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Declinazioni Dei Tòpoi Della Foresta in Le Morte Darthur Di Sir Thomas Malory
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Filologia Moderna Classe LM-14 Tesi di laurea Declinazioni dei tòpoi della foresta in Le Morte Darthur di Sir Thomas Malory Relatore Laureando Prof.ssa Alessandra Petrina Daniele Biffanti n° matr. 1039306 / LMFIM Anno Accademico 2014 / 2015 1 2 INDICE p. 3 PREMESSA p. 7 CAP. 1 – LA FORESTA TRA ETÀ ANTICA E MEDIOEVO 1.1 ORIGINE ED ETIMOLOGIA DEI TERMINI “SELVA”, “FORESTA” E “BOSCO” p. 9 1.2 LA SELVA IN ETÀ GRECO-ROMANA p. 13 1.3 CAMBIAMENTI NELL'ALTO MEDIOEVO p. 21 1.4 LA FORESTA NEL BASSO MEDIOEVO p. 27 1.5 UN CASO SPECIFICO: LA FORESTA NEL MEDIOEVO INGLESE p. 30 CAP. 2 – LA SELVA NELLA LETTERATURA ANTICA 2.1 LA SELVA E LA CITTÀ ANTICA: GILGAMESH E ROMOLO p. 35 2.2 IL RITRATTO DEL SELVAGGIO p. 43 2.3 LA CACCIA NEL BOSCO p. 47 2.4 LA SELVA COME LOCUS AMOENUS E LOCUS HORRIDUS: VIRGILIO E LUCANO p. 56 CAP. 3 – LA FORESTA NELLA LETTERATURA TARDOLATINA E ALTOMEDIEVALE 3.1 IL BOSCO DI GRENDEL IN BEOWULF p. 65 3.2 LA FORESTA COME DESERTUM: FORESTA E DESERTO BIBLICO p. 70 3.3 HYLE E SILVA: LA SELVA COME CAOS E MATERIA PRIMORDIALE p. 74 CAP. 4 – LA FORESTA NEI TESTI DEL BASSO MEDIOEVO 4.1 LA “SELVA OSCURA” E LA “SELVA ANTICA” NELLA DIVINA COMMEDIA p. 79 4.2 IL MOTIVO DELLA “CACCIA INFERNALE” NELLA LETTERATURA ITALIANA MEDIEVALE p. 84 4.3 NASCITA E SVILUPPO DEL CICLO ARTURIANO p. -
An Analysis of Angelica Kauffman's Cornelia and Penelope Paintings As They Relate to Female Enlightenment Ideals Brandi L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2014 An Analysis of Angelica Kauffman's Cornelia and Penelope Paintings as they Relate to Female Enlightenment Ideals Brandi L. Batts Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Batts, rB andi L., "An Analysis of Angelica Kauffman's Cornelia and Penelope Paintings as they Relate to Female Enlightenment Ideals" (2014). LSU Master's Theses. 3858. https://digitalcommons.lsu.edu/gradschool_theses/3858 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. AN ANALYSIS OF ANGELICA KAUFFMAN’S CORNELIA AND PENELOPE PAINTINGS AS THEY RELATE TO FEMALE ENLIGHTENTMENT IDEALS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Brandi Batts Roth B.A., Southeastern Louisiana University, 2010 August 2014 To my family, Mom, Nick, Tuna, and Muffin. Most especially to my Fava Bean, even though you missed the end, I know you are always here. ii ACKNOWLEDGEMENTS I would first like to thank Dr. Darius Spieth for his unending help, knowledge, and patience with me during this long process. In addition, I would like to thank Dr. -
Quo Vadis La Prima Opera Transmediale
CONFERENZE 137 QUO VADIS LA PRIMA OPERA TRANSMEDIALE INDICE ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 137 QUO VADIS LA PRIMA OPERA TRANSMEDIALE Atti del convegno Roma 14-15 novembre 2016 a cura di ELISABETTA GAGETTI E MONIKA Woźniak ROMA 2017 Pubblicato da AccAdemiA PolAccA delle Scienze BiBliotecA e centro di Studi A romA vicolo Doria, 2 (Palazzo Doria) 00187 Roma tel. +39 066792170 e-mail: [email protected] www.rzym.pan.pl Pubblicazione finanziata dall’Accademia Polacca delle Scienze con il supporto dell’Università di Wrocław nell’ambito del programma del Ministero della Scienza e dell’Istruzione Superiore della Repubblica di Polonia “Narodowy Program Rozwoju Humanistyki” Nr 0136/NPRH4/H2b/83/2016 Recensione: ANDREA CECCHERELLI Traduzioni: ALESSANDRA PINI (DALL’INGLESE) – TESTI DI M.WYKE, J. STUBBS, A. DYKMAN ELISABETTA GAGETTI (DALL’INGLESE) – TESTO DI M. M. WINKLER SALVATORE GRECO (DAL POLaccO) – TESTI DI E. SKwaRA, B. Szleszyński, R. SUCHOWIEJKO, M. BOKSZCZANIN, D. ŚWIERCzyńskA Progetto grafico: ANNA WawRZYNIAK MAOLONI Redazione tecnica: ELISABETTA GAGETTI Impaginazione e stampa: EDO – JAKUB ŁOŚ ISSN 0239-8605 ISBN 978-83-63305-41-3 © Accademia Polacca delle Scienze Biblioteca e Centro di Studi a Roma INDICE PIOTR SALWA PREMESSA 9 QUO VADIS E L'ANTICA ROMA ADAM ZIÓŁKOWSKI SIENKIEWICZ E LA TOPOGRAFIA DI ROMA ANTICA. IL MISTERO DELL’OSTRIANUM IN QUO VADIS 13 EWA SKWARA AMARE AL MODO DEI CLASSICI. ISPIRAZIONI ANTICHE PER LA RAPPRESENTAZIONE DELL’AMORE NEL QUO VADIS DI HENRYK SIENKIEWICZ 29 BARTŁOMIEJ SZLESZYŃSKI QUO VADIS: LE FOLLE E I DIVERTIMENTI. IL ROMANZO DI HENRYK SIENKIEWICZ COME TESTIMONIANZA SULLE MASSE E SUGLI SPETTACOLI PER LE MASSE 41 QUO VADIS IN ALTRI MEDIA RENATA SUCHOWIEJKO QUO VADIS DI JEAN NOUGUÈS E FELIKS NOWOWIEJSKI. -
© 2020 Alisha Gratehouse, Masterpiecesociety.Com
© 2020 Alisha Gratehouse, masterpiecesociety.com Masterpiece Society Art Appreciation: Women Artists Masterpiece Society Art Appreciation: Women Artists Written by Olivia Gratehouse and Alisha Gratehouse © 2021 Alisha Gratehouse. All Rights Reserved. Copyright Notice: This curriculum may not be reproduced, displayed, modified, stored or transmitted in whole or in part, in any form or by any means, electronic, mechanical or other- wise, without prior written consent of the author. One copy of this curriculum may be printed for your own personal use. Most images in this lesson are from Wikimedia Commons and are public domain. Fair Use Notice: This curriculum may also contain copyrighted images, the use of which is not always specifically authorized by the copyright owner. However, for the purpose of art appreciation and enrichment, we are making such material available. We believe this constitutes “fair use” of any such copyrighted material for research and educational purposes as provided for in sections 17 U.S.C. § 106 and 17 U.S.C. §107. No copyright infringement is intended. Disclosure: The Masterpiece Society is a participant in the Amazon Services LLC Associates Program. Affiliate links are included in this curriculum at no extra cost to you. 2 © 2021 Alisha Gratehouse, masterpiecesociety.com FIGURE 1 - MUSÉE DU LOUVRE, PARIS, FRANCE “We cannot measure the influence that one or another artist has upon the child’s sense of beauty, upon his power of seeing, as in a picture, the common sights of life; he is enriched more than we know in having really looked at a single picture.” – Charlotte Mason “Being an ‘agent of civilization’ is one of the many roles ascribed to teachers. -
Virgilio, Eneide IV
vv. 1-13 Così dice, lacrimando, e allenta le briglie [1] alla flotta e finalmente approda alle spiagge Euboiche [2] di Cuma [3]. Cuma e il Girano le prore verso il mare; allora con dente tenace l'àncora tempio di teneva ferme le navi e le curve poppe coprono i lidi. Una Apollo schiera di giovani ardente balza sul lido Esperio; parte cerca i semi della fiamma nascosti nelle vene della selce, parte percorre le selve, folti rifugi di fiere e segnala i fiumi trovati. Il pio Enea si avvia verso la rocca [4], che l'alto Apollo [5] protegge, e lontano verso i luoghi segreti, antro smisurato, dell'orrenda Sibilla, cui il vate Delio [6] infonde la sua grande conoscenza e la sua volontà e svela il futuro. vv. 14-33 Dedalo [7], come è noto, fuggendo dal regno Minoico [8], su penne veloci osò affidarsi al cielo, e per l'insolito cammino Dedalo e le volò fino alle gelide Orse e leggero infine si fermò sulla rocca porte del calcidica. E qui, appena toccata la terra, a te, o Febo, consacrò tempio le ali ed eresse un tempio immane. Sulle porte era raffigurata la morte di Androgeo [9], quindi i Cecropidi [10] obbligati - miserando tributo - a dare come pena ogni anno sette corpi di figli e sta raffigurata l'urna da cui si estraevano le sorti. Di contro compare la terra di Cnosso elevata sul mare: qui vi è il crudele amore del toro e Pasifae posta sotto al toro con un'astuzia [11] e il Minotauro [12], razza mescolata e prole biforme, segno di un amore scellerato [13]; qui la casa, opera famosa [14] col suo inestricabile errare; ma in verità lo stesso Dedalo, preso da pietà per il grande amore della regina [15] sciolse l'inganno dei giri e rigiri nel Labirinto guidando con un filo i ciechi passi [16]. -
Teatro È Un Diritto E Un Dovere Per Tutti
Il teatro è un diritto e un dovere per tutti. La città ha bisogno del Teatro. Il Teatro ha bisogno dei cittadini. (Paolo Grassi) I MIGLIORI SPETTACOLI IL GRANDE TEATRO Milano in Piemonte Teatro Fontana ................................. 140 a Milano Fabbrica del Vapore ............................ 78 Teatro Guanella ................................. 141 Teatro Degli Arcimboldi ....................... 79 Novara Manifatture Teatrali Milanesi .................. 8 Teatro Coccia ................................... 106 Teatro Manzoni ................................. 142 - La Cavallerizza Teatro CIAK ........................................ 80 Arcore - Teatro Litta Valenza Cineteatro Nuovo ............................. 143 - Teatro Leonardo IL GRANDE TEATRO Teatro Sociale ................................... 108 in Lombardia PACTA. dei Teatri – Salone.................. 14 Bergamo C.L.A.P. spettacolodalvivo ................. 82 in Emilia Romagna Giocarteatro ..................................... 144 Piccolo Teatro di Milano - Teatro d’Europa - Piccolo Teatro di Milano / Teatro Studio - Teatro San Giorgio - Teatro Grassi ................................... 18 Melato Bologna Teatro Duse ...................................... 110 - Teatro Strehler ................................. 22 - Spazio Fattoria / Fabbica del Vapore - Auditorium Piazza Libertà Teatro EuropAuditorium .................... 112 - Teatro Studio Melato ....................... 26 (Milano) Il Teatro delle Meraviglie .................... 146 Teatro Celebrazioni .......................... -
Angelica Kauffman Study Day (London, 16 Sep 20)
Angelica Kauffman Study Day (London, 16 Sep 20) Royal Academy of Arts, London, Sep 16, 2020 Deadline: Apr 15, 2020 Marie Tavinor On the occasion of the retrospective dedicated to Angelica Kauffman taking place in Düsseldorf and London in 2020, the Royal Academy of Arts is organising a study day on the artist on Wednes- day 16 September 2020. A child prodigy and a respected painter famous all over Europe in her own lifetime, Angelica Kauff- man (1741-1807) transcended many boundaries and conventions linked to eighteenth century social norms. She embraced many facets of the Enlightenment beliefs, pursued a career to become a history painter following the neoclassical ideals and worked for some of the most prominent patrons of the time. She was also one of the two female founding members of the Roy- al Academy of Arts in London in 1768. At her death, her sculpted bust was placed next to Raphael’s in the Pantheon in Rome thereby underlining her place in the artistic canon. We welcome papers exploring the rich and versatile career of Angelica Kauffman with a fresh con- textualisation in the broader artistic, cultural, social and economic fabric of the eighteenth centu- ry. Topics should draw on Kauffman’s production and career and may include, but are not neces- sarily limited to: - Fashion and costume - The business of art (showroom, records, book-keeping and clientele) - Cosmopolitan networks - International career - Women patrons - Royal patrons - Women artists and their careers - Artistic/Intellectual friendships and their impact on creativity - Multiples (prints, designs for decorative arts) - Female self-portrait and self-representation - Display in C18th European Art Please send an abstract of 300 words and a short biography of 200 words to: Marie.Tavinor@roy- alacademy.org.uk and [email protected] Deadline to submit a proposal: 15 April 2020 We are sorry that we cannot offer any travel bursaries on this occasion. -
Charles E. and Pauline Hayworth Fine Arts Center Art Collection
Charles E. and Pauline Hayworth Fine Arts Center Art Collection Contents Landina Herring, Lands End, Cornwall by Richard Henry Carter ............................. 2 Old Man in Oriental Costume by Christian Wilhelm Ernest Dietrich ....................... 3 Saint Francis of Assisi Having the Vision of the Flaming Torch by El Greco ............. 4 Bunyon and Blind Daughter at Bedford Gaol by Sir George Harvey .......................... 6 Belshazzer’s Feast by Antonio Zucchi and Angelica Kauffman ................................... 7 Portrait of Belinda by Sir Joshua Reynolds ................................................................... 9 Bust of Dr. Epperson and Bust of Dave Decker by Dr. Andrea Wheless ................. 11 Tapestries ....................................................................................................................... 12 1 Landina Herring, Lands End, Cornwall by Richard Henry Carter Title: Landina Herring, Lands End, Cornwall Artist: Richard Henry Carter (1839-1911) Richard Henry Carter was born in Truro in 1839 and became one of the buyers in Cornwall of copper for the smelting firm, Vivian & Sons, Swansea. After quite a few years, Carter gave up this career and devoted himself entirely to his painting. Carter’s early works were mostly of sea and coastal subjects in watercolors, but later he began to paint figures and use oil paints. Carter’s influences included Charles Napier Hemy, whose style and subjects he greatly admired. Many of Carter’s best works were painted in Scotland and the Shetland Isles. Carter exhibited in the Royal Academy for eleven years and for eighteen years at the New Watercolour Society, now known as the Royal Institute of Painters in Watercolours. Carter’s watercolours were often extremely large, over six feet long. Landina Herring, Lands End, Cornwall is a watercolor that was painted on paperboard and heightened with white. -
Delle Rime Volgari Trattato Di Antonio Da Tempo, Composto Nel 1332, Dato
Ofcr-. 9<P COLLEZIONE DI OPERE INEDITE RARE DEI PRIMI TRE SECOLI DELLA LINGUA PUBBLICATA PER CURA DELLA R. COMMISSIONE PE' TESTI DI LINGUA NELLE PROVINCIE DELL' EMILIA RIME VOLGARI TBATTATO DI GIUDICE PADOVANO COMPOSTO NEL 1332 dato in luce integralmente ora la prima volta PliR CUKA DI GIUSTO GRION <? ^ BOLOGNA Presso Graetano Komagiaoli 1869. BOLOGNA. REGIA TIPOGRAFIA. PREFAZIONE APSTTOIVIO r>A TE]V1I*0 Della famiglia padovana I>a. Tempo poche sono le notizie che corrono ne' fasti della illustre città Antenorea. La menzione più antica di essa ci venne fatto di trovare nella inedita Istòria della diocesi di Padova, volume in 4.° di 1400 pagine del celebre Brunacci , copiato nel 1777, che si conserva nella padovana biblioteca comunale. Nel libro tren- tesimoterzo od ultimo è ricordato un Giovanni da Tempo, il quale in due istrumenti del 1193, legaliz^ zati addì Ì9 marzo 1194, testifica che V anno 1156 Giannibuono de' Lemizzoni si trovava alle scuole di Bologna. La nobile famiglia de' Lemizzoni , i cui consanguinei si distinguevano pei cognomi di Lemizi, Lemizetti, Dente, Linguazzi e Linguadi vacca , abitava nel quartiere del Duomo, nella via che da questo conduce al ponte dei Tadi: ed. è verisimile, che 6 anche il testimonio abitasse nella stessa contrada. Crediamo altresì apporci al vero, presumendo che Giovanni da Tempo nel 1156 fosse col Lemizzoni allo studio di Bologna; e quivi dai celebri professori, che alla dieta di Roncaglia confusero i diritti del- l' imperatore romano assoluto con quelli dell' im- peratore romano-germanico, imbevessesi di quel ghibellinismo, che nei Da Tempo, come nei Le- mizzoni, si manifesta poi fino all' età Carrarese. -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
“De Romans” I La Història Alicia Garau Moneo 1 1. Introducció 1 2. El Cinema Com a Document Històric 1 3. El
El cinema “de romans” i la Història 1 Alicia Garau Moneo 1. Introducció 1 2. El cinema com a document històric 1 3. El cinema històric 5 3.1. Els historiadors i el cinema 7 3.2. Tipologia dels films històrics 8 3.2.1. El cinema no- ficcional 8 3.2.2. La ficció històrica 10 3.3. La construcció històrica en el film 12 4. El cinema de romans 15 4.1. Les característiques generals 15 4.1.1. La literatura i les arts plàstiques com a suport 16 4.1.2. Nuclis del cinema de romans 20 4.2. Recorregut per la historia del cinema de romans 23 4.2.1. El cinema de romans italià 23 4.2.1.1. El cinema èpic italià mut 23 4.2.1.2. El cinema italià de la postguerra 25 4.2.1.3. El cinema sonor italià 26 4.2.1.3.1. El cinema italià durant el feixisme 26 4.2.1.3.2. El cinema italià de la postguerra 27 4.2.2. El cinema de romans de Hollywood 27 4.2.2.1. El triomf de Hollywood 28 4.2.2.2. L’Antiguitat en CinemaScope 30 4.2.2.3. L’edat d’or del cinema èpic 30 4.2.3. El cinema de romans avui en dia 32 4.2.4. El pèplum 34 5. Anàlisi de pel·lícules 36 5.1. La caída del Imperio Romano 36 5.1.1. El productor i el director 37 5.1.2. Les causes de la decadència segons la pel·lícula 38 5.1.3. -
Boom Times Expected in the Mining Industry
BULEVARDI 2/4, www.ahjoclub.fi ISSUE 6 • 13 – 19 JUNE 2007 • € 3 (SIS. ALV) FINLAND NEWS BUSINESS LIFESTYLE Selänne finally Few Finns are Travel Smoking ban victorious prepared for organisers ignites mixed SPORT page 12 retirement believe in response Film festival Finland’s appeal in Sodankylä page 5 page 10 page 13 CULTURE page 14 LEHTIKUVA / MARKKU ULANDER Boom times expected in the mining industry SAMI SALLINEN - HELSINKI TIMES possibility of uranium mining in Fin- STT land. According to Pekka Suomela, the Chief Inspector of Mines at the Ministry of Trade and Industry, about THE RISING market prices for gold, fi ve applications for uranium claims nickel and other metals have in Pohjois-Karjala are currently revitalised the mining industry in being processed, and the two already Finland. Finnish and international granted licences are being exam- companies are now racing ahead to ined by the Supreme Administra- exploit the country’s mineral wealth. tive Court. The prospect of domestic Several major mining projects are uranium mining to feed Finland’s expected to start production in the increasing number of nuclear power next fi ve years. plants has attracted strong criticism In a telling sign of confi dence from environmental groups and the in the industry, Talvivaara Min- communities potentially affected by ing Company Ltd had no problem pollution from the mines. raising €310m for constructing a Speaking at the FinnMateria nickel mine in Sotkamo, by list- exhibition in Jyväskylä recent- ing its shares on the London Stock ly, Suomela rued the fact that the Exchange in May. The company is public storm around uranium The hot weather drew more than 60,000 people to enjoy the free Kaivopuisto summer concert in Helsinki last Sunday.