DOCSLIB.ORG

Shatner to Sing Trek Theme; Ferengi Creator Passes William Shatner, Who Played Captain Trek Theme Song

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shatner to Sing Trek Theme; Ferengi Creator Passes William Shatner, Who Played Captain Trek Theme Song Publication of the U.S.S. Chesapeake Star Trek and Science-Fiction Club September, 2005 Shatner to sing Trek theme; Ferengi creator passes William Shatner, who played Captain Trek theme song. “There was a moving ser- James T. Kirk in Classic Trek, will sing at the vice for her at the First Christian Church of Emmy Awards on Sunday, September 18. He North Hollywood on Saturday,” wrote the is nominated for an award for his role on the actor, noting that her husband and a number ABC series, Boston Legal. of luminaries had attended, including Cyd Herb Wright, who Variety reported that Shatner will com- Charisse, the actress and dancer who is the created the Ferengi pete in “Emmy Idol,” a spoof of reality shows aunt of Nana Visitor (Kira on DS9). “Loulie race for TNG, passed in which Shatner, Donald Trump and Megan had many, many friends, and she will be away recently. Mullally will compete in performing classic missed,” added Shatner at his web site. television theme songs during the telecast. Writer/producer Herbert J. Wright, Viewers will vote via text message or online who helped bring Star Trek: The Next Genera- for the victor, who will be announced at the tion to life in 1987 and was responsible for the end of the show. creation of the Ferengi, passed away on Wed- Shatner, paired with opera star Fredrica nesday, August 24, of natural causes, accord- von Stade, will perform the Star Trek theme, ing to startrek.com. He was 58. while Trump and Mullally will sing the theme Wright served as a writer and producer from Green Acres. In addition, CSI actor Gary during Next Gen’s first season and contri- Dourdan will sing the theme song from The buted his most significant contribution to the Jeffersons with Grammy winner Macy Gray, franchise with his creation of the Ferengi race, and Veronica Mars star Kristen Bell will first seen in the episode, “The Last Outpost.” perform the theme song from Fame. Wright also wrote the follow-up episode, On WilliamShatner.com, Shatner cele- “The Battle,” and helped contribute to the brated the birth of his grandchild, Natasha first Klingon-based episode of the series, Anne Clement, to Lisabeth and Andrew on “Heart of Glory.” August 13, which is also his daughter Leslie’s Wright departed Next Generation after the birthday. “Now I have three beautiful grand- series’ first season to work on Paramount’s daughters and two wonderful grandsons. I television version of War of the Worlds, but he am a lucky man,” the actor posted. later returned as a producer for TNG’s fifth IN THIS ISSUE: Shatner also posted a farewell to Loulie season, in which he co-wrote the episode, Art Credits 3 Captain’s Log 2 Jean Norman Price, the singer on the Star “Power Play.” Club Members Insert front Coming Events 6 Club will enjoy “Hard Times” at September meeting Directions to Meeting The next meeting of the U.S.S. Chesapeake meeting, including information on upcoming Insert front Holodictation 6 Star Trek and Science-Fiction Club will be conventions, what fellow club members are up Meeting Minutes held on Saturday, September 17, at the Hard to and the latest news regarding Star Trek and Insert back Times Cafe in College Park, Maryland. Please other science-fiction TV shows and movies. Rantings 5 Reflections 4 be sure to bring enough money to pay for Do you need to know how to get to this Science Trek 3 your dinner. month’s gathering? Then be sure to check out We’ll gather at 5 p.m. to order our dinner. the insert with this issue of COMSTAR for Then, at 7 p.m., we’ll hold our monthly club directions. Volume 14, Issue 9 CAPTAIN’S LOG: The anniversary syndrome Somewhere between watching coverage of 8-10 at one of two other Creation cons, which Hurricane Katrina and enjoying the Labor will take place in Chicago and Sacramento on Day holiday, a less important but nonetheless the same weekend. (Yeah, I know. I hate noteworthy anniversary almost temporal mechanics, too.) slipped by me: September 8, the However, next September won’t be the 39th anniversary of the debut of a only big date in 2006 for our club. The U.S.S. little thing called Star Trek. Chesapeake will turn 15 years old in February, For the first time in many and it would be fun to do something in honor moons, I was actually on vaca- of that occasion as well. tion, or else I probably would With those two dates in mind, I want to have overlooked the fact that recommend that everyone start thinking Trek had reached another about what we should do to celebrate. Since longevity milestone. I really many of us will be attending Farpoint in mid- didn’t do anything to celebrate February, we could combine our club anni- the occasion, but it did make me versary with attending and doing panels at the think about how I’d marked convention. previous anniversaries. That presents a number of interesting It doesn’t seem that long alternatives. We could put an ad in the con ago, but way back in the dim, program or hand out some kind of freebies dark days of 1996, Conn Officer with “15” emblazoned on them. We never did Lorenzo Heard, Chief Science Officer David complete last year’s “Farscraper” project, you Brewer and I rented a car and drove to know. Copyright 2005 U.S.S. Chesapeake Huntsville, Alabama, to commemorate 30 And there’s always the alternative of NCC-9102, a years of Star Trek. I didn’t know it then, but subsidizing the cost of club members going to not-for-profit th organization. that was the last time I’d see all the original Farpoint, Shore Leave, a 40 anniversary All rights reserved, series cast members together. Creation convention or some combination including Five years later, I drove my own vehicle thereof. reproducing parts of th this document. over to the Big Apple to spend Trek’s 35 In discussing these ideas, I realize that no anniversary with William Shatner and hun- matter what date we set for any activity, some Check out our club dreds of fellow fans in a hotel in New York folks in the group won’t be able to attend. website: www. usschesapeake.org City. As I cheerfully drove home after the With that in mind, we can certainly work hard Creation convention, I had no way of know- to include as many members of the club as we The opinions ing that terrorists would strike just blocks possibly can. expressed in this publication do not from there three days later. Of course, we could avoid that problem necessarily represent After contemplating the past, a good Star altogether by making a contribution to a local those of the Trek fan looks to the future. That brings me project such as New Voyages or Starship Far- entire club. to September 8, 2006, about a year from now, ragut and see if we could get the U.S.S. Chesa- “Star Trek,” when Trek will be all of 40 years old. What peake included in one of their fan-made epi- “Star Trek: The Next should I do to celebrate the occasion? Even sodes. Generation,” “Star Trek: Deep Space more important, how should our club mark On the other hand, the club might swing Nine,” “Star Trek: this special time? the other way monetarily and save ourselves Voyager,” and “Star Trek: Enterprise,” One option would be for us to attend the some quatloos by reducing or eliminating th as well as the terms first of Creation’s 40 anniversary cons, which dues for 2006. “starship” and will be held in Las Vegas August 17-20. I know all this seems a long way off, but “starship Enterprise,” th are registered Judging from the reports by Annie, John and we didn’t celebrate our 10 anniversary so we trademarks of Lorenzo during our last meeting, they had a could help the victims of September 11, 2001. Paramount Pictures good time at this year’s gathering, there were As a result, I think we can fit two big parties Corporation. All rights reserved. plenty of great guests, and the Star Trek into one fun year. Absolutely no Experience is in the very same hotel. As my So let’s put on our thinking caps and see if infringement on favorite captain would say, “Sounds like fun!” we can make 2006 the best year yet for the these rights is intended. Still, knowing how literally folks in our U.S.S. Chesapeake Star Trek and Science- gang tend to take things, we could opt to Fiction Club! COMSTAR, page 2 actually celebrate the anniversary September Captain Randy Hall SCIENCE TREK: The big ones Sitting here comfortably in my Mid- about abrupt climate change. Within what Atlantic home, nearly a fortnight removed appears to be weeks, the world is frozen by this from what may prove to be the largest envi- catastrophic change. I like the irony … global ronmental disaster to hit the United States, I warming causes a deep freeze. find myself contemplating the happenstance Now, don’t think such a failure of thermo- of Papa Sisko dying less than a week before haline circulation is completely hypothetical. his city was slammed with a Category 4 (What is it? Just imagine the conveyor belts hurricane. He always did seem to know that carry Wal-Mart products from truck to more than he let on.
Load more

Recommended publications
  • The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
    Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................
    [Show full text]
  • Women at Warp Episode 38: Disability and Ableism in Star Trek [Bumper] Hi, This Is Melinda Snodgrass and You're Listening to W
    Women at Warp Episode 38: Disability and Ableism in Star Trek [bumper] Hi, this is Melinda Snodgrass and you’re listening to Women at Warp. [end bumper] [audio of LeVar Burton] It was really difficult on a weekly basis for the audience to see what Geordi saw. In fact, we never really successfully did it, in the seven years that we did Next Generation. In fact, the audience has never seen it in any of the movies, the audience has never seen what Geordi sees. Geordi sees all of the electromagnetic spectrum. That means he sees everything from infrared to x- ray. Geordi sees sound, ok? [end audio clip] JARRAH: Hi and welcome to Women at Warp. Join us as our crew of four women Star Trek fans boldly go on our bi-weekly mission to explore our favourite franchise. My name is Jarrah. Thanks for tuning in. Today, with us we have crewmembers Andi−− ANDI: Hello JARRAH: And Sue. SUE: Hi, everybody. JARRAH: We also have a very special guest, Kari. And I’m going to get you to introduce yourself and maybe tell us a bit about how you first got into Star Trek. KARI: Yeah, sure. So as you mentioned, my name is Kari. I’ve loved Star Trek since early high school. I started with Voyager because I was particularly inspired by the strong female role models. I loved Janeway. I’m also planning to get my PhD in sociology. So because of that and my analytical nature, Star Trek has always been a very deep well for me to dig into, in terms of having interesting things to analyze.
    [Show full text]
  • INTERNATIONAL LAW and "STAR TREK: THE: NEXT Generationn
    THE INTERSTELLAR RELATIONS OF THE FEDERATION: INTERNATIONAL LAW AND "STAR TREK: THE: NEXT GENERATIONn - - Michael P. Schatf ' and Lawrence D. Roberts " I. INTRODUCTION recent University of Toledo Law Review article concerning the legal issues dealt with in the television series Star Trek: The Next Generation (STAG)' became an overnight national sensati~n.~Given that, during its seven seasons of first-run episodes; SllVG had been the most popular syndicated series on American television: it is perhaps not surprising that the article should engender so much public attention. The article, written by law professors Paul Joseph and 91994 by Michael Scharf and Lawrence Roberts. 1\11 rights reserved. * Assistant Professor of Law, New England School of Law; J.D., Duke University School of Law. From 1989 to 1993, Professor Scharf served as Attorney-Adviser in the Office of the Legal Adviser, U.S. Department of State. Professor Scharf teaches Public Internatlonai Law and International Criminal Law. ** Visiting Assistant Professor of Law, New England School of Law; J.D., Cornell Law School; LL.M. (International Legal Studies), New York University School of Law. Professor Roberts is Chair of the American Bar Association's Committee on International A,erospace Law. The authors would like to thank Debbie Mirek for her invaluable assistance in providing source material for this article and editorial advice to conform to the style and spelling guidelines established by Paramount Pictures Corporation. We also wish to acknowledge the spirited contributions of the members of Compusme's Science Fiction and Fantasy Forura. Their efforts made what would othenvise have been an arduous process a true pleaswe.
    [Show full text]
  • Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
    FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc.
    [Show full text]
  • ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
    ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29.
    [Show full text]
  • The Klingon Empire 1.1 – the Homeworld 4 1.2 – Important Places 5 1.3 – History of the Empire 6
    INSTITUTE OF ALIEN STUDIES Klingon Warrior Academy Warrior’s Manual This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c)2008 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Contributors: Larry French, Carol Thompson, and Wayne L. Killough, Jr., Gary Hollifield, Jr., Eric Schulman,Dewald de Coning, and George Pimentel Published October 2008 Revised March 2011 Updated October 2014 Material herein was copied or summarized from www.ditl.org , http://en.wikipedia.org/wiki/Klingon and linked pages, http://memory-alpha.org/en/wiki/ , http://startrek.wikia.com/wiki/Klingon , http://en.hiddenfrontier.com/index.php/Klingon , The Klingon Dictionary, Klingon for the Galactic Traveler, Star Trek Encyclopedia: Expanded Version, and various Star Trek episodes and licensed novels.
    [Show full text]
  • Popular Imagination and Identity Politics: Reading the Future in Star Trek: Next Generation
    Western Journal of Communication, 65(4) (Fall 20011, 392-415 Popular Imagination and Identity Politics: Reading the Future in Star Trek: The Next Generation Brian L. Ott and Eric Aoki Through an analysis of the popular syndicated television series Star Trek: The Next Generation, this essay begins to theorize the relationship between collective visions of the future and the identity politics of the present. Focusing on the tension between the show's utopian rhetoric of the future and its representational practices with regard to race, gender, and sexuality, it is argued that The Next Generation invites audiences to participate in a shared sense of the future that constrains human agency and (re)pro­ duces the current cultural hegemony with regard to identity politics. The closing section calls for critics to continue politicizing mediated images that appeal to popular imagi­ nation and to develop and implement a pedagogical practice of counter-imagination. TAR TREK-by which we mean the four dramatic television series, S the animated cartoon, the nine full-length motion pictures, the hundreds of novels and comics, the multi-million-dollar-a-year mer­ chandizing industry of toys, games, recordings, and clothing, the un­ precedented exhibit at the National Air and Space Museum in Wash­ ington D.C., the science modules developed for teaching elementary school children about physics and medicine (Mestel, 1994; Anthony, 1994), the special topics courses at colleges and universities (Nagler, 1994), and the three distinctive fan co-cultures of Trekkers, Trekkies, and slash novelists each with their own annual conventions (Tulloch & Jenkins, 1995; Bacon-Smith, 1992; Penley, 1997)-has been entertain­ ing audiences, young and old, for forty years now.
    [Show full text]
  • "Second Sight": Double Consciousness in American Literature and Popular Culture
    THE INVISIBILITY OF "SECOND SIGHT": DOUBLE CONSCIOUSNESS IN AMERICAN LITERATURE AND POPULAR CULTURE ASHLIE DABBS A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2011 Committee: JOLIE SHEFFER, Advisor KIMBERLY COATES ii ABSTRACT Jolie Sheffer, Advisor In The Invisibility of “Second Sight”: Double Consciousness in American Literature and Popular Culture I examine the metaphor, “second sight,” as a signifier of the concept of double consciousness, described in William Edward Burghardt Du Bois’s The Souls of Black Folk (1903). I observe how the metaphor operates to express various perceptions of double consciousness as intrinsic to the African-American. As such, I provide a close reading of second sight in Pauline Hopkins’s Of One Blood (1902-3), noting the ways in which her portrayal of second sight as a biological inheritance transforms the metaphor from a signifier of double- consciousness to a signifier of blackness. I subsequently move eighty years beyond Du Bois and Hopkins to scrutinize the depiction of second sight in Gene Rodenberry’s popular television series, Star Trek: The Next Generation (1987-1994). In doing so I illuminate the ways in which Du Bois’s metaphor continued to be relevant in popular culture at the end of the twentieth century. I argue that the three texts depict second sight as a racialized knowledge and reveal a concurrence that race is corporeal and fixed. However, while Hopkins’s text asserts that the African-American will, by way of race, inevitably develop “second sight,” Du Bois and Rodenberry articulate that it is not race, but culture that leads to the successful development of such skills.
    [Show full text]
  • Nicole Valeria Companiytsev
    Among Us: Cross-Cultural Encounters in Science Fiction Media by Nicole Valeria Companiytsev A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Nicole Valeria Companiytsev, 2019 ii Abstract Storytelling is an essential part of our experience as human beings. We turn to narrative to explain our own lives – casting ourselves as protagonists, others as secondary characters and antagonists, and the myriad of events that happen to us as a coherent, linear story. Fiction and metaphor are lenses for our collective imagination – a representation of how we see ourselves as a society, and how we see others outside of our culture. In the Western world, nowhere is this view more prominent than in the genre of science fiction. In the fictional interactions between humans and aliens – diplomacy, conflict, oppression, misunderstandings, and cultural sharing – we can see a reflection of our society’s values, its moral prescriptions, and its warnings for the future. Anthropologists, as experts on extracting cultural rules from observation, and picking up on cross-cultural misunderstandings, have long been aware of the human tendency to exaggerate difference between cultures in order to define them as distinct. Thus, an anthropological study of science fiction is crucial for understanding how a society defines itself. In this thesis, I undertake an analysis of the influential science fiction television serial, Star Trek. I seek to answer how the portrayal of specific alien societies in Star Trek inform and reflect the American society’s understanding of both itself and “the other”.
    [Show full text]
  • THE NEXT GENERATION® on DVD
    Star Trek: THE NEXT GENERATION® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc 11001001 116 1/1988 1/4 Elementary, Dear Data 129 2/1988 2/1 All Good Things..., Part I 277 7/1994 Emergence 275 7/1994 7/6 747 M/5, 7/7 All Good Things..., Part II 278 7/1994 Emissary, The 146 2/1989 2/5 Allegiance 166 3/1990 3/5 Encounter at Farpoint, Part I 101 1/1987 721 M/1, 1/1 Angel One 115 1/1998 1/4 Encounter at Farpoint, Part II 102 1/1987 Aquiel 239 6/1993 6/4 Enemy, The 155 3/1989 3/2 Arsenal of Freedom, The 121 1/1998 1/6 Ensign Ro 203 5/1991 5/1 Attached 260 7/1993 7/2 Ensigns of Command, The 149 3/1989 3/1 Battle, The 110 1/1987 1/3 Ethics 216 5/1992 5/4 Best of Both Worlds, The, Part I 174 3/1990 3/7 Evolution 150 3/1989 3/1 M/1 Best of Both Worlds, The, Part II 175 4/1990 4/1 Eye of the Beholder 270 7/1994 7/5 Big Goodbye, The 113 1/1988 1/3 Face of the Enemy 240 6/1993 6/4 Birthright, Part I 242 6/1993 6/4 Family 178 4/1990 4/1 M/4 Birthright, Part II 243 6/1993 6/5 Final Mission 183 4/1990 4/3 Bloodlines 274 7/1994 7/6 First Contact 189 4/1991 4/4 Bonding, The 153 3/1989 3/2 First Duty, The 219 5/1992 5/5 Booby Trap 154 3/1989 3/2 Firstborn 273 7/1994 7/6 Brothers 177 4/1990 4/1 Fistful of Datas, A 234 6/1992 6/2 Captain's Holiday 167 3/1990 3/5 Force of Nature 261 7/1993 7/3 Cause and Effect 218 5/1992 5/5 Frame of Mind 247 6/1993 6/6 Chain of Command, Part I 236 6/1992 6/3 Future Imperfect 182 4/1990 4/2 M/3 Chain of Command, Part II 237 6/1992 6/3 Galaxy's Child 190 4/1991 4/4 Chase, The 246 6/1993 6/5
    [Show full text]
  • The STAR TREK® Series on DVD
    The STAR TREK® series on DVD Production Season/ Box/ Production Season/ Box/ Title Title # Year Disc # Year Disc 11:59 VOY:217 5/19995/6 Battle Lines DS9:413 1/1993 1/4 11001001 TNG:116 1/19881/4 Before and After VOY:163 3/1997 3/6 37's, The VOY:120 2/1995 2/1 Begotten, The DS9:510 5/1997 5/3 Abandoned, The DS9:452 3/1994 3/2 Behind the Lines DS9:528 6/1997 6/1 Accession DS9:489 4/19964/5 Bem TAS:22018 2/1974 1/5 Acquisition ENT:019 1/20021/5 Best of Both Worlds, The, Part I TNG:174 3/1990 3/7 TNG:??? M/1 Adversary, The DS9:472 3/1995 3/7 Best of Both Worlds, The, Part II TNG:175 4/1990 4/1 Aenar, The ENT:090 4/2005 4/4 Beyond the Farthest Star TAS:22004 1/1973 1/1 Affliction ENT:091 4/20054/4 Big Goodbye, The TNG:113 1/1988 1/3 Afterimage DS9:553 7/19987/1 Birthright, Part I TNG:242 6/1993 6/4 TNG:??? M/4 Albatross TAS:22019 2/19741/5 Birthright, Part II TNG:243 6/1993 6/5 Alice VOY:226 6/19996/2 Blaze of Glory DS9:521 5/1997 5/6 All Good Things..., Part I TNG:277 7/1994 Blink of an Eye VOY:233 6/2000 6/3 TNG:747 M/5, 7/7 All Good Things..., Part II TNG:278 7/1994 Bliss VOY:209 5/1999 5/4 All Our Yesterdays TOS:78 3/1969 3/6, 39 Blood Fever VOY:157 3/1997 3/4 Allegiance TNG:166 3/19903/5 Blood Oath DS9:439 2/1994 2/5 Alliances VOY:131 2/19962/4 Bloodlines TNG:274 7/1994 7/6 Alter Ego VOY:155 3/1997 3/4 Body and Soul VOY:255 7/2000 7/2 Alternate, The DS9:432 2/1994 2/3 Body Parts DS9:497 4/1996 4/7 Alternative Factor, The TOS:20 1/1967 1/7, 10 Bonding, The TNG:153 3/1989 3/2 Ambergris Element, The TAS:22013 1/1973 1/4 Booby Trap TNG:154
    [Show full text]
  • Proving Intelligent Design by Examining Unconscious Decision Processes
    Proving Intelligent Design by examining unconscious decision processes Martin K. Dubreuil 1, Sergii Koliada April 14, 2014 Abstract: Prompted by previous research results we analysed human decision processes for unconscious patterns. Like former studies [1, 2] we were able to find law-like patterns that were not consciously created. We calculated the residual uncertainty about the pattern to 1 : 10 13 and proved a high correlation ratio for the data source related to the found pattern through an intra class correlation test (3.2). We showed that conscious human behaviour and natural selection (3.3) are not able to explain this result. We showed that the found patterns content support Intelligent Design (3.4). This gives Intelligent Design a testable and verifiable hypotheses for the first time. Contents 1 Introduction . 1 2 Defining the data source and the shape of the pattern . 2 3 Results . 4 3.1 The pattern itself . 4 3.2 Proving the pattern . 7 3.3 Origin . 10 3.4 Intelligent Design . 11 4 Appendix A – E . 12 References . 31 About the authors . 32 1 Int roduction Some time ago we initiated a contest between students, about who was able to create the most random data, with a price to win. We first used the gained data set for intraclass and interclass analysis. Then we searched for other unusual characteristics. There were 318 bit strings entered with an average length of 80 digits. We discovered, that not a single time „00000000“ or „11111111“ were entered. For a row of 318*80 = 25440 digits it is very unlikely that there is no row of 8 equal digits.
    [Show full text]