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Fashion's Influence on Garment Mass Production
Fashion’s Influence on Garment Mass Production: Knowledge, Commodities and the Capture of Value Sally Weller A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy Centre for Strategic Economic Studies Victoria University, Melbourne AUSTRALIA October 2003 ABSTRACT In affluent communities, it is difficult to think about clothing without considering issues of fashion. Yet, in analyses of the garment industries, fashion is rarely considered in detail, and is certainly not analysed as a structuring force over the configuration of garment production industries. Yet through fashion, garments as commodities are complexly embedded in social and cultural processes and in the specificities of place. Although the structures of the global garment production industries have been the subject of numerous studies from a variety of theoretical perspectives, none hitherto have addressed the influence of fashion on the structures and locations of garment production. This thesis begins with the idea that fashion is a complex and influential form of knowledge. It explores the effects of fashion ideas on the global garment system through a case study of the ideas and commodity flows that bring fashions and garments to the Australian market. It traces the interconnections between global knowledge flows and global commodity flows in a manner attuned to the relationships between knowledge, power, industrial organisation and the capture of surplus value from the production system. The analysis highlights how Australia’s position in garment production is framed by its geographical position on the periphery of the fashion world. Fashion knowledge is a complex form of knowledge with four interrelated expressions. -
Geographica 16
Geographica 16 Taylor Brydges Made in Canada The strategies, spaces and working lives of independent designers in the Canadian fashion system Dissertation presented at Uppsala University to be publicly examined in University Hall Room IV, Biskopsgatan 3, Uppsala, Friday, 15 September 2017 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Associate Professor Susanne Reimer (University of Southampton). Abstract Brydges, T. 2017. Made in Canada. The strategies, spaces and working lives of independent designers in the Canadian fashion system. Geographica 16. 88 pp. Uppsala: Department of Social and Economic Geography, Uppsala University. ISBN 978-91-506-2644-5. Drawing on 87 interviews with independent fashion designers and key informants, this thesis is a collection of papers which aim to explore the strategies, spatial dynamics and working lives of independent fashion designers in the Canadian fashion industry. The majority of fashion design firms in Canada are small independent businesses, typically run by an individual or pair of designers, with few employees. Independent fashion designers create unique small businesses, produce high quality garments defined by the label ‘made in Canada,’ strategically mobilize physical and virtual spaces within the national system, and yet, the long-term viability of these businesses is far from certain. The Canadian fashion industry is facing a number of systemic challenges relating to wider institutional and policy weaknesses that make it difficult to grow a long-term domestic or international fashion business. However, the findings also suggest that a key strength of the Canadian fashion system is that it offers a variety of spaces for designers of different sizes, scales, and motivations. -
Architecting Intellectual Property Protection for the Fashion Industry by Ashlee Froese Gilbert’S LLP
Fashioning Protection For Canada’s Most Fabulous: Architecting Intellectual Property Protection for the Fashion Industry By Ashlee Froese Gilbert’s LLP 1. Introduction Fashion matriarch Coco Chanel once famously stated that imitation is the highest form of flattery. I wonder if renowned shoe designer Christian Louboutin, who has been embroiled in trade-mark litigation in America and France for the last few years over his red-bottomed shoes, would agree. In the legal world, counterfeiting has long been acknowledged as a serious and costly piranha to the fashion industry. This is not the only hurdle facing the fashion designer. Less recognized yet arguably just as pervasive, fashion design piracy can be devastating to the livelihood of the fashion designer. This legal doctrine, however, has had slow traction in Canada. This paper examines the concept of fashion design piracy and provides strategies on how fashion designers can best protect their fashion designs within the confines of the Canadian intellectual property framework. 2. Canada’s Fashion Industry Canada’s roots are deeply entrenched in the fashion industry. Canada’s fur trade was the leading resource-based export for Canada during its inception, making it a foundation of the burgeoning economy. The fur trade continues to be a significant contributor to the Canadian economy.1 In fact, the Fur Institute of Canada estimates that the fur industry contributes $800 million to the Canadian 2 economy. 1 No animals were harmed during the writing of this paper. 2 Fur Institute of Canada “Canada’s Fur Trade at a Glance” http://www.fur.ca/files/fur_trade_at_a_glance.pdf 2 Perhaps more palatable to animal lovers, Canada’s fashion industry has become more well-rounded. -
Collette Dinnigan, Downunder Designer of Bold, Elegant and Playful Clothes, Impresses the World with Her Creative and Business Talent
n a high-pressure industry that prizes aesthetics and uniqueness, Collette Dinnigan, arguably Australia’s most successful fashion designer, retains the fundamental vision she had for her business when she started it 21 years ago: “I hope that anyone who wears my clothes feels special in them, and that the clothes give them the confidence to feel good about themselves.” It’s fair to say confidence oozes from Dinnigan’s collections, whether it’s bridal, lingerie or ready-to-wear. Her designs are forthrightly feminine, yet Iat the same time comfortable and sassy. Dinnigan’s recently released Resort 2012 collection is a sophisticated progression from last year’s campaign, with fitted and flowing shapes and glamorous touches such as lace and jewels. Her Seaside Escapes theme “focuses on clean and relaxed silhouettes and are offset by summer prints and structured shoulders. Beaded pineapples, tonal hibiscus and palm prints sit alongside the new seaside scarf print, complete with seahorses and palm trees – perfect for summertime!” Indeed, Resort 2012 was “inspired by the colours of the deep sea, sunsets, tropical flowers and seaside treasures” – from coral and sand-coloured day dresses in satin georgette with flirty shoulder ties or bustiers to pretty eveningwear in royal blue, black and silver (choose from above the knee, on the knee or full length). Details include ruffle sleeves, scallop lace and beaded epaulets. “The collection is very much about escaping and island adventures, and holidaying at all those wonderful feel-good places,” says Dinnigan. The designer’s southern hemisphere upbringing can attest to her affinity with the sea. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Women in Apparel Technology—How Far Have They Come?
NEWSPAPER 2ND CLASS $2.99 VOLUME 75, NUMBER 19 MAY 10–16, 2019 THE VOICE OF THE INDUSTRY FOR 74 YEARS Women in Apparel Technology—How Far Have They Come? By Dorothy Crouch Associate Editor In 2018, two female researchers studied women in tech- nology and asked this question: Do technology companies alienate women in recruiting sessions? The answer was yes. After observing 84 recruitment ses- sions by technology companies on a university campus in the United States, researchers Shelley Correll, head of Stanford University’s Clayman Institute for Gender Research, and Alison Wynn, a postdoctoral researcher, found that fe- male candidates pursuing quantitative degrees in technology fields were often subjected to gender-imbalanced interviews, which left qualified women feeling discouraged. Together they published “Puncturing the Pipeline: Do Technology Companies Alienate Women in Recruiting Ses- sions?” ➥ Technology page 3 Max Azria, Founder of the BCBGMaxAzria Group, Passes Away in Houston By Deborah Belgum Executive Editor Max Azria, whose imprint on the Los Angeles fashion world is legendary, passed away on May 6 at The Univer- sity of Texas MD Anderson Cancer Center in Houston. He was 70. Sources close to Azria said he died of lung cancer. Azria, who was the youngest of six children and was born in Sfax, Tunisia, on Jan. 1, 1949, grew up in France and later came to the United States in 1981 after designing women’s apparel in Paris for 11 years. His first fashion venture in Los Angeles was Jess, a chain of new-concept boutiques offering hip French fashion to American women. -
Lucire August 2004
Gabriel Scarvelli One designer can change the world august 2004 American idol The true idol look A light exists in spring Bronzing The gap Regardless of the between seasons season The circuit Cocktails Hot o\ the in London catwalks at The trendiest Sydney, Toronto, Los Angeles, Miami bars in town Hilary Permanent Rowland make-up Model We expose the businesswoman dangers juicy style 0 8 GST The global fashion magazine | www.lucire.com incl. http://lucire.com 1175-7515 1 $9·45 NZ ISSN 9 7 7 1 1 7 5 5 7 5 1 0 0 THIS MONTH THIS Volante travel now | feature Sail of the century You had the spring to spend time with the family. Now it’s the northern summer, the cruise lines are banking on self-indulgence being the order of the day compiled by Jack Yan far left: Fine dining aboard the Holland American Line. above left and above: Sophia Loren, godmother to the MSC Opera, accompanied by Capts Giuseppe Cocurullo and Gianluigi Aponte. left: The new KarView monitor. hold as many as 1,756 guests. The two pools, two hydro-massages and internet café are worthy of mention. Meanwhile, Crystal Cruises is announc- ing theme cruises for those who wish to ast month, it was about families. This ready amazing menu offering. Other signature indulge their passion while getting away. The month, it’s about luxurious self-indulgence entrées include chicken marsala with Wash- company highlights: ‘Garden Design sailings as the summer sailing season begins. As ington cherries and cedar planked halibut with through the British Isles; a Fashion & Style Cunard’s Queen Mary 2 sailed in to New Alaskan king crab. -
Loreto-Chronicle-June-2013
Print Post Approved No. PP 451 207/00 220 ChronicleLoreto Volume 26 No.1 June 2013 From the Principal n this our 85th Anniversary IYear, it gives me great pleasure as a past pupil, a past The Year staff member and now as the Principal of this fine school to “unveil” the much anticipated This is an edited extract from the College Master Plan. ofaddress Justice by College Captains, Laura Sclavos and Emmeline-Kate Ball, at This is a pivotal time in our the Opening Assembly. (L-R) Laura Sclavos & Emmeline-Kate Ball history as we look to further develop the school in exciting ways to cater new year – an entire year’s worth true, Justice is more than that. It is about not only for our increase in enrolment when Aof wonderful opportunities! Many of choosing to do what is right, even when it is we introduce Year 7’s in 2015, but to seize the the moments in the year ahead will be the most difficult option. It is about being able opportunity, as the custodians of Loreto’s future, disguised as ordinary days, but each one to recognise the prejudice that is in our world to do this in a way that maximises the great of us has the chance to make something and respond with compassion to make a potential of this beautiful campus. extraordinary out of them. The year difference. To be Just is to have courage and Vitally important elements of the Master Planning ahead will no doubt be overwhelming wisdom to give a voice to the voiceless and process, which has been conducted for the and challenging at times. -
Australian Fashion Week's Trans-Sectoral Synergies
Beyond 'Global Production Networks': Australian Fashion Week's Trans-Sectoral Synergies This is the Published version of the following publication Weller, Sally Anne (2008) Beyond 'Global Production Networks': Australian Fashion Week's Trans-Sectoral Synergies. Growth and Change, 39 (1). pp. 104-122. ISSN 0017-4815 The publisher’s official version can be found at http://dx.doi.org/10.1111/j.1468-2257.2007.00407.x Note that access to this version may require subscription. Downloaded from VU Research Repository https://vuir.vu.edu.au/4041/ Citation: Weller, S.A. (2008). Beyond "Global Production Network" metaphors: Australian Fashion Week's trans-sectoral synergies. Growth and Change, 39(1):104-22. Beyond “Global Production Networks”: Australian Fashion Week’s Trans-sectoral Synergies Sally Weller Centre for Strategic Economic Studies Victoria University PO Box 12488 Melbourne, Australia Ph +613 9919 1125 [email protected] Beyond “Global Production Networks”: Australian Fashion Week’s Trans-sectoral Synergies Sally Weller* ABSTRACT When studies of industrial organisation are informed by commodity chain, actor network or global production network theories and focus on tracing commodity flows, social networks or a combination of the two, they can easily overlook the less routine trans-sectoral associations that are crucial to the creation and realisation of value. This paper shifts attention to identifying the sites at which diverse specialisations meet to concentrate and amplify mutually reinforcing circuits of value. These valorisation processes are demonstrated in the case of Australian Fashion Week, an event in which multiple interests converge to synchronize different expressions of fashion ideas, actively construct fashion markets and enhance the value of a diverse range of fashionable commodities. -
Alcohol Brand Sponsorship Report: Identified Alcohol Brand Sponsorships – U.S., 2010-2013
Alcohol Brand Sponsorship Report: Identified Alcohol Brand Sponsorships – U.S., 2010-2013 Olivia Belt, Korene Stamatakos, Amanda J. Ayers, Victoria A. Fryer, and Michael Siegel Department of Community Health Sciences Boston University School of Public Health February, 2014 Online supplement to manuscript entitled “Alcohol brand sponsorship of events, organizations and causes in the United States, 2010-2013” Methods This study examined sponsorship of organizations and events in the U.S. by alcohol brands from 2010-2013. The top 75 brands of alcohol consumed by underage drinkers were identified based on a previously conducted national internet-based survey. For each of these brands, a systematic search for sponsorships was conducted using Google. This report identifies and briefly summarizes each of the 945 sponsorships identified in this research. TABLE OF CONTENTS ALCOHOLIC ENERGY DRINKS ....................................................................................................... 3 P.I.N.K. SPIRITS ............................................................................................................................... 3 BEERS .................................................................................................................................................... 3 AMSTEL LIGHT ............................................ 3 GUINNESS BEERS .......................................16 BLUE MOON ................................................ 4 HEINEKEN .................................................16 BUD ICE ...................................................... -
NEWSLETTER ISSN 1443-4962 No
An early photo of the Gippsland Standard production room. The newspaper—initially called the Gippsland Standard and Alberton, Foster, Port Albert, Tarraville, Woodside, Woranga and Yarram Representative— began at Port Albert, Victoria, on 5 March 1875. It later moved to Yarram and continued publication until 29 September 1971. It amalgamated with the Yarram News and became the Yarram Standard News. In 2009, it became the Yarram Standard. It ceased publication, during COVID-19, in March 2020. The photo shows John Rossiter (white beard), and a son, Augustus John (centre), with two employees. Some of the old type cases, make-up benches and machinery remained in the office in 1975. This image was featured in publicity material at the centenary celebration of the Victorian Country Press Association in 2010. AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 112 May 2021 Publication details Compiled for the Australian Newspaper History Group by Rod Kirkpatrick, F. R. Hist. S. Q., of U 337, 55 Linkwood Drive, Ferny Hills, Qld, 4055. Ph. +61-7-3351 6175. Email: [email protected]/ Published in memory of Victor Mark Isaacs (1949-2019), founding editor. Back copies of the Newsletter and copies of some ANHG publications can be viewed online at: http://www.amhd.info/anhg/index.php Deadline for the next Newsletter: 15 July 2021. Subscription details appear at end of Newsletter. [Number 1 appeared October 1999.] Ten issues had appeared by December 2000; the Newsletter has appeared five times a year since 2001. 1—Current Developments: National & Metropolitan 112.1.1 Shift in Fairfax emphasis on Nine board, and new CEO Board: Fairfax Media’s influence in the Nine Entertainment Co boardroom is close to ending with the resignation of a key director and uncertainty over the future of two other directors with ties to the historic publisher (Sydney Morning Herald, 1 March 2021). -
Issue No. 860 | March 2021
________________________________________________________________________________________________________ - THE RHSQ Bulletin 78 years of continuous publication MARCH 2021 No. 860 The newsletter of The Royal Historical Society of Queensland Patron: His Excellency the Honourable Paul de Jersey AC, Governor of Queensland President: Dr Denver Beanland AM Website: www.queenslandhistory.org ________________________________________________________________________________________________________ MARCH 31, 2021: 100 YEARS OF SERVICE BY THE ROYAL AUSTRALIAN AIR FORCE RAAF Museum Photo An Avro 504 trainer On 31 March 1921 the RAAF became a separate service. Aircraft flown at that time mainly con- sisted of aircraft received as part of the Imperial Gift. The Avro 504K, 20 of which were ordered in 1918 and another 35 received as part of the Imperial Gift, became an important part of the newly-formed RAAF's operational capability throughout the 1920s. The Imperial Gift was Britain's donation of aero- planes and equipment to the Dominions in 1919 to establish air forces. The only original surviving Impe- rial Gift aircraft in Australia are Avro 504K A3-4/H2174, stored at the Treloar Technology Centre (Can- berra) and S.E.5a A2-4/C1916, exhibited in the ANZAC Hall of the main Australian War Memorial dis- plays in the Australian War Memorial. PER ARDUA AD ASTRA ________________________________________________________________________________________________________ The RHSQ Bulletin, March 2021 – Page 2 President’s Report Your Society held its first function of the year on Friday 12 February with the successful launch of the Dig Tree Blazes Exhibition by the Assistant Minister to the Attorney-General Senator the Honourable Amanda Stoker. The social occasion took the form of a wine and cheese with orange juice for those that prefer something lighter.