Arts Backbone Vol.18 Issue 2 & Vol 19 Issue 1, August 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll. -
Djambawa Marawili
DJAMBAWA MARAWILI Date de naissance : 1953 Communauté artistique : Yirrkala Langue : Madarrpa Support : pigments naturels sur écorce, sculpture sur bois, gravure sur linoleum Nom de peau : Yirritja Thèmes : Yinapungapu, Yathikpa, Burrut'tji, Baru - crocodile, heron, fish, eagle, dugong Djambawa Marawili (born 1953) is an artist who has experienced mainstream success (as the winner of the 1996 Telstra National Aboriginal and Torres Strait Islander Art award Best Bark Painting Prize and as an artist represented in most major Australian institutional collections and several important overseas public and private collections) but for whom the production of art is a small part of a much bigger picture. Djambawa as a senior artist as well as sculpture and bark painting has produced linocut images and produced the first screenprint image for the Buku-Larr\gay Mulka Printspace. His principal roles are as a leader of the Madarrpa clan, a caretaker for the spiritual wellbeing of his own and other related clan’s and an activist and administrator in the interface between non-Aboriginal people and the Yol\u (Aboriginal) people of North East Arnhem Land. He is first and foremost a leader, and his art is one of the tools he uses to lead. As a participant in the production of the Barunga Statement (1988),which led to Bob Hawke’s promise of a treaty, the Royal Commission into Black Deaths in Custody and the formation of ATSIC , Djambawa drew on the sacred foundation of his people to represent the power of Yolngu and educate ‘outsiders’ in the justice of his people’s struggle for recognition. -
[email protected] O
51 Lawson Crescent Acton Peninsula, Acton ACT 2601 GPO Box 553, Canberra ACT 2601 ABN 62 020 533 641 www.aiatsis.gov.au Environment and Communications References Committee The Senate Parliament House Canberra ACT 2600 Via email: [email protected] o·ear Committee Members Senate Inquiry into Australia's faunal extinction crisis AIATSIS Submission The Australian Institute for Aboriginal and Torres Strait Islander Studies (AIATSIS) welcomes the opportunity to make a submission in support of the Senate Inquiry into Australia's faunal extinction crisis. AIATSIS would recommend the focus of this senate inquiry includes: consultation with traditional owner groups; native title corporations administering native title settlements and agreements bodies; Native Title Representative Bodies (NTRBs); Native Title Service Providers (NTSPs) and Aboriginal Land Councils: all of whom exercise responsibility for the management of the Indigenous Estate and large tracts of the National Reserve System. This critical consultation and engagement is to ensure that traditional knowledge and management is acknowledged as being an essential element in threatened species recovery, management and conservation. AIATSIS submits that acknowledging the totality of the Indigenous Estate and its interconnection with the National Reserve System is essential in terms of addressing the faunal extinction crisis across the content. Caring for Country programs, Indigenous Land and Sea Management Programs (ILSMPs) and Indigenous Protected Areas (IPAs) are achieving great success in terms of threatened species recovery and the eradication of feral pests and species. Please find attached the AIATSIS submission which is based upon 26 years of research and practice by AIATSIS in Indigenous cultural heritage and native title law. -
Children of the Intervention
CHILDREN OF THE INTERVENTION Aboriginal Children Living in the Northern Territory of Australia A Submission to the UN Committee on the Rights of the Child June 2011 ‘concerned Australians’ June 2011 CHILDREN OF THE INTERVENTION Aboriginal Children Living in the Northern Territory of Australia A Submission to the UN Committee on the Rights of the Child Prepared by: Michel e Harris OAM Georgina Gartland June 2011 1 ‘concerned Australians’ June 2011 2 ‘concerned Australians’ June 2011 CONTENTS INTRODUCTION 5‐6 EXECUTIVE SUMMARY 6‐7 BASIC HEALTH AND WELFARE Overcrowding, Poor Health and Housing 8‐11 Child Nutrition 11‐13 Other Pressures on Family Life 14‐15 SPECIAL PROTECTION MEASURES Affirming Culture 16‐17 EDUCATION, LEISURE AND CULTURAL ACTIVITIES Education 18‐20 CONCLUSION 20 Appendices I Statement by Aboriginal Elders of the Northern Territory ‘To The People of Australia’ 21 ii Homeland Learning Centres (HLC) 22‐23 iii Comparison Between Two Schools 24 iv Build A Future For Our Children – Gawa School 25‐27 3 ‘concerned Australians’ June 2011 4 ‘concerned Australians’ June 2011 Introduction Aboriginal children living in the prescribed areas of the Northern Territory live under legislation that does not affect Aboriginal children in any other parts of Australia, or any other children who live in Australia whatever their ethnic grouping. It is for this reason that we are providing a complementary report to the Australian NGO Report Listen to Children in order to draw specific attention to the situation of children living in the Northern Territory. This legislation, known as Social Security and Other Legislation Amendment (Welfare Reform and Reinstatement of the Racial Discrimination Act) 2009, with small changes, has dominated the lives of all Northern Territory Aboriginal people since 21 June 2007. -
Springer Nature Switzerland AG 2020 C
K Kimberley Rock Art waterways and river systems, which once contin- ued onto the now-submerged Sahul Shelf, mean- Sam Harper, Peter Veth and Sven Ouzman ing the Kimberley was almost twice its current Centre for Rock Art Research + Management, size during the Last Glacial Maximum 26–19 University of Western Australia, Perth, thousand years ago. This large geographical area WA, Australia has been continuously occupied by people for over 50,000 years by multiple cultural and lin- guistic groups (Wood et al. 2016; Veth et al. Introduction 2019). The Kimberley is part of the non-Pama- Nyungan language bloc. These ancient and dis- This chapter summarizes the current state of rock tinctive languages cover the Kimberley, Arnhem art research in the Kimberley, Western Australia, Land, a small area of the Gulf of Carpentaria and which is a globally significant corpus of tens of Cape York, and Tasmania (McConvell 1996). thousands of rock art, archaeological, ethno- There are four major language groups across the graphic, and contemporary sites. We present a Kimberley with between two and nine dialects history of rock art research in the region, discuss (AIATSIS 2019): linguistic and cultural diversity, across the Kim- berley, and outline the development of rock art 1. Worrorran: Worara, Wunambal, Gamberre, stylistic sequences and spatial analysis. A new Miwa, Kwini, Ngarinyin, and Worla generation of scientific dating of the art and asso- 2. Jarragan: Yiiji, Kija, Kadjerrong, and ciated excavations is also harmonized. Aboriginal Miriwoong ontologies and recorded ethnography associated 3. Bunaban: Bunaba, and Gooniyandi with the rock art are highlighted. We also present 4. -
Newsletter Dec 2011
KIMBERLEY LAND COUNCIL getting country back caring for country securing the future Newsletter No 3, 2011 PO BOX 2145 BROOME WA 6725 Ph: (08) 9194 0100 Fax: (08) 9193 6279 www.klc.org.au WARNAMIRNTI AGM bush meeting success The importance of land, language, law and culture was celebrated at the combined Annual General Meetings of the Kimberley’s three peak Indigenous organisations. More than 600 Aboriginal people, representing the 29 claim groups of the Kimberley, gathered at Ngumpan in the Fitzroy Valley to attend the event hosted by the Kimberley Land Council, the Kimberley Aboriginal Law and Culture Centre and the Kimberley Language Resource Centre. The bush meeting is the largest and most important event for Kimberley Aboriginal people, Kimberley Land Council DECEMBER 2011 1 A touch of royalty KLC Co-Chairs Tom Birch and Frank Davey travelled with CEO Nolan Hunter to Perth to meet the Queen at a State Reception Garden Party. More than 1800 people attended the October 27 event as part of the Commonwealth Head of Government Meeting (CHOGM) that was happening in Perth. Co-Chair Tom Birch said although he did not get to meet the Queen, it was an important event to attend. “Very few people get the experience to come so close to the Queen and the Duke of Edinburgh, so it was a unique opportunity for the KLC to represent all Kimberley Aboriginal people,’’ he said. “Although I didn’t get to meet the Queen there were a number of politicians, celebrities and business leaders that we got to speak to and inform about the Kimberley and the work the KLC is doing.’’ The Queen was presented with and AFL football when she visited the Clontarf Aboriginal College and received a Message Stick when greeted by the Noongar people. -
KRED Enterprises Newsletter July, August, September 2015
KRED Enterprises newsletter July, August, September 2015 www.instagram.com/kredenterprises KRED ENTERPRISES • KRED LEGAL • EHSIS We have a right to economic development Written by Wayne Bergmann for The Australian 29/09/15 In his victory speech, new Prime Minister Malcolm Turnbull announced: “There has never been a more exciting time to be alive than today and there has never been a more exciting time to be an Australian. We will ensure that all Australians understand that their government recognises the opportunities of the future.” If federal, state and territory governments are to ensure that Aboriginal Australians are included in these “opportunities of the future”, it is obvious their first priority should be to support the economic initiatives of Aboriginal people. Remarkably, some governments do not understand this. Take the most recent Queensland state governments. On Cape York Peninsula near Aurukan, there’s $20 billion worth of bauxite waiting to be mined. The traditional owners of the area, the Wik and Wik Way people, eager to be part of the economic development of their region, formed a joint venture with an Australian mining company to create Aurukan Bauxite Developments and planned to mine the resource. As part of the joint venture, ABD was to give a 15 per cent share of the project to traditional owners, two Aboriginal directors would be appointed to a board of seven, and there were unambiguous commitments to indigenous employment and training. ABD chairman Nicholas Stump has 40 years’ experience in the mining industry and was formerly chief executive of Comalco and MIM Holdings. According to Cape York indigenous leader Noel Pearson: “He is leading a serious team that has the money, the capability and the capacity to do this.” Here was an opportunity for Aboriginal people to exercise their property rights under native title and control and benefit from development on their country, from operating mining equipment right up to a board level. -
Martu Paint Country
MARTU PAINT COUNTRY THE ARCHAEOLOGY OF COLOUR AND AESTHETICS IN WESTERN DESERT ROCK ART AND CONTEMPORARY ACRYLIC ART Samantha Higgs June 2016 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University Copyright by Samantha Higgs 2016 All Rights Reserved Martu Paint Country This PhD research was funded as part of an Australian Research Council (ARC) Linkage Project, the Canning Stock Route (Rock art and Jukurrpa) Project, which involved the ARC, the Australian National University (ANU), the Western Australian (WA) Department of Indigenous Affairs (DIA), the Department of Environment and Climate Change WA (DEC), The Federal Department of the Environment, Water, Heritage and the Arts (DEWHA, now the Department of Sustainability, Environment, Population and Communities) the Kimberley Land Council (KLC), Landgate WA, the Central Desert Native Title Service (CDNTS) and Jo McDonald Cultural Heritage Management Pty Ltd (JMcD CHM). Principal researchers on the project were Dr Jo McDonald and Dr Peter Veth. The rock art used in this study was recorded by a team of people as part of the Canning Stock Route project field trips in 2008, 2009 and 2010. The rock art recording team was led by Jo McDonald and her categories for recording were used. I certify that this thesis is my own original work. Samantha Higgs Image on title page from a painting by Mulyatingki Marney, Martumili Artists. Martu Paint Country Acknowledgements Thank you to the artists and staff at Martumili Artists for their amazing generosity and patience. -
East Arnhem Regional Economic Development
EAST ARNHEM REGIONAL ECONOMIC DEVELOPMENT COMMITTEE SUBMISSION TO: THE AUSTRALIAN SENATE’S JOINT SELECT COMMITTEE ON NORTHERN AUSTRALIA 21 MAY 2014 The East Arnhem Regional Economic Development Committee (REDC) welcomes the opportunity to input into the Joint Select Committee’s inquiry on Northern Australia development The REDC was formed as an advisory body in May 2013 under the Northern Territory Government’s Regional Economic Development Framework and includes members from key Yolngu and non-Indigenous businesses and not-for-profit organisations operating across north east Arnhem. A full list of attendees is at Appendix A. East Arnhem: an untapped asset for Northern Australia development Covering a total of 33,425 square kilometres, the East Arnhem region spans the entire North Eastern corner of the NT mainland, excluding Groote Eylandt and Bickerton Island. It is arguably one of the last untouched regions of Australia, largely due to relative remoteness. The region is sits at the northwestern point of the Gulf of Carpentaria, and is bounded in the north by the Arafura sea. East Arnhem has a variety of geographical features including the pristine beaches, savannah woodland, monsoon forest, rocky escarpment and wetlands including the heritage listed Arafura swamp near Ramingining. The climate is tropical. In 2011, East Arnhem was home to around 16,000 people. At approximately 12,000 people, the majority of this population are Yolngu - the traditional owners of the region. Major Yolngu communities and homelands include Yirrkala, Gapuwiyak, Ramingining, Galiwink’u, Garrthalala, Baniyala and Gangan. The Yolngu of East Arnhem practice the longest continuous traditional culture in Australia. -