Spektral Quartet Something to Write Home About Something to Write Home About
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Sufjan Stevens Yarn/Wire
BAM 2015 Winter/Spring Season #Sufjan Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer Round-Up Sufjan Stevens Yarn/Wire BAM Harvey Theater Jan 20—25 at 7:30pm Running time: one hour and 15 minutes, no intermission Season Sponsor: Viacom is the BAM 2015 Music Sponsor The Steinberg Screen at the BAM Harvey Theater is made possible by The Joseph S. and Diane H. Steinberg Charitable Trust Major support for Round-Up provided by The Frederick Loewe Foundation Major support for music at BAM provided by: Frances Bermanzohn & Alan Roseman Pablo J. Salame Round-Up FILM Director, Composer Sufjan Stevens Cinematographer Aaron Craig Cinematographer Alex Craig Co-Producer Lisa Moran Co-Producer We Are Films COMPANY Sound Mix Dan Bora Lighting Seth Reiser Stage Manager Mary-Sue Gregson Production Management Lisa Moran Live Projection & Design Josh Higgason Round-Up was filmed at the Pendleton Round-Up in eastern Oregon, September, 2013. Additional footage was shot in Brooklyn and upstate New York, July 2014. Courtesy We Are Films Courtesy We Are Films Who’s Who SUFJAN STEVENS was born in Detroit and WE ARE FILMS raised in northern Michigan. He attended Hope Alex and Aaron Craig discovered their passion for College in Holland, MI, and the masters program filmmaking in their early teens. With camcord- for writers at the New School for Social Research ers in hand, willing neighbors as actors, and the in New York City. -
Download Booklet
161Booklet 12/3/09 09:38 Page 1 ALSO AVAILABLE on signumclassics Peter Warlock: Some Little Joy I Love All Beauteous Things: Choral and Organ Music SIGDVD002 by Herbert Howells The Choir of Christ Church Cathedral, Dublin A film drama about a man who, by his SIGCD151 death at thirty six, had composed some of the most perfect gems of English Herbert Howells has an assured place in the annals of English songwriting and elevated hedonism to an church music, however his popular reputation is founded largely on art form. the frequent performance of a small body of core works. This recording redresses the balance in exploring some much less well- known pieces, with impassioned performances from the Choir of Christ Church Cathedral, Dublin. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 161Booklet 12/3/09 09:38 Page 3 THE frostbound wood 16. When the Dew is Falling Herbert Howells [3.36] 17. Full Moon Herbert Howells [2.59] 1. My Little Sweet Darling Peter Warlock [1.59] Noble Numbers Betty Roe 18. To His Saviour, a Child; a Present, by a Child [1.35] 2. Take, O Take Those Lips Away Peter Warlock [1.35] 19. To God; An anthem sung before the King in 3. And Wilt Thou Leave Me Thus? Peter Warlock [1.59] the chapel at Whitehall [2.43] 4. Sleep Peter Warlock [2.10] 20. To God [0.53] 21. To His Angrie God [1.41] 5. The Droll Lover Peter Warlock [0.57] 22. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
J. Tillman Release Date: 09/22/2009 CD UPC Year in the Kingdom 6 56605 46022 2
a WESTERN VINYL release WV068 || Format: CD J. Tillman Release Date: 09/22/2009 CD UPC Year In The Kingdom 6 56605 46022 2 WESTERN VINYL WWW.WESTERNVINYL.COM [email protected] SELLING POINTS - Josh will embark on his first US tour in years in November. In September he’ll tour the EU - Josh has released several critically acclaimed records and has toured in Europe and throughout 1. Year In The kingdom the US. 2. Crosswinds 3. Earthly Bodies - Features artwork by acclaimed designer and 4. Howling Light illustrator Mario Hugo 5. Though I Have Wronged You 6. Age Of Man PRESS QUOTES 7. There Is No Good In me “This is no mere side-project. His first proper UK release is a treat, at times conjuring the beautiful, stark bleakness of Nick Drake, 8. Marked In The Valley elsewhere not afraid to crank things up, as on the distortion heavy 9. Light Of The Living ‘New Imperial Grand Blues’. Best of all is the upliftingly redemptive ‘Above All Men’.” – Q Magazine “An existentialist’s songs cycle, Vacilando…’s lonely songs reinforce each other with an impeccable internal logic, fashioning its own little world-weary universe, wherein less is more, simple guitar strums signal seismic shifts in mood, shadows bump into one Year In The Kingdom unravels some kind of galactic wilderness. Tillman's 6th another. Like Neil Young’s On the Beach or Jason Molina’s Songs:Ohia incarnation, it’s best heard late at night, alone, lights album lyrically borders on mystic; proffering a transcendent union, an down low, one last glass of wine in the wings.” – Uncut effortlessness. -
Asthmatic Kitty Records ! ! Sufjan Stevens Enjoy Your Rabbit
Asthmatic Kitty Records ! ! Sufjan Stevens Enjoy Your Rabbit Catalog / AKR003 Release Date / June 10, 2014 Genre / Alternative DESCRIPTION / Originally released in 2001 before Michigan and Illinois, Sufjan Steven’s Enjoy Your Rabbit foretells his 2010 electronic Age of Adz. Though overlooked by many, there are fans who regard Enjoy Your Rabbit as Sufjan’s greatest work. Departing from the singer-songwriter format of his debut Asthmatic Kitty Records album, A Sun Came, Rabbit is a collection of fourteen colorful instrumental compositions combining Sufjan’s noted gift for melody ! with electronic sounds to create an unusually playful and human- not to mention humane- electronic experience. Great for dancing, driving, writing, cooking, LP BOX LOT / 25 painting, running, walking, and of course, eating LP PACKAGING / Wide single jacket Chinese food, Rabbit features nearly eighty minutes of LP UPC / 656605919614 music that will truly soothe the savage breast, whatever LP RETURNABLE / No that means. GENRE / Alternative QUOTES / FORMAT / 2xLP “This may just be Sufjan Stevens' Magnus Opus. Forget Michigan, Seven Swans, Illinois . Enjoy Your RETURNABLE / No Rabbit is a masterclass in doing everything that logic tells music not to do.” – Sputnik Music EXPORT RESTRICTIONS / None “Sufjan Stevens proves himself adept of both long and TRACK LISTING / short forms; downtempo and high BPM; glitches, Disc 1 / Side A scratches and ambient drones; blips, bleeps and 1. Year of the Asthmatic Cat 0:24 bloops.” – Pitchfork 2. Year of the Monkey 4:20 3. Year of the Rat 8:22 4. Year of the Ox 4:01 “The underlying guiding principle is wide-eyed 5. -
Clifton Chronicle
SUMMER 2012 Volume Twenty-Two Number One CA Publicationlifton of Clifton Town Meeting C You Dohronicle It You Write It We Print It Cincinnati, Ohio 45220 Box 20067 P.O. Clifton Chronicle Clifton Home Composite—You will not be touring this home any time soon, made up of the homes on Evanswood Place by Bruce Ryan, former resident and producer of yearly Evanswood block party invitation where this illustration first appeared. Clifton House Tour this Mother’s Day By Eric Clark Every third year on Mother’s are like stepping back in time to the sored them throughout the ‘70s and Day, a group of Clifton homeowners period in which they were built. ‘80s, taking a hiatus between 1988 open their doors to greater Cincinnati Although we do not disclose and 1997. Since the resumption and say, “Come on in and have a look pictures or the addresses of the of the tours, the event has drawn around!” So, mark your calendars for homes until the day of the tour. We people from all over Cincinnati and Mother’s Day, May 13, 2012. are confident that if you have an ap- has been a great way to spend part Clifton Town Meeting has lined preciation for architecture or interior of Mother’s Day. up some great houses for the 2012 design, or if you just enjoy touring Tickets are $17.50 in advance tour and it includes something for beautiful Clifton homes, you will and $22.50 the day of the tour. Tick- everyone with a wide and eclectic NOT be disappointed. -
Gagosian Gallery
artnet June 28, 2019 GAGOSIAN ‘It’s True Musical Abstraction’: Artist Theaster Gates on His Plan to Break New Barriers in Sound Art at the Park Avenue Armory The artist will lead his Black Artists Retreat at the Park Avenue Armory's Drill Hall in October. Taylor Dafoe Theaster Gates introduces Discussions of the Sonic Imagination, Part II, 2019, at the Hirshhorn Museum and Sculpture Garden. Photo by Shannon Finney. This time last year, the Park Avenue Armory’s Drill Hall, one of the largest columnless spaces in New York City, desperately needed a new floor. Many of the 138-year-old wooden boards were cracked or crumbling; the support structure underneath was deteriorating. So the non-profit body in charge of the space, the Park Avenue Armory Conservancy, secured $4 million in funds (half of which came from the city) to rebuild it. That’s when Theaster Gates stepped in. He was already in talks with the Armory to do an ambitious project there this year, so he offered to source and mill some of the rare, recycled Georgia yellow pine for the reconstruction through his urban renewal project in Chicago, the Rebuild Foundation. Now, over the course of a weekend this October, Gates will get to see the foundation’s efforts in action when he mounts the newest iteration of his Black Artists Retreat at the Drill Hall. A protean gathering of black artists, academics, curators, and other creators, the retreat was founded by Gates and fellow Chicago-based artist Eliza Myrie, and held annually in their hometown between 2013 and 2016. -
Fall 2015 Uchicago Arts Guide
UCHICAGO ARTS FALL 2015 EVENT & EXHIBITION HIGHLIGHTS IN THIS ISSUE The Renaissance Society Centennial UChicago in the Chicago Architecture Biennial CinéVardaExpo.Agnès Varda in Chicago arts.uchicago.edu BerlinFullPage.pdf 1 8/21/15 12:27 PM 2015 Randy L. and Melvin R. BERLIN FAMILY LECTURES CONTENTS 5 Exhibitions & Visual Arts 42 Youth & Family 12 Five Things You (Probably) Didn’t 44 Arts Map Know About the Renaissance Society 46 Info 17 Film 20 CinéVardaExpo.Agnès Varda in Chicago 23 Design & Architecture Icon Key 25 Literature Chicago Architecture Biennial event 28 Multidisciplinary CinéVardaExpo event C M 31 Music UChicago 125th Anniversary event Y 39 Theater, Dance & Performance UChicago student event CM MY AMITAV GHOSH The University of Chicago is a destination where ON THE COVER CY artists, scholars, students, and audiences converge Daniel Buren, Intersecting Axes: A Work In Situ, installation view, CMY T G D and create. Explore our theaters, performance The Renaissance Society, Apr 10–May 4, 1983 K spaces, museums and galleries, academic | arts.uchicago.edu F, H, P A programs, cultural initiatives, and more. Photo credits: (page 5) Attributed to Wassily Kandinsky, Composition, 1914, oil on canvas, Smart Museum of Art, the University of Chicago, Gift of Dolores and Donn Shapiro in honor of Jory Shapiro, 2012.51.; Jessica Stockholder, detail of Rose’s Inclination, 2015, site-specific installation commissioned by the Smart Museum of Art;page ( 6) William G W Butler Yeats (1865–1939), Poems, London: published by T. Fisher Unwin; Boston: Copeland and Day, 1895, promised Gift of Deborah Wachs Barnes, Sharon Wachs Hirsch, Judith Pieprz, and Joel Wachs, AB’92; Justin Kern, Harper Memorial Reading Room, 2015, photo courtesy the artist; page( 7) Gate of Xerxes, Guardian Man-Bulls of the eastern doorway, from Erich F. -
Randy Brecker Randypop! Pete Mccann Range Nicole Mitchell
ment that he can go deep in any setting, wheth- er it’s the bristling, harmonically challenging opener “Kenny” (his ode to the late trumpet- er/%ugelhornist Kenny Wheeler), the angu- lar, odd-metered “Seventh Jar,” the urgent- ly swinging “Realm” (dedicated to pianist Richie Beirach), the Frisellian heartland bal- lad “To "e Mountains” or the pedal-to-the- metal fusion anthem “Mustard.” "ere’s even a 12-tone-in%uenced piece in the darkly disso- nant “Numinous.” Hey is the invaluable utility in!elder here, acquitting himself brilliantly on acoustic piano (“Kenny,” “Realm,” “Seventh Jar”), Fender Randy Brecker Pete McCann Rhodes electric piano (“Dyad Changes,” Range “Rumble,” “Bridge Scandal”) and organ RandyPOP! WHIRLWIND 4675 (“Mustard”). Saxophonist O’Gallagher, who PILOO RECORDS 009 ++++½ plays cascading unison lines alongside McCann +++½ A remarkable post-Pat Metheny contemporary on several of the intricate heads here, also deliv- ers outstanding solos on the uptempo swingers jazz guitarist, Pete McCann has %own some- With his younger brother Michael, trumpeter “Dyad Changes” and “Realm” and on the rau- what under the radar since the ’90s, though Randy Brecker helped de!ne the sound of early cous “Bridge Scandal.” It’s a formidable, %exi- the quality of his playing and depth of his writ- jazz-rock in out!ts like Dreams and the Brecker ing ranks alongside his generational colleagues ble out!t with a built-in chemistry and an auda- Brothers Band while also accruing an impres- Ben Monder and Kurt Rosenwinkel. He stakes cious streak. —Bill Milkowski sive “straight” jazz resume with everyone out highly original territory on his !$h out- from Horace Silver and Art Blakey to Charles ing as a leader in the company of pianist-key- Range: Kenny; Seventh Jar; Realm; To The Mountains: Mustard; Dyad Changes; Numinous; Bridge Scandal; Rumble; Mine Is Yours. -
Musicnow CONCLUDES 2014/15 SERIES with PROGRAM FEATURING WORK by AVANT-GARDE JAZZ ARTISTS JOHN ZORN and MYRA MELFORD
FOR IMMEDIATE RELEASE: Press Contacts: May 21, 2015 Eileen Chambers, 312.294.3092 Rachelle Roe, 312.294.3090 Photos Available By Request [email protected] MusicNOW CONCLUDES 2014/15 SERIES WITH PROGRAM FEATURING WORK BY AVANT-GARDE JAZZ ARTISTS JOHN ZORN AND MYRA MELFORD Program Also Includes Works by Esa-Pekka Salonen and Chicago-based Composer Marc Mellits June 1 Concert Marks Final MusicNOW Program Curated by CSO’s Mead Composers-in-Residence Mason Bates and Anna Clyne Monday, June 1 at 7 p.m. at Harris Theater CHICAGO — The Chicago Symphony Orchestra’s (CSO) acclaimed MusicNOW series— dedicated to showcasing contemporary music through an innovative concert experience— concludes its 2014/15 season Monday, June 1, at 7 p.m. in a program led by MusicNOW principal conductor Cliff Colnot at the Harris Theater for Music and Dance in Millennium Park (205 E. Randolph Dr., Chicago). The June 1 concert marks the final MusicNOW program curated by the CSO’s Mead Composers-In-Residence Mason Bates and Anna Clyne, who have guided the vision and development for the concert series since their appointment by CSO Zell Music Director Riccardo Muti in 2010. The June 1 MusicNOW program is performed by musicians of the CSO and special guest musicians including composer, pianist and Chicago-area native Myra Melford. It features two works by Guggenheim Fellow Melford, as well as works by American avant-garde composer John Zorn, internationally-acclaimed composer/conductor Esa-Pekka Salonen and American composer Marc Mellits. The concert experience is enhanced by special visual elements created by the Chicago-based film making collective Cinema Libertad, as well as DJ sets from illmeasures before and after the concert. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin