Shatner to Sing Trek Theme; Ferengi Creator Passes William Shatner, Who Played Captain Trek Theme Song
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The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
Women at Warp Episode 38: Disability and Ableism in Star Trek [Bumper] Hi, This Is Melinda Snodgrass and You're Listening to W
Women at Warp Episode 38: Disability and Ableism in Star Trek [bumper] Hi, this is Melinda Snodgrass and you’re listening to Women at Warp. [end bumper] [audio of LeVar Burton] It was really difficult on a weekly basis for the audience to see what Geordi saw. In fact, we never really successfully did it, in the seven years that we did Next Generation. In fact, the audience has never seen it in any of the movies, the audience has never seen what Geordi sees. Geordi sees all of the electromagnetic spectrum. That means he sees everything from infrared to x- ray. Geordi sees sound, ok? [end audio clip] JARRAH: Hi and welcome to Women at Warp. Join us as our crew of four women Star Trek fans boldly go on our bi-weekly mission to explore our favourite franchise. My name is Jarrah. Thanks for tuning in. Today, with us we have crewmembers Andi−− ANDI: Hello JARRAH: And Sue. SUE: Hi, everybody. JARRAH: We also have a very special guest, Kari. And I’m going to get you to introduce yourself and maybe tell us a bit about how you first got into Star Trek. KARI: Yeah, sure. So as you mentioned, my name is Kari. I’ve loved Star Trek since early high school. I started with Voyager because I was particularly inspired by the strong female role models. I loved Janeway. I’m also planning to get my PhD in sociology. So because of that and my analytical nature, Star Trek has always been a very deep well for me to dig into, in terms of having interesting things to analyze. -
INTERNATIONAL LAW and "STAR TREK: THE: NEXT Generationn
THE INTERSTELLAR RELATIONS OF THE FEDERATION: INTERNATIONAL LAW AND "STAR TREK: THE: NEXT GENERATIONn - - Michael P. Schatf ' and Lawrence D. Roberts " I. INTRODUCTION recent University of Toledo Law Review article concerning the legal issues dealt with in the television series Star Trek: The Next Generation (STAG)' became an overnight national sensati~n.~Given that, during its seven seasons of first-run episodes; SllVG had been the most popular syndicated series on American television: it is perhaps not surprising that the article should engender so much public attention. The article, written by law professors Paul Joseph and 91994 by Michael Scharf and Lawrence Roberts. 1\11 rights reserved. * Assistant Professor of Law, New England School of Law; J.D., Duke University School of Law. From 1989 to 1993, Professor Scharf served as Attorney-Adviser in the Office of the Legal Adviser, U.S. Department of State. Professor Scharf teaches Public Internatlonai Law and International Criminal Law. ** Visiting Assistant Professor of Law, New England School of Law; J.D., Cornell Law School; LL.M. (International Legal Studies), New York University School of Law. Professor Roberts is Chair of the American Bar Association's Committee on International A,erospace Law. The authors would like to thank Debbie Mirek for her invaluable assistance in providing source material for this article and editorial advice to conform to the style and spelling guidelines established by Paramount Pictures Corporation. We also wish to acknowledge the spirited contributions of the members of Compusme's Science Fiction and Fantasy Forura. Their efforts made what would othenvise have been an arduous process a true pleaswe. -
Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc. -
ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29. -
The Klingon Empire 1.1 – the Homeworld 4 1.2 – Important Places 5 1.3 – History of the Empire 6
INSTITUTE OF ALIEN STUDIES Klingon Warrior Academy Warrior’s Manual This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c)2008 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Contributors: Larry French, Carol Thompson, and Wayne L. Killough, Jr., Gary Hollifield, Jr., Eric Schulman,Dewald de Coning, and George Pimentel Published October 2008 Revised March 2011 Updated October 2014 Material herein was copied or summarized from www.ditl.org , http://en.wikipedia.org/wiki/Klingon and linked pages, http://memory-alpha.org/en/wiki/ , http://startrek.wikia.com/wiki/Klingon , http://en.hiddenfrontier.com/index.php/Klingon , The Klingon Dictionary, Klingon for the Galactic Traveler, Star Trek Encyclopedia: Expanded Version, and various Star Trek episodes and licensed novels. -
Popular Imagination and Identity Politics: Reading the Future in Star Trek: Next Generation
Western Journal of Communication, 65(4) (Fall 20011, 392-415 Popular Imagination and Identity Politics: Reading the Future in Star Trek: The Next Generation Brian L. Ott and Eric Aoki Through an analysis of the popular syndicated television series Star Trek: The Next Generation, this essay begins to theorize the relationship between collective visions of the future and the identity politics of the present. Focusing on the tension between the show's utopian rhetoric of the future and its representational practices with regard to race, gender, and sexuality, it is argued that The Next Generation invites audiences to participate in a shared sense of the future that constrains human agency and (re)pro duces the current cultural hegemony with regard to identity politics. The closing section calls for critics to continue politicizing mediated images that appeal to popular imagi nation and to develop and implement a pedagogical practice of counter-imagination. TAR TREK-by which we mean the four dramatic television series, S the animated cartoon, the nine full-length motion pictures, the hundreds of novels and comics, the multi-million-dollar-a-year mer chandizing industry of toys, games, recordings, and clothing, the un precedented exhibit at the National Air and Space Museum in Wash ington D.C., the science modules developed for teaching elementary school children about physics and medicine (Mestel, 1994; Anthony, 1994), the special topics courses at colleges and universities (Nagler, 1994), and the three distinctive fan co-cultures of Trekkers, Trekkies, and slash novelists each with their own annual conventions (Tulloch & Jenkins, 1995; Bacon-Smith, 1992; Penley, 1997)-has been entertain ing audiences, young and old, for forty years now. -
"Second Sight": Double Consciousness in American Literature and Popular Culture
THE INVISIBILITY OF "SECOND SIGHT": DOUBLE CONSCIOUSNESS IN AMERICAN LITERATURE AND POPULAR CULTURE ASHLIE DABBS A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2011 Committee: JOLIE SHEFFER, Advisor KIMBERLY COATES ii ABSTRACT Jolie Sheffer, Advisor In The Invisibility of “Second Sight”: Double Consciousness in American Literature and Popular Culture I examine the metaphor, “second sight,” as a signifier of the concept of double consciousness, described in William Edward Burghardt Du Bois’s The Souls of Black Folk (1903). I observe how the metaphor operates to express various perceptions of double consciousness as intrinsic to the African-American. As such, I provide a close reading of second sight in Pauline Hopkins’s Of One Blood (1902-3), noting the ways in which her portrayal of second sight as a biological inheritance transforms the metaphor from a signifier of double- consciousness to a signifier of blackness. I subsequently move eighty years beyond Du Bois and Hopkins to scrutinize the depiction of second sight in Gene Rodenberry’s popular television series, Star Trek: The Next Generation (1987-1994). In doing so I illuminate the ways in which Du Bois’s metaphor continued to be relevant in popular culture at the end of the twentieth century. I argue that the three texts depict second sight as a racialized knowledge and reveal a concurrence that race is corporeal and fixed. However, while Hopkins’s text asserts that the African-American will, by way of race, inevitably develop “second sight,” Du Bois and Rodenberry articulate that it is not race, but culture that leads to the successful development of such skills. -
Nicole Valeria Companiytsev
Among Us: Cross-Cultural Encounters in Science Fiction Media by Nicole Valeria Companiytsev A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Nicole Valeria Companiytsev, 2019 ii Abstract Storytelling is an essential part of our experience as human beings. We turn to narrative to explain our own lives – casting ourselves as protagonists, others as secondary characters and antagonists, and the myriad of events that happen to us as a coherent, linear story. Fiction and metaphor are lenses for our collective imagination – a representation of how we see ourselves as a society, and how we see others outside of our culture. In the Western world, nowhere is this view more prominent than in the genre of science fiction. In the fictional interactions between humans and aliens – diplomacy, conflict, oppression, misunderstandings, and cultural sharing – we can see a reflection of our society’s values, its moral prescriptions, and its warnings for the future. Anthropologists, as experts on extracting cultural rules from observation, and picking up on cross-cultural misunderstandings, have long been aware of the human tendency to exaggerate difference between cultures in order to define them as distinct. Thus, an anthropological study of science fiction is crucial for understanding how a society defines itself. In this thesis, I undertake an analysis of the influential science fiction television serial, Star Trek. I seek to answer how the portrayal of specific alien societies in Star Trek inform and reflect the American society’s understanding of both itself and “the other”. -
THE NEXT GENERATION® on DVD
Star Trek: THE NEXT GENERATION® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc 11001001 116 1/1988 1/4 Elementary, Dear Data 129 2/1988 2/1 All Good Things..., Part I 277 7/1994 Emergence 275 7/1994 7/6 747 M/5, 7/7 All Good Things..., Part II 278 7/1994 Emissary, The 146 2/1989 2/5 Allegiance 166 3/1990 3/5 Encounter at Farpoint, Part I 101 1/1987 721 M/1, 1/1 Angel One 115 1/1998 1/4 Encounter at Farpoint, Part II 102 1/1987 Aquiel 239 6/1993 6/4 Enemy, The 155 3/1989 3/2 Arsenal of Freedom, The 121 1/1998 1/6 Ensign Ro 203 5/1991 5/1 Attached 260 7/1993 7/2 Ensigns of Command, The 149 3/1989 3/1 Battle, The 110 1/1987 1/3 Ethics 216 5/1992 5/4 Best of Both Worlds, The, Part I 174 3/1990 3/7 Evolution 150 3/1989 3/1 M/1 Best of Both Worlds, The, Part II 175 4/1990 4/1 Eye of the Beholder 270 7/1994 7/5 Big Goodbye, The 113 1/1988 1/3 Face of the Enemy 240 6/1993 6/4 Birthright, Part I 242 6/1993 6/4 Family 178 4/1990 4/1 M/4 Birthright, Part II 243 6/1993 6/5 Final Mission 183 4/1990 4/3 Bloodlines 274 7/1994 7/6 First Contact 189 4/1991 4/4 Bonding, The 153 3/1989 3/2 First Duty, The 219 5/1992 5/5 Booby Trap 154 3/1989 3/2 Firstborn 273 7/1994 7/6 Brothers 177 4/1990 4/1 Fistful of Datas, A 234 6/1992 6/2 Captain's Holiday 167 3/1990 3/5 Force of Nature 261 7/1993 7/3 Cause and Effect 218 5/1992 5/5 Frame of Mind 247 6/1993 6/6 Chain of Command, Part I 236 6/1992 6/3 Future Imperfect 182 4/1990 4/2 M/3 Chain of Command, Part II 237 6/1992 6/3 Galaxy's Child 190 4/1991 4/4 Chase, The 246 6/1993 6/5 -
The STAR TREK® Series on DVD
The STAR TREK® series on DVD Production Season/ Box/ Production Season/ Box/ Title Title # Year Disc # Year Disc 11:59 VOY:217 5/19995/6 Battle Lines DS9:413 1/1993 1/4 11001001 TNG:116 1/19881/4 Before and After VOY:163 3/1997 3/6 37's, The VOY:120 2/1995 2/1 Begotten, The DS9:510 5/1997 5/3 Abandoned, The DS9:452 3/1994 3/2 Behind the Lines DS9:528 6/1997 6/1 Accession DS9:489 4/19964/5 Bem TAS:22018 2/1974 1/5 Acquisition ENT:019 1/20021/5 Best of Both Worlds, The, Part I TNG:174 3/1990 3/7 TNG:??? M/1 Adversary, The DS9:472 3/1995 3/7 Best of Both Worlds, The, Part II TNG:175 4/1990 4/1 Aenar, The ENT:090 4/2005 4/4 Beyond the Farthest Star TAS:22004 1/1973 1/1 Affliction ENT:091 4/20054/4 Big Goodbye, The TNG:113 1/1988 1/3 Afterimage DS9:553 7/19987/1 Birthright, Part I TNG:242 6/1993 6/4 TNG:??? M/4 Albatross TAS:22019 2/19741/5 Birthright, Part II TNG:243 6/1993 6/5 Alice VOY:226 6/19996/2 Blaze of Glory DS9:521 5/1997 5/6 All Good Things..., Part I TNG:277 7/1994 Blink of an Eye VOY:233 6/2000 6/3 TNG:747 M/5, 7/7 All Good Things..., Part II TNG:278 7/1994 Bliss VOY:209 5/1999 5/4 All Our Yesterdays TOS:78 3/1969 3/6, 39 Blood Fever VOY:157 3/1997 3/4 Allegiance TNG:166 3/19903/5 Blood Oath DS9:439 2/1994 2/5 Alliances VOY:131 2/19962/4 Bloodlines TNG:274 7/1994 7/6 Alter Ego VOY:155 3/1997 3/4 Body and Soul VOY:255 7/2000 7/2 Alternate, The DS9:432 2/1994 2/3 Body Parts DS9:497 4/1996 4/7 Alternative Factor, The TOS:20 1/1967 1/7, 10 Bonding, The TNG:153 3/1989 3/2 Ambergris Element, The TAS:22013 1/1973 1/4 Booby Trap TNG:154 -
Proving Intelligent Design by Examining Unconscious Decision Processes
Proving Intelligent Design by examining unconscious decision processes Martin K. Dubreuil 1, Sergii Koliada April 14, 2014 Abstract: Prompted by previous research results we analysed human decision processes for unconscious patterns. Like former studies [1, 2] we were able to find law-like patterns that were not consciously created. We calculated the residual uncertainty about the pattern to 1 : 10 13 and proved a high correlation ratio for the data source related to the found pattern through an intra class correlation test (3.2). We showed that conscious human behaviour and natural selection (3.3) are not able to explain this result. We showed that the found patterns content support Intelligent Design (3.4). This gives Intelligent Design a testable and verifiable hypotheses for the first time. Contents 1 Introduction . 1 2 Defining the data source and the shape of the pattern . 2 3 Results . 4 3.1 The pattern itself . 4 3.2 Proving the pattern . 7 3.3 Origin . 10 3.4 Intelligent Design . 11 4 Appendix A – E . 12 References . 31 About the authors . 32 1 Int roduction Some time ago we initiated a contest between students, about who was able to create the most random data, with a price to win. We first used the gained data set for intraclass and interclass analysis. Then we searched for other unusual characteristics. There were 318 bit strings entered with an average length of 80 digits. We discovered, that not a single time „00000000“ or „11111111“ were entered. For a row of 318*80 = 25440 digits it is very unlikely that there is no row of 8 equal digits.