Gerhard Richter: the Life of Images LIST of WORKS

Total Page:16

File Type:pdf, Size:1020Kb

Gerhard Richter: the Life of Images LIST of WORKS Page 1 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Various media (including 400 sheets clippings from (approx.): 65 x books and 45cm (framed, newspapers, Städtische Galerie im Lenbachhaus, Atlas Übersicht 1962–on each) with drawings, colour 65 45 Munich, Germany going handwritten and black-and- annotations), white reproduced photographs, and sheets as colour plates Froehlich Collection, Stuttgart, CR:4 Folding dryer Oil on canvas 1962 99.3 78.6 Germany Froehlich Collection, Stuttgart, CR:50 Phantom interceptors Oil on canvas 1964 140 190 Germany Yageo Foundation, Taiwan CR:87 Aunt Marianne Oil on canvas 1965 120 130 Ludwig Galerie Schloss Oberhausen, Städtische Kunstbesitz, CR:84 Mother and Daughter (B.) Oil on canvas 1965 180 110 Germany Page 2 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Lidice Memorial, Lidice Collection, CR: 85 Uncle Rudi Oil on canvas 1965 87 50 Lidice, Czech Republic Tate, London Ed. CR: 7a Elizabeth I Lithograph 1966 70 59.5 Stedelijk Municipal Museum of CR:131 Large Pyramid Oil on canvas 1966 198 246 Contemporary Art, Ghent, Belgium Private Collection CR:107 Liz Kertelge oil on canvas 1966 105 70 Albertinum | Galerie Neue Meister, Staatliche Kunstsammlungen, CR:145-5 Jockel Oil on canvas 1967 50 50 Dresden, Germany Page 3 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Yageo Foundation, Taiwan CR:152-1 Reclining nude Oil on canvas 1967 178 178 De Pont Museum, Tilburg, CR:194-7 Grey, Beams Oil on canvas 1968 49.5 43.1 Netherlands Froehlich Collection, Stuttgart, CR:175 Townscape Paris Oil on canvas 1968 200 200 Germany IVAM, Institut Valencià d’Art CR:259 Canary landscape Oil on canvas 1970 120 150 Modern, Generalitat, Valencia, Spain Sprengel Museum, Hannover, Evening landscape (with CR:260 Oil on canvas 1970 150 200 Germany Figure) Froehlich Collection, Stuttgart, CR:377 Seascape Oil on canvas 1975 200 300 Germany Page 4 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) San Francisco Museum of Modern CR: 397 Grey Oil on canvas 1976 200 170 Art, USA Two Candles Leeum Samsung Museum of Art, CR:499-4 Oil on canvas 1982 80 100 Seoul, South Korea Gerhard Richter Archive, Staatliche Kunstsammlungen Dresden, Germany CR: 548-1 Skull Oil on canvas 1983 55 50 Long-term loan from a private collection The Museum of Modern Art, New CR:572-4 Meadowland Oil on canvas 1985 90.5 94.9 York, USA Los Angeles County Museum of Art CR: 653-2 St Andrew Oil on canvas 1988 200 260 Albertinum | Galerie Neue Meister, Staatliche Kunstsammlungen, CR: 722-3 Abstract painting Oil on canvas 1990 200 180 Dresden, Germany Page 5 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Yageo Foundation, Taiwan CR:725-1 Abstract painting Oil on canvas 1990 225 200 National Gallery of Victoria, CR: 725-3 Abstract painting Oil on canvas 1990 225 200 Melbourne, Australia Permanent loan from Collection Mondstudio CR:725-5 Abstract Painting 725-5 Oil on canvas 1990 200 200 Kunstmuseum Bonn, Germany Tate, London CR:726 Abstract painting oil on canvas 1990 250 350 Photograph, Self-Portrait, Three Times, gelatin silver print Tate, London 1990 50 60 24.1.90 on paper with oil paint on board Page 6 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Offset lithograph, laminated, plastic Dallas Museum of Art, Dallas, USA Ed. CR:75 Betty panel,white card, 1991 96.5 66 nitrocellulose varnish Yageo Foundation, Taiwan CR:780-4 Abstract painting Oil on canvas 1992 260 200 Cibachrome photograph Art Gallery of New South Wales, mounted on Ed. CR:80 Ema (Nude on a Staircase) 1992 194 126 Sydney, Australia Alucobond, framed behind glass I.G. ‘la Caixa’ Collection of Contemporary CR:790-3 Oil on canvas 1993 82 92 Art, Barcelona, Spain Friedrich Christian Flick Collection, CR:790-5 I.G. Oil on canvas 1993 72 82 Switzerland Art Gallery of New South Wales, CR:812 Abstract Painting 812 Oil on canvas 1994 250 200 Sydney, Australia Page 7 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) High Museum of Art, Atlanta, Georgia, CR:799-1 Reader Oil on canvas 1994 51 71 USA San Francisco Museum of Modern CR:804 Reader Oil on canvas 1994 72 102 Art, USA ‘la Caixa’ Collection of Contemporary CR:810-2 Shine Oil on canvas 1994 200 200 Art, Barcelona, Spain Private Collection CR:825-2 Tulips Oil on canvas 1995 36 41 Offset lithograph, Dallas Museum of Art, Dallas, USA Ed. CR:88 Hood white Japanese 1996 46.9 46.9 paper The Museum of Modern Art, New CR: 836-1 Self-portrait Oil on linen 1996 51 46 York, USA Private Collection CR:848-9 Orchid Oil on alu-dibond 1997 29 37 Oil on colour Private Collection 5.12.99 1999 12 12 photograph Page 8 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Oil on colour Private Collection 27.12.1999 1999 12 12 photograph De Pont Museum, Tilburg, CR:863-1 Moritz Oil on canvas 2000 51 46 Netherlands De Pont Museum, Tilburg, CR:863-2 Moritz Oil on canvas 2000 62 52 Netherlands Oil on colour Private Collection 24. März 2003 2003 2003 10 14.8 photograph Oil on colour Private Collection 8.5.05 2005 15.1 10.1 photograph Oil on colour Private Collection 9-Apr-05 2005 15.1 10.1 photograph Oil on colour Private Collection 14.12.06 2006 12.5 16.6 photograph Private Collection CR:903-1 Ella Oil on canvas 2007 40 31 Page 9 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Oil on colour Private Collection 3.1.08 Grauwald 2008 18.6 12.6 photograph Oil on colour Private Collection 4.1.08 Grauwald 2008 18.6 12.6 photograph Oil on colour Private Collection 6.1.08 Grauwald 2008 18.6 12.6 photograph Oil on colour Private Collection 9.1.08 Grauwald 2008 18.6 12.6 photograph Oil on colour Private Collection 10 Sept. 2009 2009 10 14.5 photograph Lacquer on Private Collection 12. März 2009 colour 2009 18.3 12.5 photograph Jacquard-woven multicoloured tapestries; warp: Trevira CS Olbricht Collection, Essen, Germany Ed. CR:144 Abdu 2009 276 378 (flame-retardant polyester); weft: cotton, wool, silk, acrylic Jacquard-woven multicoloured tapestries; warp: Trevira CS Olbricht Collection, Essen, Germany Ed. CR:143 Iblan 2009 276 378 (flame-retardant polyester); weft: cotton, wool, silk, acrylic Page 10 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Jacquard-woven multicoloured tapestries; Musa warp: Trevira CS Olbricht Collection, Essen, Germany Ed. CR:141 2009 276 378 (flame-retardant polyester); weft: cotton, wool, silk, acrylic Jacquard-woven multicoloured tapestries; warp: Trevira CS Olbricht Collection, Essen, Germany Ed. CR:142 Yusuf 2009 276 378 (flame-retardant polyester); weft: cotton, wool, silk, acrylic Print between Dallas Museum of Art, Dallas, USA Ed. CR:139 September 2009 66 89.8 glass Oil on colour Private Collection TATE 8 May 09 2009 15.9 11.8 photograph Permanent loan from a private Enamel on back collection R:914-9 Bagdad of glass mounted 2010 37 50 Kunstmuseum Winterthur,Switzerland on alu-dibond Permanent loan from a private Enamel on back collection CR:914-10 Bagdad of glass mounted 2010 37 50 Kunstmuseum Winterthur,Switzerland on alu-dibond Permanent loan from a private Enamel on back collection CR:914-13 Bagdad of glass mounted 2010 37 50 Kunstmuseum Winterthur,Switzerland on alu-dibond Permanent loan from a private Enamel on back collection CR:914-14 Bagdad of glass mounted 2010 37 50 Kunstmuseum Winterthur,Switzerland on alu-dibond Page 11 of 14 Gerhard Richter: The Life of Images LIST OF WORKS QAGOMA - Queensland Art Gallery | Gallery of Modern Art ARTWORK INFORMATION: Height Width Lender Reference Image Title Medium Date (cm) (cm) Lacquer on Private Collection MV2, 2011 colour 2011 10 15 photograph Lacquer on Private Collection MV5, 2011 colour 2011 10 15 photograph Lacquer on Private Collection MV66, 2011 colour 2011 10 15 photograph Lacquer on Private Collection MV75, 2011 colour 2011 10 15 photograph Lacquer on Private Collection MV136, 2011 colour 2011 10 15 photograph Lacquer on Private Collection MV140, 2011 colour 2011 10 15 photograph Lacquer on Private Collection MV215, 2011 colour 2011 10 15 photograph Lacquer on Private Collection MV227, 2011 colour 2011 10 15 photograph Digital print on Albertinum | Galerie Neue Meister, paper between Staatliche Kunstsammlungen, Ed.
Recommended publications
  • Dresden Paintings in the Permanent Collection Galleries
    DRESDEN PAINTINGS IN THE PERMANENT COLLECTION GALLERIES To complement the display of works by two of the best-known artists who worked in Dresden, Caspar David Friedrich (1774-1840) and Gerhard Richter (born 1932), thirteen works from the Galerie Neue Meister are interspersed throughout the paintings galleries of the J. Paul Getty Museum in juxtapositions with works from the Getty’s permanent collection. Rather than following a strict chronology, the pairings touch on key themes in German painting from 1800 to the present and highlight the artists’ diverse approaches to similar subjects. They also illustrate the relationship between German art and that produced elsewhere in Europe, the connection between hsitory and art in Germany, and the role of Dresden in the development of German art. Galerie Neue Meister, Dresden The J. Paul Getty Museum West Pavilion, Plaza Level Carl Blechen (German, 1798-1840) Christen Schjellerup Købke (Danish, Ruins of a Gothic Church, 1826 1810-1848) Oil on canvas The Forum, Pompeii, with Vesuvius in the Distance, 1841 Oil on paper, mounted on canvas West Pavilion, Upper Level Christian Friedrich Gille (German, 1805-1899) Jean-Baptiste-Camille Corot (French, At the Weisseritz River in Plauen, 1833 1796-1875) Oil on paper, mounted on cardboard House near Orléans, France, about 1830 Oil on paper, mounted on millboard Jean Joseph-Xavier Bidault (French, 1758-1846) View of the Bridge and Part of the Town of Cava, Kingdom of Naples, 1785-90 Oil on paper, mounted on canvas Simon Joseph-Alexandre-Clément Denis (Flemish, 1755-1812) Study of Clouds with a Sunset near Rome, 1786-1801 Oil on paper -more- Page 2 Théodore Caruelle d’Aligny (French, 1798-1871) View of a Mountain Valley with Buildings, about 1829-33 Oil on paper, mounted on canvas Lent by a private collector ..................................................................................................................................................
    [Show full text]
  • Paul Gauguin 8 February to 28 June 2015
    Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland),
    [Show full text]
  • 2008 T R O Ep R 2008 N A
    of the 18th century, Rüstkammer of the 18thcentury, 1st half Tatar, or Ottoman Saddle, comes comes of the orient The fascination Cammer“ “Türckische the 2009–OpeningofDecember to to the Residenzschloss STaaTliChe Kunstsammlungen Dresden · annual repOrT 2008 2008 ANNUAL REPORT 2008 Albertinum Zwinger with Semperbau Wasserpalais, Schloss Pillnitz Page 4 International Special ExhibiTions Foreword PARTNERshiPs Page 27 Page 17 Special exhibitions in Dresden China iN Dresden Message of greeting from the and Saxony in 2008 iN ChiNA Federal Minister for Foreign Affairs Page 34 Page 18 Special exhibitions abroad in 2008 Page 9 The Staatliche Kunstsammlungen Cultural exchange past and future – Dresden in international dialogue a year of encounters between Dresden WiTh kind support and Beijing Page 24 Trip to Russia Launch event with Helmut Schmidt Page 37 and Kurt Biedenkopf Page 25 In your mid-20s? Off to the museum! Visit to Warsaw Page 10 Page 38 Seven exhibitions and a Societies of friends wide-ranging programme of events Page 38 Page 13 Sponsors and donors in 2008 A chance to work abroad Page 40 Page 14 Partners from the business world China in Dresden Page 15 Dresden in China Residenzschloss Jägerhof Lipsiusbau on the Brühlsche Terrasse From ThE collections Visitors Museum bUildiNgs Page 43 Page 63 Page 75 Selected purchases and donations A host must be prepared – improving Two topping-out ceremonies and our Visitor Service will remain a surprising find mark the progress Page 47 an important task in the future of building work at the museums
    [Show full text]
  • East German Art and Cultural Politics: an Introduction by April A
    East German Art and Cultural Politics: An Introduction By April A. Eisman 1 y On October 7, 1949, the Soviet Zone of Occupation in post-war Germany became the German Democratic r a r b i Republic (GDR, or East Germany). From the beginning, art played an important role in East Germany, where it L m l was viewed as a vital element in the development of the ‘all-around socialist personality.’ Artists were i F A F expected to create art that addressed the people, while the people were expected to be interested in art and E D e to explore their creative side. The form that this art was to take, however, was a source of frequent debate h t y b over the forty-year history of the GDR, and especially in the first two decades of the country’s existence. e s a Although many communist artists had embraced modernism during the Weimar Republic and were persecuted e l e R by the Nazis for both their political and aesthetic beliefs, the East German leadership often had difficulty D V D accepting modernist styles in these early years, in part because of the Soviet Union’s emphasis on a conser - A • vative style of socialist realism. Seeing similarities between the Soviets’ artistic style—one marked by opti - s t r o mism, monumentalism and a straightforward realism—and that of the Nazis, many East German artists, on h S x i the other hand, challenged its suitability for the GDR. The result was a cultural policy marked by freezes and S K R thaws depending on whose views—politicians’ or artists’—had the upper hand.
    [Show full text]
  • Dani Marti Sculpture Pavilion Mural: Melvin Galapon
    Exhibition Information March 2021 Breaking Into Colour Reclaiming the Body Degenerate Art Artist Space: Dani Marti Sculpture Pavilion Mural: Melvin Galapon EN GALLERY ZERO ROOM ONE: Breaking Into Colour The 20th Century saw a revolution in abstract art and the use of colour and form, rather than figurative imagery, to express ideas and emotions. With the Impressionists of the late 19th Century, paintings of landscapes and figures also used expressive brush strokes and started to break up the rigid representation into more abstract loose imagery. This exhibition looks at the ways in which artists use the vivacity of colour as a means to challenge, develop or break away from traditional forms of representation and explore new creative freedoms. Curated by Lee Cavaliere Artworks, Left to Right: Mouffe, Michel (b.1957) Grand Détachement, 2014 Mixed media on canvas, 366 x 183cm Michel Mouffe explores the foundations of painting by challenging its limits. As he uses space to establish a dialogue, Mouffe’s paintings are not just flat. An iron frame underneath the canvas shapes the surface, giving the work a sculptural character. The colour, too, is mysterious - The surface is at once opaque and transparent, several layers of diluted paint are applied while the canvas is horizontal. © 2020 the Artist and Axel Vervoordt Mitchell, Joan (1925 –1992) Untitled, 1951 Oil on canvas, 151 x 162cm Joan Mitchell was counted among the American Abstract Expressionists, though she spent much of her career in Europe. While her work began in a figurative style, depicting figures and landscapes, she broke out into abstraction in the early 1950s.
    [Show full text]
  • Kunstmuseen Im Westen Und Osten Deutschlands
    Wissenschaftliche Zeitschrift der Technischen Universität Dresden • 57 (2008) Heft 3 – 4 • Ungleichheiten Das Beispiel der Dresdner Staatlichen Kunstsammlungen zeigt, welche tiefgreifenden Veränderungen sich in den Mu- Gilbert Lupfer seen Deutschlands seit Mitte der 1930er Jahre vollzogen, wie die Bestände skrupellos durch Kunstmuseen im Westen und Stücke fragwürdiger Provenienz ergänzt wurden und welche Osten Deutschlands Verluste andererseits zu bekla- gen waren. Dabei werden neben manchen Gemeinsamkeiten gra- Anmerkungen zu parallelen und divergierenden Entwicklungen vierende Unterschiede in der Entwicklung der Museen im Osten und Westen erkennbar. Zu den Zugängen gehörte seit 1933 enteignetes oder geraub- tes jüdisches Eigentum. Dazu kam im Osten seit 1945 adliger Kunstbesitz aus der Bodenre- form. Auf der anderen Seite 1 Einleitung deutschen Museen nicht früher in Gang, haben die Ost-Museen nach 1945 durch die Beutekunst- mitunter sogar später. Beschaffung der Roten Armee „Neben der Restitution jüdischen Eigentums ihre Bestände zunächst verloren. und der nach Osteuropa verschleppten Die überraschende Rückkehr Beutekunst ist die Auseinandersetzung mit 2 „Entartete Kunst“ Hunderttausender von Objekten den Fürstenhäusern der dritte Komplex, in aus der UdSSR (1955 bis 1958) dem sich die Kulturpolitik der verwickelten Mindestens zwei Gemeinsamkeiten aus der war ein großer Schritt, hat aber 1 das Problem der Beutekunst deutschen Geschichte stellen muss.“ Mit jüngeren Geschichte belasten die Museen im 2 noch nicht vollständig gelöst. So
    [Show full text]
  • Totalitarian Art and Modernity
    KfkXc`kXi`Xe8ikXe[Df[\ie`kp v27_TOT(4k).indd 1 01/11/10 13:51:33 v27_TOT(4k).indd 2 01/11/10 13:51:33 <[`k\[YpD`bb\c9fckIXjdljj\eAXZfYNXdY\i^ KFK8C@K8I@8E 8IK8E; DF;<IE@KP v27_TOT(4k).indd 3 01/11/10 13:51:34 KfkXc`kXi`Xe8ikXe[Df[\ie`kp Acta Jutlandica. Humanities Series 2010/9 © The authors and Aarhus University Press 2010 Cover design: Peter Holst Henckel Cover illustration: Ferdinand Staeger, We Are the Soldiers of Work (1938), oil on canvas Bogen er sat med Nobel på Fresco og trykt hos Narayana Press, Gylling Printed in Denmark 2010 issn 0065-1354 (Acta Jutlandica 9) issn 0901-0556 (Humanities Series) isbn 978 87 7934 5607 Aarhus University Press Aarhus Langelandsgade 177 8200 Århus N Copenhagen Tuborgvej 164 2400 Copenhagen NV www.unipress.dk Fax 89 42 53 80 International distributors: Gazelle Book Services Ltd. White Cross Mills Hightown, Lancaster, LA1 4XS United Kingdom www.gazellebookservices.co.uk The David Brown Book Company Box 511 Oakville, CT 06779 USA www.oxbowbooks.com GlYc`j_\[n`k_k_\ÔeXeZ`Xcjlggfikf] K_\EfmfEfi[`jb=fle[Xk`fe K_\E\n:XicjY\i^=fle[Xk`fe v27_TOT(4k).indd 4 01/11/10 13:51:34 K89C<F=:FEK<EKJ @ekif[lZk`feYpD`bb\c9fckIXjdljj\eAXZfYNXdY\i^ / >\e\Xcf^`\j 8e[\ijM%DleZ_ I\[\dgk`fe`eKfkXc`kp%:lckliXcLkfg`Xjf]CXk\ IfdXek`Z`jdXe[:ifjjifX[jf]8ikXe[Gfc`k`Zj1NX^e\i# 9\_i\ej#=`[lj#?`kc\i (0 AXZfYNXdY\i^ Nfle[\[Nfib`e^?\if\j1J\\`e^D`cc\kXe[mXe>f^_ k_ifl^_k_\:c\]kC\ejf]KfkXc`kXi`Xe`jd8[[`e^I\Õ\Zk`fej ]ifdB`\]\iXe[9Xj\c`kq *- I\Z\gk`fe D`bb\c9fckIXjdljj\e 8ggifXZ_`e^KfkXc`kXi`Xe`jdXe[KfkXc`kXi`Xe8ik ('0 DXicXJkfe\ K_\Kliekf:lckli\`e=XjZ`jk?`jkfi`ZXcJkl[`\j (*' Bi`jk`e\E`\cj\e N_Xk<m\i?Xgg\e\[kf<iejk9XicXZ_6<Xjk>\idXe Gfc`k`ZXcDfeld\ekjXe[k_\8ikf]I\j`jkXeZ\ (+.
    [Show full text]
  • Publishers Autumn 2021
    PUBLISHERS AUTUMN 2021 Our Best 978-3-7774-3589-3 £39.95 / US$45.00 978-3-7774-3656-2 978-3-7774-3579-4 £39.95 / US$50.00 £45.00 / US$ 55.00 978-3-7774-3547-3 £50.00 / US$65.00 978-3-7774-3559-6 978-3-7774-3469-8 £39.95 / US$45.00 £95.00 / US$120.00 Sellers 978-3-7774-3571-8 978-3-7774-3802-3 £45.00 / US$ 60.00 £45.00 / US$60.00 978-3-7774-3633-3 £42.00 / US$50.00 978-3-7774- 3767-5 £35.00 / US$40.00 978-3-7774-3789-7 £45.00 / US$60.00 978-3-7774-3566-4 £39.95 / US£45.00 HIRMER HIGHLIGHTS Srinagar Srinagar Leh JAMMU Leh JAMMUAND KASHMIRAND KASHMIR The World Heritage Sites listing by HIMACHAL 11 HIMACHALPRADESH 11 UNESCO aims to promote the awareness PRADESH 26 and preservation of tangible and 35 26Shimla 35 Shimla 27 intangible cultural heritage around the PUNJAB UTTARAKHAND27 UTTARAKHAND world. UNESCO has inscribed 38 such PUNJAB Dehradun Dehradun sites in India, all of which are presented H A RYA N A H A RYA N A 18 in this volume, together with commen- 2818 30 28 30 tary by architects and conservationists SIKKIM UTTAR PRADESH 23 ARUNACHALItanagar PRADESH SIKKIM and stunning photographs. 21 UTTAR PRADESH Gangtok23 Itanagar 16 16 1 ARUNACHAL PRADESH 21 34 Gangtok 16 1916 36 1 26 20 Jaipur36 10 34 25 ASSAM 20 19 Lucknow 26 ASSAMDispur NAGALAND RAJASTHANJaipur 16 25 Kohima 10 Lucknow Dispur NAGALAND RAJASTHAN 16 BIHAR Shillong Kohima MEGHALAYA 16 BIHAR3 Shillong Imphal 7 16 Patna 3 MEGHALAYA Imphal Intriguing India: the 38 UNESCO World 16 22 MANIPUR 16 16 24Patna 16 22 MANIPUR 29 24 Aizawl Agartala Aizawl Heritage Sites in stunning photographs 29 JHARKHAND 4 AgartalaTRIPURA JHARKHAND WEST Gandhinagar Bhopal4 TRIPURA MIZORAM 31 Ranchi BENGALWEST 17 Gandhinagar Bhopal MIZORAM 5 MADHYA PRADESH Ranchi Kolkata GUJARAT17 31 BENGAL 5 MADHYA PRADESH Kolkata The cultural sites in India are a rich repository of the country’s long, GUJARAT INDIA 33 INDIA 33 layered history, bearing witness to the creativity and influence of multiple 38 communities, crafts and religions.
    [Show full text]
  • Hans Posse Und Die „Entartete Kunst“
    Originalveröffentlichung in: Lupfer, Gilbert ; Rudert, Thomas (Hrsgg.): Kennerschaft zwischen Macht und Moral : Annäherungen an Hans Posse (1879-1942), Köln 2015, S. 319-328 Christoph Zuschlag Hans Posse und die „Entartete Kunst “ In dem folgenden Beitrag soll zunächst ein Blick auf die Beschlagnahmeaktion 1937 und die Verluste der Dresdener Gemäldegalerie geworfen werden. Sodann wird die kunstpolitische Situation in Dresden vor und nach 1933 beleuchtet und nach dem Verhalten und der Rolle Hans Posses gefragt. Schließlich interessiert die Frage, wie Posses Engagement für die Kunstströmungen, die ab 1933 als „entartet“ diffamiert wurden, bewertet werden kann.1 Die Beschlagnahmeaktion von 1937 und die damit verbundenen Verluste für die Dresdener Gemäldegalerie Die Beschlagnahmung „entarteter Kunst“ fand in zwei Aktionen statt: Die erste erfolgte im Juli 1937 in ausgewählten Museen und diente der Requirierung von Exponaten für die gleichnamige Ausstellung in München. Im Zuge dessen war es wahrscheinlich der Maler Wolfgang Willrich (er hatte in den 1920er Jahren an der Dresdener Kunstakademie studiert), der im Auftrag des Präsidenten der Reichskammer der bildenden Künste Adolf Ziegler am 9. oder 10. Juli 1937 in der Gemäldegalerie in Dresden erschien, jedoch keine Werke für München an­ forderte. Die zweite Beschlagnahmung startete im August 1937 und verfolgte das Ziel einer systematischen flächendeckenden Liquidierung der modernen Kunst in den deutschen Museen.2 In diesem Rahmen erschien am 14. August 1937 eine Kommission in Dresden, die die
    [Show full text]
  • Sachsen Und Kunst
    STAATSMINISTERIUM Freistaat FÜR WISSENSCHAFT SACHSEN UND KUNST Die Staatsministerin STAATSMINISTERIUM FÜR WISSENSCHAFT UND KUNST Aktenzelchen Postfach 10 09 20 I 01079 Dresden (bitte bei Antwort angeben) L-1053/2/211-2017/ Präsidenten des Sächsischen Landtages titesden, Herrn Dr. Matthias Rößler Oktober 2017 Bernhard-von-Lindenau-Platz 1 01067 Dresden Kleine Anfrage der Abgeordneten Karin Wilke, AfD-Fraktion Drs.-Nr.: 6/10835 Thema: Entwicklung Besucherzahlen Albertinum Sehr geehrter Herr Präsident, -ir namens und im Auftrag der Sächsischen Staatsregierung beantworte ich die Zertifikat seit 2007 Kleine Anfrage wie folgt: audlt berufundfamilie Frage 1: Wie entwickelten sich die Besucherzahlen und Einnahmen im Albertinum in den Jahren von 1997 bis 2001 und von 2011 bis 2016? Bitte nur die Erlöse aus dem Museumsbetrieb einzeln nach Jahren und getrennt nach Galerie Neue Meister und Skulpturensammlung auffüh ren. In den Jahren 1997 - 2001 waren im Albertinum neben der Galerie Neue Meister und der Skulpturensammlung auch das Grüne Gewölbe, das Münz kabinett sowie das Kupferstich-Kabinett untergebracht. Die Erlöse für diesen Zeitraum können nicht für die einzelnen Museen getrennt dargestellt werden, da zu dieser Zeit keine gesonderte Zählung bzw. Verbuchung erfolgte. Hausanschrift: Erlöse Staatsministerium für Jahr Besucher Wissenschaft und Kunst Albertinum gesamt Wigardstraße 17 1997 541.458 1.240 TEUR 01097 Dresden 1998 494.403 1.128 TEUR www smwk.sachsen.de 1999 487.148 1.070 TEUR Verkehrsanbindung: 2000 536.066 1.212 TEUR Zu erreichen mit den Straßen 2001 563.753 1.385 TEUR bahnlinien 3, 6, 7, 8, 13 Für Besucher mit Behinderungen befinden sich gekennzeichnete Parkplätze am Hintereingang der Wigardstraße 17. Für alle Besu cherparkplätze gilt: Bitte beim Pfortendienst melden.
    [Show full text]
  • List of Objects Proposed for Protection Under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (Protection of Cultural Objects on Loan)
    List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Painting the Modern Garden: Monet to Matisse 30 January 2016 to 20 April 2016 Artist: Claude-Oscar Monet Title: In the Garden Date: 1875 Medium: Oil on canvas Dimensions: Unframed: 76 x 101 cm Framed: 90 x 117 cm Inv.No: Lent by: BALZERS, PRIVATE COLLECTION Private collection Switzerland Provenance: Wildenstein: Jean Campineano, Bucharest. Flavian Collection, Romania. Raphael Gerard, c.1940. Buehrle, Zuerich, c. 1952. Koerfer, Zuerich. Knoedler, New York. R. Balay, United States. Col. and Mrs. Edgar W. Garbisch, c. 1969. Sale The Garbisch Collection, New York, Sotheby Parke Bernet, 12 May 1980, no. 15 (Roland Ernst, Germany); Private Collection, Switzerland (purchased from Walter Feilchenfeldt, Zurich). (Possibly bought in Christie's New York sale 06 November 2001, Lot 31.) *Note that this work has an incomplete provenance for the years 1933-1945. Extensive research has been carried out in order to fill the gaps, but no further information has been found List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Painting the Modern Garden: Monet to Matisse 30 January 2016 to 20 April 2016 Artist: Claude-Oscar Monet Title: Spring Flowers Date: 1864 Medium: Oil on fabric Dimensions: Unframed: 116.8 x 90.5 cm Framed: 144.46 x 117.16 x 12.06 cm Inv.No: 1953.155 Lent by: CLEVELAND, THE CLEVELAND MUSEUM OF ART © The Cleveland Museum of Art Provenance: Léon Monet, Rouen (d.
    [Show full text]
  • Prebles' Artforms an Introduction to the Visual Arts
    Prebles' Artforms An Introduction to the Visual Arts ELEVENTH EDITION CHAPTER 21 Late Eighteenth and Nineteenth Centuries Prebles' Artforms, Eleventh Edition Copyright © 2014, 2011, 2009 by Pearson Education, Inc. Patrick Frank All Rights Reserved Learning Objectives 1. Explain the social and political ideas that gave rise to Neoclassical art and architecture. 2. Recognize the visual characteristics and themes in Romanticism. 3. Discuss the origins of photography and its relationship to painting in the nineteenth century. Prebles' Artforms, Eleventh Edition Copyright © 2014, 2011, 2009 by Pearson Education, Inc. Patrick Frank All Rights Reserved Learning Objectives 4. Describe the stylistic features and artistic concerns characterizing Realism, Impressionism, and Post-Impressionism. 5. Identify representative artists and artworks of the late eighteenth and nineteenth centuries. 6. Assess the use of current events by artists to call attention to social concerns. Prebles' Artforms, Eleventh Edition Copyright © 2014, 2011, 2009 by Pearson Education, Inc. Patrick Frank All Rights Reserved Introduction • Modern age launched by Industrial, American, and French Revolutions • Enlightenment . "Age of Reason" . Rational and scientific approach to beliefs • Stylistic pluralism • Traditional sources of patronage gradually withered Prebles' Artforms, Eleventh Edition Copyright © 2014, 2011, 2009 by Pearson Education, Inc. Patrick Frank All Rights Reserved Neoclassicism • Neoclassicism . Emulation of classical Greek and Roman art . An effort to represent non-hereditary government (republic) • David, Oath of the Horatii . Story of virtue and readiness to die for liberty . Sculptural quality of figures Prebles' Artforms, Eleventh Edition Copyright © 2014, 2011, 2009 by Pearson Education, Inc. Patrick Frank All Rights Reserved Closer Look: Jacques-Louis David, The Oath of the Horatii Jacques-Louis David.
    [Show full text]