisch. p. cm. — (Popular culture and philosophy) Summary: “Essays critically examine philosophical concepts and problems in the music and lyrics of the band Pink Floyd” — Provided by publisher. Includes bibliographical references and index. ISBN-13: 978-0-8126-9636-3 (trade pbk. : alk. paper) ISBN-10: 0-8126-9636-0 (trade pbk. : alk. paper) 1. Pink Floyd (Musical group) 2. Rock music—History and criticism 3. Music—Philosophy and aesthetics. I. Reisch, George A., 1962- ML421.P6P54 2007 Philosophy Looks at Chess 5/27/08 1:47 PM Page v Contents Introduction 00 1.