Newsletter Dec 2011
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
[email protected] O
51 Lawson Crescent Acton Peninsula, Acton ACT 2601 GPO Box 553, Canberra ACT 2601 ABN 62 020 533 641 www.aiatsis.gov.au Environment and Communications References Committee The Senate Parliament House Canberra ACT 2600 Via email: [email protected] o·ear Committee Members Senate Inquiry into Australia's faunal extinction crisis AIATSIS Submission The Australian Institute for Aboriginal and Torres Strait Islander Studies (AIATSIS) welcomes the opportunity to make a submission in support of the Senate Inquiry into Australia's faunal extinction crisis. AIATSIS would recommend the focus of this senate inquiry includes: consultation with traditional owner groups; native title corporations administering native title settlements and agreements bodies; Native Title Representative Bodies (NTRBs); Native Title Service Providers (NTSPs) and Aboriginal Land Councils: all of whom exercise responsibility for the management of the Indigenous Estate and large tracts of the National Reserve System. This critical consultation and engagement is to ensure that traditional knowledge and management is acknowledged as being an essential element in threatened species recovery, management and conservation. AIATSIS submits that acknowledging the totality of the Indigenous Estate and its interconnection with the National Reserve System is essential in terms of addressing the faunal extinction crisis across the content. Caring for Country programs, Indigenous Land and Sea Management Programs (ILSMPs) and Indigenous Protected Areas (IPAs) are achieving great success in terms of threatened species recovery and the eradication of feral pests and species. Please find attached the AIATSIS submission which is based upon 26 years of research and practice by AIATSIS in Indigenous cultural heritage and native title law. -
Springer Nature Switzerland AG 2020 C
K Kimberley Rock Art waterways and river systems, which once contin- ued onto the now-submerged Sahul Shelf, mean- Sam Harper, Peter Veth and Sven Ouzman ing the Kimberley was almost twice its current Centre for Rock Art Research + Management, size during the Last Glacial Maximum 26–19 University of Western Australia, Perth, thousand years ago. This large geographical area WA, Australia has been continuously occupied by people for over 50,000 years by multiple cultural and lin- guistic groups (Wood et al. 2016; Veth et al. Introduction 2019). The Kimberley is part of the non-Pama- Nyungan language bloc. These ancient and dis- This chapter summarizes the current state of rock tinctive languages cover the Kimberley, Arnhem art research in the Kimberley, Western Australia, Land, a small area of the Gulf of Carpentaria and which is a globally significant corpus of tens of Cape York, and Tasmania (McConvell 1996). thousands of rock art, archaeological, ethno- There are four major language groups across the graphic, and contemporary sites. We present a Kimberley with between two and nine dialects history of rock art research in the region, discuss (AIATSIS 2019): linguistic and cultural diversity, across the Kim- berley, and outline the development of rock art 1. Worrorran: Worara, Wunambal, Gamberre, stylistic sequences and spatial analysis. A new Miwa, Kwini, Ngarinyin, and Worla generation of scientific dating of the art and asso- 2. Jarragan: Yiiji, Kija, Kadjerrong, and ciated excavations is also harmonized. Aboriginal Miriwoong ontologies and recorded ethnography associated 3. Bunaban: Bunaba, and Gooniyandi with the rock art are highlighted. We also present 4. -
KRED Enterprises Newsletter July, August, September 2015
KRED Enterprises newsletter July, August, September 2015 www.instagram.com/kredenterprises KRED ENTERPRISES • KRED LEGAL • EHSIS We have a right to economic development Written by Wayne Bergmann for The Australian 29/09/15 In his victory speech, new Prime Minister Malcolm Turnbull announced: “There has never been a more exciting time to be alive than today and there has never been a more exciting time to be an Australian. We will ensure that all Australians understand that their government recognises the opportunities of the future.” If federal, state and territory governments are to ensure that Aboriginal Australians are included in these “opportunities of the future”, it is obvious their first priority should be to support the economic initiatives of Aboriginal people. Remarkably, some governments do not understand this. Take the most recent Queensland state governments. On Cape York Peninsula near Aurukan, there’s $20 billion worth of bauxite waiting to be mined. The traditional owners of the area, the Wik and Wik Way people, eager to be part of the economic development of their region, formed a joint venture with an Australian mining company to create Aurukan Bauxite Developments and planned to mine the resource. As part of the joint venture, ABD was to give a 15 per cent share of the project to traditional owners, two Aboriginal directors would be appointed to a board of seven, and there were unambiguous commitments to indigenous employment and training. ABD chairman Nicholas Stump has 40 years’ experience in the mining industry and was formerly chief executive of Comalco and MIM Holdings. According to Cape York indigenous leader Noel Pearson: “He is leading a serious team that has the money, the capability and the capacity to do this.” Here was an opportunity for Aboriginal people to exercise their property rights under native title and control and benefit from development on their country, from operating mining equipment right up to a board level. -
Martu Paint Country
MARTU PAINT COUNTRY THE ARCHAEOLOGY OF COLOUR AND AESTHETICS IN WESTERN DESERT ROCK ART AND CONTEMPORARY ACRYLIC ART Samantha Higgs June 2016 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University Copyright by Samantha Higgs 2016 All Rights Reserved Martu Paint Country This PhD research was funded as part of an Australian Research Council (ARC) Linkage Project, the Canning Stock Route (Rock art and Jukurrpa) Project, which involved the ARC, the Australian National University (ANU), the Western Australian (WA) Department of Indigenous Affairs (DIA), the Department of Environment and Climate Change WA (DEC), The Federal Department of the Environment, Water, Heritage and the Arts (DEWHA, now the Department of Sustainability, Environment, Population and Communities) the Kimberley Land Council (KLC), Landgate WA, the Central Desert Native Title Service (CDNTS) and Jo McDonald Cultural Heritage Management Pty Ltd (JMcD CHM). Principal researchers on the project were Dr Jo McDonald and Dr Peter Veth. The rock art used in this study was recorded by a team of people as part of the Canning Stock Route project field trips in 2008, 2009 and 2010. The rock art recording team was led by Jo McDonald and her categories for recording were used. I certify that this thesis is my own original work. Samantha Higgs Image on title page from a painting by Mulyatingki Marney, Martumili Artists. Martu Paint Country Acknowledgements Thank you to the artists and staff at Martumili Artists for their amazing generosity and patience. -