DOCSLIB.ORG

Www .Maver Ic K

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MAY/JUNE 2014 www.maverick-country.com MAVERICK FROM THE EDITOR... MEET THE TEAM Welcome to the May/June issue of Maverick Magazine! Editor Laura Bethell I wanted to start by saying that when we as a team produced the March/April issue of Goldings, Elphicks Farm, Water Lane, Maverick Magazine, I couldn’t have been prouder. e moment you see something like that Hunton, Maidstone, Kent, ME15 0SG 01622 823922 come back from press, you know it’s something people will get excited about. It suddenly [email protected] became very real for me and it wasn’t long before all of the wonderful feedback we received Managing Editor started pouring in. I can’t thank you enough for your continued support - this journey has been Michelle Teeman incredible and your feedback will continue to guide the magazine forward, so keep writing in! 01622 823920 [email protected] We are still celebrating the success of the second year of Country2Country Festival in the UK. e event was incredible - the O2 was a great venue for the show and the performances Editorial Assistants Chris Beck this year were second-to-none. ough it was my rst year at the festival, I’d heard a lot of [email protected] progress had been made on last year. e pop-up stages around the O2 bought their own fans, Charlotte Taylor the acts for the main arena bought people in from far and wide. For me, the biggest eye-opener [email protected] was when we stepped inside the arena late on Saturday night to watch last month’s cover stars Project Manager the Zac Brown Band perform. It was only the second time throughout the whole event that I’d Natasha Smith 01622 823927 actually managed to get inside the arena and what an incredible atmosphere there was. It was so [email protected] wonderful to see so many thousands of people turning up to support country music. In fact as Offi ce Manager the show opened and the Zac Brown Band took to the stage we turned to look at the audience Cherry Batchelor - and what an incredible sight it was! e show also gave me the opportunity to really welcome 01622 823920 [email protected] people to the magazine and also to listen to their opinions. I loved my time on the stand for this reason - asking people about the music they liked and the music they didn’t, and it was great Publisher David Rossiter to welcome so many new subscribers and readers to the magazine! So from myself and the 01622 823920 Maverick team, thank you very much for taking the time to talk to us and for making the show [email protected] an unprecedented success. Maverick Staying on the topic of festivals a moment longer, this issue will be going to the CMA Festival Published by hand media Goldings, Elphicks Farm, in Nashville in June. We hope to meet many of you out there if you are making it across, but if Water Lane, Hunton, you’re not, we’ll make sure we bring you news of the event as it takes place and also follow it Kent, ME15 0SG. UK. Telephone: +44 (0) 1622 823920 with a write-up in the magazine. Fax: +44 (0) 1622 823933 Lastly, you’ll notice a few changes in this issue and online. Firstly, I’d like to highlight Email: [email protected] Website: www.maverick-country.com the new writers we welcome with this issue - I hope you like what they bring to the magazine and look forward to hearing your thoughts. Secondly, the magazine’s growing Subscriptions Maverick is on sale in the UK via the presence world-wide has resulted in an overall audience of over WH Smith network. Also available in 830,000 people! Ireland, Sweden, Norway and the USA. Contact Charlotte Taylor on 01622 823921 After meeting the American country music stars in the UK, or email [email protected] introducing new readers to the magazine and to the leading Reprints acts of the future and looking out over the packed arena at the For reprints of specifi c pages within O2, Maverick asks you, who said country music wasn’t thriving this magazine please telephone Natasha Smith on 01622 823927 in the UK? or email: [email protected] for more details. Designed and produced by hand media. ©2014. 235/mav/03/14 Laura Bethell Front cover image: © Anthony D’Angio www.frography.com @Maverick_Mag www.facebook.com/MaverickMagazine Contributors: Ian Ambrose, Chris Beck, Laura Bethell, David Brassington, John Brindle, Hayley Burgess, Bryan Chalker, Keith Clark, Paul Collins, Eric Dahl, Nick Dalton, Nick Dent-Robinson, Holley Dey, Alan Harrison, Ian Horne, John Jobling, Paul Kerr, Christopher Mark, Kevin Moug, Simon Redley, John Roffey, Emily Saxton, Chuck Schultz, Jeremy Searle, Jonathan Swift, Charlotte Taylor, Jela Webb, Arthur Wood. Photos: Anthony D’Angio, Kristin Barlowe, Keith Clark, Mikko Huotari, Claire O’Rorke, h a McLister, Simon Redley, Sue Roffey, Brian Tortoro, Richard Webb, Michael Wilson an di d me With thanks to: The Voice/The BBC Maverick 1 C O N T E N T S FEATURES 006 COUNTRY2COUNTRY A REVIEW OF THE MANY EVENTS THAT TOOK PLACE AT C2C 2014 020 FESTIVAL PREVIEW 2014 THIS YEAR’S FESTIVAL ROUND-UP 030 RHIANNON GIDDENS ENRICHING THE MUSICAL LANDSCAPE 032 FIREWORK MOUNTAIN COMPANY 036 ELI YOUNG BAND TRUE GRIT AND TEXAS DIRT 038 SALLY BARKER ‘THE VOICE’ WINNER 2014? 052 MARTINA McBRIDE COUNTRY SOUL 040 OCHRE ROOM 042 ELEPHANT REVIVAL LIFESTYLE 046 STEPHANIE MANNS 035 KALA U-BASS GETTING DOWN TO BUSINESS 043 THE HISTORY OF THE HARMONICA 048 ALEX HART HART TO HEART 050 PAWNSHOP AMPS 052 MARTINA McBRIDE 058 GLEN CAMPBELL GUITAR COUNTRY SOUL 055 SANDI THOM SWINGING THE PENDULUM 060 BAND PERRY PIONEERS OF CONTEMPORARY COUNTRY 062 RASCAL FLATTS 068 EDITOR’S PICKS COVER FEATURE ISSUE NUMBER ONE HUNDRED AND TWENTY- SIX MAY - JUNE 2014 C O N T E N T S 062 RASCAL FLATTS COVER FEATURE REGULARS 004 Letters 005 Maverick Covermount CD 010 Pickin & Grinnin’ ANAïS MITCHELL, LAURA CANTRELL, THE COALPORTERS, TAYLOR SWIFT, ERIC CHURCH 028 Nashville Notebook 068 CD Index & Editor’s Picks 069 CD Reviews NEW RELEASES 103 CD Reviews DUSTY RELICS 108 Tour Dates Index 036 ELI YOUNG BAND TRUE GRIT & TEXAS DIRT LETTERS, MESSAGES & TWEETS MARCH/APRIL 2014 MARCH/APRIL FACEBOOK Keep the good work up Laura and thanks for the article on Suzy Bogguss. She is playing Gateshead soon. Can’t wait to see her again. Been a Maverick subscriber since day 1. An essential guide to most of my musical tastes !!. I’m still applauding after seeing the Transatlantic WWW.MAVERICK-COUNTRY.COM Sessions a few weeks ago, then John Mc, John Doyle and Mike McGoldrick 4 days layer, also at Gatesheads Sage, a fantastic venue for acoustics. Take care n best seeing Lisa Redford, Raintown and Jessica wishes on yr New post! Clemmons on the pop up stages was a Geoff Lisle great bonus. There was something for everybody, cannot wait for 2015 and 229_Mav_cover FINAL.indd 1 31/01/2014 17:04 Laura,congrats on your first Maverick seeing who is on the lineup? Bring it on! Back in the early 90s, a friend as editor.Great issue.Really like the Albert Steven Walker gave me an LP knowing I was a Lee,Shelby Lynne and Suzy Boguss collector of anything strongly or features..... I’m sure you’ll be a great editor It was a wonderful weekend with loosely connected with country Laura, ,having worked ‘on everything such a great atmosphere and so much music. The cover had a cream Maverick’,as you say in your frst ever amazing live music going on. I did pop by marble effect and a mostly black ‘From The Editor’ You’ve interviewed Tay to say hello and great that you were so and white photo of the band, taken Swift and writen fine articles on her,even busy. Hope you like this video I’ve made in a graveyard with a statue of an the one you were too ill to have done the of C2C, has a little clip of the Maverick angel behind them with a layer of interviewing for.I’ve enjoyed your writing - stand!http://youtu.be/8aimMVWTTQw snow on the ground. The band on I think you did the Cerys Matthew feature. Lisa Redford the cover and back of the album You’ve often answered the phone to me was reminiscent of a punk rock on subscription & back issue orders & Picked up your magazine, it’s a great band and very effective. other queries.So you know Maverick.By read. Festival was brilliant, first time I almost always disregarded the look of the new Maverick,it’s in good attendees. The Band Perry particularly Irish and British bands with a few hands.Congrats. good and Brad Paisley a great headliner, exceptions, but because of the Francis Hatfield I also enjoyed Lisa Redord on the small unusual cover I played the album. stage and I got this lovely photo of her. I enjoyed it a lot. For me the song Great to meet you all again at C2C Jonathan Higham Our Song was outstanding, as good town square stand! The whole weekend as anything I had heard. The band was great, my highlights of the weekend These guys were so lovely to chat to... (British) was Red Moon Joe (what a were Dierks Bentley and Chris Young, Caz Batten name!).
Recommended publications
  • View Or Download Full Colour Catalogue May 2021

    View Or Download Full Colour Catalogue May 2021

    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
  • The PARIS Forums >> >>Merry Christmas Beatles Fans! >> >>Here Are Some Studio Over Dubs

    The PARIS Forums >> >>Merry Christmas Beatles Fans! >> >>Here Are Some Studio Over Dubs

    Subject: Merry Christmas Beatles fans! Posted by excelav on Sun, 24 Dec 2006 08:04:52 GMT View Forum Message <> Reply to Message Merry Christmas Beatles fans! Here are some studio over dubs. There is a rumor that Bernard Purdie actually Played the drum over dubs on some of the beatles tracks??? Supposedly he has made that claim. Anyways, here they are: http://shamraybass.com/5-1/ James Subject: Re: Merry Christmas Beatles fans! Posted by John [1] on Sun, 24 Dec 2006 12:25:58 GMT View Forum Message <> Reply to Message Holy shit ! Just the harmonies are worth the download. SCHWING !! "James McCloskey" <[email protected]> wrote: > >Merry Christmas Beatles fans! > >Here are some studio over dubs. There is a rumor that Bernard Purdie actually >Played the drum over dubs on some of the beatles tracks??? Supposedly he >has made that claim. Anyways, here they are: http://shamraybass.com/5-1/ > >James Subject: Re: Merry Christmas Beatles fans! Posted by Martin Harrington on Mon, 25 Dec 2006 00:04:10 GMT View Forum Message <> Reply to Message I could almost categorically say that there would have been no rhythm/main drum overdubs on any of the beatles tracks early on and even very unlikely later as well. Could be wrong...would be easy to find out... -- Martin Harrington www.lendanear-sound.com "John" <[email protected]> wrote in message news:458e63c6$1@linux... > > Holy shit ! Just the harmonies are worth the download. SCHWING !! > > "James McCloskey" <[email protected]> wrote: Page 1 of 7 ---- Generated from The PARIS Forums >> >>Merry Christmas Beatles fans! >> >>Here are some studio over dubs.
  • Chart Book Template

    Chart Book Template

    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
  • Germán López, Joel Savoy & Kelli Jones

    Germán López, Joel Savoy & Kelli Jones

    MUSIC Germán López, Joel Savoy & SAVANNAH Kelli Jones Sat, March 25, 2017 12:30 pm – 1:40 pm Venue Charles H. Morris Center, 10 E Broad St, Savannah, GA 31401 View map Admission Buy tickets More information Savannah Music Festival Credits Presented by the Savannah Music Festival Germán López is a world-renowned ‘timple’ player from the Canary Islands, and is joined by Spanish guitarist Antonio Toledo at the 2017 Savannah Music Festival. Two acoustic duos from remarkably different traditions share this one- time-only double bill. Germán López is a world-renowned timple player from Spain, and is joined by Spanish guitarist Antonio Toledo. López has been performing since the age of 10, including collaborations with the symphony orchestra of Gran Canaria and festival appearances throughout Europe and the U.S. Pronounced “tim-play,” the timple is a diminutive 5-stringed instrument that resembles the 4-stringed ukulele, which López brings to life through a joyous sound that is similar to flamenco music but with a very Portuguese flair. Joel Savoy and Kelli Jones are from Eunice, Louisiana and specialize in Cajun music, honky-tonk and swing on guitar and fiddle. Savoy is the son of renowned Cajun musicians Mark & Ann Savoy, is owner/producer at the Grammy-winning label Valcour Records, and is also the Artistic Director of the Festival of American Fiddle Tunes. This is his third SMF appearance. Kelli Jones grew up playing old-time fiddle alongside her father Carl Jones in North Carolina, and has lived in Louisiana for the past decade. She also performs and tours with Feufollet and T’Monde, in addition to this compelling new project.
  • 6 Inspiring Cajun Musicians

    6 Inspiring Cajun Musicians

    LeadingLadies 6 INSPIRING CAJUN MUSICIANS In what has become our now annual music their voices have been heard and met with guide, we decided to do something a little praise – even Grammy nominations. All six different. Rather than focus on venues, clubs of these women are carrying on the tradition and places to go, we chose to focus on faces of their Cajun ancestors and bringing it to look for – and more importantly, voices to into the future, and we hope that the trend hear. In the music industry in general – and of women leading their own bands will gain especially when it comes to Cajun music, momentum as they continue to inspire others. women are outnumbered by men. Fortunately, That, we think, is worth singing about. By Michael Patrick Welch \\ Photos by Romero & Romero acadianaprofile.com | 31 gigs as Petite et les Patates (Little and the AT THE AGE OF 18, Potatoes), a quieter three-piece traditional musician Jamie Lynn Fontenot was Cajun band. overtaken by the desire to learn Cajun Along with accordion player Jacques French. “My grandparents, Mary ‘Mimi’ fontenotBoudreaux, Petite et les Patates also often Fontenot and John ‘Toe’ Fontenot, from features Fontenot's husband, French fiddle Opelousas are great, really strong Cajun player Samuel Giarrusso, who moved to speakers,” says Fontenot from her home in Louisiana in 2012 from France to be near his Lafayette. “My siblings and I wanted them father, also a Cajun French musician. “Petite to teach us Cajun French, so she would play et les Patates is actually a constantly rotating me all these old Cajun vinyl records, and band, where I am the only constant,” says she’d tell me the stories the singers were Fontenot.
  • Dec. 22, 2015 Snd. Tech. Album Arch

    Dec. 22, 2015 Snd. Tech. Album Arch

    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
  • Single-Payer Cuts the Middle Men but at What Cost? Health Care Overhaul Could Have Big Impact on Middle Tennessee Economy, Your Care

    Single-Payer Cuts the Middle Men but at What Cost? Health Care Overhaul Could Have Big Impact on Middle Tennessee Economy, Your Care

    CLIMER COLUMN Low expectations, greater success Maybe it’s better to dismiss the Vols’ chances. It worked out OK for the 1998 team. VANDERBILT FOOTBALL Commodores P13 have higher goals With a maturing offense DAVIDSONLedger • WILLIAMSON • RUTHERFORD • CHEATHAM WILSON SUMNER• ROBERTSON • MAURY • DICKSONand •veteran MONTGOMERY defense, VU confident as MTSU awaits. WITH THE NASHVILLE SYMPHONY P23 SEPT. 28 TO 30 615.687.6400 • NashvilleSymphony.org cuts theSingle-payer middle men September 1 – 7, 2017 The power of information.NASHVILLE Vol. 43 EDITION | Issue 35 www.TNLedger.com but at what cost? FORMERLY WESTVIEW SINCE 1978 Page 13 Dec.: Health care overhaul Dec.: Keith Turner, Ratliff, Jeanan Mills Stuart, Resp.: Kimberly Dawn Wallace, Atty: on Middle Tennessee economy, Mary C Lagrone, 08/24/2010, 10P1318 In re: Jeanan Mills Stuart, Princess Angela Gates, Jeanan Mills Stuart, Princess Angela Gates,Dec.: Resp.: Kim Prince Patrick, Angelo Terry Patrick, could have big impact Gates, Atty: Monica D Edwards, 08/25/2010, 10P1326 In re: Keith Turner, TN Dept Of Correction, www.westviewonline.com TN Dept Of Correction, Resp.: Johnny Moore,Dec.: Melinda Atty: Bryce L Tomlinson, Coatney, Resp.: Pltf(s): Rodney A Hall, Pltf Atty(s): n/a, 08/27/2010, 10P1336 In re: Kim Patrick, Terry Patrick, Pltf(s): Sandra Heavilon, Resp.: Jewell Tinnon, Atty: Ronald Andre Stewart, 08/24/2010,Dec.: Seton Corp 10P1322 Insurance Company, Dec.: Regions Bank, Resp.: Leigh A Collins, In re: Melinda L Tomlinson, Def(s): Jit Steel Transport Inc, National Fire Insurance
  • Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975

    Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975

    Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters.
  • View Becomes New." Anton Webern to Arnold Schoenberg, November, 25, 1927

    View Becomes New." Anton Webern to Arnold Schoenberg, November, 25, 1927

    J & J LUBRANO MUSIC ANTIQUARIANS Catalogue 74 The Collection of Jacob Lateiner Part VI ARNOLD SCHOENBERG 1874-1951 ALBAN BERG 1885-1935 ANTON WEBERN 1883-1945 6 Waterford Way, Syosset NY 11791 USA Telephone 561-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). To avoid disappointment, we suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper left of our homepage. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. International customers are asked to kindly remit in U.S. funds (drawn on a U.S. bank), by international money order, by electronic funds transfer (EFT) or automated clearing house (ACH) payment, inclusive of all bank charges. If remitting by EFT, please send payment to: TD Bank, N.A., Wilmington, DE ABA 0311-0126-6, SWIFT NRTHUS33, Account 4282381923 If remitting by ACH, please send payment to: TD Bank, 6340 Northern Boulevard, East Norwich, NY 11732 USA ABA 026013673, Account 4282381923 All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. Fine Items & Collections Purchased Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c.
  • (At) Miracosta

    (At) Miracosta

    The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology.
  • Perform with Us—Music, Theatre, and Dance at Drexel

    Perform with Us—Music, Theatre, and Dance at Drexel

    Perform with Us—Music, Theatre, and Dance at Drexel The Department of Performing Arts sponsors a wide range of performing groups open to all Drexel students regardless of major, and over 400 students participate in them every quarter. Each performing group is a variable credit class and can be taken for 1 credit or, if you are on co-op or at the 20 credit maximum, zero credits. Dance Drexel Dance Ensemble (sophomores and above) Dr. Miriam Giguere <[email protected]> A professional caliber dance company performing ballet, modern, jazz, and hip-hop twice a year in the Mandell Theater. Choreography is by selected students and guest professionals. FreshDance Ensemble (freshmen only) Dr. Miriam Giguere <[email protected]> The freshmen only branch company of the Drexel Dance Ensemble. Gives freshmen an opportunity to perform in the dances of professional choreographers and chosen student repertory in performances twice a year. Youth Performance Exchange Touring Dance Ensemble Olive Prince <[email protected]> A small company of selected students who perform throughout the year in a dance lecture demonstration program for elementary school students in Philadelphia Schools. Theatre Drexel Players—Theatre Troupe Nick Anselmo <[email protected]> The Players present a total of seven shows each year in the Mandell Theater and the Black Box Theater. These include musicals, plays, and a professional show that is part of the Mandell Professionals in Residence Project. Students participate in all aspects of theatre performance and production including: acting, directing, playwriting, design, stage management, costumes, lighting, sets, sound, publicity, and box office. Late Night Series Open Mic Nick Anselmo <[email protected]> A weekly open-mic that strives to both champion and nurture performing artists featuring music, comedy, poetry, drama and more.
  • Karaoke Book

    Karaoke Book

    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.