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Building Innovative Capabilities
BUILDING INNOVATIVE CAPABILITIES REVIEW OF THE AUSTRALIAN TEXTILE, CLOTHING AND FOOTWEAR INDUSTRIES VOLUME 2 © Commonwealth of Australia 2008 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Commonwealth. Requests and enquiries concerning reproduction and rights should be addressed to the Commonwealth Copyright Administration, Attorney General’s Department, Robert Garran Offices, National Circuit, Canberra ACT 2600 or posted at http://www.ag.gov.au/cca. ISBN 978 0 642 72361 5 Note: The dollar amounts in this report are in Australian dollars, unless otherwise indicated. Disclaimer The material contained within this document has been developed by the Review of the Australian Textile, Clothing and Footwear Industries. The views and opinions expressed in the materials do not necessarily reflect those of the Australian Government or the Minister for Innovation, Industry, Science and Research. The Australian Government and the Review of the Australian Textile, Clothing and Footwear Industries accept no responsibility for the accuracy or completeness of the contents, and shall not be liable (in negligence or otherwise) for any loss or damage (financial or otherwise) that may be occasioned directly or indirectly through the use of, or reliance, on the materials. Furthermore, the Australian Government and the Review of the Australian Textile, Clothing and Footwear Industries, their members, employees, agents and officers accept no responsibility for any loss or liability (including reasonable legal costs and expenses) or liability incurred or suffered where such loss or liability was caused by the infringement of intellectual property rights, including moral rights, of any third person. -
Collette Dinnigan, Downunder Designer of Bold, Elegant and Playful Clothes, Impresses the World with Her Creative and Business Talent
n a high-pressure industry that prizes aesthetics and uniqueness, Collette Dinnigan, arguably Australia’s most successful fashion designer, retains the fundamental vision she had for her business when she started it 21 years ago: “I hope that anyone who wears my clothes feels special in them, and that the clothes give them the confidence to feel good about themselves.” It’s fair to say confidence oozes from Dinnigan’s collections, whether it’s bridal, lingerie or ready-to-wear. Her designs are forthrightly feminine, yet Iat the same time comfortable and sassy. Dinnigan’s recently released Resort 2012 collection is a sophisticated progression from last year’s campaign, with fitted and flowing shapes and glamorous touches such as lace and jewels. Her Seaside Escapes theme “focuses on clean and relaxed silhouettes and are offset by summer prints and structured shoulders. Beaded pineapples, tonal hibiscus and palm prints sit alongside the new seaside scarf print, complete with seahorses and palm trees – perfect for summertime!” Indeed, Resort 2012 was “inspired by the colours of the deep sea, sunsets, tropical flowers and seaside treasures” – from coral and sand-coloured day dresses in satin georgette with flirty shoulder ties or bustiers to pretty eveningwear in royal blue, black and silver (choose from above the knee, on the knee or full length). Details include ruffle sleeves, scallop lace and beaded epaulets. “The collection is very much about escaping and island adventures, and holidaying at all those wonderful feel-good places,” says Dinnigan. The designer’s southern hemisphere upbringing can attest to her affinity with the sea. -
Brand Armani Jeans Celebry Tees Rochas Roberto Cavalli Capcho
Brand Armani Jeans Celebry Tees Rochas Roberto Cavalli Capcho Lady Million Just Over The Top Tommy Hilfiger puma TJ Maxx YEEZY Marc Jacobs British Knights ROSALIND BREITLING Polo Vicuna Morabito Loewe Alexander Wang Kenzo Redskins Little Marcel PIGUET Emu Affliction Bensimon valege Chanel Chance Swarovski RG512 ESET Omega palace Serge Pariente Alpinestars Bally Sven new balance Dolce & Gabbana Canada Goose thrasher Supreme Paco Rabanne Lacoste Remeehair Old Navy Gucci Fjallraven Zara Fendi allure bridals BLEU DE CHANEL LensCrafters Bill Blass new era Breguet Invictus 1 million Trussardi Le Coq Sportif Balenciaga CIBA VISION Kappa Alberta Ferretti miu miu Bottega Veneta 7 For All Mankind VERNEE Briston Olympea Adidas Scotch & Soda Cartier Emporio Armani Balmain Ralph Lauren Edwin Wallace H&M Kiss & Walk deus Chaumet NAKED (by URBAN DECAY) Benetton Aape paccbet Pantofola d'Oro Christian Louboutin vans Bon Bebe Ben Sherman Asfvlt Amaya Arzuaga bulgari Elecoom Rolex ASICS POLO VIDENG Zenith Babyliss Chanel Gabrielle Brian Atwood mcm Chloe Helvetica Mountain Pioneers Trez Bcbg Louis Vuitton Adriana Castro Versus (by Versace) Moschino Jack & Jones Ipanema NYX Helly Hansen Beretta Nars Lee stussy DEELUXE pigalle BOSE Skechers Moncler Japan Rags diamond supply co Tom Ford Alice And Olivia Geographical Norway Fifty Spicy Armani Exchange Roger Dubuis Enza Nucci lancel Aquascutum JBL Napapijri philipp plein Tory Burch Dior IWC Longchamp Rebecca Minkoff Birkenstock Manolo Blahnik Harley Davidson marlboro Kawasaki Bijan KYLIE anti social social club -
Virility, Enhancement and Men's Underwear
Virilty, Enahncement and Men’s Underwear Dr. Shaun Cole Programme Director Curation and Culture Course Director MA History & Culture of Fashion Graduate School London College of Fashion The early twenty-first century has seen a fascination with notions of virility expressed through the design and promotion of men’s underwear. In 2007 Australian swim and underwear brand aussieBum introduced the ‘Wonderjock,’ which, founder Sean Ashby said, developed from requests from customers who ‘expressed an interest in looking bigger, just like women using the Wonderbra’.i To achieve this effect the Wonderjock used seams around the pouch and an additional pocket within the pouch front to ‘push up’ the genitals. The Wonderjock was advertised with images of enhanced thrusting crotches, accompanied by text that noted ‘When size matters’. The emphasis on the crotch and male virility in underwear was not new in the early 2000s. Up until the 1930s men’s underwear had primarily been loose fitting, with the exception of the French ‘slip’, reputedly invented by French brand Petit Bateau (originally founded in 1893). The slip was first advertised in the 20 September 1913 edition of L’Illustration, where it was described as ‘for athletes in fine cotton jersey, with elastic belt and thighs’ and providing ‘support without hindering any movement’. Inspired by a photographic image of similar style French ‘slip’ swimwear American underwear company Cooper’s Inc. introduced ‘Model 1001’ briefs in 1935 which provided ‘masculine support’ for the wearer’s genitals, through a double layer of soft rib-knit fabric in the centre front. The waistband and leg opening bands were made from Lastex, which helped the garment sit securely against the body. -
MCRI 2016 Annual Report
breakthrough Annual Report 2016 Message from the Director 2 Year at a glance 4 Manifesto 6 In brief 8 In the blood Creating blood stem cells in a dish. 10 Gut reaction 30 years Why a healthy immune system requires exposure to a wide range of germs. 12 Turning research into reality MCRI’s engine room of discovery. 14 The perfect pair Combining peanut protein with a probiotic. 16 The future is here Exome gene sequencing gives families answers. 18 of life Thank you – donors 20 A brilliant mind Introducing Professor John Christodoulou AM. 22 MCRI rising stars Students Sophia Frentz and Alex Sexton-Oates share their motivation and inspiration. 24 Landmark Lancet A turning point for adolescence. 26 changing Early birth blues Depression and anxiety among parents of premature babies. 28 The alcohol taboo Delving deep into the unanswered questions around drinking alcohol in pregnancy. 30 Your support You showed your support in many discoveries and varied ways in 2016. 32 Financial position and cash flows 36 Message from the Chairman 40 Published June 2017 Research by Professor Katie Allen’s team contributed to the recommendation that parents 2011 1993 1999 2010 1990 introduce cooked egg into their > child’s diet between four and Professor Andrew Sinclair six months, not 10 months as and team identify the previously directed. sex-determining gene SRY. MCRI moves into its The discovery attracts A trial of rotavirus vaccine new world-class worldwide media attention The Institute’s focus on developed by MCRI facility, co-located with and finally provides an Menkes syndrome culminates researchers, RV3, found The Royal Children’s answer to one of our most in the co-discovery of the immune system was Bill and Melinda Gates Foundation Hospital. -
2017 Annual Report Let Mercy Be Our Boast and Shame Our Only Fear
2017 ANNUAL REPORT LET MERCY BE OUR BOAST AND SHAME OUR ONLY FEAR. B CONTENTS 2016 in 2 Numbers 20 Honorees President’s Financial 3 Message 21 Summary Our 2016 4 Mission 22 Donors Beneficiary Bishop Benjamin 6 Program 24 Moore Circle Scholarship Community 8 Program 25 Fundraising Emergency Our 11 Relief 26 Members 2016 Membership 12 Events 31 Perks 2016 Our 16 English Ball 33 Leadership 2016 18 British Bash 1 2016 IN NUMBERS $1,017,616 RAISED AT THE ENGLISH BALL $18,062 RAISED THROUGH COMMUNITY $55,067 FUNDRAISING RAISED AT THE BRITISH BASH 2,881 GUESTS GREETED 41 EMERGENCY GRANTS 158 NEW MEMBERS 118 BENEFICIARIES SERVED 25 83 SCHOLARSHIPS EXCLUSIVE AWARDED MEMBERSHIP PERKS 238 SOCIAL WORK VISITS 2 A MESSAGE FROM THE PRESIDENT At the Society’s Annual General Meeting in January, I remarked on how small acts of kindness can have a huge impact on people’s lives. It is this idea that I believe has driven the Society for nearly 250 years. From a bag of coal during winter in the 18th century to an air conditioner amidst a heat wave in 2016, we have provided care and comfort when it is needed most. Whilst our assistance has evolved over time, our purpose has remained the same: we are people helping people. In 2016, the Society contributed over $900,000 to our charitable programs aiding the elderly, enabling students to complete their degrees and helping people in crisis. Your support had a direct effect on people—lifting them from despair, calming fears and giving them hope. -
Petition Signatures on Okomu
Uphold Edo State Government Revocation Order on Okomu Oil Palm Company Plc Petition Signatures on Okomu Bobbie Flowers Paul Allard Jeff Somers Michael Herz, Ph.D. Jeff Simpson Larry Lambeth Lorraine Alfini Dennis Allen Sandy Lynn Patricia O'Leary Alexander Mark Stavis Fred Lavy Mark Feldman Abe Levy Wendy Oser Donna Bonetti Betty Sabo Helen Hanna Stephen Shaw B.A. McClintock Barbara Carr John Keevert Jessica Belmonte Barbara Glenewinkel Dr. Jim Hanson Joan Mitchell Susan Thompson James Cogan Christy Pennoyer Cheryl Rigby Ken Berger Erik Schnabel Paulette Williams Anthony Donnici Ralph Cottrell Debra Cunningham Arlene Dreste Kevin Rolfes Eric Miller BettyAnn Bucksbaum Laura Napoleon Kermit Cuff Gerard Dupin Rosemarie Sawdon Jonathan Peter Jeanine Center Charlene Woodcock Kirk Rhoads Petition Signatures on Okomu Harry Atkinson Charles Siegel Ester Fuchs Gareth Wynn Sylvia Cardella Paul Lima Aaron McGee Tamera Bryant Stephan Donovan Richard Blain Thomas Windberg George Spagna Gayle Spencer Thomas Artin Anne Barker Peggy Wynn Peggy Fugate Dana OMara Carol Fletcher Marc Daniel Edward Bielaus Cindy Risvold Saliane Anderssen Steve Aydelott Courtney Stefano Michael Skidmore Alecto Caldwell Constance Lombardo Adnana Mihaela Stephanie Somers Barb Watts Alan Dickerson Anne Veraldi Suzanne Covello Michael stuart Michael Balsai Susan Evilsizer Courtney Laves-Mearini Robert Garrett Donald Garlit Erna Beerheide Cecilia Burns Edward Mills Cay White Clyde George Gina Marano David Caccia Bill Rosenthal Jennifer Nitz Dianne Drish Marcie Keever Ian Shelley -
The Australian Ballet 1 2 Swan Lake Melbourne 23 September– 1 October
THE AUSTRALIAN BALLET 1 2 SWAN LAKE MELBOURNE 23 SEPTEMBER– 1 OCTOBER SYDNEY 2–21 DECEMBER Cover: Dimity Azoury. Photography Justin Rider Above: Leanne Stojmenov. Photography Branco Gaica Luke Ingham and Miwako Kubota. Photography Branco Gaica 4 COPPÉLIA NOTE FROM THE ARTISTIC DIRECTOR Dame Peggy van Praagh’s fingerprints are on everything we do at The Australian Ballet. How lucky we are to have been founded by such a visionary woman, and to live with the bounty of her legacy every day. Nowhere is this legacy more evident than in her glorious production of Coppélia, which she created for the company in 1979 with two other magnificent artists: director George Ogilvie and designer Kristian Fredrikson. It was her parting gift to the company and it remains a jewel in the crown of our classical repertoire. Dame Peggy was a renowned Swanilda, and this was her second production of Coppélia. Her first was for the Borovansky Ballet in 1960; it was performed as part of The Australian Ballet’s first season in 1962, and was revived in subsequent years. When Dame Peggy returned to The Australian Ballet from retirement in 1978 she began to prepare this new production, which was to be her last. It is a timeless classic, and I am sure it will be performed well into the company’s future. Dame Peggy and Kristian are no longer with us, but in 2016 we had the great pleasure of welcoming George Ogilvie back to the company to oversee the staging of this production. George and Dame Peggy delved into the original Hoffmann story, layering this production with such depth of character and theatricality. -
Unterwäsche Damenmode Unterwäsche Damen
3. Quartal 2020 Sortiments- empfehlung eBay Fashion Hinweise zur Lesart der Sortimentsempfehlung Beispielkategorie In diesen Marken/Preis-Kombinationen herrscht verstärkter Bedarf an zusätzlichem Sortiment. Die Nachfrage übersteigt Top Suchbegriffe nach Top Suchbegriffe nach deutlich das Angebot bei eBay. Marken Stil Sortimentsempfehlung 1. Marke 1 1. Sandalen 2. Marke 2 Diese Marken werden in Diese Begriffe werden in der betrachteten 2. Zehentrenner der betrachteten 3. Marke 3 Kategorie am häufigsten 3. Pantoletten Kategorie am häufigsten 4. Marke 4 gesucht. gesucht. MarkenLederhose Preisgruppe in € 4. Sandaletten 5. Marke 5 5. Flip Flop 15-30 Boyfriend jeans 6. Marke 6 6. Sommerschuhe 30-45 7. Marke 7 7. Keilabsatz Latzhose 8. Marke 8 NICHT SPEZIFIZIERT 45-60 8. Clogs High Waist 9. Marke 9 60-75 9. Espadrilles 10. Marke 10 Skinny Jeans 10. Wedges über 75 11. Marke 11 Espandrillos Marke 4Jeggings„NICHT SPEZIFIZIERT“ 30-45 12. Marke 12 11. bedeutet, dass entweder 12. Schlappen Leggings die Marke nicht in 15-30 Marke 1 unserem Katalog 30-45 Je nach Produktkategorie sind die Haremshoseenthalten ist oder diese Preisgruppen unterschiedlich Produkte Eigenmarken 7/8 hose 60-75 eingeteilt. Für manche Marken ist Marke 3 sind oder markenlos. über 75 auch Inventar in verschiedenen Schlaghose Preisgruppen gefragt. Marke 2 15-30 Marke 22 15-30 Marke 9 über 75 Hosen Damenmode Hosen Damen Top Suchbegriffe nach Top Suchbegriffe nach Sortimentsempfehlung Marken Stil Marken Preisgruppe in € 20-30 1. Rundholz 1. Haremshose Brax Über 40 2. Marc Cain 2. Lässig Brunello Cucinelli Über 40 3. Tommy Hilfiger 3. Pumphose Lederhose 30-40 4. Esprit 4. -
Robyn Charlotte Spice
Robyn Charlotte Spice Faculty of Health Sciences and Sport The University of Stirling Strong is the New Slim: A Study of the Body and Gender Amongst Female Free Weights Users Supervisor: Dr Irene A. Reid Thesis submitted for the degree of Master of Philosophy August 2016 1 Declaration I confirm that this thesis is my own work and I have read and fully understood the University of Stirling’s research postgraduate regulations. The thesis has not been published nor been presented to another examination board. 2 Acknowledgements Firstly, I offer my sincerest thanks to my first supervisor, Dr Irene A. Reid who has offered me continual guidance and support to help nurture me as a researcher. Dr Reid has been patient throughout this entire process; without her knowledge, encouragement and feedback this thesis would not have been completed to the same standard. I also would like to thank my second supervisor Dr Alison Jasper whose enthusiasm and encouragement has also been invaluable. An inexplicable amount of gratitude goes to the twenty women interviewed for the project as well as the two women interviewed during the pilot stage. Their willingness to take part and discuss the different topic areas has given me the opportunity to give a real insight into the female free weights community at the chosen facility. I would also like to thank the facility manager at the sports centre, where this study took place, for allowing me to use the fitness facility, as well as for providing images of the gym layout. I would like to thank the Faculty of Health Science and Sport at the University of Stirling and the Sports Development Service for giving me the opportunity to develop both as a researcher and as a fitness professional. -
U.S. Senators: Vote YES on the Disability Treaty! © Nicolas Früh/Handicap International November 2013 Dear Senator
U.S. Senators: Vote YES on the Disability Treaty! © Nicolas Früh/Handicap International November 2013 Dear Senator, The United States of America has always been a leader of the rights of people with disabilities. Our country created the Americans with Disabilities Act (ADA), ensuring the rights of 57.8 million Americans with disabilities, including 5.5 million veterans. The ADA inspired the Convention on the Rights of Persons with Disabilities (CRPD) treaty. The CRPD ensures that the basic rights we enjoy, such as the right to work and be healthy, are extended to all people with disabilities. Last December, America’s leadership diminished when the Senate failed to ratify the CRPD by 5 votes. In the pages that follow, you will find the names of 67,050 Americans who want you to vote Yes on the CRPD. Their support is matched by more than 800 U.S. organizations, including disability, civil rights, veterans’ and faith-based organizations. These Americans know the truth: • Ratification furthers U.S. leadership in upholding, championing and protecting the rights of children and adults with disabilities • Ratification benefits all citizens working, studying, or traveling overseas • Ratification creates the opportunity for American businesses and innovations to reach international markets • Ratification does not require changes to any U.S. laws • Ratification does not jeopardize U.S. sovereignty The Senate has an opportunity that doesn’t come along often in Washington—a second chance to do the right thing and to ratify the CRPD. We urge you and your fellow Senators to support the disability treaty with a Yes vote when it comes to the floor.We must show the world that U.S. -
Dissertation Cover Page
Dissertation Cover Page A dissertation submitted by Malgorzata Kolling [email protected] Student ID number: 100043584 Please note that throughout this dissertation I am using my academic (maiden) name Malgorzata Skorek Submitted: 5 May 2011 UNIVERSITY OF CALIFORNIA, MERCED Effects of exposure to idealized body portrayals in an ethnically diverse sample of men and women A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Psychological Sciences by Malgorzata Skorek Committee in charge: Assistant Professor Yarrow Dunham, Chair Assistant Professor Anna V. Song Associate Professor Jack L. Vevea 2011 Copyright Malgorzata Skorek, 2011 All rights reserved. The dissertation of Malgorzata Skorek is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, Merced 2011 iii DEDICATION To my parents, Halina & Andrzej All that I am and ever hope to be, I owe to You. iv EPIGRAPH One never goes so far as when one doesn’t know where one is going. –Johann Wolfgang von Goethe v TABLE OF CONTENTS Signature Page . iii Dedication . iv Epigraph . v Table of Contents . vi List of Figures . xi List of Tables . xiv Acknowledgements . xv Vita and Publications . xvi Abstract of the Dissertation . xix I Introduction 1 Chapter 1 Research motivation . 2 1.1 Theoretical foundation . 6 1.2 Current objectives . 8 1.3 Overview of the dissertation . 17 II Literature review 24 Chapter 2 Who is harmed by media portrayed thinness? A review of personal moderators . 25 2.1 Introduction . 25 2.1.1 Methodological and demographic moderators . 27 2.2 Method .