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Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Keyboard: 6/18/09 3:51 PM Page 105 HAL LEONARD105 KEYBOARD
76164 4 Classical_Keyboard: 6/18/09 3:51 PM Page 105 HAL LEONARD105 KEYBOARD 106 Piano Instruction 108 Solo Keyboard Literature by Composer 180 Solo Keyboard Mixed Collections 185 Schirmer Performance Editions 186 The World’s Great Classical Music Series 187 Get to Know Classical Masterpieces 188 One Piano, Four Hands 194 One Piano, Six Hands 195 Two Pianos, Four Hands 202 Miscellaneous Piano Ensembles 203 Piano with Various Instruments 203 Harmonium 203 Harpsichord 205 Organ 216 Organ with Various Instruments 217 Organ/Piano Duets 218 Accordion 2009-2010 CLASSICAL MUSIC CATALOG 76164 4 Classical_Keyboard: 6/18/09 3:51 PM Page 106 106 PIANO INSTRUCTION ______49005413 Easy Baroque Piano Music (Emonts) PIANO INSTRUCTION Schott ED5096 ...........................................................$13.95 ______49005116 Easy Piano Pieces from Bach’s Sons to Beethoven ADAMS, BRET (ed. Emonts) Schott ED4747 .....................................$13.95 ______50006170 12 Primer Theory Papers ______49005117 Easy Romantic Piano Music – Volume 1 (ed. Emonts) Schirmer SG2566 ..........................................................$4.95 Schott ED4748 ...........................................................$13.95 BENNER, LORA ______49007882 Easy Romantic Piano Music – Volume 2 (ed. Emonts) Schott ED8277 ...........................................................$13.95 ______50330220 Theory for Piano Students Book 1 From Bartók to Stravinsky Easy Modern Piano Pieces Schirmer ED2511 ..........................................................$9.95 ______49005136 -
20Th-Century Repertory
Mikrokosmos List 583. - 2 - February 2014 ....20TH-CENTURY REPERTORY 1 Aaberg, Philip: High Plains - comp.pno (1985) S WINDHAM HI WH 1037 A 12 2 Ackerman, William: Conferring with the Moon - Bisharat vln, Manring bass, WINDHAM HI WH 1050 A 12 comp.charango, etc (1986) S 3 Amirov: The 1001 Nights ballet - Kasimova, etc, cond.Rzaev 1982 S 2 x MELODIYA C10 19373 A 20 4 Antheil, George: Pno Sonata 4/ Bax: Elegiac Trio/ Debussy: Syrinx - F.Marvin pno, ALCO ALP 1007 A– 10 Ruderman fl, M.Thomas vla, Craft hrp (red vinyl) 10" 5 Arkhimandritov: Toulouse-Lautrec/P.Gekker: Spring Games/L.Balay: Lagushka- MELODIYA C10 22755 A 20 Puteshestvennitsa - cond.Sinaysky, Serov, Churzhel 1984, 1983 S 6 Artiomov: Vars for Fl; Invocations for Sop & Percs; Awakening for 2 Vlns; Totem for MELODIYA C10 18981 A 10 Percs - Krysa, Grindenko vln, Davydova sop, perc ens, Korneyev fl 1976-82 S 7 Artyomov: Sym of Elegies - Grindenko, Krysa vln, Lithuanian ChO, Sondeckis 1983 MELODIYA C10 20241 A 12 S 8 Arutyunian: Tr Con V.Kruikov: Concert Poem for Tr & Orch/Veinberg: Tr Con - ETERNA 826402 A 10 GD3 Dokshitser, cond.Rozhdestvensky, Juraitis S 9 Barber: Medea, Capricorn Concerto - cond.Hanson (EMI pressing) S MERCURY AMS 16096 A 15 EM1 10 Bialas, Gunther: Indianische Kantata (H.Brauer, cond.G.Konig)/F.Martin: Petite Sym DGG 4090 A 12 GY3 CVoncertante (cond.Fricsay) (gatefold) 11 Billings, William: Prise, Prayer & Patriotism - St.Columbia Singers, cond.Beale RPC Z 457621 A++ 12 S 12 Bloch: Sinfonia Breve/ Peterson: Free Variations - Minneapolis SO, cond.Dorati MERCURY -
72001 for PDF 11/05
EARL WILD LISZT THE 1985 SESSIONS DISC 1 From “Années de Pèlerinage” Second Year: Italy (S161/R10b) 1 Après une lecture du Dante (Fantasia quasi Sonata) 15:58 [“Dante Sonata”] (Andante maestoso - Presto agitato assai - Tempo I (Andante) - Andante (quasi improvvisato) - Andante - Recitativo - Adagio - Allegro moderato - Più mosso - Tempo rubato e molto ritenuto - Andante - Più mosso - Allegro - Allegro vivace - Presto - Andante (Tempo I)) 2 Sonetto 47 del Petrarca 6:20 (Preludio con moto - Sempre mosso con intimo sentimento) 3 Sonetto 104 del Petrarca 6:31 (Agitato assai - Adagio - Agitato) 4 Sonetto 123 del Petrarca 7:04 (Lento placido - Sempre lento - Più lento - (Tempo iniziale)) From “Années de Pèlerinage” Third Year (S163/R10e) 5 Les jeux d’eau à la Villa d’Este 7:41 (Fountains of the Villa d’Este) (Allegretto) 6 Ballade No.2 in B minor (S171/R16) 13:59 (Allegro moderato - Lento assai - Tempo I - Lento assai - Allegretto - Allegro deciso - Allegretto - Allegretto sempre legato - Allegro moderato - Un poco più mosso - Andantino) From “Liebesträume, 3 Notturnos” (S541/R211) 7 Liebesträume (Notturno) No.2 in E flat Major (2nd Version) 4:27 (“Seliger Tod”) (Quasi lento, abbandonandosi) 8 Liebesträume (Notturno) No.3 in A flat Major 4:26 (“O lieb, so lang du lieben kannst!”) (Poco allegro, con affetto) 9 Concert Étude No.3 in D flat Major (“Un Sospiro”) (S144/R5) 5:14 (Allegro affettuoso) Total Playing Time : 72:16 – 2 – DISC 2 Bach/Liszt: Fantasia and Fugue in G minor (S463/R120) 11:12 1 Fantasia (Grave) 5:49 2 Fugue (Allegro) 5:23 Sonata -
Franz Liszt: the Ons Ata in B Minor As Spiritual Autobiography Jonathan David Keener James Madison University
James Madison University JMU Scholarly Commons Dissertations The Graduate School Spring 2011 Franz Liszt: The onS ata in B Minor as spiritual autobiography Jonathan David Keener James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Music Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the Social and Behavioral Sciences Commons Recommended Citation Keener, Jonathan David, "Franz Liszt: The onS ata in B Minor as spiritual autobiography" (2011). Dissertations. 168. https://commons.lib.jmu.edu/diss201019/168 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Franz Liszt: The Sonata in B Minor as Spiritual Autobiography Jonathan David Keener A document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music May 2011 Table of Contents List of Examples………………………………………………………………………………………….………iii Abstract……………………………………………………………………………………………………………….v Introduction and Background….……………………………………………………………………………1 Form Considerations and Thematic Transformation in the Sonata…..……………………..6 Schumann’s Fantasie and Alkan’s Grande Sonate…………………………………………………14 The Legend of Faust……………………………………………………………………………………...……21 Liszt and the Church…………………………………………………………………………..………………28 -
The Poetic Ideal in the Piano Music of Franz Liszt: a Lecture Recital, Together with Three Recitals Of
6 7 THE POETIC IDEAL IN THE PIANO MUSIC OF FRANZ LISZT: A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF MUSIC BY MOZART, BEETHOVEN, SCHUBERT, CHOPIN, BRAHMS, AND CONTEMPORARY EUROPEAN AND NORTH AMERICAN COMPOSERS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Gladys Lawhon, M. A. Denton, Texas December, 1972 Lawhon, Gladys, The Poetic Ideal in the Piano Music of Franz Liszt: A Lecture Recital, Together with Two Solo Recitals and a Chamber Music Recital. Doctor of Musical Arts (Piano Performance), December, 1972, 23 pp., 8 illustrations, bib- liography, 56 titles. The dissertation consists of four recitals: one chamber music recital, two solo recitals, and one lecture recital. The chamber music program included a trio with the violin and cello performing with the piano. The repertoire of all of the programs was intended to demonstrate a variety of types and styles of piano music from several different historical periods. The lecture recital, "The Poetic Ideal in the Piano Music of Franz Liszt," was an attempt to enter a seldom- explored area of Liszt's musical inspiration. So much has been written about the brilliant and virtuosic compositions which Liszt created to demonstrate his own technical prowess that it is easy to lose sight of the other side of his cre- ative genius. Both as a composer and as an author, Liszt re- iterated his belief in the fundamental kinship of music and the other arts. The visual arts of painting and sculpture were included, but he considered the closest relationship to be with literature, and especially with poetry. -
A Survey of Orchestral Excerpt Books for the Flutist Sarah Jane Young
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 A Survey of Orchestral Excerpt Books for the Flutist Sarah Jane Young Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A SURVEY OF ORCHESTRAL EXCERPT BOOKS FOR THE FLUTIST By SARAH JANE YOUNG A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2015 Sarah Jane Young submitted this treatise on March 25, 2015. The members of the supervisory committee were: Eva Amsler Professor Directing Treatise Alice-Ann Darrow University Representative Eric Ohlsson Committee Member Alexander Jiménez Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii I dedicate this treatise in loving memory of my grandparents, Helen H. and Robert W. Starke. iii ACKNOWLEDGMENTS I would like to thank my committee members Dr. Darrow, Dr. Jiménez, and Dr. Ohlsson for their support and wisdom. I am very grateful for my parents Jane and Richard Young, and my grandparents Janet and Gordon Young, for encouraging me. I am indebted to Ellen Mosley, Dean Pieskee, Justin Page, and Andrew Young for their assistance editing this document. I am especially grateful for my teacher Eva Amsler for all of her dedication and support. iv TABLE -
A Study of the Personality of Franz Liszt with Special
· ~ I (; A STUDY OF THE PERSONALITY OF FRANZ LISZT WITH SPECIAL REFERENCE TO THE CONTRADICTIONS IN HIS NATURE Submitted for the Degree of MASTER OF MUSIC Rhodes University by BERYL EILEEN ENSOR-SMITH January 1984 (ii} CONTENTS Chapter I Background Page 1 CAREER CONFLICTS Chapter II Pianist/Composer Page 17 Chapter III Showman/Serious Musician Page 33 PERSONALITY CONFLICTS Chapter IV Ambiguity in Liszt's Relationships - Personal and Spiritual Page 77 Chapter V Finally- Resignation ... Dogged Perseverance . .. Hopeful Optimism Page 116 ----oooOooo---- (iii) ILLUSTRATIONS Liszt, the Child At the end of Chapter I Liszt, the Young Man At the end of Chapter II Liszt, the performer At the end of Chapter III Liszt, Strength or Arrogance? At the end of Chapter IV L'Abbe Liszt Liszt, Growing Older Liszt, the Old Man At the end of Chapter V Liszt, from the last photographs Liszt . .. The End ----oooOooo---- A STUDY OF THE PERSONALITY OF FRANZ LISZT WITH SPECIAL r~FERENCE TO THE CONTRADICTIONS IN HIS NATURE Chapter I BACKGROUND "The man who appears unable to find peace there can be no doubt that we have here to deal with the extraordinary, multiply-moved mind as well as with a mind influencing others. His own life is to be found in his music." (Robert Schumann 19.4) Even the birth of Franz Liszt was one of duality - he was a child of the borderline between Austria and Hungary. His birthplace, even though near Vienna, was on the confines of the civilized world and not far removed from the dominions of the Turk. -
Ilya Yakushev Rpiano PROGRAM
Ilya Yakushev RPiano PROGRAM Sonata in D major, Hob.XVI/37 ....................................... Joseph Haydn Allegro con brio (1732-1809) Largo e sostenuto Finale: Presto ma non troppo Adagio in B minor, K.540 ............................ Wolfgang Amadeus Mozart (1756-1791) Sonata in C-sharp minor, Op. 27, No. 2, Quasi una fantasia ("Moonlight Sonata") ...........Ludwig van Beethoven Adagio sostenuto (1770-1827) Allegretto Presto agitato INTERMISSION Vallée d’Obermann (from Années de pèlerinage) ....................... Franz Liszt Mephisto Waltz No.1 (1811-1886) Sentimental Waltz, Op.510 No.6 .............................Pyotr I. Tchaikovsky (1840-1893) Rhapsody in Blue ........................................................George Gershwin R (1898-1937) Ilya Yakushev appears by arrangement with Lisa Sapinkopf Artists www.chambermuse.com With grateful thanks to the family and many friends of the late Carol Tamblyn Carlson. Special thanks for the assistance of the Saint Martin's University Council of the Knights of Columbus. 23rd March 2019 Saint Martin’s Abbey 8:00 p.m. Lacey, Washington About the Artist Russian pianist Ilya Yakushev, with many awards and honors to his credit, continues to astound and mesmerize audiences at major venues on three continents. Ilya Yakushev's 2018-19 season includes concerts in over 30 U.S. cities, as well as in Mexico and Russia. Last season, he appeared as piano soloist with the symphony orchestras of New Haven (CT), El Paso (TX), Dubuque (IA), La Crosse (WI), Lake Forest (IL); and Glacier Symphony (MT), in addition to recitals in New Jersey, Connecticut, Massachusetts, Tennessee, and Washington. He will also play recitals in Texas, Louisiana, Connecticut, New Jersey, and New York. Highlights of Yakushev’s 2017-18 season included return appearances with the St. -
Final Thesis Dorette Roos
THE FAUST LEGEND A ND ITS MUSICAL MANIFEST ATIONS : A HISTORICAL OVERVIEW by Dorette Maria Roos Thesis su bmitted in partial fulfilment of the degree Master of Music 50% Performance – 50% Thesis at Stellenbosch University Department of Music Faculty of Arts and Social Sciences Supervisor: Professor Hans Roosenschoon December 2010 Declaration I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part, submitted it at any university for a degree. D.M. Roos _____________________________________ Signature Dorette Maria Roos Student Number 15491668 01 / 09 / 2010 Copyright © 2010 Stellenbosch University All rights reserved 2 Acknowledgements I would like to express my gratitude to my supervisor, Professor Hans Roosenschoon, for his guidance, mentorship and encouragement throughout this study. A particular acknowledgement is extended to Miss Esmeralda Tarentaal in the Stellenbosch Music Library for her help and skills. I would like to express my sincere appreciation to my family for their motivation and assistance with this thesis – not forgetting their continuous love, inspiration, proof- reading and suggestions. Lastly, a special word of thanks to my friend Babette, for her constant positivity and enthusiasm. 3 Abstract This thesis explores the Faust legend and its musical manifestations since the 19 th century. The objective is to provide a thorough background to the legend, before drawing up an account of compositions inspired by the Faust legend. Firstly, the origin of the legend is investigated, followed by a brief summary of the most important literary works on the subject of Faust . -
20Th-Century Repertory
Mikrokosmos List 626. - 2 - October 2017 ....20TH-CENTURY REPERTORY 1 Akhinyan: Sym 1/Khudoyan: Vcl Con 2 - Abramyan vcl, cond.Mangasaryan S MELODIYA C10 7549 A 18 2 Akhmetov: Sym 1; Tatarstan Ov - cond.Mansurov, Salavatov 1983 S MELODIYA C10 20503 A 60 3 Aladov, Nicolai: Sym 10 - Byelorus SSO, cond.A.Engelbrecht 1981 S MELODIYA C10 16451 A 65 4 Alfven: Elegi, Midsommarvaka/Svendsen: Carneval in Paris/Nielsen: WORLD OF M KBO 1003 A- 10 Hanedans/SibeliusRomans in C - Covent Garden OpOrch, cond.Hollingsworth (jacket worn a bit) 5 Ali-Zade: Chamber Sym, Rustic Suite, 2 Miniatures - cond.Korneyev, Niyazi S MELODIYA C10 9473 A 20 6 Andriessen, Louis: Hoketus/ F.Rzewski: Coming Together - Hoketius Ens 1979 S HOKETUS 1 A 30 7 Arrieu, Claude: 5 Movements/P-M.Dubois: Quatour/Vivaldi-Lancelot: CORELIA CC 83413 A 20 Quartet/Albinoni-Thilde: Sonata in c - Rouen Cl Quartet (p.1983) S 8 Arutiunian: Cantata for Our Land (Arkhipova, Klenov, Fedoseyev); Theme & Vars; MELODIYA C10 10735 A 15 Festival Ov (cond.Mangasarian) S 9 Ashrafi: Mukhabbat ballet excs - Uzbek Navoi Bolshoi Thetre Orch, cond.comp MELODIYA M30 35923 A 30 10 Bacarisse: Guitar Con in a/Torroba: Homenaje a la Seguidilla - N.Yepes gui, GENIOS DE GML 2011 A 15 Spanish FO, cond.Fruhbeck de Burgos S 11 Badings: Reeks kleine klankstukken, Son 3 for 2 Vlns/A.de Beer: Instructieve STICHTING RC 227 A 15 onatine/H.Kox: Serenade for 2 Vlns/Vitali: Son a tre/Sweelinck: Paduana Lachrimae - Lemkes, Vos vln S 12 Baird: Jutro - Szostek-Radkova, Artysz, Pawlak, Ostrowski, cond.Czajkowski MUZA SX 1057 A 8 (gatefold) S 13 Barraque: .. -
The Jlate Piano Works of Franz Liszt"
379 NSU Ms, 1071 THE LATE PIANO WORKS OP FRANZ LISZT, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OP MUSICAL ARTS By Raymond Marchionni, B. Mus., M. Mus, Denton, Texas August, 1976 i /rv Marchionni, Raymond, The Late Piano Works of ffranz Liszt, — lecture Recital, Together with Three Recitals. Doctor of Musical Arts (Piano Performance), August, 1976, 21 pp., 15 illustrations, bibliography, 41 titles. The lecture recital was given April 2, 1973. A dis- cussion of Liszt's late piano works included information about specific compositional techniques and innovations which influenced twentieth-century composers. Five selections of the late works were performed by memory. In addition to the lecture recital, three public solo recitals were performed. The first solo recital, performed on April 9> 1972, consisted of works by Haydn, Beethoven, Ravel, and Chopin. The second solo recital, performed on August 4, 1974, included works by Beethoven, Debussy, and Brahms. The final solo recital, performed on April 5» 1976, consisted of works by Bach, Chopin, and Prokofieff. All four programs were recorded on magnetic tape and are filed, along with the written version of the lecture recital, as part of the dissertation. Tape recordings of all performances submitted as dissertation requirements are on deposit in the North Texas State University Library. 11 TABLE OF CONTENTS PERFORMANCE PROGRAMS Page First Solo Recital iv Lecture Recital. The Late Piano Works of Franz Liszt v Second Solo Recital vi Third Solo Recital vii LIST OF ILLUSTRATIONS viii THE LATE PIANO WORKS OF FRANZ LISZT 1 BIBLIOGRAPHY 19 111 North Tex'as State University School of A\usic present! Remo AWckionrti, Ftanist ma Graduate Recital Sunday, April % 1972 5:00 p.m.