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Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840 -
Istanbul Technical University Institute of Social Sciences
ISTANBUL TECHNICAL UNIVERSITY INSTITUTE OF SOCIAL SCIENCES ROBERT SCHUMANN’S MINIATURE PIANO PIECES WHICH ARE RELATED TO LITERARY IDEAS Ph.D. Thesis by Hyun Sook J. TEKĠN Department of : MIAM Programme : MIAM MAY 2010 ISTANBUL TECHNICAL UNIVERSITY INSTITUTE OF SOCIAL SCIENCES ROBERT SCHUMANN´S MINIATURE PIANO PIECES WHICH ARE RELATED TO LITERARY IDEAS ROBERT SCHUMANN´S MINIATURE PIANO PIECES WHICH ARE RELATED TO LITERARY IDEAS PhD Thesis by Hyun Sook J. TEKĠN (409042011) Date of Submission : 26 April 2010 Date of Defence Examination : 26 May 2010 Supervisor : Prof. Dr. Cihat AġKIN (ITU) Members of Examination Committee : Prof. Judith ULUĞ (MSU) Prof. Dr. ġehvar BEġĠROĞLU (ITU) Prof. Cana Gürmen (IU) Asst. Prof. Hakan ġensoy (ĠTÜ) MAY 2010 ĠSTANBUL TEKNĠK ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ ROBERT SCHUMANN´IN EDEBĠ FĠKĠRLERLE ĠLGĠLĠ MĠNYATÜR PĠYANO PARÇALARI DOKTORA TEZĠ Hyun Sook J. TEKĠN (409042011) Tezin Enstitüye Verildiği Tarih : 26 Nisan 2010 Tezin Savunulduğu Tarih : 26 Mayıs 2010 Tez DanıĢmanı : Prof. Dr. Cihat AġKIN (ĠTÜ) Diğer Jüri Üyeleri : Prof. Judith ULUĞ (MSÜ) Prof. Dr. ġehvar BEġĠROĞLU (ĠTÜ) Prof. Cana Gürmen (ĠÜ) Yrd. Doç. Hakan ġensoy (ĠTÜ) MAYIS 2010 FOREWORD This doctorate thesis, entitled ―Schumann‘s Miniature Piano Pieces which are related to Literary Ideas‖ was prepared at the I.T.Ü. Social Sciences Institute, Dr. Erol Üçer Center for Advanced Studies in Music (MIAM). Only a few pieces of Schumann are known with their literary connections. In my research I wanted to focus on this relationship between music and literature, especially in his keyboard music. During the analysis, it is found that some specific musical characters rely on the figures of Florestan and Eusebius. -
Franz Liszt's Piano Transcriptions of "Sonetto 104 Del Petrarca". Nam Yeung Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1997 Franz Liszt's Piano Transcriptions of "Sonetto 104 Del Petrarca". Nam Yeung Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Yeung, Nam, "Franz Liszt's Piano Transcriptions of "Sonetto 104 Del Petrarca"." (1997). LSU Historical Dissertations and Theses. 6648. https://digitalcommons.lsu.edu/gradschool_disstheses/6648 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
2016 Program Booklet
Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p. -
Franz Liszt's Sonata in B Minor: an Interpretive Comparison of the Lehman
Franz Liszt’s Sonata in B Minor: An Interpretive Comparison of the Lehman Manuscript with the Friedheim, Joseffy and Cortot Editions Item Type text; Electronic Dissertation Authors Tang, Yi Qing Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 06:35:42 Link to Item http://hdl.handle.net/10150/636504 FRANZ LISZT’S SONATA IN B MINOR: AN INTERPRETIVE COMPARISON OF THE LEHMAN MANUSCRIPT WITH THE FRIEDHEIM, JOSEFFY AND CORTOT EDITIONS by Yi Qing Tang __________________________ Copyright © Yi Qing Tang 2019 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 22 3 STATEMENT BY AUTHOR This document has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this document are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Yi Qing Tang 4 ACKNOWLEDGEMENTS I would like to express my sincere thanks to my major professor Dr. -
Boston Symphony Orchestra Concert Programs, Season 61,1941-1942, Trip
Antdrotg of Mixsxt • Inmkhjn \ BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1681 BY HENRY L. HIGGINSON SIXTY-FIRST SEASON 1941-1942 [2] Friday Evening, January 9 Under the auspices of the Brooklyn Institute of Arts and Sciences and the Philharmonic Society of Brooklyn VICTOR RED SEAL RECORDS by the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Also Sprach Zarathustra Strauss Bolero Ravel Oapriccio ( Jestis Maria Sanroma, Soloist) Stravinsky Classical Symphony Prokofieff Concerto for Orchestra in D major K. P. E. Bach Concerto in D major ( Jascha Heifetz, Soloist) Brahms Concerto No. 2 (Jascha Heifetz, Soloist) Prokofieff Concerto No. 12 — Larghetto Handel Damnation of Faust : Minuet — Waltz — Rakoczy March Berlioz Danse Debussy-Ravel Daphnis et Chloe — Suite No. 2 Ravel filegie ( Violoncello solo : Jean Bedetti ) FaurS "Enchanted Lake" Liadov Fair Harvard Arr. by Koussevitzky Fruhlingsstimmen — Waltzes (Voices of Spring) Strauss Gymnopedie No. 1 Erik Satie-Debussy "Khovanstchina" Prelude Moussorgsky La Valse Ravel "La Mer" ("The Sea") Debussy "Lieutenant Kije" Suite Prokofieff Love for Three Oranges — Scherzo and March Prokofieff Ma Mere L'Oye (Mother Goose) Ravel Missa Solemms Beethoven Passion According to Saint Matthew (Three Albums).. Bach "Peter and the Wolf" Prokofieff Pictures at an Exhibition Moussorgsky-Ravel Pohjola's Daughter Sibelius "Romeo and Juliet," Overture-Fantasia Tchaikovsky Rosamunde — Ballet Music Schubert Sal6n Mexico, El .Aaron Copland San Juan Capistrano — 2 Nocturnes Harl McDonald Sarabande Debussy-Ravel Song of Volga Boatmen Arr. by Stravinsky "Swanwhite" ("The Maiden with Roses") Sibelius Symphony No. 1 in B-flat major ("Spring" ) Schumann Symphony No. 2 in D major Beethoven Symphony No. 2 in D major Sibelius Symphony No. -
April 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
An Annotated Translation of Moriz Rosenthal) S Elise Braun Barnett
An Annotated Translation of Moriz Rosenthal) s Franz Liszt, Memories and Reflections Elise Braun Barnett Introduction Otto Deri often used to discuss programs for piano recitals with me. More than once he expressed surprise that the late piano compositions of Liszt were performed only rarely. He recommended their serious study since, as he pointed out, in these pieces Liszt's conception of melody, rhythm, and harmony are quite novel and anticipate Debussy, Ravel, and Bartok. These discussions came to mind when a friend of mine, Mrs. Oscar Kanner, a relative of Moriz Rosenthal,! showed me an article by the pianist entitled "Franz Liszt, Memories and Reflections," which had appeared in a 1911 issue of the journal Die Musik,2 and also a handwritten, unpublished autobiography written in New York during the last years of Rosenthal's life, 1940 to 1946. Rosenthal's concerts in Europe and America are still remembered by the older generation. His musical conceptions, emotions projected on the piano with an amazing technique, remain an unforgettable experience. He is also remembered as having been highly cultivated, witty, and sometimes sar- castic. His skill in writing is less known, but his autobiography and essays reveal a most refined, fluent, and vivid German style. He is able to conjure up the "golden days," when unity of form and content was appreciated. It is my hope that the following annotated translation of Rosenthal's article will provide a worthy tribute to the memory of Otto Deri. Translation In October of 1876, as a youngster of thirteen, I played for Franz Liszt during one of his frequent visits to the Schottenhof in Vienna,3 and I was admitted to his much envied entourage as perhaps the youngest of his disciples. -
Memorandum LIBRARY of CONGRESS
UNITED STATES GOVERNMENT Memorandum LIBRARY OF CONGRESS 5JSC/LC/12 TO: Joint Steering Committee for Development of RDA DATE: February 6, 2008 FROM: Barbara B. Tillett, LC Representative SUBJECT: Proposed revision of RDA chap. 6, Additional instructions for musical works and expressions The Library of Congress is submitting rule revision proposals for the RDA December 2007 draft chapter 6 instructions for musical works and expressions. Goals of proposals 1. To maintain the additional instructions for music intact (although LC recommends integrating them with the general instructions after the first release of RDA). 2. To fill in gaps in the AACR2 rules carried over into RDA by a. Incorporating selected AACR2 rule revisions; b. Adding instructions that clarify, make explicit, or expand some principles and instructions carried over from AACR2; c. Proposing new instructions. 3. To simplify some unnecessarily complex instructions. 4. To arrange certain subsections in the six major instructions in a more logical way, based wherever possible on principles that group together types of resources having common characteristics. 5. To revise the instructions for medium of performance to provide for all media found in resources and to do that using vocabulary that adheres as closely as possible to the principle of representation: incorporating words the composer or resource uses. 6. To revise or eliminate instructions LC finds unworkable based on past experience with AACR2 (e.g., the instructions for key (6.22) in section M of this document). 7. In the interest of simplification, to eliminate vexing terms catalogers have spent inordinate amounts of time interpreting when using AACR2 (e.g., “type of composition” as a formal term when all it need be is a useful phrase; “score order”). -
Schnittke CD Catalogue
Ivahskin-Schnittke Archive Compact Discs Archive Year of CD Title Schnittke pieces included Performers Label Recording Recording/ Number on CD Number release 1 String trios - Schnittke, String Trio Krysa, O: Kuchar, T; - - - Penderecki, Gubaidulina Ivashkin, A. 2 Webber, Schumman, Sonata for Violin No.2 Kremer, G; Gavrilov, A; Muti, Olympia 501079 1982/1979 Hindesmith, Schnittke (Quasi una sonata) R. Symponic Prelude Schnittke - Symphonic Norrkoping Symphony (1993)/Symphony no.8 3 prelude, Symphony no. 8, Orchestra (Lu Jia - BIS BIS-CD-1217 2005 (1994)/ For Liverpool For Liverpool Conductor) (1994) Schnittke - Minnesang, Minnesang, Concerto for 4 Concerto for mixed choir mixed choir Danish Choir - - - Schnittke - Lux Aeterna Lux Aeterna (Requiem of (Requiem of 5 reconciliation) Krakow Chamber Choir - - 1995 reconciliation) 6 [number not in use] 7 [number not in use] 8 Rastakov, A (Composer) Schnittke: Ritual - (K)ein Ritual/ (K)ein sommernachtstraum - Sommernachtstraum/ Malmo SymphonyOrchestra 9 Passacaglia - Seid nuchten Passacaglia/ Seid nuchtern BIS BIS-CD-437 1989 und wachet und wachtet The State Chamber Choir of the USSR (Dof-Fonskaya, E - 10 Schnittke - Concerto for Concerto for choir in four Soprano; Polyanky, V - Arteton VICC-51 1991 choir in four movements movements Conductor) BBC Symphony Orchestra Alfred Schnittke - Symphony no.2 'St (conducted by Carlton 15656 1997 Symphony no. 2 'St Florian'/ Pas de quatre Rozhdestvensky, G) & BBC Classics 91962 11 Florian' Symphony Chorus (conducted by Cleobury, S) 12 [number not in use] 13 [number not in use] Ivahskin-Schnittke Archive Compact Discs Three madrigals (Sur une Soloists Ensemble of the Denisov, Schnittke, Mobile 14 etoile, Entfernung, Bolshoi Theatre Orchestra MFCD 869 1983 Gubaidulina, Mansurian Fidelity Reflection) Sound Lab The USSR Ministry of Culture Orchestra 15 A Schnittke - Symphony Symphony no.1 Melodiya SUCD 10- 1990/1987 (conducted by no. -
Programm-Heft
Das Präsidium wünscht Ihnen eine interessante und gelungene Tagung Prof. Dr. Peter Nenniger (Präsident Prof. Dr. Karl Jug (Vizepräsident) Irmtraud Bast Freifrau von Humboldt-Dachroeden (Schatzmeisterin) Prof. Dr. Dr. Dagmar Hülsenberg (Koordinatorin des Akad. Rates) PD Dr. Udo von der Burg (Schriftführer) Georg Freiherr von Humboldt-Dachroeden (Geschäftsführer) Das Schloss wurde unter der Regentschaft der Kurfürsten Karl Philipp und Karl Theodor in drei Bauperioden zwischen 1720 und 1760 erbaut und war Residenz der Kurfürsten von der Pfalz von 1720 bis 1777. Titelbild: Der Wasserturm ist das Wahrzeichen Mannheims. Erbaut 1886-1889 nach Plänen von dem Stuttgarter Architekten Gustav Halmhuber, der auch am Bau des Berliner Reichstags mitwirkte. Als Herzstück der zentralen Trinkwasserversorgung geplant und gebaut, diente er nach dem Bau des höher gelegenen Wasserturms im nördl. Stadtteil Luzenberg 1909 noch bis zum Jahr 2000 als Reservehochbehälter. Er ist 60 m hoch, hat einen Durchmesser von 19 m und fasst 2000 cbm Wasser. Nach dem 2. Weltkrieg wurde er 1963 originalgetreu rekonstruiert. Das Dach des Turmes bekrönt eine 3,50 m hohe Statue der Amphitrite, der Gattin des Meeresgottes Poseidon. Auch der weitere Bildschmuck und die Figuren am kleinen und am großen Becken nehmen diese Thematik auf: Wasser ist Leben und – speziell für Mannheim – die Grundlage für Schifffahrt und Handel. Mit seinem Ensemble aus Turm, Garten, Wasserbecken und der angrenzenden Festhalle sowie der Kunsthalle gilt der Friedrichsplatz als eine der schönsten Jugendstilanlagen Deutschlands. Freitag Vortagung im Tagungshotel 02.10.2015 Maritim Parkhotel Mannheim mit paralleler Tagung von: 13:00-15:00 Akademischer Rat und Junge Humboldtianer optional 15:15-16:30 Geführter Stadtrundgang.