An Open Letter to President Hai'ding
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Denison University Bulletin, Granville, Ohio 1956-1957, 126Th Academic Year
ITY BULLETIN CATALOG.NUMBER 1956-57 !•-« ■) i ti . s - ,t y**.~ >**« ENISON UN l-V E R S I TY BULLETIN CATALOG NUMBER 1956-57 i Cfj tyieuT oPrke Gu«fius BENISON UNIVERSITY und a.portion, oftke tyi/Zqge of GRANVILLB- OHIO DENISON UNIVERSITY BULLETIN Granville, Ohio 1956-57 126tli -Academic IJeear A COLLEGE OF LIBERAL ARTS AND SCIENCES Founded 1831 CATALOG NUMBER Volume LVI, No. 3 October. 1956 Ih. Doniton Univ.rlity Bulletin is publilhod by Doniion Unlvartily, Gronvillo, Ohio, lour lim.i o y.af in Juno. Auguil, Oclobor. ond No.ombor. Enlwtd oi ucond clan malt.r at th. Poit OBic. at GranvilU. Ohio, und«r ih. Act ol Auguit 24. 1912. CALENDAR 1956-1957 I til !»'« MKST I1HMIU New Student Days. Saturday-Thursday. row JANUABT •-(.'ember 8-13 Registration Day. Thursday. - M r n r t s \i r w T i - September IS 1 4 -. 4 : .-12344 ClaNH twtfin Monday. September 17 9 9 10 U tt 11 14 4 : * i iv II u Homerumidit, Saturday. October I ■■ i* ii ii ;o .'0 :i 13 14 IS 14 17 1* I* Dad'i Das*. Saturday. October 27 . :« .: II 20 21 22 II 2. 30 31 27 28 19 SO 31 . Hi..' ■ ■.'iving V»r»! i»n begins Wednesday. November 21, noon Ih-n.niv-.i Vacation end* Air.t n FEHRl'ARY Monday. November 21, noon Pre-ReitU(ratk>n Day. Saturday. M 1 tt T K S a M T w T V - I December 8 _ 1 S 4 IS CfcrtJtau Vacation basins .-. -
June 1902) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc. -
The P Presby Erian Church
R E V . \V I L L I A M O H N C H I C H E S TE R D . D . J , T H E P Presby erian Church A H I ST O RY O F T H E O L D E ST O R GA N I Z AT I O N I N C H I C A G O Wi th B i og ra ph i ca l Ske t c h e s of th e P a s tors a n d C opi ou s Ext a c ts f r o m" t h e C ho ir Re ds r : ; cor ’ ’ P H I L O Mi AMsi o i f l s Me mb e r of th e Commi tte e on Mu sic sin c e 1 8 7 4 WI T H I L L U ST R A T I O N S C L A Y T O N F. S U M M Y C o . C H I C A G O 1 9 0 0 LIST O F I LLU ST RAT I N O S. D REV . W . J . CHICHESTER , D . , M M T B F B E ORIAL A LET , ORT DEAR ORN , B . D . REV . JOHN LATCHFORD , D , B ” RICK CHURCH , FIRST PRESBYTERIAN CHURCH B M E . WA ASH AVENUE . CHURCH , M M O R . JA ES TIS , FIRST PRESBYTERIAN CHURCH M G F. B R . EORGE ACON , F B I IRST PRES YTERIAN CHURCH ( NTERIOR ), M A . -
George F. Bristow Concertmaster, 1850-55 Philharmonic Member 1842-84 B
George F. Bristow Concertmaster, 1850-55 Philharmonic Member 1842-84 b. New York, 1825 d. New York, 1898 A founding member of the New York Philharmonic from 1842, George Bristow was the first Concertmaster to succeed U.C. Hill, the founder of the Orchestra. A working musician for most of his life, Bristow began playing in the Olympia Theatre orchestra at the age of 11, and maintained an eclectic performance career even after he joined the Philharmonic six years later. In addition to his work as a violinist, Bristow was conductor of the Harmonic Society from 1851 and director of the Mendelssohn Union. He was also an active church organist and a dedicated composer, writing cantatas, overtures, quartets, anthems, songs, piano pieces and an opera Rip Van Winkle . The Philharmonic has performed eight of his works, the most recent being his String Quartet Op. 2 performed in 2002 at a Philharmonic Ensembles concert. Richard Arnold Concertmaster 1885-1909 Philharmonic Member 1876-1909 b. Eilenberg, Germany, 1845 d. New York, 1918 German violinist Richard Arnold was an important leader of the Philharmonic both as musician and administrator. In addition to his duties as Concertmaster he was a Director of the Society from 1879-95, and Vice President from 1895-1918. Under his watch the Philharmonic made its seminal transition from self-governing organization to modern business administration in 1909 with a managing staff and board. It was at this time that Gustav Mahler was hired as Music Director, and it was with Richard Arnold that Mahler did much of his corresponding. -
Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Trip
CARNEGIE HALL .... NEW YORK Thursday Evening, November 19, at 8.45 Saturday Afternoon, November 21, at 2.30 PRoGRTWVE "Ike BOSTON SYMPHONY ORCHESTRA: 188M931" By M. A. De WOLFE HOWE Semi'Centennial Edition It is seventeen years since M. A. De Wolfe Ilowe's history of the Boston Symphony Orchestra was published. The Fiftieth season of the Orches- tra seemed a fitting time to re-publish this prized narrative of its earlier days, and likewise to record, in additional chapters, the last years of Dr. Muck's conductorship, and those of Henri Rabaud, Pierre Monteux, and Dr. Serge Koussevitzky. Xew appendices include a complete list of the music played at the regular concerts, giving the dates of performances. The soloists and the personnel through fifty years are also recorded, and the address on Henry Lee Higginson made by Bliss Perry at the Bach Festival, March 25, 1931. Now on sale at the Box Office, or by money order to Symphony Hall, Boston Price $1.50 (postage included) CARNEGIE HALL - - - NEW YORK Forty-sixth Season in New York FIFTY-FIRST SEASON, 1931-1932 INC. Dr. SERGE KOUSSEVITZKY, Conductor THURSDAY EVENING, NOVEMBER 19, at 8.45 AND THE SATURDAY AFTERNOON, NOVEMBER 21, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1931, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE WILLIAM PHILLIPS N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. -
Music. a Monthly Magazine Devoted to the Art, Science, Technic and Literature of Music (Chicago, 1891-1902)
Music. A Monthly Magazine Devoted to the Art, Science, Technic and Literature of Music (Chicago, 1891-1902) A musical reflection of the American Progressive movement’s concerns for education and reform, Music was published and edited by the music educator and prolific writer William Smythe Babcock (W. S. B.) Mathews (1837-1912). From the first issue, appearing in November of 1891, Music published two volumes per year with each monthly issue containing in excess of 100 pages in octavo format. One double issue appeared in August-September of 1901 and publication was suspended between May and August of 1902. In January 1903 the journal merged with Philharmonic (Chicago, 1901-1903). Totaling some 15,000 pages over 11 years, Music represented the high ideals and progressive character of the editor and chief contributors. Mathews saw the need for a more serious music journal in the United States, to stand in contrast to the numerous news- and review-oriented music journals already in wide circulation. Mathews thus summarized his aims for the journal: “That idea, need it be said? is the establishment of a musical periodical of a character and scope not yet realized in the musical world.”1 W. S. B. Mathews was born on a New Hampshire farm in an environment mostly devoid of music.2 Musically, he was largely self-taught, studying piano with local teachers in New Hampshire, later in Boston, and with William Mason during the summers of 1871 to 1873. During the early 1860s, Mathews taught music in Georgia, North Carolina, West Virginia, Alabama, and Illinois, before finally settling in Chicago in 1867. -
Violin Concerto of Samuel Coleridge-Taylor
ERASING THE COLOR LINE: THE VIOLIN CONCERTO OF SAMUEL COLERIDGE-TAYLOR BY HANGYUL KIM Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Ayana Smith, Research Director ______________________________________ Mimi Zweig, Chair ______________________________________ Stanley Ritchie ______________________________________ Peter Stumpf 22 September 2016 ii Copyright © 2016 Hangyul Kim iii To my parents iv Acknowledgements I am grateful to my late violin professor, Ik-Hwan Bae, for his guidance during my studies at Indiana University, as well as his family Sung-Mi Im and Subin Bae. I am also grateful to my brother, Hanearl Kim, for always helping me through difficult times and to my parents for their support and encouragement throughout my academic studies. I would also like to thank my committee for seeing me through the final stages of my degree, especially Dr. Ayana Smith, who took the time to patiently proofread my document. Lastly, I am grateful to my partner, Carolyn Gan, for her patience and dedication and love. This paper would never have come into fruition without my experiences at the East Rock Global Magnet Studies School, and I would like to extend my well-wishes to my colleagues and their children, as they forge onwards through a turbulent world. v Preface Samuel Coleridge-Taylor’s mixed-black heritage, which easily could have remained a social handicap in 19th century Victorian England, may arguably have boosted his career during a time when African-heritage music and artists became fashionable amongst the European and American public. -
Boston Symphony Orchestra Concert Programs, Season 28,1908-1909, Trip
INFANTRY HALL . PROVIDENCE Twenty-eighth Season, 1908-1909 MAX FIEDLER, Conductor Programme nf % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 24 AT 8. J 5 PRECISELY COPYRIGHT, 1908, BY C. A. ELLIS PUBLISHED BY- C. A. ELLIS, MANAGER Mme. CECILE CHAMINADE The World's Greatest Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest Woman Singer USE Piano. THE JOHN CHURCH CO., 37 West $2d Street New York City REPRESENTED BY THE JOHN CHURCH CO., 37 West 32d Street, New York City Boston Symphony Orchestra PERSONNEL TWENTY-EIGHTH SEASON, 1908-1909 MAX FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J, Noack, S. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Werner, H. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Marble, E. Goldstein, S. Kurth, R. Goldstein, H. Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, E. Warnke, J. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Maquarre, D. Lenom, C. Mimart, P. Mueller, E. Brooke, A. Sautet, A. -
Adobe Photoshop
KUNKEL'S MUSICAL REVIEW, OCTOBER, 1895. 73 NEED OF STRENGTH. FRANZ ONDRICEK. said, "Here, this is my second Wicniaw:oky!" Ondricek remained in France for the •following There is an organic relation between strength Franz Ondricek was born in Prague, where his two years, while he played in a number of the Pas- and singing, says a writer in the New ). ork .Aclve1·- father was a musician, and while quite young he Ideloup Concerts in Parts, as well as in all the repre tiset. 'l'he mere production of song demands but was compelled to assist his father to earn a. living sentative concerts in Bordeaux, Lyons, Marseilles, the exertion; of singing and acting together de- for his family. In his seventh year he was advanc- Brussels. Nizza, and other French cities. Later be mands an expenditure of vital force almost as great, ed sufficiently to play violin concertos, principally played for the London Philharmonic ::iociety, wht>re if not equal to, the hardest physit allabor. There Ithose by De Beriot. In his fourteen til year he was Ihe achieved an enormous succes!', so much so that be are many parts in grand opera, and even light op- admitted to the Conservatory, where he made won- has played with that society almost every season for era, which are simply exhausting to a weak or derful progress. He not only studied music, but the last ten years. sickly man or woman. 'l'h is is a reason why EO was also instructed in literary branches. .Aftt'r three After his London succel:>S Ondricek was beard in many charming vocalists, who are simpiy superb years Ondricek received the first prize for his the leading German ciLies, such as Vienna. -
Known Also As Louis Victor Franz Saar [Lôô-Ee Veek-TAWR FRAHNZ SAHAHR]
Saar C Louis Victor Saar C LOO-uss VICK-tur SAR C (known also as Louis Victor Franz Saar [lôô-ee veek-TAWR FRAHNZ SAHAHR]) Saar C Mart Saar C MART SAHAHR Saari C Tuula Saari C TÔÔÔÔ-lah SAHAH-rih Saariaho C Kaija Saariaho C KAHIH-yah SAHAH-rihah-haw C (known also as Kaija Anneli [AHN-neh-lih] Saariaho) Saavedra C Ángel Pérez de Saavedra C AHN-hell PAY-rehth day sah-VAY-drah Sabaneyev C Leonid Sabaneyev C lay-ah-NYITT sah-bah-NAY-eff C (known also as Leonid Leonidovich [lay-ah-NYEE-duh-vihch] Sabaneyev) Sabata C Victor de Sabata C VEEK-tohr day sah-BAH-tah C (known also as Vittorio de Sabata [veet-TOH-reeo day sah-BAH-tah]) Sabater C Juan María Thomas Sabater C hooAHN mah-REE-ah TOH-mahss sah-vah-TEHR C (known also as Juan María Thomas) Sabbatini C Galeazzo Sabbatini C gah-lay-AHT-tso sahb-bah-TEE-nee Sabbatini C Giuseppe Sabbatini C joo-ZAYP-pay sah-bah-TEE-nee Sabbatini C Luigi Antonio Sabbatini C looEE-jee ahn-TAW-neeo sahb-bah-TEE-nee Sabbato sancto C SAHB-bah-toh SAHNK-toh C (the Crucifixion before Easter Sunday) C (general title for individually numbered Responsoria by Carlo Gesualdo [KAR-lo jay-zooAHL- doh]) Sabin C Robert Sabin C RAH-burt SAY-binn Sabin C Wallace Arthur Sabin C WAHL-luss AR-thur SAY-binn Sabina C Karel Sabina C KAH-rell SAH-bih-nah Sabina C sah-BEE-nah C (character in the opera La fiamma [lah feeAHM-mah] — The Flame; music by Ottorino Respighi [oht-toh-REE-no ray-SPEE-ghee] and libretto by Claudio Guastalla [KLAHOO-deeo gooah-STAHL-lah]) Sabio C Alfonso el Sabio C ahl-FAWN-so ell SAH-veeo Sacchetti C Liberius Sacchetti C lyee-BAY-rihôôss sahk-KAY-tih Sacchi C Don Giovenale Sacchi C DOHN jo-vay-NAH-lay SAHK-kee Sacchini C Antonio Sacchini C ahn-TAW-neeo sahk-KEE-nee C (known also as Antonio Maria Gasparo Gioacchino [mah-REE-ah gah-SPAH-ro johahk-KEE-no] Sacchini) Sacco C P. -
Progrs^VAE Heinrich Gebhard PIANIST, COMPOSER, TEACHER
PRoGRS^VAE heinrich Gebhard PIANIST, COMPOSER, TEACHER and one of the foremost musicians of this coantry, writes regarding PIAAIOS Dear Sirs: As yoti are awaret for several seasons I have used the Mason & Hamlin Pianos in my public and private playing, with orchestra, in recitals, before musical organizations throttghotjt the country, as well as for my teaching. It gives me great pleasure to tell you that these instruments have met every demand under all these exacting con- ditions. The tone is one of surpassing beauty^ characterized by a singing quality 'which suggests the human 'hoice. The action is exquisitely sensitive, and lends itself to every desire and demand of the artist. I congratulate you on these wonderful instruments, and believe that you are doing much, in their manufacture, for the good of the art of music. {Signed) HEINRICH GEBHARD. MASON&HAMLIN COMPANY Opp. Institute of Technology 492-494 Boylston Street ' SYMPHONY HALL, BOSTON HUNTINGTON6-MASSACHUSETTS AVENUES „ , , ( Ticket Office, 1492 I „ , „ T^^«P^°"^H Administration Offices,3200 t^^'^^^^y TWENTY-EIGHTH SEASON, 1908-1909 MAX FIEDLER, Conductor frogramm? of % Sixteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, FEBRUARY 26 AT 2.30 O'CLOCK SATURDAY EVENING, FEBRUARY 27 AT 8.00 O'CLOCK COPYRIGHT, 1908, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1249 Mme. CECILE CHAMINADE The World's Greatest "Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest W^oman Singer USE P^SINO. THE JOHN CHURCH CO., 37 West 32d Street New York City REPRESENTED BY G. -
Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Trip
CARNEGIE HALL .... NEW YORK Thursday Evening, January 7, at 8.45 Saturday Afternoon, January 9, at 2.30 PRoGRZWVE £: 2 ^ "flu BOSTON SYMPHONY ORCHESTRA: I88H931" By M. A. De WOLFE HOWE Semi'Centennial Edition It is seventeen years since M. A. De Wolfe Howe's history of the Boston Symphony Orchestra was published. The Fiftieth season of the Orches- tra seemed a fitting time to re-publish this prized narrative of its earlier days, and likewise to record, , in additional chapters, the last years of Dr. Muck's conductorship, and the years of Henri Rabaud, Pierre Monteux, and Dr. Serge Koussevitzky. New appendices include a complete list of the music played at the regular concerts, giving the dates of performances. The soloists and the personnel through fifty years are also recorded, and the address on Henry Lee Higginson made by Bliss Perry at the Bach Festival, March 25, 1931. Now on sale at the Box Office, or by money order to Symphony Hall, Boston Price $1.50 (postage included) CARNEGIE HALL - - - NEW YORK Forty-sixth Season in New York FIFTY-FIRST SEASON, 1931-1932 INC. Dr. SERGE KOUSSEVITZKY, Conductor THURSDAY EVENING, JANUARY 7, at 8.45 AND THE SATURDAY AFTERNOON, JANUARY 9, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1932, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT ......... President BENTLEY W. WARREN Vice-President ERNEST B. DANE ......... Treasurer FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE WILLIAM PHILLIPS N. PENROSE HALLOWELL EDWARD M. PICKMAN M.