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ALBUM? Peter Gabriel and St~Ng,These I Dudesdohaveasenseofhumor, ~IIIIIIIIIIIIIIIIIIII~ As the "If I Were A...I'dt' Series and "Nasty Man" Can Attest To
. - .. - . -. ~. A ~ , - . , . , . , . , -. ::*--.i'_'.-. ~-----.~.7. '. .,.? 7 . ~ $ .. ,, t-c. * .A?. ' - a -. .-? ' '9' . " -, , -,, &., ,:.--: .: .. ., . , y , - . ,,;.? .. .- . .. -- 8 ' . ,"<, ' ~..D. ? PAGE 3 k SLUG To Mike Carlson, wereright, though.mestagewas me, industrial always was shit ENTEIWAINMENT Once again you have con- PM~..---. like ELP, Kraftwerk, Laibach, GUIIBE AN11 firmed the fact that you are a 4. Mary Annerules. She is the This guy 1tEVIEW complete geek Do you ever tire AlternativeCultural Icon for this what's of public humiliation? month. Next up, I submit Chris Youn in warm regards, -1 -1 T. Stinson Robin. Love and bullets, 5. Matt Taylor is right on the Charlee X Nine Editor /Publisher Dearest Dickheads, ball, friends and neighbors. To J.R. Ruppel Controversy, controvesy, controversy! After reading the Sales & Production SlugNo.30/June'91 issue,I must Natalie Kaminski respond to the following: 1. Mike Carlson, suck mine. Photographs Your.bullshit attitude is right Robert DeBerry from the pages of Maximum Special Thanx To: Rock And Roll. "Getting signed Lara Bringard to the maprs and being bled dry Matt Taylor for the bloodsucking consumer Scott Bringard machine?" That shit happens on quite a few indies, too, but why AND OUR TWANX TOOOOOO: 'even bother to record or tour JanBny, Jon Shum~,Brd OWu. Woody Gonulu, Bud Bmrkrq dthout somedegreeof success? Rlck Ruppl, Dan Kw. MuhMron, Sorry, babycake<but the money Xotl Bdngud, Kwh Uk,Charlea Johmn, BUI Ward, Hofflnc Rlnthg, goes along with this and it's not CopperfleldPublbhlng the cash that makes things bad, ?he opinions and views expressed but what you do with it. If this in this rag are those of the writem wasn't the case, records would and arc nM necessarily those of the be free of charge to make and people who pur this shit together.
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Lisa Gerrard and Elizabeth Fraser
Article received on: 24th September 2015 Article accepted on : 15th October 2015 UDC: 781.6 78.071.2 Џерард JI. 78.071.2 Фрејзер E. COBISS.SR-ID 223348492 Julijana Zhabeva Papazova* Independent researcher, Skopje WOMEN’S VOICES IN ALTERNATIVE MUSIC - LISA GERRARD AND ELIZABETH FRASER Abstract: This paper deals with the analysis of Lisa Gerrard’s and Elizabeth Fraser’s vocal styles that promoted a new way of singing on the alternative music scene. Instead of the traditional usage of lyrics in the English language as their mother tongue, they use so called ‘glossolalia’, meaning wordless, or substituting language with a melodic, ex ploratory rapture by their vocal range alone in a couple of octaves. The main points of analysis are the relationships between the vocal interpretation and instruments, music form, main melodic themes, rhythm, accomplished with iconography in the relationship between vocal interpretations and stage performances. Key words: alternative music, Lisa Gerrard, Elizabeth Fraser, vocal analysis, glossolalia Introduction The period of the 1980s brought more diverse and at the same time powerful and expressive female vocals with a wide vocal range as band or solo singers in the area of pop, rock and alternative music such as: Kate Bush, Lisa Gerrard, Eliza beth Fraser, Siouxsie, Tracy Chapman, Enya and Sinead O’Connor. The main aim of this paper is to analyze the vocal interpretation of two singers, members of two important bands as marked in published music encyclopedias and monographs in the domain of alternative or indie music: Lisa Gerrard as the vocalist of Dead Can Dance and Elizabeth Fraser as the vocalist of Cocteau Twins.
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State-Firms Protest Proposed Cuts
Dragons burn out Blue Hens ~.,;P;...a..;;;g;...e_1_s ____· ~- ·· :=, i:~r~r~~::;~~~:~i:::~::t,,,,... State-firms protest proposed cuts Direct 911 Medical program elimination will affect students, future of health care industry in Delaware By Karen Glenn Graduates of the program, about 25 per year. with universi ty administrators Thursday to emergency SraffReporter • go on to work in private laboratories and discuss the importance of the program to state . Private medtcal technology companies have industry handling hematology, clinical industries as well as to the students in the Jomed students and faculty members to protest chemistry and microbiology. program. the proposed termination of the university's Professor Anna Ciulla, medical technology President David P. Roselle said that few line comes·· medicaltechn~logy program. program director said "the proposed elimination alternatives to cutting the program exist, but ~':P!'ese~tauves . from m":"y state health care of the program not only affects current students. that the needs of the students and the companies faclllltes, tncludmg hospllals, blood banks, but will have a widespread effect on health care can still be met. private labs and industries are concerned about delivery in Delaware." "We arc attempting a cooperative project to Newark losing the medical technology program as a Ciulla and Dr. Milton H. Stetson, director for with Jefferson Medical School in Philadelphia," President David P. Roselle pool for employees. the School of Life and Health Sciences, met see MEDICAL PROGRAM page 4 ... awaitingcoundftecommendation Police response time to be lessened with newly City may Hens going up installed phone system By Trent T. Van Doren • surr Reporter receive Newark residents will notice a decrease in response time to emergency calls when a state funded telephone system is implemented Nov.
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Shakespearean Actors Display Talents at ND
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The Music Column That Wouldn't Die: New Album Reviews
The Music Column That Wouldn’t Die: New Album Reviews. I told myself I was over this, that I had retired from the world of music reviews. I had moved onto bigger and better things (mostly staring at the wall and wondering why nobody calls me anymore). Yet here I am, a mere few months after burning my bridges, giving up on new music and making a world of enemies, back in the game. Did I miss the constant abuse, the being paid in soiled pennies and the lack of recognition which writing this unremembered column entailed? Funnily enough, I did! It was listening to the post punk genius of the new Dry Cleaning record that did it. I thought to myself ‘someone has to take it upon themselves to tell the world just how good this album is’. After a moment of quiet reflection where I drank a glass of lukewarm Ribena to calm the nerves, I decided that that person may as well be me. By JOHN BITTLES So, here we are. Bittles’ Magazine, like some particularly bothersome zombie with a bad haircut and worse breath, has been reborn. And what a re-introduction we have! In this month’s reviews there is the art heavy punk funk strut of Squid, the melancholy dream pop of White Flowers, Thomas Fehlmann’s rich ambiance, the return of living legends The Coral, the skewed pop of Dntel, and Dry Cleaning of course. So, tell all your friends, phone the tabloids, and let us begin… New Long Leg by Dry Cleaning.
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Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes.
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Cover Subtext Critical 12
This Mortal Coil - You and your Sister (1991) (Chamber Pop Group) This songs was originally written and performed by Big Star's Chris Bell, who shares a place in the "27-club" beside Janis Joplin, Jim Morrison and Jimi Hendrix. Ivo Watts-Russell, then-owner of the 4AD-Label and Co-Founder of This Mortal Coil, selected in total 4 songs from Bell and Big Star for his rich output of obscure cover versions. Not obscure, but a bit odd, is the way the song was recorded, which can be found in the story of 4AD: Facing the other way - Martin Aston. What appears as an acoustic guitar chord, is a revolving midi-fied sequence, the sweet voices of (then) Pixies' Kim Deal and Tanya Donelly (Throwing Muses), sounding so much in harmony, but were recorded separately, just the string section ought to have played together. The midi-guitar resonates delicious and generously into your room, paving the way for honey sweet female voices, layered with some strings: just a perfect example of chamber pop. Nothing you can hear exposes anything about the tragedy surrounding this song and it's author to the listener. Radical Dance Faction - Hope (1991) (Chamber Pop Group) RDF is masterminded by Chris Bowsher, a musician from Hungerford, whose articulation could have mentored the Sleaford Mods. Meanwhile, his taste in creating spacial soundscapes including accentuation for voices and instruments, just provides a completely different mindset. This song talks about the indecision after terrorists attacks. With a speedy reggae rhythm basement that create the space for the pronounced, in my ears "jazzy" guitar riffs, a female voice contrasted by a male background singer, some meandering saxophone and hand percussion, the music leads the "long long road" to freedom from fear.
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Acquisitiong Archaeology-Competing Interest Jesse Holden Millersville University, [email protected]
Against the Grain Volume 22 | Issue 6 Article 38 December 2010 Acquisitiong Archaeology-Competing Interest Jesse Holden Millersville University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Holden, Jesse (2010) "Acquisitiong Archaeology-Competing Interest," Against the Grain: Vol. 22: Iss. 6, Article 38. DOI: https://doi.org/10.7771/2380-176X.5716 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. For example, I highlighted page 116, where itself, the physical book I mean, is a token of Vendor Library Relations Kluger recorded, in the course of writing about that, a sign that it might be true; my copy of from page 77 the social background to the case, that when the Simple Justice, for me, but books more gener- Lincoln Memorial was dedicated, black people ally too, for many people. A shelf of books, or piles on the floor, or for the books more active had to stand in a special section, far away from a wall of books, can be a hopeful sight, possible at any moment, smaller piles on a table, within the platform and across a road. But I really evidence that there’s much about the world we reach. When I bought it for the class, that’s didn’t write much in the book, since Simple could figure out, if we just took the time. what I must have done with Simple Justice.
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7 1 @ = E = @ : 2 a > = AB
ELEPHANT / ISSUE 3 / SUMMER 2010 THE ART & VISUAL CULTURE MAGAZINE 16@7AB=>63@2=G:3 D / C 5 6 / < = : 7 D 3 @ 7A72@=43@@3@ AB/<:3G2=<E==2 ; 7 1 @ = E = @ : 2 A >=AB@3/:>/7<B7<5 >@7<B7<5B3FB7:3A :/5C723 £14.99, ¤19.95,£14.99, $19.99 BP BP SUMMER 2010 (BFRYHUB&RULQGG (BSB92OLYHULQGG B63 by Marc Valli ;7<=B/C@ 7< B63 :/0G@7<B6 D/C56/<Vaughan Oliver’s Extreme Regions =:7D3@Portrait by Giles Revell (BSB92OLYHULQGG ‘Fame requires every kind of excess. I mean true fame, a de- vouring neon… I mean danger, the edge of every void, the cir- cumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these ex- treme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public’s to- tal madness: even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public’s con- tempt for survivors… (Is it clear I was a hero of rock’n’roll?)’ — Don Delillo, ‘Great Jones Street’ It is difﬁ cult to think of Vaughan Oliver without making the aughan Oliver is mak- ing coffee with a digital radio playing in connection to music. His story seems to belong to the music the background. It is an unlikely setting: the clean and perfectly fitted kitchen of rather than the design world, following a path that’s closer to his tidy and tastefully decorated new that of a legend of rock’n’roll than a visual art one.
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Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
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Love in Cage
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Metro Universities React to Cuts
NEWS -t Registrar's office at a loss over forged profs' signatures, p.3. ARTS -t Former Kids in the Hall writer Paul Bellini strips down, p.8. SPORTS -t Bump, set, spike! Women's volleyball cleans up, p.13. \'~1: 12&,1\;o ~ 11 DALHOUSIE UNIVERSITY, HALIFAX, N.S. Thursday, November 30, 1995 12 per cent Metro universities react to cuts tuition hikes BY SAM MCCAIG recommended The seven metro universities have teamed up to cut costs and pres To increase revenues, Dalhousie's sure the federal and provincial Budget Advisory Council (BAC) IX governments to moderate report, released on Nov. 2 7, "is upcoming budget cuts. recommending an additional 2 Over four years, the Metro per cent general increase in tui Halifax Universities Consortium tion fees beyond the BAC III rec plans to save $17 million through ommendation of 10 per cent." the centralization of administra "In addition to the 12 per cent tive services and the non-replace general increase in all tuition fees, ment of academic staff. the BAC is recommending addi A working draft of the Consor tional increases of $13 5 per stu tium's proposal was released to dent in the Faculty of Arts and the Halifax university community Social Sciences, and $100 per stu on November 21. Two days later, dent for undergraduate Public Ad Dalhousie president Tom Traves ministration and Commerce addressed a crowd of approxi programs," the BAC wrote. mately 500 students, faculty, staff. and concerned onlookers in the CONSORTIUM MEMBERS Mcinnes room of the Student Union Building (SUB). Atlantic School of Theology, 'L\ll we have is a proposal for Dalhousie University, University the government..
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