IHCC Library Jazz CD Collection 1

Total Page:16

File Type:pdf, Size:1020Kb

IHCC Library Jazz CD Collection 1 IHCC Library Jazz CD Collection 1 Call No. ARTIST TITLE Style Notes 0024 various Kings of Swing Big Band Swing Basie, Goodman, Miller, etc 0025 Louis Armstrong Louis Armstrong New Orleans/Swing various groups 0026 Glenn Miller Glenn Miller Big Band Swing 0028 Count Basie Count Basie Big Band Swing rec. live 1954 0030 Ella Fitzgerald & Louis Amstrong Ella & Louis Swing rec. 1956-1957 0031 various Cotton Club Days early Swing Ellington, Calloway, Horne 0032 Sidney Bechet Sidney Bechet New Orleans/Swing rare recordings 1947-1953 0033 Fats Waller Fats Waller early Swing compilation 1923-1939 0034 Glenn Miller Glenn Miller and The Army Air Force Band Big Band Swing 0035 Artie Shaw Artie Shaw Big Band Swing compilation 1938-1941 0036 Lionel Hampton Lionel Hampton Big Band Swing compilation 1937-1938 0037 Louis Armstrong Hot Five and Hot Seven New Orleans/Chicago selections 1925-1928 0038 Tony Bennett/Count Basie Tony Bennett/Count Basie Big Band Swing/Vocal rec. 1958 0039 various The First Esquire Concert Swing Live concert w/Armstrong, Hawkins, Holiday, Tatum, others 0040 Benny Goodman Benny Goodman Trio & Quartet Swing rare recordings 1935-1936 0041 Harry James Harry James and His Orchestra Big Band Swing various selections 0042 various Smithsonian Collection of Classic Jazz various 6 CD Historical Compilation 0043 various Big Band Jazz (Smithsonian Collection) Big Band Swing 3 CD Compilation 0202 Thad Jones/Mel Lewis Orchestra The Complete Solid State Recordings Modern Big Band Volumes I-II, 6 CDs, rec. 1966-1970 0278 Wynton Marsalis & Ellis Marsalis Joe Cool's Blues Contemporary Mainstream 0284 New England Ragtime Ensemble The Art of the Rag Ragtime orchestrated ragtime classics 0299 Benny Goodman Quartet Together Again Swing rec. 1963 0305 Dave Brubeck Quartet Time Out Mainstream 0348 John McLaughlin Time Remembered Contemporary Mainstream 0349 John Scofield Hand Jive Contemporary Mainstream 0352 The Notables Always & Forever Modern Big Band The Air Combat Command Heartland of America Band 0356 various The Jazz Scene Swing/Bebop 2 CD set. Photos, Norman Granz production 0357 Tito Puente Sensacion Latin Jazz 0361 Woody Herman Big Band 50th Anniversary Tour Modern Big Band 0363 Duke Ellington Private Collection, Vol. II Modern Big Band various recordings 1953-1954 0367 Tito Puente Out of This World Latin Jazz IHCC Library Jazz CD Collection 2 0368 Rosemary Clooney Rosemary Clooney Sings Rodgers, Hart, & Hammerstein Vocal Jazz w/ L.A. Jazz Choir 0369 Stan Getz Spring is Here Mainstream 0370 Ray Brown/Jimmy Rowles Tasty Mainstream 0373 Buddy DeFranco Chip Off the Old Bop Mainstream 0377 Ray Brown/Jimmy Rowles As Good As It Gets Mainstream 0378 Count Basie Count Basie Orchestra Meets Lester Young Big Band Swing rec. 1936-1940 0379 various The Concord Jazz Guitar Collection Contemporary Mainstream 0380 Art Blakey & the Jazz Messengers Live at Kimballs Mainstream 0382 Woody Herman Big Band Live at the Concord Jazz Festival Modern Big Band featuring Al Cohn and Stan Getz 0384 Phil Woods' Little Big Band Evolution Mainstream 0385 Carman McRae You're Lookin' At Me Vocal Jazz 0386 Art Blakey & the Jazz Messengers New York Scene Mainstream 0387 Herb Ellis & Red Mitchell Doggin' Around Mainstream 0393 Duke Ellington Volume I Modern Big Band various live recordings 1953-1954 0396 Phil Woods Trio Just Friends Mainstream 0410 Bill Evans Trio Sunday at the Village Vanguard Mainstream considered the greatest jazz piano trio performance 0412 Marian McPartland Portraits Mainstream 0429 John Scofield Rough House Contemporary Mainstream 0430 Wallace Roney Munchin' Contemporary Mainstream 0431 Benny Golson Quintet Domingo Mainstream 0433 Ted Rosenthal Calling You Contemporary Mainstream 0434 Jan Ira Bloom Slalom Contemporary Mainstream 0435 Freddie Hubbard The Black Angel Contemporary Mainstream 0437 Don Braden The Fire Within Contemporary Mainstream 0440 Frank Morgan Bop! Mainstream 0441 Paquito D'Rivera The United Nations Orchestra Modern Big Band 0442 Jimmy Heath The Time and The Place Mainstream 0443 Pat Martino Interchange Mainstream 0449 70's Jazz Pioneers Live at Town Hall, NYC Contemporary Mainstream 0504 United States Air Force Orchestra Duke Ellington: A Symphonic Portrait Orchestral 0505 United States Air Force Orchestra Remembering the Glenn Miller Army Air Force Orchestra Orchestral 0508 Stan Kenton Jazz Profile Modern Big Band various recordings 1945-1967 IHCC Library Jazz CD Collection 3 0520 Steve Grossman Trio Bouncing With Mr. A.T. Mainstream 0544 Marcus Roberts Blues for the New Millenium Contemporary Mainstream 0553 Herbie Hancock Sound System Electric Fusion 0561 various Billboard: Top Contemporary Jazz, Pop Pop-Jazz 0578 The Canadian Brass Swingtime! Third Stream brass quintet with Gerry Mulligan, Zoot Sims, others 0594 Bill Frisell Ghost Town Electric Fusion 0615 Don Byron A Fine Line Contemporary Mainstream 0619 Kenny Garrett Simply Said Contemporary Mainstream 0622 various Billboard: Top Contemporary Jazz, Rock Electric Fusion 0632 various Billboard: Top Contemporary Jazz, Urban Fusion 0640 Wynton Marsalis Marsalis Plays Monk - Standard Time Vol. 4 Mainstream 0643 Wynton Marsalis Septet Selections From the Village Vangaurd Box Mainstream 0644 John Coltrane The Very Best of John Coltrane Mainstream Atlantic records selections 0646 Gato Barbieri Che Corazon Contemporary Mainstream 0656 various Blue Valentines Mainstream featuring Blue Note Records artists 0670 Ashanti Sin Fronteras Latin Jazz 0671 Ashanti En Fuego Latin Jazz 0672 Ashanti Dyos Bootik Latin Jazz 0679 John Klemmer Touch Electric Fusion 0686 various Happy Hour Jazz Mainstream 0716 various Best of Jazz Vocals Vocal Jazz 0720 Count Basie Greatest Hits Big Band Swing various recordings 1947-1950 0727 various Nighttime Jazz Mainstream 0728 Greg Osby Symbols of Light (A Solution) Contemporary Mainstream 0739 Count Basie One O'Clock Jump and Other Hits Big Band Swing various recordings 0753 Bessie Smith The Empress of the Blues Classic Blues 0757 Joe Williams Having the Blues Under a European Sky Vocal Jazz 0778 Jay McShann Jay McShann and His Orchestra, 1941-1943 Big Band Swing K.C. Blues, first recordings of Charlie Parker 0779 Miles Davis Birth of the Cool Cool Jazz 0780 Duke Ellington Ellington at Newport 1956 (complete) Big Band Swing 0781 Stan Kenton Cuban Fire! Modern Big Band 0782 John Coltrane A Love Supreme Free Jazz Tranes definitive musical statement IHCC Library Jazz CD Collection 4 0783 Karrin Allyson From Paris to Rio Vocal Jazz 0784 Charlie Parker Charlie Parker with Strings: The Master Takes Bebop 0785 The Yellowjackets Blue Hats Fusion 0786 Miles Davis Bitches Brew Jazz-Rock Fusion ignited the fusion jazz movement 0787 Charlie Parker/Dizzy Gillespie Bird and Diz Bebop "The" definitive bebop recording 0788 Lincoln Center Jazz Orchestra Big Train Modern Big Band led by Wynton Marsalis 0789 Duke Ellington The Far East Suite Modern Big Band 0790 Miles Davis A Tribute to Jack Johnson Jazz-Rock Fusion soundtrack 0791 Ornette Coleman Free Jazz Free Jazz 0792 Lambert, Hendricks, and Ross Everybody's Boppin' Vocal Jazz 0793 Michael Brecker Don't Try This At Home Contemporary Mainstream 0794 Thad Jones/Mel Lewis Orchestra Consummation Modern Big Band 0795 Count Basie Orchestra Count Basie Swings, Joe Williams Sings Big Band Swing 0796 Duke Ellington New Orleans Suite Modern Big Band One of Ellington's last suites 0797 Bill Evans Trio Portrait in Jazz Mainstream 0798 Ella Fitzgerald Pure Ella Vocal Jazz 0799 Miles Davis Sketches of Spain Third Stream arranged by Gil Evans 0800 Cannonball Adderley Somethin' Else Mainstream w/Miles Davis 0801 Irakere The Best of Irakere Latin Jazz featuring Cuba's leading jazz musicians 0803 Poncho Sanchez Soul of the Conga Latin Jazz 0804 Chick Corea Elektric Band To the Stars Electric Fusion 0805 Wynton Marsalis Mr. Jelly Lord Contemporary Mainstream New Orleans influenced modern jazz 0806 Wayne Shorter Speak No Evil Mainstream 0807 Clifford Brown Study in Brown Bebop w/Max Roach 0808 John Coltrane Serenity Free Jazz one of Coltrane's last recordings 0809 Carman McRae The Great American Songbook Vocal Jazz 0810 Count Basie The Atomic Mr. Basie Modern Big Band arranged by Neil Hefti 0815 Thelonious Monk Thelonious Monk Quartet w/ John Coltrane Mainstream at Carnegie Hall 0816 Bix Beiderbecke Singin' the Blues Chicago Jazz definitive compilation 0817 Miles Davis Round About Midnight Mainstream 2 cd set; original recording and live concert 0818 Miles Davis E.S.P Mainstream featuring the 1964-67 quintet 0819 Pat Metheny Group Still Life (Talking) Electric Fusion IHCC Library Jazz CD Collection 5 0820 Dexter Gordon Go Mainstream 0822 Benny Goodman The Famous 1938 Carnegie Hall Concert Swing 0823 Sara Vaughan Ultimate Vocal Jazz selected by Dee Dee Bridgewater 0824 Miles Davis Tutu Electric Fusion 0825 Charlie Parker Ken Burns Jazz Bebop selections from the Ken Burns Documentary "Jazz" 0826 Charles Mingus Ah Um Mainstream 0827 Art Blakey & the Jazz Messengers Moanin' Mainstream 0828 Miles Davis My Funny Valentine Mainstream live recording; premier of the great 1964 quartet 0829 Modern Jazz Quartet Django Mainstream 0830 Billie Holiday Greatest Hits Vocal Jazz 0831 Jelly Roll Morton Jelly New Orleans/Chicago 0832 Horace Silver The Cape Verdean Blues Mainstream w/Woody Shaw, Joe Henderson, & J.J. Johnson 0834 Herbie Hancock Maiden Voyage Mainstream w/Freddie Hubbard & George Coleman 0835 Ornette Coleman Change of the Century Free Bop a pioneering free jazz recording 0836 Miles Davis Porgy and Bess Third Stream music from the Gershwin
Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
    [Show full text]
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
    Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • Jazzletter Jujy 1936, VOI
    Jazzletter Jujy 1936, VOI. 5 NO. 7 \ how much jazz had infused his playing. The miscegenation of Are You Reading jazz and hillbilly has longgone on in-Nashville. and some ofthe best of its players are at ease in both idioms. Someone Else’s Copy? Lenny Breau came up through country-and-western music. Each issue of The Underground Grammarian contains the his parents beingprofessionals in the field. and it was'Nashville above question. lt’s discouraging. in the struggle to keep a small that made him welcome. He is. like Garland,‘Carllile and Reed, publication alive. to hear someone say something like, “-1 just the result ofthejazz-country fusion, exceptythat Breau took it a love it. A friend sends me his copies when he’s through with step further and brought into his work the full range ofclassical them.” . A guitar technique. Chet Atkins was the first a&r man to givehim ' In publications supported by advertising. salesmen boast to his head, letting him record for RCAia milestone album in potential advertisers about how many people read each copy. which he showed 0-ff his startling. .for the time, jazz-classical and to the advertiser seeking exposure of his message. those ‘technique, Gene Bertoncini, who is ‘probably the best living figures have weight. He is less interested in how manyypeople exponent of jazz on the five-finger classical guitar. admires buy a periodical than in how many see it. An important Breau; but then you’ll search far to find a guitarist who doesn’t. phenomenon in periodical publishing is what is known as Lenny was a heroin addict.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Notre Dame Collegiate Jazz Festival Program, 1999
    Archives of the University of Notre Dame Archives of the University of Notre Dame '"1; it all began with the cord between the fingers, its sound penetrated et'en the bottom of the soul and there it remained, "'thborts later came the drum, Tony Mowod j·9PM marvel.ous , Evelyn Hawkins 9-Midnight r h y t h m I C, sensual. WeeknightG (except W~)'l) its sound t'ibrated in my hands, TIMDlG1$ E\'IJlYTJlNCi••.md JlOW'! THE lBfEf entering the center of my heart, and there it stayed, -Helio Orulo N/ltiOIGl Pu~ttc itJriitJ www.wvpc.oig 1999 Committee Tom Hayes Sean Lipscomb Curtis Norvett . AmySaks .,., 'ate Paul Rickets Jenn Roberts Carol Konrad Bernardo's Stephen Donndelinger Festival Chairperson :FORMAL WEAR 'RENTALS Lisa Zimmer ,"BERNARpO'S RENTS THE BEST FITl1NG TUXEDOS" Jill Borchardt WE SELL BRAND .NAME TUXEDOS & ACCESSORIES John Forgash WE SUIT ANY OCCASl{)N Master of Ceremonies Kate Bohn Curtis Norvett 255·8818 Evan Edinger 3131 GraDe ROIICI· Mishawaka Amy Harpole Assistant Producer Paul Krivickas Marie Hogan Jane Kulm Program / Poster Design Julie Reising Jenny Schaaf -il.: Archives of the University of Notre Dame Past Chairpersons I want to echo my colleagues in welcoming you to the 41 st Annual 1959 Bill Graham Collegiate Jazz Festival, sponsored by the Student Union Board of the 1961 Jim Haughton University of Notre Dame. Notre Dame has so much to offer, and I sincerely 1961 Da\'e Sommer Dear Participants in the Collegiate Festival: hope that you will take advantage of the other opportunities that are taking 1962 Tom Eiff place on our beautiful campus while you are spending time with us this week­ 1963 Charlie Murphy Welcome to the University ofNotre Dame campus! We are quite proud of end.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]